- Book
- 404 pages : illustrations, maps ; 25 cm.
- Heaven and hell parties: Southern religion and the devil's music
- Sold it to the devil: the great migration, lost generations, and the perils of the urban dance hall
- I'm going to marry the devil's daughter: blues tricksters signifying on Jim Crow
- The devil's gonna get you: blues romance and the paradoxes of black freedom
- Selling it at the crossroads: the lives and legacies of Robert Johnson
- Playing for the haints: Ike's protégé and crossroads folklore
- I got a big white fella from Memphis made a deal with me: black men, white boys, and the anxieties of blues postmodernity in Walter Hill's crossroads
- Local and private legislation: branding the crossroads in Clarksdale, Mississippi.
(source: Nielsen Book Data)9781469633664 20171023
- Heaven and hell parties: Southern religion and the devil's music
- Sold it to the devil: the great migration, lost generations, and the perils of the urban dance hall
- I'm going to marry the devil's daughter: blues tricksters signifying on Jim Crow
- The devil's gonna get you: blues romance and the paradoxes of black freedom
- Selling it at the crossroads: the lives and legacies of Robert Johnson
- Playing for the haints: Ike's protégé and crossroads folklore
- I got a big white fella from Memphis made a deal with me: black men, white boys, and the anxieties of blues postmodernity in Walter Hill's crossroads
- Local and private legislation: branding the crossroads in Clarksdale, Mississippi.
(source: Nielsen Book Data)9781469633664 20171023
Music Library
Music Library | Status |
---|---|
Stacks | |
ML3521 .G94 2017 | Unknown |
- Book
- xi, 272 pages : illustrations ; 23 cm.
Banjo music possesses a unique power to evoke a bucolic, simpler past. The artisans who build banjos for old-time music stand at an unusual crossroads "asked to meet the modern musician's needs while retaining the nostalgic qualities so fundamental to the banjo's sound and mystique. Richard Jones-Bamman ventures into workshops and old-time music communities to explore how banjo builders practice their art. His interviews and long-time personal immersion in the musical culture shed light on long-overlooked aspects of banjo making. What is the banjo builder's role in the creation of a specific musical community? What techniques go into the styles of instruments they create? Jones-Bamman explores these questions and many others while sharing the ways an inescapable sense of the past undergirds the performance and enjoyment of old-time music. Along the way he reveals how antimodernism remains integral to the music's appeal and its making.
(source: Nielsen Book Data)9780252082849 20171201
(source: Nielsen Book Data)9780252082849 20171201
Banjo music possesses a unique power to evoke a bucolic, simpler past. The artisans who build banjos for old-time music stand at an unusual crossroads "asked to meet the modern musician's needs while retaining the nostalgic qualities so fundamental to the banjo's sound and mystique. Richard Jones-Bamman ventures into workshops and old-time music communities to explore how banjo builders practice their art. His interviews and long-time personal immersion in the musical culture shed light on long-overlooked aspects of banjo making. What is the banjo builder's role in the creation of a specific musical community? What techniques go into the styles of instruments they create? Jones-Bamman explores these questions and many others while sharing the ways an inescapable sense of the past undergirds the performance and enjoyment of old-time music. Along the way he reveals how antimodernism remains integral to the music's appeal and its making.
(source: Nielsen Book Data)9780252082849 20171201
(source: Nielsen Book Data)9780252082849 20171201
Music Library
Music Library | Status |
---|---|
Stacks | |
ML1015 .B3 J66 2017 | Unknown |
3. Chinatown opera theater in North America [2017]
- Book
- xiv, 415 pages : illustrations ; 23 cm.
