• Time Capsule Found on the Dead Planet / Margaret Atwood (Peter Koch, Printer, Berkeley, California)
• The Wild Marsh / Rick Bass (Greenboathouse Press, Jason Dewinetz, Printer, Vernon British Columbia)
• Questionnaire / Wendell Berry (Larkspur Press, Grey Zeitz, Printer, Monterey, Kentucky)
• All Over the World / Robert Bringhurst (Richard Seibert, Printer, Berkeley, California)
• The Turf-Cutter Speaks / Annemarie Ní Churreáin (The Salvage Press, Jamie Murphy, Printer, Dublin, Ireland)
• Mining Words / Peter Coyote (Turkey Press, Harry & Sandra Liddell Reese, Printers, Isla Vista, California)
• How the Milky Way Was Made / Natalie Diaz (Foolscap Press, Peggy Gotthold & Lawrence Van Velzer, Printers, Santa Cruz, California)
• Corrosion / Edwin Dobb (Mixolydian Editions, Richard Wagener, Printer, Petaluma, California)
• One River / David James Duncan (Deep Wood Press, Chad Pastotnik, Printer, Mancelona, Michigan)
• A Clearing / Forrest Gander (Taller Martin Pescador, Juan Pascoe, Printer, Tacambaro, Mexico)
• The Blind / Eliza Griswold (Russell Maret, Printer, New York, New York)
• A Map to the Next World / Joy Harjo (Classic Letterpress, Norman Clayton, Printer, Ojai, California)
• September, Inverness / Robert Hass (Patrick Reagh, Printer, Sebastapol, California)
• Triple Moments of Light & Industry / Brenda Hillman (Barbarian Press, Crispin & Jan Elsted, Printers, Mission, British Columbia)
• Ledger / Jane Hirshfield (Peter Koch, Printer, Berkeley, California)
• Trail of Tears: Our Removal / Linda Hogan (Moving Parts Press, Felicia Rice, Printer, Santa Cruz, California)
• Singularity / Marie Howe (Nomad Letterpress, Pat Randle, Printer, Whittington Court, England)
• The Nature of Generosity / William Kittredge (The Press at Colorado College, Aaron Cohick, Printer, Colorado Springs, Colorado)
• The Blind Horses / Ed Lahey (The Territorial Press, Aaron Parrett, Printer, Helena, Montana)
• Informed by Indifference / Barry Lopez (INK-A! Press, Inge Bruggeman, Printer, Reno, Nevada)
• Cerro Rico / Emily McGiffin (Walking Bird Press, Tara Bryan, Printer, Newfoundland)
• The Niagara River / Kay Ryan (Jungle Garden Press, Marie Dern, Printer, Fairfax, California)
• In Vento / Gaylord Schanilec (Midnight Paper Sales, Gaylord Schanilec, Printer, St. Paul, Minnesota)
• Dillingham, Alaska, the Willow Tree Bar / Gary Snyder (Artichoke Press, Jonathan Clark, Printer, Mountain View, California)
• Black Center / Arthur Sze (The Press at the Palace of Governors, Thomas Leech, Printer, Santa Fe, New Mexico)
• Seeing / Jan Zwicky (Ninja Press, Carolee Campbell, Printer, Sherman Oaks, California).

"[A] limited edition portfolio of poetry and lyric prose in broadside format, edited by Peter Rutledge Koch with contributing editors Edwin Dobb, Jane Hirshfield, and Jan Zwicky. The portfolio, consisting of twenty-six poems and lyrical texts addressing themes of nature and its irresponsible destruction, is a part of an international artist's intervention--EXTRACTION: Art on the Edge of the Abyss. Twenty-six notable poets, artists, and writers have been paired with an equal number of highly regarded letterpress printers from four countries; each has been invited to produce an editioned broadside/print especially for this portfolio. WORDS on the Edge will be sold to raise funds for the greater EXTRACTION project, which is sponsored by the CODEX Foundation as our commitment to art and the environment." -- From publisher's website, viewed August 5, 2019 https://www.codexfoundation.org/publications/words-on-the-edge
"EXTRACTION: Art on the Edge of the Abyss is a multimedia, multi-venue, cross-border art intervention that will investigate extractive industry in all of its forms (from mining and drilling to the reckless exploitation of water, soil, trees, marine life, and other natural resources). The project will expose and interrogate extraction's negative social and environmental consequences, from the damage done to people, especially indigenous and disenfranchised communities, to ravaged landscapes and poisoned water to climate change and its many troubling implications." -- From project website, viewed August 5, 2019 https://www.extractionart.org/

