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Book
xii, 222 pages : illustrations (some color), map ; 27 cm.
  • Preface Note on the Transliteration Acknowledgements List of Figures About The Contributors Introduction Kishwar Rizvi Emotion and Subjectivity in an Early Modern Context Chapter 1 Sussan Babaie Chasing After the Muhandis: Visual Articulations of the Architect and Architectural Historiography Chapter 2 Marianna Shreve Simpson Who's Hiding Here? Artists and Their Signatures in Timurid and Safavid Manuscripts Chapter 3 Emine Fetvaci Ottoman Author Portraits in the Early-Modern Period Chapter 4 Christiane Gruber In Defense and Devotion: Affective Practices in Early Modern Turco-Persian Manuscript Paintings Chapter 5 Sylvia Houghteling Sentiment in Silks: Safavid Figural Textiles in Mughal Courtly Culture Chapter 6 Chanchal Dadlani The City Built, The City Rendered: Locating Urban Subjectivity in Eighteenth-Century Mughal Delhi Chapter 7 Sunil Sharma Fa'iz Dihlavi's Female-Centered Poems and the Representation of Public Life in Late Mughal Society Chapter 8 Jamal Elias Mevlevi Sufis and the Representation of Emotion in the Arts of the Ottoman World Index.
  • (source: Nielsen Book Data)9789004340473 20180219
Affect, Emotion and Subjectivity in Early Modern Muslim Empires presents new approaches to Ottoman Safavid and Mughal art and culture. Taking artistic agency as a starting point, the authors consider the rise in status of architects, the self-fashioning of artists, the development of public spaces, as well as new literary genres that focus on the individual subject and his or her place in the world. They consider the issue of affect as performative and responsive to certain emotions and actions, thus allowing insights into the motivations behind the making and, in some cases, the destruction of works of art. The interconnected histories of Iran, Turkey and India thus highlight the urban and intellectual changes that defined the early modern period. Contributors are: Sussan Babaie, Chanchal Dadlani, Jamal Elias, Emine Fetvaci, Christiane Gruber Sylvia Hougteling, Kishwar Rizvi, Sunil Sharma, Marianna Shreve Simpson.
(source: Nielsen Book Data)9789004340473 20180219
Art & Architecture Library (Bowes)
Book
xvi, 232 pages, 16 unnumbered pages of plates : illustrations (chiefly color) ; 22 cm
  • Introduction : AIDS 2.0
  • Silence = death
  • Gran Fury
  • Affinity
  • Epilogue : notstalgia.
Early in the 1980s AIDS epidemic, six gay activists created one of the most iconic and lasting images that would come to symbolize a movement: a protest poster of a pink triangle with the words "Silence=Death." The graphic and the slogan still resonate widely today, the latter an anthem for AIDS activism, and are often used-and misused-to brand the entire movement, appearing in a variety of ubiquitous manifestations. Cofounder of the collective Silence=Death and member of the art collective Gran Fury, Avram Finkelstein tells the story of how his work and other protest artworks associated with the early years of the pandemic were created. In his writing about art and AIDS activism, the formation of collectives, and the political process, Finkelstein exposes us to a different side of the traditional HIV/AIDS history told twenty-five years later and offers a creative toolbox for those who want to learn how art and activism save lives.
(source: Nielsen Book Data)9780520295148 20171211
Art & Architecture Library (Bowes)
Book
xii, 218 pages : illustrations ; 22 cm
Algebraic Art explores the invention of a peculiarly Victorian account of the nature and value of aesthetic form, and it traces that account to a surprising source: mathematics. Drawing on literature, art, and photography, it explores how the Victorian mathematical conception of form still resonates today.
(source: Nielsen Book Data)9780198809982 20180604
Art & Architecture Library (Bowes)
Book
xiv, 325 pages : illustrations ; 24 cm.