The Chinatown opera house provided Chinese immigrants with an essential source of entertainment during the pre "World War II era. But its stories of loyalty, obligation, passion, and duty also attracted diverse patrons into Chinese American communities Drawing on a wealth of new Chinese- and English-language research, Nancy Yunhwa Rao tells the story of iconic theater companies and the networks and migrations that made Chinese opera a part of North American cultures. Rao unmasks a backstage world of performers, performance, and repertoire and sets readers in the spellbound audiences beyond the footlights. But she also braids a captivating and complex history from elements outside the opera house walls: the impact of government immigration policy; how a theater influenced a Chinatown's sense of cultural self; the dissemination of Chinese opera music via recording and print materials; and the role of Chinese American business in sustaining theatrical institutions. The result is a work that strips the veneer of exoticism from Chinese opera, placing it firmly within the bounds of American music and a profoundly American experience.
(source: Nielsen Book Data)9780252082030 20170321
(source: Nielsen Book Data)9780252082030 20170321
The Chinatown opera house provided Chinese immigrants with an essential source of entertainment during the pre "World War II era. But its stories of loyalty, obligation, passion, and duty also attracted diverse patrons into Chinese American communities Drawing on a wealth of new Chinese- and English-language research, Nancy Yunhwa Rao tells the story of iconic theater companies and the networks and migrations that made Chinese opera a part of North American cultures. Rao unmasks a backstage world of performers, performance, and repertoire and sets readers in the spellbound audiences beyond the footlights. But she also braids a captivating and complex history from elements outside the opera house walls: the impact of government immigration policy; how a theater influenced a Chinatown's sense of cultural self; the dissemination of Chinese opera music via recording and print materials; and the role of Chinese American business in sustaining theatrical institutions. The result is a work that strips the veneer of exoticism from Chinese opera, placing it firmly within the bounds of American music and a profoundly American experience.
(source: Nielsen Book Data)9780252082030 20170321
(source: Nielsen Book Data)9780252082030 20170321
Music Library
Music Library | Status |
---|---|
Stacks | |
ML1751 .C5 R36 2017 | Unknown |
- Book
- xii, 252 pages, 32 unnumbered pages of plates : illustrations (some color) ; 25 cm.
- Prologue
- "I've got dreams to remember" : post-war years-Lubbock, Texas
- "The cost of living" : North Texas in the early '50s
- "Never been rocked enough" : the birth of rock and roll
- "A right to be wrong" : coming of age in a Texas roadhouse
- "Honky-tonkin' (I guess I've done me some)" : the Straitjackets
- "If you really want me to, I'll go" : the Rondels
- "Livin' it down" : learning the business of music
- "Two more bottles of wine" : the Los Angeles years
- "California livin'" : Clean Records
- "Victim of life's circumstances" : going solo
- "Ain't what you eat but the way how you chew it" : progressive country
- "Second wind" : the road warrior
- "I want to love you" : Wendy and the lost boys
- "Take it easy lovin' me" : the worst of times
- "Good man, good woman" : making it work
- "Have a little faith in me" : Curb cuts
- "Acquired taste" : the millennial groove
- "Sandy beaches" : the Delbert cruises
- "Sending me angels" : family ties and old friends
- "Best of me" : staying power
- Epilogue
- Afterword
- Appendix
- Notes
- Selected discography.
(source: Nielsen Book Data)9781623495886 20180129
- Prologue
- "I've got dreams to remember" : post-war years-Lubbock, Texas
- "The cost of living" : North Texas in the early '50s
- "Never been rocked enough" : the birth of rock and roll
- "A right to be wrong" : coming of age in a Texas roadhouse
- "Honky-tonkin' (I guess I've done me some)" : the Straitjackets
- "If you really want me to, I'll go" : the Rondels
- "Livin' it down" : learning the business of music
- "Two more bottles of wine" : the Los Angeles years
- "California livin'" : Clean Records
- "Victim of life's circumstances" : going solo
- "Ain't what you eat but the way how you chew it" : progressive country
- "Second wind" : the road warrior
- "I want to love you" : Wendy and the lost boys
- "Take it easy lovin' me" : the worst of times
- "Good man, good woman" : making it work
- "Have a little faith in me" : Curb cuts
- "Acquired taste" : the millennial groove
- "Sandy beaches" : the Delbert cruises
- "Sending me angels" : family ties and old friends
- "Best of me" : staying power
- Epilogue
- Afterword
- Appendix
- Notes
- Selected discography.
