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• La cocina tradicional mexicana / Sol Rubín de la Borbolla
• Patrimonio Cultural Inmaterial de la Humanidad UNESCO
• Los cultivos originarios de México / grabados de Nacho Gómez Arriola
• Prints: Chile
• Maíz
• Cacao
• Frijol
• Aguacate
• Nopal
• Calabaza
• Maguey.

"The 442nd Regimental Combat Team, made up of Japanese Americans, was the most decorated unit of World War II. Even with their families confined behind barbed wire in government concentration camps, these soldiers fought bravely to rescue a Texan battalion lost deep behind enemy lines. This story, based on the actual events, follows members of the 442nd as they face incarceration, prejudice, and horrific casualties in their battle to rescue The Lost Battalion"--Page 4 of cover.

• Man of the moment
• Prince of heroes
• Man of mystery
• Defender of the faith
• Heavy sits the crown
• Out of Africa
• The most dangerous man alive
• The end of days
• Once and future king.

A history of Marvel's iconic character, Black Panther. Wiacek discusses key themes and storylines, with character studies, historical insights, and a discussion on the philosophical importance in the 1960s of a comic book with an all-black cast of heroes and villains.

• Typographic workshop 17 / Chuck Bigelow
• Jack Stauffacher / Jean-Benoit Levy
• Tribute to Jack Stauffacher / Becky Fischbach
• Jack Stauffacher memorial: Friday, March 16, 2018 / Ann Heath Karlstrom
• The Jack Stauffacher arcane / Jack Hirschman
• Jack W. Stauffacher, printer, &c. / Chuck Byrne
• Reminiscences of Jack / John D. Berry
• The printer is not dead / Jim Faris
• Jack / Kina Sullivan
• At work with Jack / Laurie Szujewska
• Homage to Jack Stauffacher and the bite of type / Paul Lee
• Jack Werner Stauffacher: a philosophical printer / Peter Rutledge Koch
• Jack's prints of wooden letters / Matthew Carter
• The fine printer: in memory of Jack / Michael Taylor
• Remembering Jack Stauffacher / Michael Taylor
• Remembering Jack Stauffacher / Terry Irwin

Memorial essays, poems, and other tributes to printer Jack W. Stauffacher.

• Introduzione / Enrico Tallone
• Le difficoltà incontrate dai prototipografi nel costruire la pagina a stampa / Maria Gioia Tavoni
• Identità dei caratteri / Enrico Tallone
• Ibarra & Bodoni, el artisano y el artista / Pedro M. Cátedra
• Durata e diversi stati d'uso dei caratteri / Enrico Tallone
• Origine e composizione del corpus tipografico da cui ebbe inizio l'impresa editoriale di Alberto Tallone / Enrico Razzini
• Avvicinamenti & allineamenti / Enrico Tallone
• Cher M. Tallone, stampatore italianissimo, L'amicizia tra Charles Malin e Alberto Tallone / Massimo Gatta
• Delle crenature / Enrico Tallone
• Un élève prote / Jean-Luc Nancy
• Considerazioni sulla stampa tipografica / Enrico Tallone
• Elogio dell'elzeviro / Armando Torno
• Cosa stanno scrivendo gli anni / Davide Rondoni
• Il corpo dei caratteri / Enrico Tallone
• Intrecci di invenzioni e loro sviluppi: dalla filigrana in chiaro a quella in chiaro-scuro / Nicolangelo Scianna
• Carta a mano: dal mito alla prassi / Luigi Manias
• The revival of hand papermaking in the USA in the late XX century / Peter Thomas
• Perfections du noir (segue il poema di G. Ungaretti) / Carlo Ossola.

"Il Manuale Tipografico IV intende onorare il libro nei suoi aspetti materiali e spirituali, descrivendo e mostrando dal vero secoli di civiltà tipografica e cartaria, con reperti originali di filigrane dal 1700 al 1900 (e più antiche negli esemplari deluxe) e l'utilizzo, negli esempi a stampa, dei caratteri originali fusi dal XVIII al XX secolo. Il Manuale mette in luce il talento di incisori, fonditori e stampatori, capaci di preservare, attraverso tanti delicati passaggi, le forme più vicine agli ideali di bellezza che, nel corso dei secoli, hanno ispirato i grandi creatori di caratteri. A duecento anni dal Manuale Tipografico di Giambattista Bodoni, l'Editore Tallone pubblica un volume 'sinestetico', di 208 pagine composte a mano, dove ogni aspetto trattato è suffragato da esempi impressi e dagli inserti originali cuciti nel volume."--Publisher's website (viewed 2018 December 11).

