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Book
415 pages : illustrations ; 26 cm
  • Contents Introduction: Television Animation and Infrastructure Ecology Part I. The Screen-Brain Apparatus 1. Population Seizure 2. Neurosciences and Television 3. This Stuff Called Blink 4. A Thousand Tiny Blackouts Part II. A Little Social Media History of Television 5. Media Genealogy and Transmedia Ecology 6. A Little History of Japanese Television 7. Television and New Media 8. Sociality or Something Like It 9. Platformativity and Ontopower Part III. Infrastructure Complexes 10. The Family Broadcast Complex 11. The Home Theater Complex 12. The Game Play Complex 13. The Portable Interface Complex Conclusion: Signaletic Animism Notes Bibliography.
  • (source: Nielsen Book Data)9781517904500 20180514
A major work destined to change how scholars and students look at television and animation With the release of author Thomas Lamarre\u2019s field-defining study The Anime Machine, critics established Lamarre as a leading voice in the field of Japanese animation. He now returns with The Anime Ecology, broadening his insights to give a complete account of anime\u2019s relationship to television while placing it within important historical and global frameworks. Lamarre takes advantage of the overlaps between television, anime, and new media-from console games and video to iOS games and streaming-to show how animation helps us think through television in the contemporary moment. He offers remarkable close readings of individual anime while demonstrating how infrastructures and platforms have transformed anime into emergent media (such as social media and transmedia) and launched it worldwide. Thoughtful, thorough illustrations plus exhaustive research and an impressive scope make The Anime Ecology at once an essential reference book, a valuable resource for scholars, and a foundational textbook for students.
(source: Nielsen Book Data)9781517904500 20180514
Green Library
Book
84 pages : illustrations (chiefly color), portraits ; 21 cm
This catalogue accompanies an exhibition at The Courtauld Gallery, which is the first dedicated to the graphic oeuvre of Antoine Caron (1521-1599). Bringing together a core group of drawings centred around the figures and deeds of the French Royal family, the Valois, this display highlights the role played by Catherine de' Medici (1519-1589). Featuring the Valois series, a set of drawings here reunited for the first time, the display showcases the way in which the powerful and influential Catherine promoted the success of her regency and future of her progeny by delivering a series of lavish courtly events that were meant to enhance the power and diplomacy of her family. The drawings represent jousts, tournaments, festivals and a mock naval battle, events that occurred at the French court during the reigns of Catherine's sons Charles IX and Henri III. Preparatory designs for a group of tapestries, these visual documents relate to actual events that were organised by the court, some of which took place at the French castles of Anet, Palace of Fontainebleau, Bayonne and at the Tuileries Gardens in Paris. Minutely designed, they thus allow a reconstruction of the visual testimony of those events, as they were documented in written contemporary sources.
(source: Nielsen Book Data)9781911300380 20180416
Art & Architecture Library (Bowes)
Book
360 p. : illustrations ; 22 cm.
SAL3 (off-campus storage)
Book
208 pages : color illustrations ; 27 cm.
  • CHAPTER ONE: ILLUSTRATION ENTERPRISE Understanding illustration Where do illustrators work? Spotlight on... Nancy Liang Spotlight on... Tommy Doyle Spotlight on... Marcos Chin Skills in art and design Attitude Spotlight on... Ben Newman Knowledge Spotlight on... Rebecca Mock Evaluating your strengths and weaknesses CHAPTER TWO: THE PROFESSIONAL WORLD OF THE ILLUSTRATOR Your commissioners Professionalism Journalistic awareness Spotlight on... Sarajo Frieden How to contact potential clients Spotlight on... Gabrielle Adamson CHAPTER THREE: THE ART OF SELF PROMOTION How do I get myself known? Spotlight on... Alexandra Zsigmond Setting goals Spotlight on... Sarah Williams The different forms of promotion Spotlight on... Jack Teagle Promoting yourself online Spotlight on... Sarah McIntyre Competitions, exhibitions and trade fairs Internships and work experience Spotlight on... Mark Smith Spotlight on... Libby McMullin Spotlight on... Matthew Shearer, Bernstein & Andriulli CHAPTER FOUR: GETTING YOUR WORK SEEN Organizing your folio and website Visual literacy Spotlight on... Tad Carpenter Agent representation Spotlight on... Ulla Puggaard Spotlight on... Andrea D'Aquino Spotlight on... Cachetejack CHAPTER FIVE: SECURING WORK The stages of forming a contract The terms of an agreement Who owns the rights? Spotlight on... Caroline Attia Lariviere CHAPTER SIX: FINANCE AND RUNNING A BUSINESS Freelance work vs employment Spotlight on... Laura Hughes Managing your business Managing your finances Additional sources of income Activities Appendix.
