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1. The aesthetics of imperfection in music and the arts : spontaneity, flaws and the unfinished [2021]
- London, UK ; New York, NY : Bloomsbury Academic, Bloomsbury Publishing Plc, 2021
- Description
- Book — xv, 399 pages : illustrations (black and white) ; 25 cm
- Summary
-
- List of Figures Notes on Contributors Acknowledgments Introduction, Andy Hamilton and Lara Pearson
- SECTION 1: THE POSITIVE VALUE OF IMPERFECTION
- 1. The Aesthetics of Imperfection: The Finished Work, and Process Versus Product, Andy Hamilton
- 2. Taking Aim at Imperfection , David Lloyd
- 3. The Aesthetics of Imperfection, John Tilbury
- 4. Reflections on the Value of Imperfection in Crafts Through the Japanese Philosophy of Wabi-Sabi, Vasiliki Tsaknaki
- 5. Built from the Root, Ever-changing at the Bloom: The Role of Imperfection in Systems of Musical Phonology, Morphology, and Syntax, Nate Wooley
- 6. Imperfect World, Linda Catlin Smith
- SECTION 2: SOCIAL AND CULTURAL CONTEXT
- 7. A Socially Situated Approach to Aesthetics: Games and Challenges in Karnatak Music, Lara Pearson
- 8. A Social Aesthetics of Imperfection: Spontaneity and Meaning in Pop on the Streets of China, Samuel Horlor
- 9. Age, Process, and Self-Raising Flour, Cara Stacey
- 10. Learning Music Aesthetics Through Imperfection: The Transmission of Shakuhachi Music, Kiku Day
- SECTION 3: COMPOSITION V. IMPROVISATION
- 11. The Inter-Dependence of Composition and Improvisation, Rohan De Saram
- 12. Improvising Beyond Hamilton's Aesthetics of Imperfection, Louise Gibbs
- 13. Better Than Perfect: Dave Brubeck and The Aesthetics of Imperfection, Darius Brubeck
- 14. The Aesthetics of Imperfection in Jazz and Free Improvisation, Trevor Barre
- 15. Decisions, Revisions, Intentions and Integrity: A Subjective Understanding of Composition and Improvisation, Paul Edis
- 16. A Literary Aesthetic of Perfection and Imperfection, Rebecca Wallbank
- SECTION 4: INTERPRETATION AND FREEDOM
- 17. Embracing Serendipity in Classical Performance, Stephanie Cant
- 18. That is Not Freedom, That is Taking License: The Pitfalls in Performing Morton Feldman's Graph Scores, John Snijders
- 19. Expanding the Ideal: Systemic Music as a Dialogue of Becoming, Kris Tiner
- SECTION 5: RISK, DISRUPTION AND FAILURE
- 20. Live Coding and Failure, Shelly Knotts
- 21. The Aesthetics of Failure, Claire Zakiewicz
- 22. The Mistake as Material, Corey Mwamba
- 23. The Aesthetics of Imperfection: Mistakes, and Hearing What You Intend, Enrico Pieranunzi
- 24. Risk in Improvisation and in Comedy, Donnchadh O'Conaill
- 25. Risk, Failure and Courage: Improvisation and Stand-Up Comedy, Victor Dura-Vila
- 26. Inciting Uncertainty, Mike Baggetta
- 27. Championing Risk and Discovery: Satoko Fujii and the Experimental Composition Improvisation Continuum, Alister Spence
- SECTION 6: COLLABORATION IN PERFORMANCE
- 28. Imperfect Unity and Productive Frictions: Ethics and Aesthetics of Play in Dance Improvisation, Annie Kloppenberg
- 29. Cross Purposes: Imperfect Interactions When Improvising With Others, Graeme B. Wilson
- 30. An Audience for Free Jazz: Joe McPhee Interviewed, Joe McPhee
- 31. Is Love Too Strong a Term?The Dissolution of Distinction Between Aesthetics and Sociality in a Moving Orchestra, Jim Denley
- SECTION 7: THE INSTRUMENTAL IMPULSE
- 32. The Instrumental Impulse: Developing a Free Improvisation Vocabulary for Alternative Keyboard Instruments, Adam Fairhall
- 33. Rarely Heard, Small Unwanted Sounds Form the Focus, Dave Brown aka Candlesnuffer
- 34. The Disagreeable Subject of Varese's Father: In Conversation With David Brown, Reuben Lewis
- 35. The Necks on the Aesthetics of Imperfection, Chris Abrahams, Lloyd Swanton, Tony Buck
- 36. 'Stardust': Seeing and Imagining What isn't There, Martin Mayes
- SECTION 8: FINISHED AND UNFINISHED WORK
- 37. Architecture of Imperfection: Unfinished Sketches and Burke's Sublime, Elizabeth Baldwin Gray
- 38. Still Water Moves, Philip G. Robinson
- 39. Notating Perfection? Beethoven and the Late String Quartets, Rachel Stroud Index.