  • List of Contributors List of Illustrations Introduction Rosario Rovira Guardiola, The British Museum, UK The Mediterranean as a Geographical Space 1. Roman Adriatic ports and the antiquarian tradition Federico Ugolini 2. Chronotopes of Hellenic antiquity: The Strait of Reggio and Messina in documents from the Grand Tour era Marco Benoit Carbone 3. The Eternal Words of the Latin Sea: Fedra by Mur Oti Francisco Salvador Ventura, Universidad de Granada, Spain Living and Dying in Troubled Waters 4. Quod mare non novit, quae nescit Ariona tellus? (Ov. Fast. II, 83) Dorit Engster, University of Goettingen, Germany 5. Ulysses in the cinema: the example of Nostos, il ritorno (Franco Piavoli, Italy 1990) Oscar Lapena Marchena, Universidad de Cadiz, Spain 6. A sea of metal plates: images of the Mediterranean from the XVIIIth century until post-modern theatre Sotera Fornaro, Universita di Sassari, Italy 7. Sailors on Board, Heroes en Route. From the Aegean World to Modern Stage Erika Notti and Martina Treu, Universita IULM - Milano, Italy A Personal Sea. The Artist and the Sea 8. Ancient Seas in Modern Opera: Sea Images and Mediterranean Myths in Rihm's Dionysos Jesus Carruesco, Universitat Rovira I Virgili, Tarragona, Spain and Montserrat Reig, Catalan Institute of Classical Archaeology, Tarragona, Spain 9. A mirror to see your soul. The exile of Ovid in Eugene Delacroix's painting Rosario Rovira Guardiola, The British Museum, UK 10. Cinematic Romans and the Mediterrranean Sea Cecilia Ricci, Universita degli Studi del Molise, Italy Sea Politics 11. Changing their sky, not their soul. Lawrence Alma-Tadema's vision of the ancient Mediterranean Quentin Broughall, Independent scholar 12. The image of Phoenicians and Carthaginians in Modern Spanish History and Culture Antonio Dupla Ansuategui, Univ. Pais Vasco/Euskal Herriko Unibertsitatea, Spain 13. Screening the Battle of Actium. Naval Victory, Erotic Tragedy, and the Birth of an Empire Monica Silveira Cyrino, University of New Mexico, USA Contemporary Uses of the Classical Mediterranean 14. Troubled Waters: Performative imaginary in the Project PI - Pequena Infancia Sofia de Carvalho, Elisabete Cacao and Ana Seica Carvalho, University of Coimbra - CECH, Portugal Annex 15. Nem Gregos nem Troianos Jose Bandeira Bibliography Index.
  • (source: Nielsen Book Data)9781474298599 20180219
When thinking about the Mediterranean, Fernand Braudel's haunting words resound like an echo of the sea and its millenary history. From Prehistory until today, the Mediterranean has been setting, witness and protagonist of mythical adventures, of encounters with the Other, of battles and the rise and fall of cultures and empires, of the destinies of humans. Braudel's appeal for a long duree history of the Mediterranean challenged traditional views that often present it as a sea fragmented and divided through periods. This volume proposes a journey into the bright and dark sides of the ancient Mediterranean through the kaleidoscopic gaze of artists who from the Renaissance to the 21st century have been inspired by its myths and history. The view of those who imagined and recreated the past of the sea has largely contributed to the shaping of modern cultures which are inexorably rooted and embedded in Mediterranean traditions. The contributions look at modern visual reinterpretations of ancient myths, fiction and history and pay particular attention to the theme of sea travel and travellers, which since Homer's Odyssey has become the epitome of the discovery of new worlds, of cultural exchanges and a metaphor of personal developments and metamorphoses.
(source: Nielsen Book Data)9781474298599 20180219
SAL3 (off-campus storage)
Book
471 pages : illustrations (chiefly color) ; 28 cm
Art & Architecture Library (Bowes)
Book
237 pages : color illustrations ; 22 cm.
