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Book
131 pages ; 24 cm.
SAL3 (off-campus storage)
Book
350 pages : illustrations, facsimiles ; 21 cm.
  • Einleitung
  • Schreibkalender
  • Funktion und Profil einer publizistischen Gattung
  • Anmerkungen zum Forschungsstand
  • Das Aderlassmännlein
  • Prognosticon und Practica
  • Illustrationen und Monatsbilder
  • Titelblätter
  • Kalenderzeichen und Symbole
  • Vorschriften zum Vertrieb der Kalender
  • Konflikte
  • Vertriebspraxis
  • Schreibkalender in der Medienlandschaft Thüringen
  • Voraussetzungen und Rahmenbedingungen für die Neustädter Kalender
  • Die Einführung des Verbesserten Kalenders
  • Zensur und Preßgesetzgebung im Alten Reich und im Kurfürstentum Sachsen
  • Zensur und Preßfreiheit in Sachsen-Weimar-Eisenach
  • Bestimmungen zum Kalenderwesen
  • Kalenderverleger im Kurfürstentum Sachsen
  • Verleger und "Kalendermacher" in Neustadt an der Orla
  • Die Stadt und ihre Bürger
  • Johann Philipp Gollner
  • Friedrich Anton Urban und Heinrich August Urban
  • Johann Carl Käthe
  • Johann Karl Gottfried Wagner
  • Friedrich Ludwig Leberecht Wagner und Antonie Wagner
  • Erich Friedrich Wagner
  • Ausblick : Kalender im 20. Jahrhundert
  • Fallstudien und Seitenblicke
  • Frauenzimmer=Calender
  • Kalender und Volksaufklärung : mit einem Exkurs : Wagners "Neuestes Historienbuch für den Bürger und Landmann"
  • Der Kalenderverleger als Vermittler bürgerlicher Werte
  • Kalender im System gedruckter Medien
  • Resümee
  • Anhang : Texte und Dokumente
  • Mandate und Dekrete zum Kalenderwesen
  • Mandat des sächsischen Kurfürsten für Thomas Fritsch in Leipzig zur Herausgabe eines verbesserten Kalenders [8.11.1699]
  • Verordnung Wider die Einführ= und Verkauffung frembder Calender in Dero Chur=Fürstenthum und incorporirten, auch andern Landen : Dreßden am I Nov. Anno 1704. [1.11.1704]
  • Kalendermandat [21.7.1718]
  • Mandat wegen des Verkaufs und der Stempelung derer Calender in Dero gesammten Landen, auch derer davon zu entrichtenden Imposten und General-Accis-Abgaben. [30.10.1773]
  • Königliches Mandat [11.1.1819] [Auszug]
  • Gesetz vom 10. April 1821, über den Kalenderstempel etc. [10.4.1821]
  • Kalenderbeiträge
  • Practica Oder Calender-Anhang Auf das Auf das Jahr nach Christi Geburth 1716. Welches ein Schaltjahr von 366 Tagen [1716]
  • Bericht vom Aderlassen. An welchem Tage durch das gantze Jahr gut oder böß Aderlassen ist. [1753]
  • Prognosticon derer Alten vom heil. Christtage : [1757]
  • Historien=Calender [1788]
  • [Ratschläge für den Alltag] [1808]
  • Bey Erblickung des neuen Kalenders : [1820]