  • (source: Nielsen Book Data)9781474284240 20180122
Get ready to enter the working world of illustration with this freshly updated second edition of Brazell and Davies's Becoming a Successful Illustrator. This edition features even more `Spotlight on...' sections, with advice from practicing illustrators as well as the people that commission them. You can enjoy added coverage in fields such as moving image, character illustration and social media. There are also new exercises to get you started planning and building your business, and over 200 inspirational examples of artwork, most of which are new to this edition. You can expect practical tips on how to seek work, how to market yourself and how to run your illustration business in an enterprising way, with advice that will prove useful long after your first commission. Building on the resources of the first edition, this continues to be the must-have guide to practicing professionally as an illustrator. Featured illustrators include: Millie Marotta Mark Ulriksen Natsko Seki Ellen Weinstein Stephen Collins ... and many more Featured topics include: Finding clients Agency representation Fields of work Financial and legal requirements Skills in art and design Self-promotion Showing work Managing your business.
(source: Nielsen Book Data)9781474284240 20180122
SAL3 (off-campus storage)
Book
ix, 181 pages : illustrations (chiefly color) ; 26 cm
The first book highlighting the historical roots and contemporary implications of the silhouette as an American art form Before the advent of photography in 1839, Americans were consumed by the fashion for silhouette portraits. Economical in every sense, the small, stark profiles cost far less than oil paintings and could be made in minutes. Black Out, the first major publication to focus on the development of silhouettes, gathers leading experts to shed light on the surprisingly complex historical, political, and social underpinnings of this ostensibly simple art form. In its examination of portraits by acclaimed silhouettists, such as Auguste Edouart and William Bache, this richly illustrated volume explores likenesses of everyone from presidents and celebrities to everyday citizens and enslaved people. Ultimately, the book reveals how silhouettes registered the paradoxes of the unstable young nation, roiling with tensions over slavery and political independence. Primarily tracing the rise of the silhouette in the decades leading up to the Civil War, Black Out also considers the ubiquity of the genre today, particularly in contemporary art. Using silhouettes to address such themes as race, identity, and the notion of the digital self, the four featured living artists--Kara Walker, Kristi Malakoff, Kumi Yamashita, and Camille Utterback-all take the silhouette to unique and fascinating new heights. Presenting the distinctly American story behind silhouettes, Black Out vividly delves into the historical roots and contemporary interpretations of this evocative, ever popular form of portraiture. Exhibition Schedule: National Portrait Gallery, Washington, D.C., May 11, 2018 - March 10, 2019.
(source: Nielsen Book Data)9780691180588 20180611
Art & Architecture Library (Bowes)
Book
xi, 194 pages : illustrations (chiefly color), color map ; 24 cm.
  • 1. Introduction 2. Catachresisand Metaphor in Theorizing Chinese Animation 3. The State, Animation Spectatorship, and Cultural Dislocation in the Reform Era 4.New Image, Old Discourse: the Post-Meishu Reorientation 5.The Everyday Practice of I-Generation in Cyberspace: Flash Empire and Chinese Shanke 6. Resistance as Hegemony: The Coming Age of Chinese Independent Animation 7. Conclusion.
  • (source: Nielsen Book Data)9780415810357 20180306
This book explores the development of the Chinese animation film industry from the beginning of China's reform process up to the present. It discusses above all the relationship between the communist state's policies to stimulate "creative industries", concepts of creativity and aesthetics, and the creation and maintenance , through changing circumstances, of a national style by Chinese animators. The book also examines the relationship between Chinese animation, changing technologies including the rise first of television and then of digital media, and youth culture, demonstrating the importance of Chinese animation in Chinese youth culture in the digital age.
