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x, 227 pages : illustrations ; 24 cm.
  • Introduction: Copyright law and subjectivity : a relational approach
  • Connected origins : locating relationality in copyright history
  • From the piratical to the creative user
  • Creative practice and relational authorship
  • Locating the user and reforming the law
  • Reimagining the pirate : approaching infringement relationally
  • Producing the pirate : the courtroom and cultural power
  • Conclusion.
An examination of subjectivity in copyright law, analyzing authors, users, and pirates through a relational framework. In current debates over copyright law, the author, the user, and the pirate are almost always invoked. Some in the creative industries call for more legal protection for authors; activists and academics promote user rights and user-generated content; and online pirates openly challenge the strict enforcement of copyright law. In this book, James Meese offers a new way to think about these three central subjects of copyright law, proposing a relational framework that encompasses all three. Meese views authors, users, and pirates as interconnected subjects, analyzing them as a relational triad. He argues that addressing the relationships among the three subjects will shed light on how the key conceptual underpinnings of copyright law are justified in practice. Meese presents a series of historical and contemporary examples, from nineteenth-century cases of book abridgement to recent controversies over the reuse of Instagram photos. He not only considers the author, user, and pirate in terms of copyright law, but also explores the experiential element of subjectivity -- how people understand and construct their own subjectivity in relation to these three subject positions. Meese maps the emergence of the author, user, and pirate over the first two centuries of copyright's existence; describes how regulation and technological limitations turned people from creators to consumers; considers relational authorship; explores practices in sampling, music licensing, and contemporary art; examines provisions in copyright law for user-generated content; and reimagines the pirate as an innovator.
(source: Nielsen Book Data)9780262037440 20180403
Law Library (Crown)
pages cm
  • Capture
  • The overconsumption problem
  • The value of creativity
  • Pressuring big copyright
  • Ignoring big copyright
  • Cooperating with big copyright.
Law Library (Crown)
xiii, 257 pages ; 24 cm.
  • Challenges from globalization
  • An overview of copyright : a balance of interests
  • Copyright limitations and exceptions for education and research : unite in diversity
  • The technological revolution and its impact on copyright law
  • China : copyright limitations and exceptions for education and research
  • China : copyright issues in a digital environment
  • South Africa : digital age copyright limitations and exceptions for education and research
  • Conclusion.
This book critically evaluates the current copyright law system in a digital environment from a comparative perspective. Since many developing countries modelled their copyright laws on more advanced jurisdictions, they have not benefitted from such a law as much as intended due to their inherently embedded social economic conditions. Moreover, the copyright law system has been under constant challenges from rapidly developing digital technology and the Internet. All in all, there is a pressing need for developing countries to reevaluate their copyright law in light of their national needs, the developmental stage of their economy, their culture and tradition, and their legal system. The book poses the question of whether copyright law should be reformed to fulfill its fundamental purpose of serving education and research that are in the public interest in the digital era? It examines whether the legal frameworks adequately address developing countries' educational and research requirements in view of the opportunities and restrictions posed by electronic communication media. Further, it provides a comprehensive study that addresses the various critical issues relevant to the reform of the copyright law system and offers recommendations for developing countries to revamp their copyright law system to better serve their education and research sector.
(source: Nielsen Book Data)9783319718309 20180618
Law Library (Crown)
xiii, 238 pages ; 24 cm
  • Introduction
  • The (surprisingly weak) economic case for copyright
  • Copyright revenue in the recording industry
  • Measuring music output
  • The search for a correlation : was more money associated with more or better music?
  • More money meant less music
  • Rationalizing copyright.
For more than two hundred years, copyright in the United States has rested on a simple premise: more copyright will lead to more money for copyright owners, and more money will lead to more original works of authorship. In this important, illuminating book, Glynn Lunney tests that premise by tracking the rise and fall of the sound recording copyright from 1961-2015, along with the associated rise and fall in sales of recorded music. Far from supporting copyright's fundamental premise, the empirical evidence finds the exact opposite relationship: more revenue led to fewer and lower-quality hit songs. Lunney's breakthrough research shows that what copyright does is vastly increase the earnings of our most popular artists and songs, which - net result - means fewer hit songs. This book should be read by anyone interested in how copyright operates in the real world.
(source: Nielsen Book Data)9781107181670 20180604
Law Library (Crown)
xiii, 272 pages ; 25 cm.