  • Les racines de l'esthétique caribéenne -- Discotirs fondateurs, postures analytiques et discursives -- Les discours fondateurs de la pensée caribéenne -- Les grands précurseurs : Anténor Firmin et Fernando Ortiz -- Aimé Césaire et René Ménil : décoloniser la pensée, le contre-exotisme et l'autoreprésentation -- Frantz Fanon : La désaliénation de l'être caribéen -- Wilson Harris : la matrice spatiale, la clairvoyance d'une histoire rêvée -- Édouard Glissant : penser l'espace culturellement -- Les apports de la pensée postcoloniale et des Cultural Studies : Le choix d'une hybridité révélatrice -- L'observateur observé, l'autoreprésentation culturelle de Bourdieu et Spivak -- L'hybridité et l'interstice d'Homi Bhabha -- L'hybridité : un désenclavement -- La zone interstitielle, espace de production culturelle caribéenne -- Les postures analytiques et discursives -- La posture de l'artiste-chercheur -- La constitution d'un discours hybride -- Les fondements de l'art caribéen -- Les lieux communs des arts caribéens -- La porosité des espaces vivants et vibrants -- Ambiguïté et métamorphose : la réalisation du sujet caribéen par la déconstruction des oppositions -- L'Ambiguïté -- La métamorphose des êtres -- Pourriture, corruption et déchéance -- Décentrement, détournement et débridement -- Les notions-piliers -- La spiritualité -- La mémoire -- Histoire et représentation -- Haïti, Cuba et Trinidad : nations-mémoire -- Imaginaire : un outil de réparation de la mémoire -- La résistance -- Le génie populaire -- La matrice de l'art caribéen -- La matrice historique et sociale de l'art caribéen -- Le poids du traumatisme historique -- La sociologie historique de l'art caribéen -- La décolonisation de l'art pour que la plaie devienne substance créative -- Des maux historiques aux thématiques créatives -- Thèmes et structures dans l'art caribéen -- La folie et le chaos -- L'intime et l'extime : L'être et le lieu -- Le corps -- La redéfinition de l'image du corps -- Le corps véhicule narratif -- Pouvoir et liberté -- Les stratégies de mise en valeur, d'émergence et de dépassement -- Les stratégies de désaliénation -- Le décloisonnement et la déconstruction -- Une écriture décentrée -- Les stratégies édificatrices -- Valoriser la parole pour donner voix à la mémoire -- La recréation subversive -- Repenser le langage -- La dimension psychanalytique : Lacan et Fanon pour dépasser la "blès" vernaculaire et l'élever au rang de symbole. -- L'image blessée de soi - comprendre la "blès" avec Lacan -- Fanon et la psychiatrie postcoloniale -- Conclusion : Vers une esthétique caribéenne.
"Cet ouvrage s'adresse à un public d'artistes, de chercheurs et d'étudiants. Il tente de répondre aux attentes d'un large éventail de lecteurs : tous ceux qui s'intéressent aux littératures caribéennes, tous ceux qui désirent mieux comprendre les arts visuels caribéens et leurs implications sociologiques et historiques, tous ceux qui se passionnent pour les études post-coloniales et les 'cultural studies', tous ceux qui orientent leur travail vers le multicultural isme et l' intercultural ité et que toutes les hybridités de notre monde fascinent, tous ceux, surtout, à qui j'espère léguer le désir de découvrir l'extraordinaire diversité, la richesse et la complexité rayonnante de la production artistique de cette région."--Page 4 of cover.