• Palabaras de la comandanta Ramona y la mayor Ana María
• Palabras de la capitana Elisa
• Discourso de capitana Irma, 8 de marzo de 1994
• Discurso de la compañera Hortensia, 8 de marzo de 1994

• Welcome
• The story of the neighborhood
• Stree talk
• Food & drink
• Music
• Art
• Home & garden
• Landmarks
• Locals
• Bibliography
• Index

"Fillmore Street is one of San Francisco's great treasures. Wildly diverse and rich with history, the neighborhoods along Fillmore range from the richest to the poorest, and are among the city's most interesting. The New Fillmore chronicles the ongoing story of the neighborhood every month.Now the editors are pleased to announce the publication of a lavish new limited edition book of photographs and stories from the pages of the New Fillmore. It includes the people and the landmarks that make the neighborhood a vibrant community and a wonderful place to live. This is a collector's edition for those who love the neighborhood and all who appreciate the style and spirit that make it a special part of San Francisco." - provided by publisher

"This visual archive is shaped by photographs taken since the year 2010 from the evening newspaper P.M., published in Ciudad Juarez, Mexico. The brutal images of corpses and dismembered bodies have been meticulously eliminated with a rubber eraser, generating an accumulation of waste that alludes metaphorically to the ashes of a life that is no longer here."--Publisher's website.

• La construcción de la Patria
• Retrospectiva
• Para llegar a Baal...
• Tejer el sueño
• Disidente del mundo
• Un teatro de ideas en una escena transparente
• Piñera desde hoy: no-tiempo, protesta y contrapoder
• Guiar la mirada de los otros hasta lo esencial: entrevista a Carlos Celdrán
• Carlos Celdrán: No puedo volver al que yo era porque tengo otro público.

• Ministers of change / John Lewis
• The fire next time. My dungeon shook : letter to my nephew on the one hundredth anniversary of the Emancipation ; Down at the Cross : letter from a region in my mind / James Baldwin
• Eyewitness / Steve Schapiro
• Brother James / Gloria Karefa-Smart.

First published in 1963, James Baldwin's The Fire Next Time stabbed at the heart of America's so-called "Negro problem." As remarkable for its masterful prose as it is for its frank and personal account of the black experience in the United States, it is considered one of the most passionate and influential explorations of 1960s race relations, weaving thematic threads of love, faith, and family into a candid assault on the hypocrisy of the "land of the free." Now, James Baldwin's rich, raw, and ever relevant prose is reprinted in a letterpress edition with more than 100 photographs from Steve Schapiro, who traveled the American South with Baldwin for Life magazine. The encounter thrust Schapiro into the thick of the movement, allowing for vital, often iconic, images both of civil rights leaders-including Dr. Martin Luther King Jr., Rosa Parks, Fred Shuttlesworth, and Jerome Smith-and such landmark events as the March on Washington and the Selma March. Rounding out the edition are Schapiro's stories from the field, a new introduction by civil rights legend and U.S. Congressman John Lewis, captions by Marcia Davis of The Washington Post, and an essay by Gloria Baldwin Karefa-Smart, who was with her brother James in Sierra Leone when he started to work on the story. The result is a remarkable visual and textual record of one of the most important and enduring struggles of the American experience. Marking the year of the original publication of the book and Schapiro's photographs, The Fire Next Time is limited to 1,963 copies including: Collector's Edition of 1,813 numbered copies, each signed by Steve Schapiro, featuring: Silk-screened hardcover with an embossed paper case. Letterpress printed text on a natural uncoated paper. Facsimile reproductions of ephemera from the era.
(source: Nielsen Book Data)

• 1. What, Why, and How?
• 2. Origins and Background: A Brief History of English Football and the FIFA World Cup
• 3. Political Capital and International Diplomacy: North Korea and Beyond
• 4. The FA, FIFA, and the 1966 FIFA World Cup
• 5. The World Cup as a Temporary Show?
• 6. The World Cup, Minister?
• 7. The World Cup and the Provinces: A Tourism Boom that Never Came
• 8. Legacy and Impact of the Tournament
• 9. Discussion and Conclusions.
• (source: Nielsen Book Data)