(source: Nielsen Book Data)9781623495886 20180129
Music Library
Music Library | Status |
---|---|
Stacks | |
ML420 .M3407 H46 2017 | Unknown |
- Book
- x, 233 pages, 16 unnumbered pages of plates : illustrations ; 24 cm.
George Szell was the Cleveland Orchestra's towering presence for over a quarter of a century. From the boardroom to the stage, Szell's powerful personality affected every aspect of a musical institution he reshaped in his own perfectionist image. Marcia Hansen Kraus's participation in Cleveland's classical musical scene allowed her an intimate view of Szell and his achievements. As a musician herself, and married to an oboist who worked under Szell, Kraus pulls back the curtain on this storied era through fascinating interviews with orchestra musicians and patrons. Their recollections combine with Kraus's own to paint a portrait of a multifaceted individual who both earned and transcended his tyrannical reputation. If some musicians hated Szell, others loved him or at the least respected his fair-minded toughness. A great many remember playing under his difficult leadership as the high point in their lives. Filled with vivid backstage stories, George Szell's Reign reveals the human side of a great orchestra "and how one visionary built a premier classical music institution.
(source: Nielsen Book Data)9780252041310 20171211
(source: Nielsen Book Data)9780252041310 20171211
George Szell was the Cleveland Orchestra's towering presence for over a quarter of a century. From the boardroom to the stage, Szell's powerful personality affected every aspect of a musical institution he reshaped in his own perfectionist image. Marcia Hansen Kraus's participation in Cleveland's classical musical scene allowed her an intimate view of Szell and his achievements. As a musician herself, and married to an oboist who worked under Szell, Kraus pulls back the curtain on this storied era through fascinating interviews with orchestra musicians and patrons. Their recollections combine with Kraus's own to paint a portrait of a multifaceted individual who both earned and transcended his tyrannical reputation. If some musicians hated Szell, others loved him or at the least respected his fair-minded toughness. A great many remember playing under his difficult leadership as the high point in their lives. Filled with vivid backstage stories, George Szell's Reign reveals the human side of a great orchestra "and how one visionary built a premier classical music institution.
(source: Nielsen Book Data)9780252041310 20171211
(source: Nielsen Book Data)9780252041310 20171211
Music Library
Music Library | Status |
---|---|
Stacks | |
ML422 .S99 K73 2017 | Unknown |
- Book
- x, 210 pages : illustrations ; 23 cm.
Tarantella, a genre of Southern Italian folk music and dance, is an international phenomenon--seen and heard in popular festivals, performed across the Italian diaspora, even adapted for New Age spiritual practices. The boom in popularity has diversified tarantella in practice while setting it within a host of new, unexpected contexts. Incoronata Inserra ventures into the history, global circulation, and recontextualization of this fascinating genre. Examining tarantella's changing image and role among Italians and Italian Americans, Inserra illuminates how factors like tourism, translation, and world music venues have shifted the ethics of place embedded in the tarantella cultural tradition. Once rural, religious, and rooted, tarantella now thrives in settings urban, secular, migrant, and ethnic. Inserra reveals how the genre's changing dynamics contribute to reimagining Southern Italian identity. At the same time, they translate tarantella into a different kind of performance that serves new social and cultural groups and purposes. Indeed, as Inserra shows, tarantella's global growth promotes a reassessment of gender relations in the Italian South and helps create space for Italian and Italian-American women to reclaim gendered aspects of the genre.