- (source: Nielsen Book Data)
(source: Nielsen Book Data)
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ML3877 .A37 2021 | Unknown |
- New York : Routledge, Taylor & Francis Group, 2021.
- Description
- Book — viii, 270 pages : illustrations ; 24 cm
- Summary
-
"This volume brings together analyses of works by thirteen Russian composers from across the twentieth century, showing how their approaches to tonality, modernism, and serialism forge forward-looking paths independent from their Western counterparts. Russian music of this era is widely performed, and much research has situated this repertoire in its historical and social context, yet few analytical studies have explored the technical aspects of these composers' styles. With a set of representative analyses by leading scholars in music theory and analysis, this book for the first time identifies large-scale compositional trends across the past hundred years of Russian music. The chapters move by compositional style across the century and each address a single work by a different composer, covering pieces by Rachmaninoff, Myaskovsky, Prokofiev, Shostakovich, Mansurian, Roslavets, Mosolov, Lourié, Tcherepnin, Ustvolskaya, Denisov, Gubaidulina, and Schnittke. Musicians, scholars, and students will find here a starting point for research and analysis of these composers' works, and a richer understanding of how to listen to and interpret their music"-- Provided by publisher.
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3. Benjamin Britten [2021]
- Porcile, François, author.
- [Paris] : Bleu nuit éditeur, [2021]
- Description
- Book — 176 pages : illustrations, map, chart, music ; 21 cm.
- Summary
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- Prologue
- Mer et mère
- La liberté à l'école du documentaire
- Barcelone 1936
- Deuil et dépression, connaissance et reconnaissance, l'année 1937
- Les tentations d'outre-Atlantique
- Le retour de l'enfant prodig(u)e
- Naissance du Wozzeck britannique
- Adieu au cinéma, opéras de voyage
- Un petit Bayreuth maritime
- Le temps des déconvenues
- Un chef-d'oeuvre réparateur
- Désir d'Orient
- Revisiter Shakespeare
- Chaudes amitiés de la guerre froide
- Le tournant du demi-siècle
- Retour inégal à Henry James
- Miroir de Venise
- Derniers feux
- Epilogue.
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ML410 .B853 P67 2021 | Unavailable On order |
- Leiden ; Boston : Brill, [2021]
- Description
- Book — xxvii, 625 pages : illustrations (chiefly color), color map ; 25 cm
- Summary
-
- Contents
- Acknowledgements List of Illustrations List of Tables List of Music Examples Manuscript Sigla and Other Abbreviations Notes on Contributors
- Introduction Andrew H. Weaver
- 1 Politics, Religion, and Music at the Early Modern Habsburg Courts: Some Context Paula Sutter Fichtner with Andrew H. Weaver
- Part 1: Institutional Contexts
- 2 The Court Chapels of the Habsburg-Burgundian Line: From Emperor Maximilian I to Emperor Charles V Honey Meconi
- 3 The Court Chapels of the Spanish Line: From King Philip II to King Charles II Pablo L. Rodriguez
- 4 The Court Chapels of the Austrian Line (I): From Emperor Ferdinand I to Emperor Matthias Jonas Pfohl
- 5 The Court Chapels of the Austrian Line (II): From Archduke Charles II to Emperor Leopold I Lawrence Bennett, Steven Saunders, and Andrew H. Weaver
- 6 The Court Chapels of the Tyrolean Line: From Archduke Ferdinand II to Archduke Ferdinand Charles Sara Pecknold
- Part 2: Cultural Contexts
- 7 Italian Musical Dramatic Genres at the Courts of the Austrian Habsburgs Herbert Seifert
- 8 Festivity and Spectacle at the Spanish Royal Court Louise K. Stein
- 9 Contexts for and Functions of Instrumental Music in Central Europe Charles E. Brewer
- 10 Manuscript Culture: The Habsburg-Burgundian Scriptorium and Some Successors Honey Meconi
- 11 Print Culture: Printed Music and Other Media in the Service of the Habsburgs Andrew H. Weaver
- 12 Colonialism and Music in Habsburg New Spain Drew Edward Davies
- Part 3: International Contexts
- 13 Die Teutsche Nation: Musical Links between the Habsburg Courts and the German States of the Empire Alexander J. Fisher
- 14 Milan: Imperial City and 'Theatre of the World' Christine Getz
- 15 Musical Connections between the Austrian Habsburgs and Venice in the Late Sixteenth and Seventeenth Centuries Beth L. Glixon, Jeffrey Kurtzman, and Steven Saunders
- 16 A Tale of Two entrate:Processions, Politics, and Patronage for the Habsburgs in Sixteenth - and Seventeenth-Century Rome Virginia Christy Lamothe
- Index.