(source: Nielsen Book Data)9780415810357 20180306
Green Library
Book
255 pages : illustrations (chiefly color), chart ; 28 cm
  • Remerciements -- Avant-propos -- Guy Tosatto, directeur du musée de Grenoble -- L'inattendu d'un siècle -- Louis-Antoine Prat -- Les dessins du XIXe siècle au musée de Grenoble : l'identité d'une collection -- Catalogue -- L'invention du passé -- Le renouveau de la peinture religieuse -- Le voyage en Italie -- Delacroix au Maroc -- Les séductions de l'Orient -- Voyages pittoresques -- Illustration et caricature -- Réalismes -- Le sentiment de la nature -- Dans la sphère impressionniste -- Femme, femme, femme -- Les artistes et la guerre -- Officiel et monumental -- Onirisme et symbolisme -- Carnets de voyage au XIXe siècle -- Ouvrages cités en abrégé -- Pour aller plus loin -- Index des artistes exposés -- Liste des collectionneurs.
" Très peu montrées, presque inédites, cent quinze des plus belles feuilles de la collection de dessins du XIXe siècle du musée de Grenoble composent ce parcours chrono-thématique, du romantisme aux prémices du symbolisme, illustrant le regard sur le passé et l'histoire nationale, les voyages en Orient ou en Italie, l'intérêt pour le pittoresque et le patrimoine, l'art officiel et monumental, la question des artistes confrontés à la guerre, l'illustration et la caricature, les réalismes ou encore la sensibilité au paysage. Une invitation à redécouvrir la diversité des approches graphiques des artistes dans un siècle bouleversé par les révolutions et les progrès intellectuels et scientifiques."--Page 4 of cover.
Art & Architecture Library (Bowes)
Book
212 pages : illustrations (some color) ; 25 cm
  • 1880-1920 : L'image antisémite en gestation -- Drumont et l'Antisémitisme -- La France juive, succès populaire -- Drumont et La Libre Parole -- Un lectorat conservateur -- Drumont et la caricature -- Le rire de supériorité -- Un éternel étranger -- L'affaire Dreyfus -- De Panama à Dreyfus -- Une erreur judiciaire -- Trahison et nationalisme -- Violence des mots, violence des images -- Caricaturer, mentir -- Fonder l'altérité sur la "race" -- Rire et haïr -- Dreyfus et ses soutiens -- La vérité en jeu -- "Cochon comme dreyfusard" -- Rhétorique des images -- Sérier, répéter, marteler -- Rothschild, l'argent et le monde -- Animaliser, déshumaniser -- "Juif monde" -- Anticapitalisme ou antisémitisme -- "La laideur stéréotypée" -- L'angle identitaire et racial -- Juifs contre Gaulois -- 1920-1939 : l'image antisémite, des partis jusqu'au pouvoir -- L'après-guerre -- L'affiche pour convaincre -- En Hongrie, Manno Miltiades -- La carte postale au service de la haine -- "Le Talmudiste républicain: les Juifs peuvent mentir et affabuler au détriment des non Juifs (censuré)." -- "Le seigneur de la finance / On peut éprouver du dégoût pour le chrétien, mais il ne faut rien lui donner -- L'enseignement du Talmud inculque au Juif la vanité et des moeurs décadentes en théorie et en pratique." -- "Il est permis de pécher, mais faisons-le en cachette." -- Le grand rabbin Orel dit: Il est interdit d'avoir pitié d'un non Juif. Même si on le voit en perdition, il ne faut pas lui venir en aide." -- "Les rabbins Bechai, Levi, Gerson, Maimon: un Juif peut violer une femme chrétienne, même s'il est marié..." -- "Il ne faut pas faire preuve de miséricorde envers les ennemis, il faut au contraire les tuer, car tant que les mécréants ne seront pas exterminés, les Juifs seront en exil." -- "Le Juif ne vole pas, il prend juste ce qui lui appartient. L'argent qui n'est pas à un Juif est comme un bien sans maître. Le Juif a tous les droits de se l'approprier. Selon le Talmud, le Juif dirige la finance mondiale." -- "Quand un ouvrier agricole ou un serviteur de Juif meurt, il ne reçoit pas de condoléances." -- "Il ne faut pas faire preuve de justice envers les chrétiens ni manifester d'amour pour son prochain." -- La France de l'entre-deux-guerres -- Multiplication