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• Dedication.- Foreword.- Prologue.- Part I: Before.- Part II: Year 1.- Part III: Year 2.- Epilogue.
• (source: Nielsen Book Data)

You Must be Very Intelligent is the author's account of studying for a PhD in a modern, successful university. Part-memoir and part-expose, this book is highly entertaining and unusually revealing about the dubious morality and desperate behaviour which underpins competition in twenty-first century academia. This witty, warts-and-all account of Bodewits' years as a PhD student in the august University of Edinburgh is full of success and failure, passion and pathos, insight, farce and warm-hearted disillusionment. She describes a world of collaboration and backstabbing; nefarious financing and wasted genius; cosmopolitan dreamers and discoveries that might just change the world... Is this a smart people's world or a drip can of weird species? Modern academia is certainly darker and stranger than one might suspect... This book will put a wry, knowing smile on the faces of former researchers. And it is a cautionary parable for innocents who still believe that lofty academia is erected upon moral high ground...
(source: Nielsen Book Data)

• Introduction - South Mead Coppice - Adrian Cooper, Inshriach - Inshriach Bothy - Kathleen Jamie, Bird Song - Hannah's Wood - Jay Griffiths, Another Look at Glennamong - Nephin Beg - Sean Lysaght, Hidden Places - The Lincolnshire Wolds - Fiona Stafford, Arborotopia - New Forest - Philip Hoare, Chanterelles - Pankhurst Forest - Evie Wyld, Why Woods Matter - Badby Woods - Fiona Reynolds, Forest of Eyes - Burnham Beeches - Paul Kingsnorth, Speaking Wood - Cae'n-y-coed - David Nash, Princess Forest - Coille Na Bana Phrionnsa - Alec Finlay, Medieval Survivor - Chalkney Wood - Simon Leatherdale, Don't Look Back - Piles Copse - Gabriel Hemery, Thinning - Kingsettle Wood - Robin Walter, The Ramsbury Elm - Ramsberry Village - Peter Marren, Two Storms - Tedworth Square - William Boyd, Sand Forest - Tentsmuir Forest - Jim Crumley, Wood Woes - Up the Forest! - Sue Clifford, Ash - Farnley Estate - Simon Armitage, Nine Oaks - Curridge Village - Adam Thorpe, Trunk - Spinney Wood - Jackie Kay, City, Trees, Water - Avon Gorge - Helen Dunmore, Return to Ruskin Land - Wyre Forest - Neil Sinden, Heartwood - Windsor Hill Road - Tobias Jones, Cusop Dingle - Dulas Brook - Nina Lyon, The Gypsy Stone - Epping Forest - Will Ashon, The Green Stuff - Wandlebury Wood - Ali Smith, Forest Fear - Wood of Cree - Sara Maitland, Thwaite - Ulpha Fell - Richard Skelton, On the 7.46 - Shrewsbury to Crewe - Paul Evans, Alison - West Sussex Downs - Madeleine Bunting, Yggdrasil in Shetland - Lea Gardens - Jen Hadfield, What is a Tree? - Stump Cross - Germaine Greer, Laburnum Time - B13 - Zaffar Kunial, The Common Dean - The Edge - Alan Garner, Searching for Natural Woodland - Lady Park - George Peterken, Woodcock - Wicken Fen - Tim Dee, Taking Root - Moonshine Wood - Piers Taylor, Discovering the Spinney - Spinney Wood - Deb Wilenski, Rackham's Treasure - Merthen Wood - Philip Marsden, Still Lives - Berkhamsted Common - Richard Mabey.
• (source: Nielsen Book Data)

A century ago woodlands were at the heart of daily life. Trees and hedgerows, copses and spinneys provided wood-fuel, thatch and bedding, woodland pasture for pigs and cattle, medicine from tree bark and a wild harvest of nuts and fruit for the home. But the role of woodlands has been in decline in the last two centuries, drifting ever further from our modern lives. Yet there is no other landscape in the British Isles that matches the complexity and variety of life in a woodland, above and below ground.And while sheltering wildlife, woods continue to enrich our language, feed our imagination and still have the power to transform us, literally and metaphorically. Woodlands have not only inspired folktales, music, novels, visual art and poetry, they are also finding new uses in healthcare and as outdoor classrooms.Arboreal is a landmark publication of new writing from woodlands across the UK and beyond. In memory of the great historical ecologist Oliver Rackham, the book gathers contributions from a variety of voices - novelists, teachers, poets, botanists, artists, architects and foresters - to explore why woods matter and mean so much.
(source: Nielsen Book Data)

• 1. Dame Agatha's Deadly Dispensary
• 2. A is for Arsenic - Murder is Easy
• 3. B is for Belladonna - The Labours of Hercules
• 4. C is for Cyanide - Sparkling Cyanide
• 5. D is for Digitalis - Appointment with Death
• 6. E is for Eserine - Crooked House
• 7. H is for Hemlock - Five Little Pigs
• 8. M is for Monkshood - 4:50 from Paddington
• 9. N is for Nicotine - Three Act Tragedy
• 10. O is for Opium - Sad Cypress
• 11. P is for Phosphorus - Dumb Witness
• 12. R is for Ricin - Partners in Crime
• 13. S is for Strychnine - The Mysterious Affair at Styles
• 14. T is for Thallium - The Pale Horse
• 15. V is for Veranol - Lord Edgware Dies
• Appendix Glossary Bibliography.
• (source: Nielsen Book Data)

Agatha Christie's detailed plotting is what makes her books so compelling. Christie used poison to kill her characters more often than any other murder method, with the poison itself being a central part of the novel, and her choice of deadly substances was far from random; the chemical and physiological characteristics of each poison provide vital clues to discovery of the murderer. With gunshots or stabbings the cause of death is obvious, but not so with poisons. How is it that some compounds prove so deadly, and in such tiny amounts? Christie demonstrated her extensive chemical knowledge (much of it gleaned from her working in a chemists during both world wars) in many of her novels, but this is rarely appreciated by the reader. A is for Arsenic celebrates the use of science in Christie's work. Written by Christie fan and research chemist Kathryn Harkup, each chapter takes a different novel and investigates the poison (or poisons) the murderer used. A is for Arsenic looks at why certain chemicals kill, how they interact with the body, and the feasibility of obtaining, administering and detecting these poisons, both at the time the novel was written and today. This book is published as part of the 125th anniversary celebration of Christie's birth. Fourteen novels. Fourteen poisons. Just because its fiction doesn't mean its all made-up ...
(source: Nielsen Book Data)
Shortlisted for the BMA Book Awards and Macavity Awards 2016 Fourteen novels. Fourteen poisons. Just because it's fiction doesn't mean it's all made-up ... Agatha Christie revelled in the use of poison to kill off unfortunate victims in her books; indeed, she employed it more than any other murder method, with the poison itself often being a central part of the novel. Her choice of deadly substances was far from random - the characteristics of each often provide vital clues to the discovery of the murderer. With gunshots or stabbings the cause of death is obvious, but this is not the case with poisons. How is it that some compounds prove so deadly, and in such tiny amounts? Christie's extensive chemical knowledge provides the backdrop for A is for Arsenic, in which Kathryn Harkup investigates the poisons used by the murderer in fourteen classic Agatha Christie mysteries. It looks at why certain chemicals kill, how they interact with the body, the cases that may have inspired Christie, and the feasibility of obtaining, administering and detecting these poisons, both at the time the novel was written and today. A is for Arsenic is a celebration of the use of science by the undisputed Queen of Crime.
(source: Nielsen Book Data)