- (source: Nielsen Book Data)
(source: Nielsen Book Data)
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ML240.2 .C66 2021 | Unknown |
- Bank, Katie, author.
- Abingdon, Oxon ; New York, NY : Routledge, Taylor & Francis Group, 2021
- Description
- Book — xiii, 281 pages : illustrations (black and white) ; 25 cm
- Summary
-
- Introduction--
- 1. Historiography of the English 'Madrigal'--
- 2. The Music of Sense Perception--
- 3. Music and Myth: Confronting Representations and Realities--
- 4. Dialogues of Knowledge--
- 5. Conclusion--
- Appendix I: additional song and poem texts--
- Appendix II: Thomas Weelkes: 'Ha ha' (1608)--
- Appendix III: Weelkes: 'Thule, the period of Cosmographie' and 'The Andalusian Merchant' (1601)-- Index.
- (source: Nielsen Book Data)
(source: Nielsen Book Data)
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ML286.2 .B36 2021 | Unknown |
- Dresenkamp, Timo.
- Paderborn : Mentis, Brill, [2021]
- Description
- Book — 220 pages ; 24 cm
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- Lapidus, Benjamin L., author.
- Jackson : Unversity Press of Mississippi, [2021]
- Description
- Book — xxiv, 412 pages : illustrations ; 24 cm.
- Summary
-
- Acknowledgments
- Introduction
- Chapter 1: Latin music education in New York
- Chapter 2: Strings and skins-Latin music instrument makers in New York
- Chapter 3: Sonny Bravo, Tipica 73, and the New York Sound
- Chapter 4: "This Guy Does Not Look Latin," the Panamanian connection-Race, ethnicity, and musical Identity in New York
- Chapter 5: Puerto Rican engagement with jazz and Its effects on Latin music
- Chapter 6: "Where's Barry?"-Another Look at Jews and Latin music in New York
- Chapter 7: "Invasión del 80/¡Yo vine del Mariel!-the musical impact of the Mariel boatlift"
- Conclusion
- Glossary
- Notes
- References
- Index.
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ML3477.8 .N48 L36 2021 | Unavailable On order |
- Bynog, David M., author.
- New York, NY : Oxford University Press, [2021]
- Description
- Book — xiv, 415 pages : illustrations, music ; 25 cm.
- Summary
-
- Johann Sebastian Bach : Brandenburg Concerto No. 6, BWV 1051
- Béla Bartók : Concerto for Viola and Orchestra, Sz. 120 (BB 128)
- Hector Berlioz : Harold in Italy, op. 16
- Ernest Bloch : Suite hébraïque
- York Bowen : Sonata No. 1 in C Minor for Viola and Piano, op. 18
- Johannes Brahms : Sonata for Clarinet (or Viola) and Piano in Eb Major, op. 120, no. 2
- Benjamin Britten : Lachrymae, op. 48
- Max Bruch : Romanze for Viola and Orchestra, op. 85
- Henri Casadesus : Concerto in B Minor for Viola and Orchestra (attributed to G. F. Handel)
- Rebecca Clarke : Sonata for Viola and Piano
- George Enescu : Concertstück for Viola and Piano
- Cecil Forsyth : Concerto in G Minor for Viola and Orchestra
- Lillian Fuchs : Sonata Pastorale for Unaccompanied Viola
- Aleksandr Glazunov : Élegié for Viola and Piano, op. 44
- Paul Hindemith : Sonata for Viola and Piano, op. 11, no. 4
- Paul Hindemith : Der Schwanendreher : Concerto after Old Folksongs for Viola and Small Orchestra
- Franz Anton Hoffmeister : Concerto for Viola and Orchestra in D Major
- Johann Nepomuk Hummel : Sonata for Piano and Viola, op. 5, no. 3
- Bohuslav Martinü : Rhapsody-Concerto for Viola and Orchestra, H. 337
- Felix Mendelssohn : Sonata in C Minor for Viola and Piano
- Darius Milhaud : Quatre Visages for Viola and Piano, op. 238
- Wolfgang Amadeus Mozart : Sinfonia concertante for Violin, Viola, and Orchestra, K. 364 (320d)
- Krzysztof Penderecki : Cadenza for Viola Solo
- Quincy Porter : Suite for Viola Alone
- Max Reger : Three Suites for Solo Viola, op. 131d : No. 1 in G Minor
- Robert Schumann : Märchenbilder for Viola and Piano, op. 113
- Dmitry Shostakovich : Sonata for Viola and Piano, op. 147
- Carl Stamitz : Concerto for Viola and Orchestra in D Major
- Igor Stravinsky : Élégie for Viola or Violin Unaccompanied
- Toru Takemitsu : A Bird came down the Walk, for viola and piano
- Georg Philipp Telemann : Concerto in G Major for Viola, Strings, and Basso continuo, TWV 51:G9
- Ralph Vaughan Williams : Suite for Viola and Small Orchestra
- Henry Vieuxtemps : Élegié for Viola and Piano, op. 30
- William Walton : Concerto for Viola and Orchestra
- Carl Maria von Weber : Andante e Rondo ungarese for Viola and Orchestra, J. 79.