(source: Nielsen Book Data)9780252082832 20180115
(source: Nielsen Book Data)9780252082832 20180115
Tarantella, a genre of Southern Italian folk music and dance, is an international phenomenon--seen and heard in popular festivals, performed across the Italian diaspora, even adapted for New Age spiritual practices. The boom in popularity has diversified tarantella in practice while setting it within a host of new, unexpected contexts. Incoronata Inserra ventures into the history, global circulation, and recontextualization of this fascinating genre. Examining tarantella's changing image and role among Italians and Italian Americans, Inserra illuminates how factors like tourism, translation, and world music venues have shifted the ethics of place embedded in the tarantella cultural tradition. Once rural, religious, and rooted, tarantella now thrives in settings urban, secular, migrant, and ethnic. Inserra reveals how the genre's changing dynamics contribute to reimagining Southern Italian identity. At the same time, they translate tarantella into a different kind of performance that serves new social and cultural groups and purposes. Indeed, as Inserra shows, tarantella's global growth promotes a reassessment of gender relations in the Italian South and helps create space for Italian and Italian-American women to reclaim gendered aspects of the genre.
(source: Nielsen Book Data)9780252082832 20180115
(source: Nielsen Book Data)9780252082832 20180115
Music Library
Music Library | Status |
---|---|
Stacks | |
ML3660 .I57 2017 | Unknown |
- Book
- 221 pages : illustrations, facsimiles ; 28 cm.
- Book
- xvi, 368 pages, 12 unnumbered pages of plates : illustrations ; 25 cm.
Born into folk music's first family, Peggy Seeger has blazed her own trail artistically and personally. Jean Freedman draws on a wealth of research and conversations with Seeger to tell the life story of one of music's most charismatic performers and tireless advocates. Here is the story of Seeger's multifaceted career, from her youth to her pivotal role in the American and British folk revivals, from her instrumental virtuosity to her tireless work on behalf of environmental and feminist causes, from wry reflections on the U.K. folk scene to decades as a songwriter. Freedman also delves into Seeger's fruitful partnership with Ewan MacColl and a multitude of contributions which include creating the renowned Festivals of Fools, founding Blackthorne Records, masterminding the legendary Radio Ballads documentaries, and mentoring performers in the often-fraught atmosphere of The Critics Group. Bracingly candid and as passionate as its subject, Peggy Seeger is the first book-length biography of a life set to music.
(source: Nielsen Book Data)9780252040757 20170410
(source: Nielsen Book Data)9780252040757 20170410
Born into folk music's first family, Peggy Seeger has blazed her own trail artistically and personally. Jean Freedman draws on a wealth of research and conversations with Seeger to tell the life story of one of music's most charismatic performers and tireless advocates. Here is the story of Seeger's multifaceted career, from her youth to her pivotal role in the American and British folk revivals, from her instrumental virtuosity to her tireless work on behalf of environmental and feminist causes, from wry reflections on the U.K. folk scene to decades as a songwriter. Freedman also delves into Seeger's fruitful partnership with Ewan MacColl and a multitude of contributions which include creating the renowned Festivals of Fools, founding Blackthorne Records, masterminding the legendary Radio Ballads documentaries, and mentoring performers in the often-fraught atmosphere of The Critics Group. Bracingly candid and as passionate as its subject, Peggy Seeger is the first book-length biography of a life set to music.
(source: Nielsen Book Data)9780252040757 20170410
(source: Nielsen Book Data)9780252040757 20170410
Music Library
Music Library | Status |
---|---|
Stacks | |
ML420 .S44476 F74 2017 | Unknown |
9. Safīnat aghānīnā al-jamīlah [2017]
- Book
- 120 pages : illustrations ; 24 cm.
