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• 1.1 : Edizioni di musica pratica dal 1601 al 1650 / ricerca storica, bibliografica e archivistica condotta in collaborazione con Orietta Sartori. -
• 2006. - lii, 948 p. : ill.

• Preface-- Sigla of publishers-- Sigla of libraries and private collections-- Chopin's first editions: historical overview-- Introduction to the Annotated Catalogue-- Annotated Catalogue-- Plates-- Appendices: I. Orchestral parts-- II. Series title pages-- III. Advertisements-- IV. Index of libraries and private collections-- V. Uncatalogued works-- Bibliography.
• (source: Nielsen Book Data)

This Annotated Catalogue presents the most ambitious and comprehensive research ever carried out on the first editions of Chopin's music. It begins with an in-depth introduction to these unique sources and the publishing practices that gave rise to them. A detailed description then follows of each Chopin first edition and the later impressions produced by the original publishers or their successors. The Annotated Catalogue facilitates identification of the Chopin scores held in libraries and private collections around the world by attempting to reconstruct the creative history of each edition. It features entries on 1,552 distinct impressions - of which some 4,830 copies are individually described - along with explanatory essays, appendices and facsimiles of over 200 title pages which illustrate their respective catalogue entries. Musicians and musicologists alike will gain an unprecedented understanding of the creative history of each Chopin edition and the music within it.
(source: Nielsen Book Data)

Covers music manuscripts in the library, including composers such as Arne, Berlioz, Bishop, Byrd, Dibdin, Handel, Hatton, Haydn, Hayes, Mendelssohn, Mozart, Purcell, Quilter, Rossini, Rubinstein, Sullivan, Verdi, Victoria, and Zingarelli.
(source: Nielsen Book Data)

• Vol. 1 Averbode, Dendermonde, Diest, Geel, Ghent, Tongeren / edited by Sarah Ann Long and Inga Behrendt

This first volume catalogues the notated office manuscripts collections of the libraries and private archives of Averbode (Onze-Lieve-Vrouw and Sint-Jan de Doper Abbey), Dendermonde (Sint-Pieter and Paulus Abby), Geel (Archief Sint Dimpnakerk), Ghent (Universiteitsbibliotheek, Rijksarchief, Musua voor Schone Kunsten, Bisschoppelijk seminarie, Archief van de Sint Baafskathedraal) and Tongeren (Onze-Lieve-Vrouwebasiliek, Stadsarchief). The aim of the "Antiphonaria" series is to catalogue all collections of notated manuscripts for the Office, following a combined format of RISM.

• Myths and legends : the restitution of the Berlin Sing-Akademie Archive = Mythen und Legended : die Restitution des Archiv der Sing-Akademie zu Berlin / Axel Fischer ; Matthias Kornemann
• Zelter's Archive : portrait of a collector = Zelters Archiv : Porträt eines Sammlers / Matthias Kornemann
• The diversity and range of genres in the Archive of the Sing-Akademie zu Berlin = Gattungsvielfalt und Gattungschwerpunkte im Archiv der Sing-Akademie zu Berlin / Axel Fischer
• The Bach collection = Die Bach-Sammlung / Ulrich Leisinger
• The Telemann collection = Die Georg Philipp Telemann-Sammlung / Ralph-Jürgen Reipsch
• Oratorios, masses, sacred and secular cantatas, arias and Lieder = Oratorien, Messen, geistliche und weltliche Kantaten, Arien und Lieder / Christoph Henzel
• Operas = Opern / Klaus Hortschansky
• Symphonies, concertos and overtures = Symphonien, Konzerte und Ouvertüren / Tobias Schinger
• Chamber music and piano music = Kammermusik und Klaviermusik / Mary Oleskiewicz
• Index of signatures = Verzeichnis der Signaturen
• Index of composers and works = Verzeichnis der Komponisten und Werke
• Condordance of signatures and microfiches = Konkordanz der Signaturen und Microfiches.

With The Archive of the Sing-Akademie zu Berlin. Cataloguea complete catalogue of the music archive of the Sing-Akademie zu Berlin is now available for the first time since the archive, which disappeared during World War II, was rediscovered in 1999. (The whole work is complete in English and German). Since 2001 the more than 260,000 pages of music manuscripts, copies and first prints (from 17th to early 19th cent.) were revised by two musicologists which compiled an index of shelf marks and an index of composers. Thus detailed searches in the holdings of the archive (which were filmed since 2002 in severeal parts on microfiche at K. G. Saur) are possible for the first time. The Catalogue lists 9,735 works of 1.008 different composers. It provides also a concordance signature - microfiche and therefore serves as a cumulated guide to the microfiche editions, all the more the registers have been revised and improved. The unique collection is introduced by a number of articles bythe followingmusicologists: Axel Fischer (Archive of the Sing-Akademie, Berlin), Christoph Henzel (Hochschule fur Musik, Wurzburg), Klaus Hortschansky (University of Munster), Matthias Kornemann (Archive of the Sing-Akademie, Berlin), Ulrich Leisinger (Mozarteum, Salzburg), Mary Oleskiewicz (University of Massachusetts Boston), Ralph-J. Reipsch (Zentrum fur Telemann-Pflege und -Forschung, Magdeburg), Tobias Schwinger (Berlin).
(source: Nielsen Book Data)