Art & Architecture Library (Bowes)
Book
315 pages : color illustrations ; 32 cm
A richly illustrated and expansive investigation of how the internet has influenced contemporary artistic practice over the past thirty years Featuring essays by leading curators, scholars, and critics, this book provides an in-depth look at how the internet has impacted visual art over the past three decades. From the fall of the Berlin Wall to Black Lives Matter, the internet's promise to foster communication across borders and democratize information has evolved alongside its rapidly developing technologies. While it has introduced radical changes to how art is made, disseminated, and perceived, the internet has also inspired artists to create inventive and powerful work that addresses new conceptions of community and identity, modes of surveillance, and tactics for resistance. Art in the Age of the Internet, 1989 to Today traces the relationship between internet culture and artistic practice through the work of contemporary artists such as Ed Atkins, Camille Henrot, and Anicka Yi, and looks back to pre-internet pioneers including Nam June Paik. Conversations between artists reveal how they have tackled similar issues using different technological tools. Touching on a variety of topics that range from emergent ideas of the body and human enhancement to the effects of digital modes of production on traditional media, and featuring more than 200 images of works including painting, performance, photography, sculpture, video, and web-based projects, this volume is packed with insightful revelations about how the internet has affected the trajectory of contemporary art.
(source: Nielsen Book Data)9780300228250 20180403
Art & Architecture Library (Bowes)
Book
181 pages ; 24 cm
  • Introduction, 1. The Role of the Critic 2. A History of Arts Criticism 3. Preparation and Research 4. Writing the Review: Part One 5. Writing the Review: Part Two 6. The Impact of Criticism 7. Legal and Ethical Boundaries 8. Everyone's a Critic 9. Breaking into the Business 10. The New Reviewer: Making it Pay, Conclusion, Index ã .
  • (source: Nielsen Book Data)9781138675124 20171204
Arts Reviewing: A Practical Guide is an accessible introduction to the world of arts criticism. Drawing on professional expertise and a range of cultural reviews from music, film, theatre, visual arts, television and books, Andy Plaice discusses different approaches to arts criticism, with tips on crafting great reviews. Chapters explore: * a brief history of arts criticism; * researching and preparing for an assignment; * legal and ethical boundaries when reviewing; * finding your own writing style; * starting and sustaining a career in arts criticism in the digital age. The book is underpinned by over 20 interviews with leading practitioners from across Britain, America and Australia. They offer fascinating insights into the life of a critic, including their best and worst career moments and the debates impacting the field of arts criticism. Interviewees include Neil McCormick, rock critic at the Daily Telegraph, the Guardian theatre critic Lyn Gardner and television critic Mark Lawson (BBC/ the Guardian). New approaches to reviewing techniques and writing style are combined with real-world advice from leading professionals in the field, making this book an ideal resource for students and graduates of journalism, cultural studies and media studies.
(source: Nielsen Book Data)9781138675124 20171204
SAL3 (off-campus storage)
Book
267 pages : illustrations (chiefly color) ; 21 cm.
  • L'invention du Léman -- Lacus pictor (le lac peint) : réductions, ombres et reflets -- Paysage et spécularité : de la pervasivité des fluides délia Nau -- Dans le train et sur le motif : Ferdinand Hodler autour du Léman -- Entretien avec Jean-Pierre Magnin, peintre -- La Nouvelle Héloïse : une idylle lémanique -- Le Léman dans l'iconographie viatique -- Le Léman et "les autres" -- Léman, pensée du futur, Viollet-le-Duc et Le Corbusier -- Le désir de rivage, comme sa longueur fractale, est infini.
"Le Léman n'est pas un objet comme les autres. Il se soustrait à la définition, tout en s'imposant avec force. Il est là, sans pour autant se confondre avec un espace géographique, avec une identité simple, qu'il suffirait de déchiffrer, pour le représenter en images ou par écrit. Car le Léman est, avant toute autre chose, un paysage. Il s'agit donc, dans son cas, d'une construction, d'une totalité toujours mouvante et évolutive qui ressort des images et des pensées le concernant et qui lui confère son caractère polyvalent."--Page 4 of cover.
Art & Architecture Library (Bowes)
Book
164 pages : color illustrations ; 24 cm
Art & Architecture Library (Bowes)
Book
xii, 412 pages : illustrations (some color) ; 24 cm.