2016 marks the 50th anniversary of the 1966 FIFA World Cup, hosted in England. Unlike previous literature, which has tended to focus activities on the field, this book brings an institutional level approach to organizing the 1966 FIFA World Cup and examines the management process in the buildup and execution of the event. This intriguing new volume looks at the first significant UK government intervention in football and how this created a significant legacy as the government started to take a real interest in leisure facilities and stadium safety as policy areas after this competition. Foundations of Managing Sporting Events will be of considerable interest to research academics working on aspects of post war British, Imperial, and World history including sport, social, business, economic, and political history.
(source: Nielsen Book Data)

"Ghana, eighteenth century: two half sisters are born into different villages, each unaware of the other. One will marry an Englishman and lead a life of comfort in the palatial rooms of the Cape Coast Castle. The other will be captured in a raid on her village, imprisoned in the very same castle, and sold into slavery. Homegoing follows the parallel paths of these sisters and their descendants through eight generations: from the Gold Coast to the plantations of Mississippi, from the American Civil War to Jazz Age Harlem. Yaa Gyasi's extraordinary novel illuminates slavery's troubled legacy both for those who were taken and those who stayed--and shows how the memory of captivity has been inscribed on the soul of our nation."-- Provided by publisher.
"Two half sisters, Effia and Esi, unknown to each other, are born into two different tribal villages in 18th century Ghana. Effia will be married off to an English colonial, and will live in comfort in the sprawling, palatial rooms of Cape Coast Castle, raising half-caste children who will be sent abroad to be educated in England before returning to the Gold Coast to serve as administrators of the Empire. Her sister, Esi, will be captured in a raid on her village, imprisoned in the very same castle beneath Effia in the castle's women's dungeon, and then shipped off on a boat bound for America, where she will be sold into slavery. Homegoing follows the parallel paths of these sisters and their descendants through eight generations: from the Gold Coast and tribal wars of Ghana, to the plantations of Mississippi, from the American Civil War to the Great Migration north to the streets of 20th century Harlem and the Jazz Age. Yaa Gyasi's extraordinary novel illuminates slavery's troubled legacy both for those who were taken and those who stayed--and shows how the memory of captivity has been inscribed on the soul of our nation."-- Provided by publisher.

• 1994, Chiapas: el sureste en dos vientos, una tormenta y una profecía
• 2017: los muros arribas, las grietas abajo (y a la izquierda) / Subcomandante Insurgente Moisés, Subcomandante Insurgente Galeano
• 2015: el muro y la grieta: primer apunte sobre el Método Zapatista / SupGaleano.

"Phantomwise Flew the Black Cockatoo and [its companion piece] Howl for a Black Cockatoo are two artists' books that document the effects of a 'welfare system' that began in the colony of New South Wales when the first white females were brought to Australian shores during the eighteenth century, a system that profoundly affected the fabric of Australian society. Howl for a Black Cockatoo [2015] ... tells of the devastating and relentless cruelties inflicted on young girls, orphans and neglected children as they were confined in the old penal prison known as "Biloea', on Cockatoo Island in Sydney Harbour." An additional exhibition and artists' book, Living Traces (2016) involved a collaboration "alongside a number of other women who had survived the same vicious system, locked behind the stone walls of the original Female Factory Precinct in Parramatta. ... This was the same institution that the girls had been sent to in 1887 following the 1873 inquiry into 'Biloela', our new friends were women had lost their childhood, endured brutal punishments and were witnesses to horrifying treatment meted out to so many who were under 'the care of the welfare system.'" --Loose colophon.

• Lesbian, feminist and queer histories of taking aback the fight / Rachel Corbman
• My mother liked to fuck / Joan Nestle
• Resisting marital rape / Kersti Yllo, Phd.
• How to make a fist / Louise Barry
• Akko Nishimura creates a ruckus / Sabrina Margarita Alcantara-Tan
• No justice when women fight back / Vikki Law
• Survived and punished
• Self-defense for women
• Bordamos feminicidios
• Mujeres grabando resistencias
• The monument quilt
• TDOR
• Chrysalis Collective.

"[This is] a collaboration between The Lesbian Herstory Archives (LHA) and Interference Archive (IA). The inspiration for this exhibition came from conversations between members of the organizing committee about contemporary movements for public visibility of sexual assault, rape, and gender violence. Our goal was to represent collective action against sexual assault historically, and situate contemporary activism within that complex narrative." -- From the introduction