"'Borderbus' takes place on a U.S. Department of Homeland Security Immigration and Customs Enforcement (ICE) bus. Two women, detained while trying to cross the U.S.-Mexico border, are being transported to a detention center. They whisper in English and Spanish to avoid the attention of the guard. This USB drive contains two versions of the poem. The first is a reading in two voices by Marisol Baca and Gabriela D. Encinas, directed by Juan Felipe Herrera and recorded by Curtis Messer. The second is a recording of Herrera reading 'Borderbus.'"--Colophon.

The most celebrated horror story ever written. The dreadful tale of Victor Frankenstein, a visionary young student of natural philosophy, who discovers the secret of life. In the grip of his obsession he constructs and animates a creature from dead body parts - with catastrophic results.

"Illustrated by the lauded color-etching printer D. R. Wakefield, using contemporary characters to depict the members of the hunting party and even a portrait of the elusive Snark/Boojum. Wakefield’s etched portraits, ranging from Ted Hughes as the Broker to Morgan Freeman as the Butcher and the artist as the Bellman, bring a modern feel to this work." https://www.lewiscarroll.org/2019/04/05/seeking-it-with-thimbles-fine-press-and-artists-books/

• Foreword / Paolo Galluzzi.
• Preface / John E. Mustain.
• Acknowledgments / Paula Findlen.
• Introduction : Leonardo's library : The world of a Renaissance reader / Paula Findlen.
• Omo (quasi) sanza lettere : Leonardo's quest to teach himself classical Latin / Veronica S.-R. Shi.
• The moral paradoxes of reading : how Leonardo grappled with difficult ideas / J.G. Amato.
• Leonardo in the age of Gutenberg : between the manuscript codex and the printed book / Paula Findlen.
• Reading the city, reading the body : the architectural education of Leonardo / Alexandria R. Tsagaris.
• Inside nature's mind : Leonardo's scientific and medical books / Paula Findlen.
• Epilogue : "Old friends" : Leonardo's books (before the library) / Carlo Vecce.
• Books & manuscripts in the exhibition.
• Leonardo's list of books / Paula Findlen and Carlo Vecce.
• Bibliography.
• Principal contributors.

Hand painted and collaged scroll on unevenly torn paper with poem by Digdora Alonso, including fabric, beads, yarn, and other fibers.

• Time Capsule Found on the Dead Planet / Margaret Atwood (Peter Koch, Printer, Berkeley, California)
• The Wild Marsh / Rick Bass (Greenboathouse Press, Jason Dewinetz, Printer, Vernon British Columbia)
• Questionnaire / Wendell Berry (Larkspur Press, Grey Zeitz, Printer, Monterey, Kentucky)
• All Over the World / Robert Bringhurst (Richard Seibert, Printer, Berkeley, California)
• The Turf-Cutter Speaks / Annemarie Ní Churreáin (The Salvage Press, Jamie Murphy, Printer, Dublin, Ireland)
• Mining Words / Peter Coyote (Turkey Press, Harry & Sandra Liddell Reese, Printers, Isla Vista, California)
• How the Milky Way Was Made / Natalie Diaz (Foolscap Press, Peggy Gotthold & Lawrence Van Velzer, Printers, Santa Cruz, California)
• Corrosion / Edwin Dobb (Mixolydian Editions, Richard Wagener, Printer, Petaluma, California)
• One River / David James Duncan (Deep Wood Press, Chad Pastotnik, Printer, Mancelona, Michigan)
• A Clearing / Forrest Gander (Taller Martin Pescador, Juan Pascoe, Printer, Tacambaro, Mexico)
• The Blind / Eliza Griswold (Russell Maret, Printer, New York, New York)
• A Map to the Next World / Joy Harjo (Classic Letterpress, Norman Clayton, Printer, Ojai, California)
• September, Inverness / Robert Hass (Patrick Reagh, Printer, Sebastapol, California)
• Triple Moments of Light & Industry / Brenda Hillman (Barbarian Press, Crispin & Jan Elsted, Printers, Mission, British Columbia)
• Ledger / Jane Hirshfield (Peter Koch, Printer, Berkeley, California)
• Trail of Tears: Our Removal / Linda Hogan (Moving Parts Press, Felicia Rice, Printer, Santa Cruz, California)
• Singularity / Marie Howe (Nomad Letterpress, Pat Randle, Printer, Whittington Court, England)
• The Nature of Generosity / William Kittredge (The Press at Colorado College, Aaron Cohick, Printer, Colorado Springs, Colorado)
• The Blind Horses / Ed Lahey (The Territorial Press, Aaron Parrett, Printer, Helena, Montana)
• Informed by Indifference / Barry Lopez (INK-A! Press, Inge Bruggeman, Printer, Reno, Nevada)
• Cerro Rico / Emily McGiffin (Walking Bird Press, Tara Bryan, Printer, Newfoundland)
• The Niagara River / Kay Ryan (Jungle Garden Press, Marie Dern, Printer, Fairfax, California)
• In Vento / Gaylord Schanilec (Midnight Paper Sales, Gaylord Schanilec, Printer, St. Paul, Minnesota)
• Dillingham, Alaska, the Willow Tree Bar / Gary Snyder (Artichoke Press, Jonathan Clark, Printer, Mountain View, California)
• Black Center / Arthur Sze (The Press at the Palace of Governors, Thomas Leech, Printer, Santa Fe, New Mexico)
• Seeing / Jan Zwicky (Ninja Press, Carolee Campbell, Printer, Sherman Oaks, California).

"[A] limited edition portfolio of poetry and lyric prose in broadside format, edited by Peter Rutledge Koch with contributing editors Edwin Dobb, Jane Hirshfield, and Jan Zwicky. The portfolio, consisting of twenty-six poems and lyrical texts addressing themes of nature and its irresponsible destruction, is a part of an international artist's intervention--EXTRACTION: Art on the Edge of the Abyss. Twenty-six notable poets, artists, and writers have been paired with an equal number of highly regarded letterpress printers from four countries; each has been invited to produce an editioned broadside/print especially for this portfolio. WORDS on the Edge will be sold to raise funds for the greater EXTRACTION project, which is sponsored by the CODEX Foundation as our commitment to art and the environment." -- From publisher's website, viewed August 5, 2019 https://www.codexfoundation.org/publications/words-on-the-edge
"EXTRACTION: Art on the Edge of the Abyss is a multimedia, multi-venue, cross-border art intervention that will investigate extractive industry in all of its forms (from mining and drilling to the reckless exploitation of water, soil, trees, marine life, and other natural resources). The project will expose and interrogate extraction's negative social and environmental consequences, from the damage done to people, especially indigenous and disenfranchised communities, to ravaged landscapes and poisoned water to climate change and its many troubling implications." -- From project website, viewed August 5, 2019 https://www.extractionart.org/