des ligues -- Les Juifs et la République -- Le nazisme -- Le NSDAP, organisation de masse -- Les nazis et la presse -- Exposer le "juif éternel" (Der ewige Jude) -- Der Stürmer, l'obsession antisémite -- Des dessins pour faire peur -- Le Stürmer dans la rue -- La photographie au service de la haine -- L'obsession typologique -- Le dessinateur nazi Fips -- La rhétorique du monstre -- Laideur repoussante et mortel poison -- Embrigader la jeunesse contre les Juifs -- Rhétorique de l'image -- Images du Juif -- La haine par le profil -- Juif contre aryen -- Brutalisation du visage -- L'argent -- Capitaliste et bolchévique à la fois -- Banquier -- Métaphore du corps -- 1939-1945 : L'image, de la guerre au génocide -- En Allemagne, faciliter et cacher le génocide -- L'affiche de propagande -- Des mots et des images chaque semaine --
  • Le complot juif mondial -- Derrière l'affiche, le journal -- Presse satirique et haine graphique -- Le Kladderadatsch, thermomètre de l'antisémitisme -- Lustige Muer: derrière l'humour, la haine -- En France, l'antisémitisme au pouvoir -- Une presse collaborationniste qui se spécialise -- Un antisémitisme à prétention scientifique -- L'instrumentalisation du mythe -- "Youpino", l'enfance instrumentalisée -- Bande dessinée et propagande -- Les Juifs corrupteurs -- Amalgamer pour "expliquer" -- Affiche et haine des Juifs -- Les Juifs en arrière-plan -- Opposer les contraires -- Des affiches pour les ligues -- 1889-1943, la continuité -- En Belgique occupée -- L'extrême droite à la manoeuvre -- En Belgique, exportation et déportation -- En Hongrie -- L'antisémitisme à l'Est -- Rire pour exclure -- Pendant les déportations -- Les Juifs, l'argent et le monde -- Cacher le génocide -- En Serbie occupée, les Juifs derrière les francs-maçons -- Un seul exploiteur -- "L'étoile du malheur" -- La propagande nazie dans les territoires soviétiques -- Tracts illustrés -- Affiche -- En Europe, une culture antisémite commune -- Du texte, pour nourrir les images -- Hiérarchiser les "races" -- Le baiser de Judas -- Juif contre chrétien -- Désigner l'adversaire, s'identifier à la victime -- Effet de loupe -- Réveiller les haines anciennes -- Les Juifs contre la patrie -- "La répression du prolétariat est la liberté soviétique!" -- Études -- Montrer, voir et comprendre l'image antisémite -- Antisémitisme et affiches. Éléments de compréhension de la collection d'affiches d'Arthur Langerman -- Les cartes de Karel Rélink: une iconostase des poncifs antijuifs et antisémites -- Fips, créateur de codes iconographiques au service de l'antisémitisme génocidaire -- L'image du Juif dans la presse nationaliste polonaise (1919-1939).
""L'image antijuive fonctionne comme un miroir : l'antisémite accuse sa cible de ses propres ambitions, de sa propre barbarie : alors que les nazis veulent conquérir l'Europe, la propagande se focalise sur le "Juif monde" ; alors que les nazis exterminent les Juifs, ils sont décrits comme voulant détruire l'Allemagne et la civilisation ; alors que les nazis spolient et exproprient les Juifs, le dessinateur prête aux Juifs une richesse et une puissance inégalées ; alors que les nazis assassinent les Juifs, l'image antisémite les montre on ne peut plus vivants... Les images antisémites ne parlent pas des Juifs, mais de ce que sont les antisémites eux-mêmes, de leurs trois grandes obsessions : le pouvoir, l'argent et l'identité (la race). Dans cette période de guerre, la barbarisation graphique du visage du Juif imaginaire traduit cette radicalisation de l'antisémitisme vers la totale déshumanisation des Juifs, vers son absolue négation." Ce livre est publié à l'initiative du Mémorial de Caen et a été coordonné par son directeur général, Stéphane Grimaldi, et Guillaume Doizy, historien de la caricature. Il est le produit de la collaboration de plusieurs historiens avec Arthur Langerman, soucieux de faire connaître sa collection, unique au monde."--Page 4 of cover.