  • Nahrungsmittel für Schwangere [1821]
  • Wie der Name, so das Leben : [1822]
  • Reinigung des neugeborenen Kindes : [1822]
  • Mißbräuche mancher Hebammen : [1822]
  • Abbildung und Beschreibung von Neustadt a.d. Orla [1824]
  • Tabellarisches Verzeichniß einiger Fuhrleute und Boten, wie sie in Neustadt a. d. O. abgehen und ankommen : [1834]
  • Gemeinnütziges [1854]
  • Neustädter Kalenderreihen : eine Bestandsaufnahme
  • Bibliographische Vorbemerkung
  • Kalenderreihen in chronologischer Folge
  • Abkürzungsverzeichnis
  • Quellen und Literatur
  • Archivalische Quellen
  • Gedruckte Quellen und zeitgenössisches Schrifttum
  • Literatur
  • Abbildungsnachweis
  • Personenregister.
SAL1&2 (on-campus shelving)
Book
xi, 220 pages ; 25 cm.
  • Introduction -- Part I: An Annual Friend -- Chapter One: Almanacs -- Chapter Two: Astrology -- Part II: The Liturgy of Popular Culture -- Chapter Three: Death -- Chapter Four: Authority -- Chapter Five: Religion -- Part III: Non-Protestants -- Chapter Six: Catholics -- Chapter Seven: Others -- Conclusion.
  • (source: Nielsen Book Data)9780199373659 20160802
A Divinity for All Persuasions uncovers the religious signifiance of early America's most ubiquitous popular genre. Other than a Bible and perhaps a few schoolbooks and sermons, almanacs were the only printed items most Americans owned before 1820. Purchased annually, the almanac was a calendar and astrologically-based medical handbook surrounded by poetry, essays, anecdotes, and a variety of practical information. Employing a wealth of archival material, T.J. Tomlin analyzes the pan-Protestant sensibility distributed through the almanac's pages between 1730 and 1820. By disseminating a collection of Protestant concepts regarding God's existence, divine revelation, the human condition, and the afterlife, almanacs played an unparalleled role in early American religious life. Influenced by readers' opinions and printers' pragmatism, the religious content of everyday print supports an innovative interpretation of early American cultural and religious history. In sharp contrast to a historiography centered on intra-Protestant competition, Tomlin shows that most early Americans relied on a handful of Protestant "essentials" rather than denominational specifics to define and organize their religious lives.
(source: Nielsen Book Data)9780199373659 20160802
SAL1&2 (on-campus shelving)
Book
225 pages ; 23 cm.
SAL3 (off-campus storage)
SAL3 (off-campus storage)
Book
106, 251 p. : ill. ; 18 cm.
SAL3 (off-campus storage)
Book
8, cxxiii, 574 p. : ill. ; 18 cm.
SAL1&2 (on-campus shelving)