• Fest XX: Oak Knoll Fest XX / Tim Murray
• 'Books don't always lead, they shouldn't. Minds don't always follow, they mustn't' ; designed & printed ... at the Clinker Press, 2018
• XX Oak Knoll Book Fest ; printed by Elies Plana for Oak Knoll, October 2018 (signed by Elies Plana)
• 'You can find a whole new life in a bookshop. People should be warned' / Monsterous imaginings by Alice Smith ; letterpress printed with Bembo type by Graham Moss at inclinepress.com
• Bringing it on home / Martyn & Angela [Ould] ; 5-7 October 2018
• Oak Knoll Fest October 5-7, 2018 New Castle Delaware ; Walking Bird Press, Flatrock, Newfoundland, Canada
• Cloud poem XX / Ray Nichols, J. (Jill) Cypher, 9/2018 ; printed by Lead Graffiti
• Oak Knoll Fest XX October 5-7, 2018 New Castle, DE, signed McGarvey
• The edges of time / Kay Ryan ; Ninja Press
• 'Thank you Rob Fleck for Oak Knoll Fest XX October 5-7, 2018 New Castle, DE / Craig Jobson at Lark Sparrow Press, Evanston, Illinois
• 'And this our noble art of printing is the very foster mother of all learning; for although the few had books before John Gutenberg gave us our art, not until printing came learning, yea and wisdom also, knock at every man's door.' / Cardelius 1546] ; Deep Wood Press (signed by Chad Pastotnik)
• 'Of all the books produced since the most remote ages by human talents and industry only those that treat cooking are, from a moral point of view, above suspicion.' / Joseph Conrad ; Passim Editions in Louisville
• XX / eighty copies designed and printed by Russell Maret for Oak Knoll XX (43/80 ; signed RM)
• 'Bringing it on home' [poem] ; printed by the Boss Dog Press (the paper is vintage Curtis Tweedweave)
• 'The unhinged allure of Pandora's box' / Barbara Henry ; in an edition of 80 with 24 extra copies for the press ; Harsimus Press, Jersey City, NJ. (set in Caslon with New Hellenic Greek, Pacific & Kliluk ; initialled 'B. H.')
• Ink Litany / Anne Waldman (excerpted from Extinction Aria' first published by Pied Oxen Printers in 2017 and reprinted with the poet's permission for the Oak Knoll Fest XX portfolio) ; The Canal paper is made in Montreal by La Papeterie St-Armand. The types are Monotype Garamont 248 and ATF Garamond 459 & 460) ; design, artwork, hand-setting and printing on a Vandercook Universal I press are by David Sellers, Pied Oxen Printers (comprises 80 Arabic-numbered copies for the portfolio and 20 Roman numeral copies for the poet and printer, of which this is number 4.)
• [Sign] : 308-10 Delaware Street : Oak Knoll Fest XX October 5-7, 2018 New Castle, DE [meant to be looked at while wearing 3-D glasses]
• [Colophon].

"Since 1994, Oak Knoll Fest has been a destination for printers, scholars, collectors, librarians, and booksellers to congregate in historic New Castle, Delaware. What began as a yearly venture during the first weekend of October, Oak Knoll Fest eventually became a biennial event in 2010. Each Fest has has a theme: 2010 was on "The Importance of Artists' Books," 2012 was "Fine Press Books in the 21st Century," 2014 was "Buying and Selling Fine Press Books," and 2016 was "Text and Inspiration for Fine Press Titles." this year's theme is titled "Bringing It on Home," which celebrates the history and importance of fine press book fairs. The Fest in 2018 was from October 5-7. David Sellers of Pied Oxen Printers designed and printed the title page, Introduction, and colophon (in addition to his own broadside), using Canal Papers made by La Papeterie Saint-Armand. Types used are ATF's Garamond 459, Edwin H. Denby's proprietary, & Stephenson Blake's Fry's Ornamented. The broadsides are housed in a lovely portfolio bound by Campbell-Logan Bindery of Fridley, Minnesota."--Publisher's description.

• A social history of Mercury
• Rainy days and Mondays
• Night work
• Languor
• Sentences in a synapse field.

• You are loosed from your mooring / by Catherine MacDonald and Ellen Carlson
• Visiting Civil War battlefields / by Melissa Johnson and James Gillette
• Waiting room / by Rich Murphey and Emily Smith
• Colonial enterprises / by Liz Canfield and Brian Gartside
• Tradition of silence / by Anonymous and Celia Fetler
• Illustrating the 13 transits of Mercury in the 19th century / by Joshua Poteat and Matt Boteilho
• Drummer boy : one night only / by Nick Reading and Rachel Maves
• Composition / by Cynthia Grier and Joanna Landrum
• Monument Avenue / by Susan Settlemyre Williams and Cody Whitby.