SAL3 (off-campus storage)
Book
419 pages : illustrations (some color) ; 29 cm
Green Library
Book
xii, 238 pages : illustrations (some color) ; 29 cm
Published in partnership with the Library of Congress, Drawn to Purpose: American Women Illustrators and Cartoonists presents an overarching survey of women in American illustration, from the late nineteenth into the twenty-first century. Martha H. Kennedy brings special attention to forms that have heretofore received scant notice--cover designs, editorial illustrations, and political cartoons--and reveals the contributions of acclaimed cartoonists and illustrators, along with many whose work has been overlooked. Featuring over 250 color illustrations, including eye-catching original art from the collections of the Library of Congress, Drawn to Purpose provides insight into the personal and professional experiences of eighty women who created these works. Included are artists Roz Chast, Lynda Barry, Lynn Johnston, and Jillian Tamaki. The artists' stories, shaped by their access to artistic training, the impact of marriage and children on careers, and experiences of gender bias in the marketplace, serve as vivid reminders of social change during a period in which the roles and interests of women broadened from the private to the public sphere. The vast, often neglected, body of artistic achievement by women remains an important part of our visual culture. The lives and work of the women responsible for it merit much further attention than they have received thus far. For readers who care about cartooning and illustration, Drawn to Purpose provides valuable insight into this rich heritage.
(source: Nielsen Book Data)9781496815927 20180326
Art & Architecture Library (Bowes)
Book
143 pages : illustrations (chiefly color) ; 29 cm
Art & Architecture Library (Bowes)
Book
xiii, 172 pages ; 23 cm.
  • Chapter 1 From Pre-Cinema to the Birth of Industry Chapter 2 Winds of War and Reconstruction Chapter 3 A New World Chapter 4 How the West Was Won Chapter 5 Simulacra Chapter 6 Alone, Not LonelyaEUROÂ : Generation X.
  • (source: Nielsen Book Data)9781138571280 20180514
Through the analysis of the work of the main Japanese animators starting from the pioneers of 1917, the book will overview the whole history of Japanese animated film, including the latest tendencies and the experimental movies. In addition to some of the most acclaimed directors Miyazaki Hayao, Takahata Isao, Shinkai Makoto, Tezuka Osamu and Kon Satoshi, the works of masters of animation such as Kawamoto Kihachiro, Kuri Yoji, Ofuji Noburo and Yamamura Koji will be analysed in their cultural and historical context. Moreover, their themes and styles will be the linking thread to overview the Japanese producing system and the social and political events which have often influenced their works.
(source: Nielsen Book Data)9781138571280 20180514
Green Library
Book
207 pages : illustrations (some color), color map ; 25 cm
  • Préface / Xavier Salmon -- Essai -- Israël Silvestre dessinateur -- Catalogue -- De Nancy au Louvre : formation et consécration -- Journal de voyage -- Vaux-le-Vicomte ou l'expérience de la grandeur -- Mises en scène parisiennes et grandes fêtes royales -- Châteaux royaux et villes conquises -- Les vues de Montmorency ou l'hommage à Charles Le Brun -- Le domaine de Meudon ou le repos d'un ministre -- Versailles : fêtes, château et bosquets -- Annexes -- Lettres à Colbert -- Bibliographie -- Index.
"Formé à la gravure dans le milieu de Jacques Callot, Israël Silvestre s'est très tôt consacré à la représentation des paysages urbains. Ses premières "vues", pittoresques et de petit format, illustrent Nancy, où il est né, comme les villes traversées de Paris à Rome, où il effectue trois voyages entre 1638 et 1653 et dont il donne de nombreux croquis et de grandes vues d'une précision saisissante. Les oeuvres de la maturité offrent de vastes panoramas, montrant Paris, avec ses fêtes royales et ses transformations. À la demande de Jean-Baptiste Colbert, surintendant des Bâtiments du Roi, Silvestre représente sur de très grands formats lés profils des villes conquises par Louis XIV en Lorraine et dans les Ardennes : il y accorde k tracé rigoureux des fortifications et le brio d'un lavis d'aquarelle rapidement posé. Ses vues en série des beaux châteaux d'Ile-de-France (Vaux-le-Vicomte, Meudon, Montmorency, Versailles) renouvellent le regard sur l'architecture et les jardins. Si les gravures de Silvestre ont été largement diffusées, ses dessins demeurent méconnus. Le Louvre en conserve depuis le XVIIIe siècle un ensemble exceptionnel que cet ouvrage présente pour la première fois."--Page 4 of cover.