SAL3 (off-campus storage)
SAL3 (off-campus storage) | Status |
---|---|
Stacks | Request |
ML3503 .E3 S58 2017 | Available |
10. Talking guitar : conversations with musicians who shaped twentieth-century American music [2017]
- Book
- 307 pages : illustrations ; 25 cm + 1 CD
- Guitarchaeology : setting the stage
- Nick Lucas : America's first guitar hero
- Ry Cooder : prewar country blues
- Barney Kessel : the rise of Charlie Christian
- Clarence "Gatemouth" Brown : "American music, Texas-style"
- Roebuck "Pops" Staples : gospel guitar
- Ricky Nelson : remembering rockabilly
- Carol Kaye : the first lady of rock
- Stevie Ray Vaughan : on Jimi Hendrix
- James Gurley : "the Yuri Gagarin of psychedelic guitar"
- Jerry Garcia : "it's the next note, not the last one"
- Johnny Winter : sliding the blues
- Gregg Allman : "my brother Duane"
- Carlos Santana : "put wings on people's hearts"
- Neil Young : the power of one note
- Eddie Van Halen : "my first interview"
- Tom Petty : songwriting and the art of rhythm guitar
- Eric Johnson : the journey inward
- Joe Satriani : the resurgence of instrumental rock
- Ben Harper : "the strongest spirit in all creation."
(source: Nielsen Book Data)9781469631646 20170530
- Guitarchaeology : setting the stage
- Nick Lucas : America's first guitar hero
- Ry Cooder : prewar country blues
- Barney Kessel : the rise of Charlie Christian
- Clarence "Gatemouth" Brown : "American music, Texas-style"
- Roebuck "Pops" Staples : gospel guitar
- Ricky Nelson : remembering rockabilly
- Carol Kaye : the first lady of rock
- Stevie Ray Vaughan : on Jimi Hendrix
- James Gurley : "the Yuri Gagarin of psychedelic guitar"
- Jerry Garcia : "it's the next note, not the last one"
- Johnny Winter : sliding the blues
- Gregg Allman : "my brother Duane"
- Carlos Santana : "put wings on people's hearts"
- Neil Young : the power of one note
- Eddie Van Halen : "my first interview"
- Tom Petty : songwriting and the art of rhythm guitar
- Eric Johnson : the journey inward
- Joe Satriani : the resurgence of instrumental rock
- Ben Harper : "the strongest spirit in all creation."
(source: Nielsen Book Data)9781469631646 20170530
Music Library
Music Library | Status |
---|---|
Stacks
|
|
ML3477 .T35 2017 | Unavailable In process Request |
- Book
- 403 pages ; 24 cm.
SAL3 (off-campus storage)
SAL3 (off-campus storage) | Status |
---|---|
In process | Request |
M1838 .J6 U23 2017 | Unavailable On order |
12. Alḥān bi-raḥīq al-farāʻinah [2016]
- Book
- 144 pages : illustrations ; 23 cm.
SAL3 (off-campus storage)
SAL3 (off-campus storage) | Status |
---|---|
Stacks | Request |
ML3086 .I79 2016 | Available |
- Book
- 304 pages : illustrations, music ; 24 cm.
- Business and politics : the landscape
- Ace race arranger : the Broadway music clinic
- Harlem on Broadway : nightclub and theater revues
- Theory and practice : the fundamentals
- Episode and interlude : Broadway modernism
- Futuristic ragtime : style and identity
- Heavy stuff : classics and concertos
- Give me some skin : novelty songs and ballads
- Jungle madness : jazz dance and exotic numbers.
(source: Nielsen Book Data)9780252040405 20161003
- Business and politics : the landscape
- Ace race arranger : the Broadway music clinic
- Harlem on Broadway : nightclub and theater revues
- Theory and practice : the fundamentals
- Episode and interlude : Broadway modernism
- Futuristic ragtime : style and identity
- Heavy stuff : classics and concertos
- Give me some skin : novelty songs and ballads
- Jungle madness : jazz dance and exotic numbers.
(source: Nielsen Book Data)9780252040405 20161003
Music Library
Music Library | Status |
---|---|
Stacks | |
ML3518 .W75 2016 | Unknown |
- Book
- xvi, 223 pages, 1 unnumbered page ; 29 cm
- Book
- x, 194 pages ; 24 cm.
- Headless heroes of the apocalypse
- Cuba libre
- Dedicated to the struggle
- Cosa nuestra.