The effort to go beyond given knowledge in different domains - artistic, scientific, political, metaphysical - is a characteristic driving force in modernism and the avant-gardes. Since the late 19th century, artists and writers have frequently investigated their medium and its limits, pursued political and religious aims, and explored hitherto unknown physical, social and conceptual spaces, often in ways that combine these forms of critical inquiry into one and provoke further theoretical and methodological innovations. The fifth volume of the EAM series casts light on the history and actuality of investigations, quests and explorations in the European avant-garde and modernism from the late 19th century to the present day. The authors seek to answer questions such as: How have modernism and the avant-garde appropriated scientific knowledge, religious dogmas and social conventions, pursuing their investigation beyond the limits of given knowledge and conceptions? How have modernism and avant-garde created new conceptual models or representations where other discourses have allegedly failed? In what ways do practises of investigation, quest or exploration shape artistic work or the formal and thematic structures of artworks?
(source: Nielsen Book Data)9783110561876 20180423
Art & Architecture Library (Bowes)
Book
xiv, 322 pages, 4 unnumbered pages of plates : illustrations (some color) ; 23 cm.
Art & Architecture Library (Bowes)
Book
1 online resource : illustrations (black and white)
Choreographies of the Living explores the shift from viewing art as an exclusively human undertaking to recognizing it as an activity that all living creatures enact. Carrie Rohman's bioaesthetic framework describes how art-making binds us to other animals in literature, visual art, dance, and performance.
(source: Nielsen Book Data)9780190604400 20180604
Book
xv, 178 pages : illustrations ; 24 cm
  • Nude vibrations: Isadora Duncan's creatural aesthetic
  • Creative incantations and involutions in D.H. Lawrence
  • Woolf's floating monkeys and whirling women
  • Strange prosthetics: Rachel Rosenthal's rats and rings
  • Uncaging Cunningham's animals
  • Afterword: notes toward a bioaesthetic theory.
Choreographies of the Living explores the shift from viewing art as an exclusively human undertaking to recognizing it as an activity that all living creatures enact. Carrie Rohman's bioaesthetic framework describes how art-making binds us to other animals in literature, visual art, dance, and performance.
(source: Nielsen Book Data)9780190604400 20180702
Art & Architecture Library (Bowes)
Book
187 pages : illustrations ; 22 cm
Green Library
Book
x, 236 pages : illustrations ; 26 cm.
  • Editor's Introduction [Temenuga Trifonova] 1. The Event That Cannot (Not) Happen [Adrian Ivakhiv] 2. Sublimity and the Dialectic of Horror and Spirituality [Paul Coates] 3. The Popular Sublime and the Notional Sublime [James Kirwan] 4. Of Fake and Real Sublimes [Temenuga Trifonova] 5. 'Black and Glittering': The Inscrutable Sublime [Barbara Stafford] 6. Uncertainty Prone to Vulgarity [Jeremy Gilbert-Rolfe] 7. Recentering The Sublime: Cognitive and Neuropsychological Approaches [Elizabeth Oldfather] 8. Flow, Freedom, and the Gamified Sublime [Lyuba Encheva] 9. The Ambiguity Effects of the Techno-Sublime [Ksenia Fedorova] 10. From Diagrams to Deities: Evoking the Cosmological Sublime [Hannah Goodwin] 11. Feeling Not at Home in the 21st Century World: The Sublime in Contemporary Environmental Aesthetics [Sandra Shapshay] 12. The Sublime in Environmental Photography [Damian Sutton] 13. Magnificent Disasters: Sublime Landscapes in Post-Millennial Cinema [Stella Hockenhull] 14. Psychedelia and the History of the Chemical Sublime [Joseph Gabriel] 15. The Birds and the Bees: The Gendering of the Sublime [Bill Beckley].