  • Digital Piracy : a global, multidisciplinary account : contextualising digital piracy / Thomas J. Holt and Steven Caldwell Brown
  • The times they are a-changin : digital music value in transition from piracy to streaming / Hyojung Sun
  • Digital piracy, new media, and Consumer Choice, Holly Tessler and Kenny Forbes
  • Anti-piracy policies, online film circulation, and on-demand culture : the Italian context between formality and informality / Valentina Re
  • The social and applied psychology of engagement in music piracy / Amanda Krause and Steven Caldwell Brown
  • An examination of digital piracy behavior through the lens of cultural and non-cultural variables / Monika Kukar-Kinney, Irena Vida, and Mateja Kos Koklic
  • Copyright infringement and cultural participation / Juan D. Montoro-Pons, Manuel Cuadrado-Garcia, and Migeul Puchades-Navarro
  • Who cares if Taytay gets pay pay? shake it off : the apathy of the contemporary music consumer / Gary Sinclair
  • Deliberating the information commons : a critical analysis of intellectual property and piracy / Kevin Steinmetz and Alexandra Pimentel
  • The criminality of digital piracy : is it a pathway more serious offending? / George Burruss and Cassandra Dodge
  • Criminology's contribution to the study of digital piracy / Adam Bossler and Tyler Edwards
  • Identifying paths forward in the study of piracy / Steven Caldwell Brown and Thomas J. Holt .
Law Library (Crown)
xviii, 181 pages ; 23 cm
  • Introduction
  • When to license
  • Demystifying the licensing experience
  • Learning the lingo
  • Key digital licensing clauses
  • Boilerplate clauses
  • Un-intimidating negotiations
  • Questions and answers on licensing
  • Go license!
Of the second edition, ARBA declared, "Harris's book has become the standard for libraries and has yet to have an equal published that is either as useful or as clear." Covering the basics of digital licensing for librarians, the new third edition provides a freshened look at all the key issues as well as updated sample agreement clauses. Giving library professionals and students the understanding and the tools needed to negotiate and organize license agreements, Harris uses a plain-language approach that demystifies the process. Her guideexplains licensing terminology and discusses changes in technology, including developments such as text and data mining; points out opportunities for cost savings; features many useful tools such as a comprehensive digital license checklist; provides sources of additional information on the global aspects of licensing; andwalks readers through educating organizations that have signed license agreements.In its new edition, this resource remains a must-have for all information professionals who deal withlicenses for electronic resources.
(source: Nielsen Book Data)9780838916308 20180129
Law Library (Crown)
pages cm.
  • Oscar Wilde, man of law
  • Obscenity and censorship
  • Copyright, patronage, and courtesy
  • Privacy, publicity, defamation, and blackmail
  • Ezra Pound, man of war.
Law Library (Crown)
x, 161 pages : illustrations, forms ; 20 cm
  • Introduction: The wild west, we meet again
  • The law : for those respecting the law, we salute you. For the rebels, there is no such things as free music
  • Background and history : when synchs outshine soundtracks
  • Music supervisors : every project can use a little music supervision
  • Finding music : a community of composers, libraries and representatives
  • The process of securing rights : a step-by-step guide to avoiding mistakes, because what you don't know can cost you
  • Brand personality, identity and recognition : people rank music as more difficult to live without than sports, movies and newspapers
  • Digital media and digital platforms : welcome to the digital era in all its forms
  • For the artist : there is a musician in all of us
  • Conclusion: Parting words of encouragement.
Music Rights Unveiled provides an inside look at the complex world of music rights for film and video and includes step-by-step guidance to navigate these tricky waters. Authors Brooke Wentz and Maryam Battaglia share their decades of expertise in this user-friendly guide, designed specifically with filmmakers and producers in mind. The book provides a brief history of the pricing of music in film, television and digital media markets, and explains the process by which music is licensed or acquired for films, highlighting pitfalls to avoid and strategies for success. Further features include: A discussion of new media platforms and the intricacies of the rights needed to use music on those platforms; Tips for working with key music staff on a production - the Composer, the Music Supervisor and the Music Editor; An in-depth explanation of building a budget for the music component of your media project.