(source: Nielsen Book Data)9781496806895 20160725
- Headless heroes of the apocalypse
- Cuba libre
- Dedicated to the struggle
- Cosa nuestra.
(source: Nielsen Book Data)9781496806895 20160725
Music Library
Music Library | Status |
---|---|
Stacks | |
ML3565 .N56 2016 | Unknown |
- Book
- xviii, 280 pages : illustrations ; 24 cm.
Essays that overthrow stereotypes and demonstrate the genre's power and mystique. Contributions by Georgia Christgau, Alexander S. Dent, Leigh H. Edwards, Caroline Gnagy, Kate Heidemann, Nadine Hubbs, Jocelyn Neal, Ase Ottosson, Travis Stimeling, Matthew D. Sutton, and Chris Wilson Country music boasts a long tradition of rich, contradictory gender dynamics, creating a world where Kitty Wells could play the demure housewife and the honky-tonk angel simultaneously, Dolly Parton could move from traditionalist "girl singer" to outspoken trans rights advocate, and current radio playlists can alternate between the reckless masculinity of bro-country and the adolescent girlishness of Taylor Swift. In this follow-up volume to A Boy Named Sue, some of the leading authors in the field of country music studies reexamine the place of gender in country music, considering the ways country artists and listeners have negotiated gender and sexuality through their music and how gender has shaped the way that music is made and heard. In addition to shedding new light on such legends as Wells, Parton, Loretta Lynn, and Charley Pride, it traces more recent shifts in gender politics through the performances of such contemporary luminaries as Swift, Gretchen Wilson, and Blake Shelton. The book also explores the intersections of gender, race, class, and nationality in a host of less expected contexts, including the prisons of WWII-era Texas, where the members of the Goree All-Girl String Band became the unlikeliest of radio stars; the studios and offices of Plantation Records, where Jeannie C. Riley and Linda Martell challenged the social hierarchies of a changing South in the 1960s; and the burgeoning cities of present-day Brazil, where "college country" has become one way of negotiating masculinity in an age of economic and social instability.
(source: Nielsen Book Data)9781496805058 20160619
(source: Nielsen Book Data)9781496805058 20160619
Essays that overthrow stereotypes and demonstrate the genre's power and mystique. Contributions by Georgia Christgau, Alexander S. Dent, Leigh H. Edwards, Caroline Gnagy, Kate Heidemann, Nadine Hubbs, Jocelyn Neal, Ase Ottosson, Travis Stimeling, Matthew D. Sutton, and Chris Wilson Country music boasts a long tradition of rich, contradictory gender dynamics, creating a world where Kitty Wells could play the demure housewife and the honky-tonk angel simultaneously, Dolly Parton could move from traditionalist "girl singer" to outspoken trans rights advocate, and current radio playlists can alternate between the reckless masculinity of bro-country and the adolescent girlishness of Taylor Swift. In this follow-up volume to A Boy Named Sue, some of the leading authors in the field of country music studies reexamine the place of gender in country music, considering the ways country artists and listeners have negotiated gender and sexuality through their music and how gender has shaped the way that music is made and heard. In addition to shedding new light on such legends as Wells, Parton, Loretta Lynn, and Charley Pride, it traces more recent shifts in gender politics through the performances of such contemporary luminaries as Swift, Gretchen Wilson, and Blake Shelton. The book also explores the intersections of gender, race, class, and nationality in a host of less expected contexts, including the prisons of WWII-era Texas, where the members of the Goree All-Girl String Band became the unlikeliest of radio stars; the studios and offices of Plantation Records, where Jeannie C. Riley and Linda Martell challenged the social hierarchies of a changing South in the 1960s; and the burgeoning cities of present-day Brazil, where "college country" has become one way of negotiating masculinity in an age of economic and social instability.
(source: Nielsen Book Data)9781496805058 20160619
(source: Nielsen Book Data)9781496805058 20160619
Music Library
Music Library | Status |
---|---|
Stacks | |
ML3524 .C615 2016 | Unknown |
- Book
- ix, 173 pages : illustrations ; 23 cm.