  • (source: Nielsen Book Data)9781138237728 20171017
In the course of its long and tumultuous history the sublime has alternated between spatial and temporal definitions, from its conceptualization in terms of the grandeur and infinity of Nature (spatial), to its postmodern redefinition as an 'event' (temporal), from its conceptualization in terms of our failure to 'cognitively map' the decentered global network of capital or the rhizomatic structure of the post-metropolis (spatial), to its neurophenomenological redefinition in terms of the new temporality of presence produced by network/real time (temporal). This volume explores the place of the sublime in contemporary culture and the aesthetic, cultural, and political values coded in it. It offers a map of the contemporary sublime in terms of the limits-cinematic, cognitive, neurophysiological, technological, or environmental-of representation.
(source: Nielsen Book Data)9781138237728 20171017
Art & Architecture Library (Bowes)

17. Couples modernes [2018]

Book
480 pages : illustrations (chiefly color) ; 25 cm
  • Emma Lavigne, Le couple, théâtre de la modernité -- Elia Biezunski, "Le couple - ce monstre à deux têtes" -- Cloé Pitiot, L'espace du couple, une extensibilité infinie -- Dictionnaire des couples modernes, 1900-1950 -- Victoria Vanneau, Le couple en droit français -- Sylvie Chaperon, Le couple, XIXe-XXe siècles -- Dorian Astor, L'art célibataire des couples -- Janine Mossuz-Lavau, Quand la politique s'invite dans le couple -- François de Singly, Les risques d'enfermement de l'amour conjugal -- Éric Smadja, Couples et psychanalyse -- Nathalie Ernoult, Chronologie : culture, politique et société, 1900-1950 -- Bibliographie sélective -- Liste des oeuvres exposées.
"Rencontre- Quelle a été la rencontre capitale de votre vie ? Jusqu'à quel point cette rencontre vous a-t-elle donné, vous donne-t-elle l'impression du fortuit ? du nécessaire ? André Breton, en collaboration avec Paul Éluard, Dictionnaire abrégé du surréalisme, 1938. Le dictionnaire de l'exposition "Couples modernes" explore plus de deux cents rencontres essentielles ou contingentes de créateurs, toutes disciplines confondues, de 1900 à 1950, et offre une traversée inédite de l'art moderne."--Page 4 of cover.
Art & Architecture Library (Bowes)
Book
vi, 349 pages ; 24 cm
  • Introduction SECTION 1: Coal 1. "I'll Throw This Apple Atcha": The Meaning of Mining According to Billy Edd Wheeler 2. "Visible, Horrible, Ugly": Toxicity According to John Sabraw 3. "The Baby Needed Milk": Collectivity According to Diane Gilliam Fisher SECTION 2: War and Peace 4. "It's a Great American Tradition": War and Industry According to John Sayles 5. "Revolution by Tricks and Clowning": Trips According to Maxine Hong Kingston 6. "Part of My Being": Politics and Poetics According to Keorapetse Kgositsile SECTION 3: Borders 7. "I Sing about Cesar Chavez in Gold Lame Hot Pants": Revolution and Celebration According to El Vez 8. "I'm Not Some Fucking Gadjo!": Migration According to Eugene Hutz 9. "Gaps We Cross with Technology": Solidarity and Surveillance According to Cory Doctorow 10. "What It's Like to Be Stuck": Interruption According to Julio Salgado SECTION 4: Sex, Gender, and Sexuality 11. "It's Like Walt Whitman Gave Me a Blow Job": Action According to Abe Rybeck 12. "Simultaneity of Actions": Liberation According to Sarah Schulman 13. "Wigs and Skin": Colonialism According to Ama Ata Aidoo SECTION 5: Economic Justice 14. "Hey, I See You": Revolution According to Boots Riley 15. "Power and Powerlessness": Detecting History According to Sara Paretsky 16. "Sometimes I Get Political, Sometimes I Get Offensive": Pushing Back According to Dallas Wayne SECTION 6: Prisons 17. "The Anti-Slavery Act of 2002": Private Prisons and Social Justice According to Si Kahn 18. "Politics through Artistic Eyes, and Art through Political Eyes": Prison Rebellion According to Raul Salinas 19. "From My 6 x 9 Cell": Prison and Painting According to Anthony Papa SECTION 7: Transformations 20. "It's All Connected": Service According to Betye Saar 21. "I'm a Bit of a Threat": Immortality According to Roz Kaveney 22. "Folklore, Fakelore and Fucklore": Metamorphosis According to Emma Bull and Will Shetterly Bibliography Index.