SAL3 (off-campus storage)
Book
128 pages : color illustrations ; 21 cm
Art & Architecture Library (Bowes)

15. Interpreting anime [2018]

Book
ix, 322 pages : illustrations ; 23 cm
  • Contents A Note on the Text Introduction. Read or Die: Reading Anime 1. From Origin to Oblivion: Akira as Anime and Manga 2. The Mecha's Blind Spot: Cinematic and Electronic in Patlabor 2 3. Puppet Voices, Cyborg Souls: Ghost in the Shell and Classical Japanese Theater 4. The Forgetful Phallus and the Otaku's Third Eye: 3x3 Eyes and Anime's Audience 5. Anime in Drag: Stage Performance and Staged Performance in Millennium Actress 6. The Quick and the Undead: Blood: The Last Vampire and Television Anime 7. It's Art, but Is It Anime? Howl's Moving Castle and the Novel Conclusion: Summer Wars Chronology Acknowledgments Notes Moving Image Sources Bibliography Index.
  • (source: Nielsen Book Data)9781517904036 20180430
For students, fans, and scholars alike, this wide-ranging primer on anime employs a panoply of critical approaches Well-known through hit movies like Spirited Away, Akira, and Ghost in the Shell, anime has a long history spanning a wide range of directors, genres, and styles. Christopher Bolton\u2019s Interpreting Anime is a thoughtful, carefully organized introduction to Japanese animation for anyone eager to see why this genre has remained a vital, adaptable art form for decades.Interpreting Anime is easily accessible and structured around individual films and a broad array of critical approaches. Each chapter centers on a different feature-length anime film, juxtaposing it with a particular medium-like literary fiction, classical Japanese theater, and contemporary stage drama-to reveal what is unique about anime\u2019s way of representing the world. This analysis is abetted by a suite of questions provoked by each film, along with Bolton\u2019s incisive responses.Throughout, Interpreting Anime applies multiple frames, such as queer theory, psychoanalysis, and theories of postmodernism, giving readers a thorough understanding of both the cultural underpinnings and critical significance of each film. What emerges from the sweep of Interpreting Anime is Bolton\u2019s original, articulate case for what makes anime unique as a medium: how it at once engages profound social and political realities while also drawing attention to the very challenges of representing reality in animation\u2019s imaginative and compelling visual forms.
(source: Nielsen Book Data)9781517904036 20180430
Green Library
Book
240 pages : illustrations ; 24 cm
SAL3 (off-campus storage)
Book
150 pages : color illustrations ; 24 cm.
  • Vorwort
  • Einleitung
  • Katalog
  • Glossar
  • Register.
SAL3 (off-campus storage)
Book
128 pages : illustrations (chiefly color) ; 27 cm
Harold Pinter said of the graphic artist Andrzej Klimowski, "He leads the field by a very long furlong, out on his own, making his own weather. He is Klimowski, unafraid." In the mid-1970s, Klimowski's fearlessly original artwork caught the eye of leading Polish theatre and film companies, for whom he designed some of the period's most influential and iconic posters. The London-born artist, who moved to Poland at a time when many East Europeans dreamed of going West, went on to create posters for works by filmmakers and playwrights from Scorsese to Altman, Beckett to Brecht. Drawing on folk art, Polish Surrealism and the work of his mentor at the Warsaw Academy, Henryk Tomaszewski, Klimowski uses techniques including photomontage and linocut to create posters that are filled with metaphor, drama and originality. The Klimowski Poster Book compiles the best of his Polish work, while also tracing his career after his return to London, where he remains Emeritus Professor of Illustration at the Royal College of Art.
(source: Nielsen Book Data)9781910593462 20180508
Art & Architecture Library (Bowes)
Book
iv, 235 pages : illustrations, portraits ; 23 cm.
SAL3 (off-campus storage)
Book
224 pages : color illustrations ; 29 cm
  • Magie du pastel -- La naissance du pastel: colorier ou colorer ? -- Peindre avec de la poudre: le pastel au siècle des lumières dame -- Le statut du pastel dans la France du XVIIIe siècle -- Jean-Etienne Liotard, un artiste atypique et cosmopolite -- Les portraits au pastel de la famille Tronchin par Liotard -- Bernard-Augustin Stoupan: l'art de la fabrication des pastels Alfred Sisley pastelliste -- Les danseuses au repos d'Edgar Degas -- Symphonie en blanc -- "De la lumière sur du papier" : le pastel symboliste -- Gris et noir -- Les techniques expérimentales du pastel chez Paul Klee -- "Working with colored dust": pastels américains contemporains -- Ombres blanches -- "Like dust in the desert": les pastels de Sean Scully -- Conversation avec Nicolas Party.
Art & Architecture Library (Bowes)