• Foreword: His greatest gift
• A life of faith and hope
• The early years
• The road to freedom
• The march on the capital
• Equality's foot soldiers
• The movement changes
• Tragedy in Memphis
• His truth is marching on

• Foreword
• Rediscovering the Hunt Hotel
• Residents & their lives before the war
• Japanese language school history
• The United States enters World War II
• Resettlement
• Moving into the Hunt Hotel
• Daily life at the Hunt Hotel
• Moving on
• The next chapter
• Appendix

The Haida world is a misty archipelago a hundred stormy miles off the coasts of British Columbia and Alaska. For a thousand years and more before the Europeans came, a great culture flourished in these islands. The masterworks of classical Haida sculpture, now enshrined in many of the world's great museums, range from exquisite tiny amulets to magnificent huge housepoles. Classical Haida literature is every bit as various and fine. It extends from tiny jewels crafted by master songmakers to elaborate mythic cycles lasting many hours. The linguist and ethnographer John Swanton took dictation from the last great Haida-speaking storytellers, poets and historians from the fall of 1900 through the summer of 1901. His Haida hosts and colleagues had been raised in a wholly oral world where the mythic and the personal interpenetrate completely. They joined forces with their visitor, consciously creating a great treasury of Haida oral literature in written form. Poet and linguist Robert Bringhurst has worked for many years with these century-old manuscripts, which have waited until now for the broad recognition they deserve. Bringhurst brings these works to life in the English language and sets them in a context just as rich as the stories themselves--one that reaches out to dozens of Native American oral literatures, and to mythtelling traditions around the globe. The world of classical Haida literature is a world as deep as the ocean, as close as the heart and as elusive as the Raven, whose unrepentant laugh persists within it all. This is a tradition brimming with profundity, hilariy and love. It belongs where Bringhurst sees it: among the great traditions of the world. Bringhurst, an acclaimed typographer and book designer, will be redesigning this edition in a beautiful new package.
(source: Nielsen Book Data)

• Black power rally
• Black Panthers ten-point plan
• A moment in time: Bingham,'s Black Panthers
• The Black Panthers
• Oakland
• Black Panthers headquarters
• DeFremery Park
• Alameda County Courthouse
• St. Augustine's
• Soul on ice
• Berkeley
• United Nations
• Los Angeles.

Presents a collection of photographs, originally commissioned for "Life magazine," and essays, that document the history of the Black Panthers.

• Warrior artists: Amos Bad Heart Bull
• Big Beaver
• Jack Red Cloud
• Kicking Bear
• Kills Two
• Little Big Man
• Little Skunk
• Little Wolf
• No Two Horns
• One Bull
• Rain in the Face
• Red Hawk
• Red Horse
• Standing Bear
• Two Moon
• Unknown artists
• White Bird
• White Bull
• White Swan
• Wooden Leg
• Yellow Nose.

Huevos is not a politically correct articulation of the plight of Latino men in this era of so called gender equity and diversity. The author contends that while White women have made progress, Latinos, particularly Mexican men, have been entirely ignored; they have become the epitome of the poor working class. Ambitious and upward mobile Latinas often look down upon Latinos, and particularly Mexican males' lackluster economic success preferring other males. Latino males have been left out of any gender or racial discussion, yet suffer the highest work related death rates, lowest college attendance and graduation rates, high incarceration rates, the highest poverty even though they have the highest labor participation rates. The Latino male have become the Sisyphus's of America condemned to low wages by globalization, to ignorance by mediocre, highly-unionized schools, and destined to be marginalized of any equity-political-solution. The progress of White women has maintained White power by driving the diversity dialog, praxis, and remedy away from Latino males-the working, and uneducated poor. As Latino men have been relegated to a caste style social gender structure-the hard working indigent-Latinas have been blinded into believing that feminism and Chicanisma are positive, weakening Latino traditional social fabric and support system, while simultaneously ignoring the societal divide distressing Latinos, and especially Mexican males. "Huevos! Ya era hora! In an era of such political correctness, the timing couldn't be better. Once again Julian Camacho tackles the issues that are relevant in this truly academic discipline of Latino Studies." John J. Morales Jr. Chair and Professor of Chicano Studies, L.A. Mission College "Julian Camacho's work is thought provoking and it is bound to create deep conversations and debate. Thank you for addressing the real challenges Mexican man face everyday in US society." Marcos Ramos, College of Letters and Science. University of California, Berkeley "An exciting and enthralling design to educate the body and stimulate the mind. Destined to be one of the most discussed books in 2007!" Oscar Barajas, Author of soon to be realized book "Tales From The Wireless Clothesline".
(source: Nielsen Book Data)