  • (source: Nielsen Book Data)9781501337215 20180717
This collection brings together interviews with a compelling range of musicians, artists, and activists from around the globe. What does it mean for an artist to be "political"? Moving away from a narrow idea about politics that is organized around elections, advocacy groups, or concrete manifestos, the subjects of Creative Activism do their work through song, poetry, painting, and other arts. The interviews take us from Oakland to London to Johannesburg and from the Occupy movement to the coal mines of Appalachia to the fantasy worlds created by some of our most fascinating writers of spectacular fiction. Listening to the important "cultural workers" of our time challenges any idea that some other time was the golden age of political art: Creative Activism gives us a front-row seat to the thrilling artistic activism of our own moment.
(source: Nielsen Book Data)9781501337215 20180717
Art & Architecture Library (Bowes)
Book
ix, 299 pages : illustrations ; 25 cm.
  • Acknowledgements List of Tables and Figures 1. Connecting Creativities in the Arts: Exploring Diverse Creativities in Arts Practice and Arts-Based Research Leon R. de Bruin, Pamela Burnard and Susan Davis Part 1: Creativities in Arts Practice and Arts-Based Research 2. Exploring Particular Creativities in the Arts through the Voices of Australian Visual Arts Educators Mark Selkrig and Christine Bottrell 3. In-between Practice and Art Worlds: Studio Learning in the University Art School Megan McPherson 4. Looking for Patterns in the Dust: A Transformative Story of How Arts Informed Inquiry Was Used to Explore Creative Writing and Creativity in Primary Education Amy Mortimer 5. Bunya Pine, Goanna and Star Clusters: Using Metaphor to Frame Indigenous Ways of Doing Robyn Heckenberg 6. The Stories within: Perspectives from the Island of Guam Sarah Jane Moore 7. Good Question: Exploring Epistemology and Ontology in Arts Education and Creativity Susan Wright Part 2: Creativities in Music, Music Teacher Education and the Music Industry 8. Developing Creative Ecologies in Music Education: Intercultural Explorations and Encounters in a Creative Music Intensive Leon R. de Bruin 9. Exploring Links between Children's Creativity Development and a World Music Shari Lindblom 10. Music, Mathematics and Creative Processes Fiona King 11. Assessing Creativity in English School Music Education: A Case of Mistaken Identity? Martin Fautley 12. Training Pre-Service Teachers to be Creative: A Case Study from an Australian University Sharon Lierse 13. Digital Audio Ecofeminism (DA'EF): The Glocal Impact of All-Female Communities on Learning and Sound Creativities Elizabeth Dobson Part 3: Creativities in Drama and Dance and Embodied Learning 14. Dramatic Learning and Indigenous Creativities: A Kinship Approach Susan Davis 15. Creatively Analysing Dance A/r/tographically Peter J. Cook 16. Creative Ideologies: Drama Teachers and Their Ideological Sensemaking Alison O'Grady 17. Connecting Arts Activism, Diverse Creativities and Embodiment through Practice as Research Pamela Burnard, Tatjana Dragovic, Peter J. Cook and Susanne Jasilek 18. Propositions and Provocations for Advancing Learning and Teaching through Creativities and the Arts: Creativities Conclusions and Ongoing Considerations Leon R. de Bruin, Pamela Burnard and Susan Davis Notes on Contributors.
