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• Tragedy of Faust: Dedication
• Prologue for the theatre
• Prologue in heaven
• Part I
• Tragical history of doctor Faustus
• Egmont
• Hermann and Dorothea: Calliope
• Terpsichore
• Thalia
• Euterpe
• Polyhymnia
• Clio
• Erato
• Melpomene
• Urania.

• [1] Poetry and truth, parts one to three / translated by Robert R. Heitner
• [2] Poetry and truth, part four ; Campaign in France 1792 ; Siege of Mainz / translated by Thomas P. Saine.

Faust occupies a central place in German literature, as the magnum opus of its greatest writer, as one of its greatest dramas, and as an epic poem of the highest quality-for, although it was written to be performed, it may also be regarded as a dramatic poem, prophetic perhaps of Berlioz's hybrid musical adaptation in La Damnation de Faust. The Faust story caught Goethe's attention from an early stage and the first published results of his engagement with it was Faust. A Fragment, published in 1790. He had however written a dramatic treatment of the story in his 20s, a fact which only became apparent over a century later, when the papers of Luisa von Gochhausen, a lady of the court of Weimar, were found to contain a transcription of this work, since known as the Urfaust (Original Faust). This early work was published in 1887. Faust. A Tragedy, Part One was finally completed in 1808 and was later revised and published in a new edition in 1829. The third act of Part 2 appeared in 1827, part of the first act a year later, and the complete text in 1832, shortly after the author's death. The entirety of Faust, parts 1 and 2 together, was performed for the first time in 1875, in Weimar. The translation presented in this volume encompasses only Part One, which is usually performed without its cerebral pendant piece, and remains the keystone of Goethe's career.
(source: Nielsen Book Data)

'I have so much and my feeling for her devours everything, I have so much and without her everything is nothing.' The Sorrows of Young Werther propelled Goethe to instant fame when it first appeared in 1774. Goethe drew on his own unhappy experiences to tell the story of Werther, a young man tormented by his love for Lotte, a tender-hearted girl who is promised to someone else. Overwhelmed by his feelings, Werther begins to see only one way to escape from his anguish. Goethe's story of a sensitive young artist alienated from society channelled the Romantic sensibility of the day and led to a wave of imitations. Werther's searching introspection and the passionate intensity with which he bares his soul have an immediacy that is all the more powerful for being expressed in letters; charting the course of his emotions, they give added drama to the unfolding account. David Constantine's new translation captures the novel's lyric clarity, and his introduction and notes illuminate Goethe's achievement. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.
(source: Nielsen Book Data)