- "Nothing but realism": early hillbilly music's blend of rural and urban
- "Country comes to town": a new urban identity for country music in the 1960s
- "You sound like us but you look like them": the racial politics of country music in the city of Nashville
- "Country music is wherever the soul of a country music fan is": Opryland U.S.A. and the importance of "home" in country music
- "They're not as backward as they used to be": country music's commercial success in the 1990s and the transformation of downtown Nashville.
(source: Nielsen Book Data)9781625341723 20160619
- "Nothing but realism": early hillbilly music's blend of rural and urban
- "Country comes to town": a new urban identity for country music in the 1960s
- "You sound like us but you look like them": the racial politics of country music in the city of Nashville
- "Country music is wherever the soul of a country music fan is": Opryland U.S.A. and the importance of "home" in country music
- "They're not as backward as they used to be": country music's commercial success in the 1990s and the transformation of downtown Nashville.
(source: Nielsen Book Data)9781625341723 20160619
Music Library
Music Library | Status |
---|---|
Stacks | |
ML3524 .H56 2016 | Unknown |
18. Ethnomusicology and audiovisual communication : selected papers from the MusiCam 2014 Symposium [2016]
- Book
- 236 pages : illustrations ; 24 cm
- Introductory notes / Enrique Cámara de Landa ; Terada Yoshitaka
- 1. Theory and methodology.
- The ethnomusicological documentary: Some principles and guidelines / Nico Staiti
- Approaches to visual anthropology applied to ethnomusicology: "Multivocal editing" and musical action as a form of knowledge / Charlotte Vignau
- A regola d'Arte, an experience in reflexive visual anthropology / Fulvia Caruso
- 2. Ethics and representation.
- On making "Drumming out a Message": Filmmaking and marginalized communities / Terada Yoshitaka
- Payada, empathy and social commitment: a filming experience in an Argentinian prison / Matías Isolabella
- 3. Analysis.
- Using video as a tool for the analysis of music and dance performances / Giorgio Adamo
- Western chaco flutes and flute players revisited / María Eugenia Dominguez
- Saludos amigos: Reflections about Brazilian's cultural identity / Daniel Vilela ; João Egashira
- 4. Education.
- Producing ethnomusicological audiovisuals in current educational contexts / Enrique Cámara de Landa
- Ethnomusicology in the audiovisual world: Theoretical and educational applications / Nick Poulakis
- 5. Fieldwork footage.
- The birth of an intangible heritage archive: Guitarrón music and chino dances in central Chile / Claudio Mercado M.
- Life beyond the archive: Converting archived fieldwork footage into a documentary / Rui Oliveira
- 6. TV Documentaries.
- An ethnomusicological perspective for a television documentary film shot in Calabar (Nigeria) / Leonardo D'Amico
- Researching and producing visual ethnomusicology in Peru: On ethnographic videos and television documentaries / Raúl R. Romero.
- Introductory notes / Enrique Cámara de Landa ; Terada Yoshitaka
- 1. Theory and methodology.
- The ethnomusicological documentary: Some principles and guidelines / Nico Staiti
- Approaches to visual anthropology applied to ethnomusicology: "Multivocal editing" and musical action as a form of knowledge / Charlotte Vignau
- A regola d'Arte, an experience in reflexive visual anthropology / Fulvia Caruso
- 2. Ethics and representation.
- On making "Drumming out a Message": Filmmaking and marginalized communities / Terada Yoshitaka
- Payada, empathy and social commitment: a filming experience in an Argentinian prison / Matías Isolabella
- 3. Analysis.
- Using video as a tool for the analysis of music and dance performances / Giorgio Adamo
- Western chaco flutes and flute players revisited / María Eugenia Dominguez
- Saludos amigos: Reflections about Brazilian's cultural identity / Daniel Vilela ; João Egashira
- 4. Education.