(source: Nielsen Book Data)9781138673311 20180219
Law Library (Crown)
xvi, 321 pages ; 25 cm
  • Introduction
  • The theoretical framework of copyright propertization
  • Droit d'auteur, copyright and the historical epiphanies of propertization
  • The EU copyright model, or how to lose the compass in a systemic chaos
  • The different effects of copyright propertization : EU vs. member states
  • The social function of copyright as property right
  • Building and harmonizing EU copyright law within the property framework : a four-dimensional experiment of systematization
  • Conclusions.
With an acceleration in the last decades, the language of property, piracy and theft has become mainstream in copyright matters. Scholars have argued that this latent propertization has progressively led to the undue expansion of copyright and an enclosure of knowledge, causing clashes with users' fundamental rights and EU social and cultural policies. Challenging the validity of such critiques, Propertizing European Copyright demonstrates that these distortive effects are only the result of mishandled property rhetoric and that a commitment to copyright propertization could enable a more internally consistent and balanced development of EU copyright law. To prove the point, the book provides a comprehensive analysis of causes and effects of propertization in copyright history, comparing the impact of private and constitutional property doctrines in selected national experiences with the unsystematic propertization of EU copyright. The author argues for a systemization of EU copyright law, and provides practical examples of how propertization could help tackling the pitfalls of the harmonization process, achieving a greater interpretative coherence and a more stable copyright balance. Academics and policy makers engaged in the debate on EU copyright harmonization will find the multidisciplinary approach employed in this work compelling. Judges, practitioners and graduate students interested in deepening their knowledge of the construction of EU copyright will also find in this book an all-encompassing resource, rich in practical and theoretical insight.
(source: Nielsen Book Data)9781786430403 20180423
Law Library (Crown)
313 pages ; 23 cm
  • The Russian origins of the online shadow library / Balázs Bodó
  • In the shadow of the gigapedia / Balázs Bodó
  • Argentina: a student-made ecosystem in an era of state retreat / Evelin Heidel
  • Access to learning resources in post-apartheid South Africa / Eve Gray and Laura Czerniewicz
  • Poland: where the state ends, the hamster begins / Alek Tarkowski and Miroslaw Filiciak
  • India: the knowledge thief / Lawrence Liang
  • Brazil: the copy shop and the cloud / Pedro Mizukami and Jhessica Reia
  • Coda: Uruguay / Jorge Gemetto and Mariana Fossatti.
This collection looks at how university students in Russia, Argentina, South Africa, Poland, Brazil, India, and Uruguay get the books and articles they need for their education. The death of Aaron Swartz and the more recent controversy around the SciHub and Libgen repositories have drawn attention to the question of access to knowledge, particularly for students facing financial and other constraints. Open access currently provides a very limited answer to this question, which piracy answers more comprehensively. This edited volume explores how access to knowledge has changed in the past twenty years, as student populations have boomed and as educators and publishers navigated the transition from paper to digital materials. It is concerned primarily with the experience of developing countries, where growing numbers of students, rapid development of Internet and device infrastructures, and high relative inequality have produced the sharpest tensions in the publishing and educational ecosystem.
Law Library (Crown)
231 pages ; 23 cm
  • Introduction
  • Culture clashes
  • Ontology, copyright, and artistic practice
  • The myth of unoriginality
  • Authorship, power, and responsibility
  • Toward an ontology of authored works
  • The rights of authors
  • The rights of others
  • Appropriation and transformation
  • Afterword.
The art scene today is one of appropriation of remixing, reusing, and recombining the works of other artists. From the musical mash-ups of Girl Talk to the pop-culture borrowings of Damien Hirst and Jeff Koons, it's clear that the artistic landscape is shifting which leads to some tricky legal and philosophical questions. In this up-to-date, thorough, and accessible analysis of the right to copyright, Darren Hudson Hick works to reconcile the growing practice of artistic appropriation with innovative views of artists' rights, both legal and moral. Engaging with long-standing debates about the nature of originality, authorship, and artists' rights, Hick examines the philosophical challenges presented by the role of intellectual property in the artworld and vice versa. Using real-life examples of artists who have incorporated copyrighted works into their art, he explores issues of artistic creation and the nature of infringement as they are informed by analytical aesthetics and legal and critical theory. Ultimately, Artistic License provides a critical and systematic analysis of the key philosophical issues that underlie copyright policy, rethinking the relationship between artist, artwork, and the law.
(source: Nielsen Book Data)9780226460246 20170530
Law Library (Crown)
vii, 82 pages ; 24 cm
  • Preface
  • What is droit de suite/artist's resale right?