8. Almanak 2010 [2011]

Book
440 pages ; 24 cm.
SAL3 (off-campus storage)
Book
106 p. : ill. (chiefly col.) ; 23 cm.
SAL1&2 (on-campus shelving)
Book
xiv, 305 p. : ill. ; 24 cm.
In Poetry, Pictures, and Popular Publishing eminent Rossetti scholar Lorraine Janzen Kooistra demonstrates the cultural centrality of a neglected artifact: the Victorian illustrated gift book. Turning a critical lens on "drawing-room books" as both material objects and historical events, Kooistra reveals how the gift book's visual/verbal form mediated "high" and popular art as well as book and periodical publication. A composite text produced by many makers, the poetic gift book was designed for domestic space and a female audience; its mode of publication marks a significant moment in the history of authorship, reading, and publishing. With rigorous attention to the gift book's aesthetic and ideological features, Kooistra analyzes the contributions of poets, artists, engravers, publishers, and readers and shows how its material form moved poetry into popular culture. Drawing on archival and periodical research, she offers new readings of Eliza Cook, Adelaide Procter, and Jean Ingelow and shows the transatlantic reach of their verses. Boldly re-situating Tennyson's works within the gift-book economy he dominated, Kooistra demonstrates how the conditions of corporate authorship shaped the production and reception of the laureate's verses at the peak of his popularity. Poetry, Pictures, and Popular Publishing changes the map of poetry's place - in all its senses - in Victorian everyday life and consumer culture.
(source: Nielsen Book Data)9780821419649 20160605
SAL1&2 (on-campus shelving)
Book
198 p. : ill. ; 31 cm.
  • À l'ombre des Messagers boiteux -- Le duché de Savoie, marché captif des Messagers boiteux -- Imiter les Messagers boiteux -- Le Cultivateur des Alpes -- Les Burdet et leurs successeurs -- L'originalité du Cultivateur des Alpes -- Les almanachs particuliers -- Les almanachs-annuaires -- Les almanachs missionnaires -- Les almanachs régionaux -- Le colportage d'imprimés -- Des pouvoirs publics suspicieux -- La législation draconienne du Second Empire -- La conquête de la liberté -- Sous le manteau -- Colporteurs d'ici et d'ailleurs -- Au fil du temps -- Une mosaïque de situations -- Annexes -- Liste des colporteurs italiens et tessinois en Savoie et Haute-Savoie -- Liste des colporteurs pyrénéens en Savoie et Haute-Savoie -- Catalogue des livres de François Nbuguès -- Bibliographie -- Sources manuscrites -- Sources imprimées -- Table des illustrations.
"Chantal et Gilbert Maistre, bien connus pour leurs travaux sur l'émigration marchande savoyarde présentent ici la première étude des almanachs savoyards et de leur diffusion. Au fil des siècles et dés réglementations, ils marchent dans les pas des colporteurs d'imprimés qui parcourent les pays de Savoie, en vendant almanachs, brochures et images au fond des campagnes. Jusqu'à la fin du XIXe siècle, la culture populaire du monde rural est alimentée par ces colporteurs d'imprimés."--P. [4] of cover.
SAL3 (off-campus storage)
Book
64, [ca. 50] p. ; 20 cm.
SAL3 (off-campus storage)

13. Perspektiven [2010 - ]

Journal/Periodical
volumes : illustrations (some color) ; 25 cm
SAL1&2 (on-campus shelving)
Book
14 v. : ill. ; 27 cm.
East Asia Library
Book
310 p. : ill. ; 23 cm.
SAL3 (off-campus storage)
Book
40, [60] p., [2] folded leaves of plates : ill. ; 21 cm.
SAL3 (off-campus storage)
Book
1 v. (various pagings) : ill. (some col.) ; 27 cm.
SAL1&2 (on-campus shelving)
Book
377, [23] p. : ill. ; 25 cm.
SAL3 (off-campus storage)
Book
xii, 221 p. : ill. ; 24 cm.
In this innovative study of the relationship between popular print and popular attitudes toward the body, health, and disease in antebellum America, Thomas A. Horrocks focuses our attention on a publication long neglected by scholars - the almanac. Approaching his subject as both a historian of the book and a historian of medicine, Horrocks contends that the almanac, the most popular secular publication in America from the late eighteenth century to the first quarter of the nineteenth, both shaped and was shaped by early Americans' beliefs and practices pertaining to health and medicine.Analyzing the astrological, therapeutic, and regimen advice offered in American almanacs over two centuries, and comparing it with similar advice offered in other genres of popular print of the period, Horrocks effectively demonstrates that the almanac was a leading source of health information in America prior to the Civil War. He contends that the almanac was an integral component of a complicated, fragmented, semi-vernacular health literature of the period, and that the genre played a leading role in disseminating astrological health advice as well as shaping contemporary and future perceptions of astrology.In terms of therapeutic and regimen advice, Horrocks asserts that the almanac performed a complementary role, confirming and reinforcing traditional beliefs and practices. By analyzing the almanac as a cultural artifact that represents a time, a place, and a certain set of assumptions and beliefs, he demonstrates that the genre can provide a lens through which scholars may examine early American attitudes and practices concerning their health in particular and American popular culture in general.
(source: Nielsen Book Data)9781558496576 20160528
SAL1&2 (on-campus shelving)

20. Almanak 2006 [2007]

Book
654 pages : illustrations, charts ; 24 cm.
SAL3 (off-campus storage)