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ML905 .B96 2021 | Unavailable On order |
9. Pussy Riot : speaking punk to power [2021]
- Borenstein, Eliot, 1966- author.
- London, UK ; New York, NY : Bloomsbury Academic, Bloomsbury Publishing Plc, 2021.
- Description
- Book — xii, 135 pages ; 20 cm.
- Summary
-
- Introduction. Foolish Inconsistency
- Penis Riot : Pussy Riot's Pre-Feminist Roots
- Inciting a Pussy Riot
- When is a Church not a Church?
- Like a (Punk) Prayer
- Hurting Believers' Feelings
- Pussy Riot and Political Speech
- Public Enemies
- Performance vs. Archive
- Gender Troubles
- Anonymity and Glamour : Who Was that Masked Woman?
- Quiet Riot?
- Conclusion. The Punk Art of Compromise.
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ML421 .P88 B67 2021 | Unavailable On order |
10. Rebel musics. Volume 2 : human rights, resistant sounds, and the politics of music making [2021]
- Montréal ; Chicago ; London : Black Rose Books, [2021]
- Description
- Book — 275 pages : illustrations ; 23 cm
- Summary
-
"The first edition of Rebel Musics, published in 2003, sought to explore how musical activism resonates in practical and political terms, how musical resistance brings together voices that might otherwise remain silent, and how political action through music increases the potential for people to determine their own fate. If anything, these issues seem to be even more pressing today. In celebration of the 50th anniversary of Black Rose Books, this second volume of Rebel Musics features a collection of new essays from artists and scholars that will continue to explore and spark debate about these vital topics in compelling ways. The book offers a fascinating journey into a rich, complex world, where music and politics unite, where rebel musicians are mobilizing for political change, resistance, and social justice. With explosive lyrics and driving rhythms, rebel musicians are helping to mobilize movements for political change and social justice, at home and around the world."-- Provided by publisher.
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- Sonner, Thomas.
- Hamburg : Verlag Dr. Kovac, 2021.
- Description
- Book — 533 pages ; 21 cm
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- Ballon, Severin.
- Kassel : Bärenreiter-Verlag, 2021.
- Description
- Book — pages
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- Würzburg : Königshausen & Neumann, [2020]
- Description
- Book — 212 pages : illustrations ; 24 cm
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- Roma : SEdM, Societa Editrice di Musicologia, 2020.
- Description
- Music score — 1 score (xxiv, 37 pages) : 5 facsimiles ; 30 cm
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- Kassel : Bärenreiter ; Berlin : Metzler, [2020]
- Description
- Book — 401 pages : illustrations (partly color), music ; 22 cm
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16. 1. Sonate für Violine und Klavier, (1939) [2020]
- Feiertag, Hans, 1911-1943.
- Erstausgabe. - Frankfurt : Laurentius-Musikverlag, [2020]
- Description
- Music score — 1 score (93 pages) + 1 part (23 pages) : 1 photo ; 30 cm
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- Brusatti, Otto.
- Heidelberg : Morio Verlag, [2020]
- Description
- Book — 140 pages ; 20 cm
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- Poglietti, Alessandro, -1683.
- Latina : Il Levante Libreria Editrice, 2020.
- Description
- Music score — 1 score (xxv, 52 pages) : some facsimiles ; 21 x 30 cm
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- Kurtag, György, 1926-
- Partitur. - Wien : Universal Edition, 2020.
- Description
- Music score — 1 score (42 pages) ; 31 cm
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- Bellini, Vincenzo, 1801-1835.
- Voce acuta = high voice. - Milano : Ricordi, 2020.
- Description
- Music score — 1 score (viii, 62 pages) ; 27 cm
- Summary
-
- Contents:
- 1. La farfalletta
- 2. Quando incise su quel marmo
- 3. Sogno d'infanzia
- 4. L'abbandono
- 5. L'allegro marinaro
- 6. Torna, vezzosa Fillide
- 7. Il fervido desiderio
- 8. Dolente immagine di Fille mia
- 9. Vaga luna, che inargenti
- 10. Malinconia, ninfa gentile
- 11. Vanne, o rosa fortuna
- 12. Bella Vice, che d'amore
- 13. Almen se non poss'io
- 14. Per pieta, bell'idol mio
- 15. Ma rendi pur contento.
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