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• Foreword and acknowledgements = Avant-propos et remerciements / Alice Motard
• Introduction: exhibiting books, reading the exhibition = Introduction: exposer le livre, lire l'exposition / Alice Motard
• Exhibition views = Vues de l'exposition
• Catalogue dé-raisonné of Beau Geste Press, 1971-76 = Catalogue dé-raisonné de Beau Geste Press, 1971-1976
• Ephemera = Éphémères
• Essays = Essais
• Mapping the city: Felipe Ehrenberg in London, 1968-71 = Cartographier la ville: Felipe Ehrenberg à Londres, 1968-1971 / Carmen Juliá
• Beau Geste Pressers and the Beau Geste Pressed = Beau Geste Press: imprimeurs et imprimés / Polly Gregson
• Visual territory: Parts of a Body House Book by Carolee Schneemann = Territoire visuel: Parts of a Body House Book de Carolee Schneemann / Karen Di Franco
• A live aesthetic: material networks of collaboration at the Beau Geste Press = Une esthétique du vivant: matérialité des réseaux de collaboration à Beau Geste Press / Zanna Gilbert
• Publishing reshuffle: frabrication and dissemination at Beau Geste Press = L'édition sens dessus dessous: fabrication et diffusion à Beau Geste Press / Mila Waldeck
• Appendix = Annexes
• Index
• Biographies
• Colophon
• Captions and image credits = Légendes et crédits des images

• Cover / Amalia Mesa-Bains
• Introduction / Gabriela Rodriguez-Gomez
• Left panel / Ralph D'Oliveira
• Center panel / Carmen León
• Right panel / Yermo Aranda
• Final page / Eduardo Carrillo

• 1. Lucida Sans Italic and Lucida Calligraphy: Charles Bigelow and Kris Holmes
• 2. Chron Electric and Chron Metro: Jim Parkinson
• 3. Parkinson and Sutro: Jim Parkinson
• 4. Eidetic Modern and Eidetic Neo: Rod Cavazos
• 5. MVB Verdigris: Mark van Bronkhorst
• 6. Beorcana: Carl Crossgrove
• 7. Harmonia Sans: Jim Wasco
• 8. Source Serif: Frank Grießhammer
• 9. Roslindale: David Jonathan Ross
• 10. Obviously: James Edmondson
• 1. Redaction: Jeremy Mickel --12. Emerging California type designers. Chimera: Maria Doreuli; Prospectus: Dave Bailey; Ricochet: Sun Helen Isdahl Kalvenes.

• Qué es la anarquía? = What is anarchy?
• Cómo llegar a la anarquía? = How do you reach anarchy?
• Cómo hacernos dignos de la anarquía?
• 1. Ayuda,
• 2. Apoya,
• 3. Copia lo bello,
• 4. Labora,
• 5. Estudia,
• 6. Ama,
• 7. Protege,
• 8. Cultiva,
• 9. No tengas esclavos,
• 10. Trabaja = = How do we become worthy of anarchy?
• 1. Help,
• 2. Support,
• 3. Copy the beautiful,
• 4. Work,
• 5. Study,
• 6. Love,
• 7. Protect,
• 8. Cultivate,
• 9. Don't have slaves,
• 10. Toil

"'Borderbus' takes place on a U.S. Department of Homeland Security Immigration and Customs Enforcement (ICE) bus. Two women, detained while trying to cross the U.S.-Mexico border, are being transported to a detention center. They whisper in English and Spanish to avoid the attention of the guard. This USB drive contains two versions of the poem. The first is a reading in two voices by Marisol Baca and Gabriela D. Encinas, directed by Juan Felipe Herrera and recorded by Curtis Messer. The second is a recording of Herrera reading 'Borderbus.'"--Colophon.

• Biennial posters
• Fair directories (2011-2019)
• Annual keepsake broadsides
• Postcards
• Promotional materials for Codex publications
• Gala dinner coasters
• Gala dinner tickets
• Book fair tickets
• Annual newsletters
• Fundraising invitations
• Fair badges and table tents

Red cloth box with cream paper-covered sides containing 12 years' worth of ephemera related to the Codex Book Fair and Symposium. A contents list identifies 11 categories of ephemera and lists each item with design and printing credits. The items are organized by category and held in labeled mylar sleeves.

The most celebrated horror story ever written. The dreadful tale of Victor Frankenstein, a visionary young student of natural philosophy, who discovers the secret of life. In the grip of his obsession he constructs and animates a creature from dead body parts - with catastrophic results.