After twenty-six-year-old author Breece D'J Pancake took his own life in April 1979, the West Virginian's posthumously published short-story collection made a considerable impact on the world of letters. His work was praised for a controlled muscular style reminiscent of Hemingway, for its strong undercurrent of emotion, and for its evocation of the blighted lives of the mountain poor. In A Room Forever, Thomas E. Douglass offers a detailed portrait of Pancake's short life, examining the varied circumstances and emotional forces that led to the writer's suicide and exploring Pancake's influence on contemporary fiction generally and Appalachian writing in particular. Drawing on notebooks, letters, and manuscripts left by Pancake as well as numerous conversations and interviews with family, friends, and others, Douglass has recreated the key events of the young artist's life: his West Virginia childhood, his romantic losses, his education as a writer at the University of Virginia, and the acceptance of his work by the East Coast literary establishment. Through analysis of the story fragments reproduced in this volume, including "The Conqueror" and "Shouting Victory", Douglass illustrates the recurring themes -- such as fear of failure and the inability to escape disaster -- that Pancake expressed so eloquently in his work, and he shows their origins in the writer's own personal history. Douglass examines the degree to which Pancake drew on his memories of life in Appalachia and discusses Pancake's influence on other Appalachian writers such as Pinckney Benedict. Douglass argues that Pancake's posthumous collection, The Stories of Breece D'J Pancake, brought a renewed interest inregional writing to the national literary scene. A Room Forever brings to life the artistic sensibility and inner turmoil of a legendary figure in contemporary southern letters.
(source: Nielsen Book Data)

In the late 1960s, while heading up the Western operations for Farrar, Straus & Giroux, Alan Kishbaugh met the distinguished writer Frank Waters in Taos, New Mexico. From 1968 until Waters's death almost thirty years later, the two wrote each other hundreds of letters. This annotated collection of their correspondence reveals Waters's profound engagement with the land and cultures of the Southwest. A lively introduction to the breadth of Waters's work, Deep Waters touches on themes of ecology, philosophy, pre-Columbiana, Eastern philosophy, Egyptology, American Indians, and a host of other subjects reflecting the great cultural shifts occurring at the time. Kishbaugh and Waters write of the women in their lives, mutual friends, writing and publishing challenges, and newly discovered books. Their letters offer new views of the legendary writers' colonies of Santa Fe and Taos and the arrival of the counterculture in New Mexico.
(source: Nielsen Book Data)

For many, Ernest Hemingway remains more a compilation of myths than a person: soldier, sportsman, lover, expat and, of course, writer. But the actual life beneath these various legends remains elusive; what did he look like as a laughing child or young soldier? What was his handwriting like and what did he say in his most personal letters? How did the train tickets he held on his way from France to Spain or across the American Midwest feel, and what kind of notes did he take on his journeys? This remarkable book answers these questions. Featuring a foreword by Hemingway's son Patrick and an afterword by his grandson Sean, the book has the intimate feel of being a member of the family. It tells the story of a major American icon through the objects he touched, the moments he saw, the thoughts he had every day. Beautifully designed, including over 400 dazzling images of him at every stage of his life along with the letters, notes and miscellany that made his life so rich, it is an intimate, illuminating portrait like no other. It is a one-of-a-kind, stunning tribute to one of the most titanic figures in literature.
(source: Nielsen Book Data)