- Producing ethnomusicological audiovisuals in current educational contexts / Enrique Cámara de Landa
- Ethnomusicology in the audiovisual world: Theoretical and educational applications / Nick Poulakis
- 5. Fieldwork footage.
- The birth of an intangible heritage archive: Guitarrón music and chino dances in central Chile / Claudio Mercado M.
- Life beyond the archive: Converting archived fieldwork footage into a documentary / Rui Oliveira
- 6. TV Documentaries.
- An ethnomusicological perspective for a television documentary film shot in Calabar (Nigeria) / Leonardo D'Amico
- Researching and producing visual ethnomusicology in Peru: On ethnographic videos and television documentaries / Raúl R. Romero.
Music Library
Music Library | Status |
---|---|
Stacks | |
ML3799.2 .M87 2016 | Unknown |
- Book
- xxiii, 415 pages : illustrations ; 24 cm.
Harry T. Burleigh (1866-1949) played a leading role in American music and culture in the twentieth century. Celebrated for his arrangements of spirituals, Burleigh was also the first African American composer to create a significant body of art song. An international roster of opera and recital singers performed his works and praised them as among the best of their time. Jean E. Snyder traces Burleigh's life from his Pennsylvania childhood through his fifty-year tenure as soloist at St. George's Episcopal Church in Manhattan. As a composer, Burleigh's pioneering work preserved and transformed the African American spiritual; as a music editor, he facilitated the work of other black composers; as a role model, vocal coach, and mentor, he profoundly influenced American song; and in private life he was friends with AntonA-n DvoA(TM)A!k, Marian Anderson, Will Marion Cook, and other America luminaries. Snyder provides rich historical, social, and political contexts that explore Burleigh's professional and personal life within an era complicated by changes in race relations, class expectations, and musical tastes.
(source: Nielsen Book Data)9780252039942 20160619
(source: Nielsen Book Data)9780252039942 20160619
Harry T. Burleigh (1866-1949) played a leading role in American music and culture in the twentieth century. Celebrated for his arrangements of spirituals, Burleigh was also the first African American composer to create a significant body of art song. An international roster of opera and recital singers performed his works and praised them as among the best of their time. Jean E. Snyder traces Burleigh's life from his Pennsylvania childhood through his fifty-year tenure as soloist at St. George's Episcopal Church in Manhattan. As a composer, Burleigh's pioneering work preserved and transformed the African American spiritual; as a music editor, he facilitated the work of other black composers; as a role model, vocal coach, and mentor, he profoundly influenced American song; and in private life he was friends with AntonA-n DvoA(TM)A!k, Marian Anderson, Will Marion Cook, and other America luminaries. Snyder provides rich historical, social, and political contexts that explore Burleigh's professional and personal life within an era complicated by changes in race relations, class expectations, and musical tastes.
(source: Nielsen Book Data)9780252039942 20160619
(source: Nielsen Book Data)9780252039942 20160619
Music Library
Music Library | Status |
---|---|
Stacks | |
ML410 .B97 S69 2016 | Unknown |
20. Jazzing : New York City's unseen scene [2016]
- Book
- ix, 245 pages, 20 unnumbered pages of plates : illustrations ; 24 cm.
- Listening to jazz
- Developing "big ears" : jazz fans
- Making the scene : fan communities
- Providing a place and time : jazz presenters
- Jazz jobbing : music professionals
- Hear and now : collective improvisation and spiritual synergy.
(source: Nielsen Book Data)9780252081606 20160704
- Listening to jazz
- Developing "big ears" : jazz fans
- Making the scene : fan communities
- Providing a place and time : jazz presenters
- Jazz jobbing : music professionals
- Hear and now : collective improvisation and spiritual synergy.
(source: Nielsen Book Data)9780252081606 20160704
Music Library
Music Library | Status |
---|---|
Stacks | |
ML3508.8 .N5 G74 2016 | Unknown |