  • (source: Nielsen Book Data)9789004369580 20180702
  • Acknowledgements vii List of Figures ix 1. Connecting Creativities in the Arts: Exploring Diverse Creativities in Arts Practice and Arts-Based Research 1 Leon R. de Bruin, Pamela Burnard and Susan Davis Part 1: Creativities in Arts Practice and Arts Based Research 2. Exploring Particular Creativities in the Arts through the Voices of Australian Visual Arts Educators 15 Mark Selkrig and Christine Bottrell 3. In-between Practice and Art Worlds: Studio Learning in the University Art School 33 Megan McPherson 4. Looking for Patterns in the Dust: A Transformative Story of How Arts Informed Inquiry Was Used to Explore Creative Writing and Creativity in Primary Education 47 Amy Mortimer 5. Bunya Pine, Goanna and Star Clusters: Using Metaphor to Frame Indigenous Ways of Doing 67 Robyn Heckenberg 6. The Stories within: Perspectives from the Island of Guam 85 Sarah Jane Moore 7. Good Question: Exploring Epistemology and Ontology in Arts Education and Creativity 101 Susan Wright Part 2: Creativities in Music, Music Teacher Education and the Music Industry 8. Developing Creative Ecologies in Music Education: Intercultural Explorations and Encounters in a Creative Music Intensive 119 Leon R. de Bruin 9. Exploring Links between Children's Creativity Development and a World Music Education Program 137 Shari Lindblom 10. Music, Mathematics and Creative Processes 157 Fiona King 11. Assessing Creativity in English School Music Education: A Case of Mistaken Identity? 173 Martin Fautley 12. Training Pre-Service Teachers to Be Creative: A Case Study from an Australian University 189 Sharon Lierse 13. Digital Audio Ecofeminism (DA'EF): The Glocal Impact of All-Female Communities on Learning and Sound Creativities 201 Elizabeth Dobson Part 3: Creativities in Drama and Dance and Embodied Learning 14. Dramatic Learning and Indigenous Creativities: A Kinship Approach 223 Susan Davis 15. Creatively Analysing Dance A/r/tographically 237 Peter Cook 16. Creative Ideologies: Drama Teachers and Their Ideological Sensemaking 253 Alison O'Grady 17. Connecting Arts Activism, Diverse Creativities and Embodiment through Practice as Research 271 Pamela Burnard, Tatjana Dragovic, Peter Cook and Susanne Jasilek 18. Propositions and Provocations for Advancing Learning and Teaching through Creativities and the Arts: Creativities Conclusions and Ongoing Considerations 291 Leon R. de Bruin, Pamela Burnard and Susan Davis Notes on Contributors 295.
  • (source: Nielsen Book Data)9789004369597 20180702
In Creativities in Arts Education, Research and Practice: International Perspectives for the Future of Learning and Teaching, Leon de Bruin, Pamela Burnard and Susan Davis highlight innovative arts practices and practices of enquiry that activate diverse creativities and transform learning and teaching across a variety of places, spaces and settings.
(source: Nielsen Book Data)9789004369597 20180702
SAL3 (off-campus storage)
Book
xvi, 292 pages : illustrations (some color) ; 26 cm
  • Art in the university
  • Stone City
  • How to teach art
  • Grant Wood, H.W. Janson and "the case of the naked chicken"
  • Art and the museum
  • Opening the Nelson Gallery
  • Building a regionalist movement with Thomas Hart Benton
  • Creative appreciation and museum minds
  • Art and sociology
  • John Steuart Curry's amateurism
  • Inventing the artist in residence
  • Encouraging rural art.
During the 1930s and 1940s, painters Grant Wood, Thomas Hart Benton, and John Steuart Curry formed a loose alliance as American Regionalists. Some lauded their depictions of the rural landscape and hardworking inhabitants of America's midwestern heartland; others deemed their painting dangerous, regarding its easily understood realism as a vehicle for jingoism and even fascism. Cultivating Citizens focuses on Regionalists and their critics as they worked with and against universities, museums, and the burgeoning field of sociology. Lauren Kroiz shifts the terms of an ongoing debate over subject matter and style, producing the first study of Regionalist art education programs and concepts of artistic labor.
(source: Nielsen Book Data)9780520286566 20180611
Art & Architecture Library (Bowes)