  • The path to European harmonisation
  • The directive
  • Implementation of the directive in the UK : the artist's resale rights reg'ns
  • Practical issues
  • UK artist's resale right from 1st January 2012/death of the artist
  • International aspects
  • Conclusion.
"This new and revised third edition takes stock of over 10 years' experience of artist's resale right (ARR), also called droit de suite, in the UK. As well as offering updated guidance, it also includes a commentary on recent European and international developments and the impact of Brexit on ARR in the UK. ARR gives artists and their heirs a royalty on re-sales of their art works. This intellectual property right, which forms part of copyright law, is originally of French origin and was first introduced into UK law in 2006 to implement the 2001 EU Directive on ARR. ARR remains a right with a strong European focus-it is not currently implemented in a number of significant art markets outside the EU. Nevertheless the establishment in 2006 of an ARR regime in the UK (the second largest global art market), along with EU harmonization of the right, have been influential in encouraging states such as the USA, China, and Switzerland to consider its adoption. This book, first published in 2006, continues to...[examine] the background to the directive, UK ARR and its implementation in the UK. The practical guidance offered is essential to all those with an interest in the operation of the right in the UK-artists, collecting societies/CMOs, art dealers, auction houses, art galleries, collectors, and their legal advisers. The work includes a copy of the ARR Directive and the consolidated UK Artist's Resale Right Regulations."-- Provided by publisher.
Law Library (Crown)
xxx, 256 pages ; 23 cm
  • Licence-created monopolies : controlling use through restrictive licensing terms
  • Legal mechanisms for mitigating the effect of restrictive licensing provisions
  • On reverse engineering and decompilation
  • The idea-expression dichotomy and its role in software-related disputes
  • The combined effect of copyright and restrictive licensing provisions
  • Patenting software
  • Protecting user interfaces
  • Trade secrets and the software industry.
Although the law of infringement is relatively straightforward on the copying of literal and textual elements of software, it is the copying of non-literal and functional elements that poses complex and topical questions in the context of intellectual property (IP) protection. In many cases, it is these non-literal and functional elements that contain the real value of a software product. This book concerns the copying of non-literal and functional elements of software in both the United States (US) and European Union (EU), using a holistic approach to address the most topical questions facing experts concerned with legal protection of software products across a range of technological platforms. The book focuses on four distinct but interrelated areas: contract, copyright, trade secrets, and trade-dress; as well as dealing more briefly with patent law, designs, and competition law, discussing these areas separately and in relation to one another. The book discusses software as a multi-layered functional product, setting the scene for other legal discussions by highlighting software's unique characteristics. It examines models for the provision of software, addressing licensing patterns and overall enforceability, as well as the statutory and judicial tools for regulating the use of such licences. It further assesses the protection of non-literal and functional software elements under EU and US copyright law, focusing on internal architecture and behavioural elements. The application of trade secrets law to software is examined under traditional, online, and cloud models. Finally, it examines the application of trade dress protection to software's 'look and feel', particularly relating to the highly topical area of cloud environments. Protecting Software offers a unique outlook on contemporary issues concerning the legal protection of computer software.
(source: Nielsen Book Data)9780198716792 20180205
Law Library (Crown)
xviii, 477 pages : illustrations ; 25 cm.
  • Introduction: Challenges for copyright in the online environment
  • Copyright rewind : precedents for compensation systems
  • Alternative compensation systems : taxonomy of legalisation proposals
  • Between rights and limitations : mapping the space for the legalisation of the online use of copyright works
  • Copyright reform : admissibility of legalisation under the three step test and the objectives of EU copyright law
  • Summary and conclusions : towards access and remuneration.
"[This book] examines pragmatic legal solutions that enable Internet users to access works in the digital environment by exploring the flexibilities in EU copyright law in search of a consistent regulation of non-commercial online use. In addition to proving virtually impossible, online enforcement of copyright may be undesirable because it risks encroaching upon fundamental rights and freedoms. However, the problem remains that creators are often not fairly remunerated for the online use of their works. This book addresses the need for legalisation schemes that favour remunerated access over exclusivity and enforcement for large-scale online use by individuals, while assuring remuneration to rights holders and promoting the development of the information society."-- Publisher's website.
Law Library (Crown)
xxiv, 496 pages ; 19 cm.
  • Introduction
  • Copyrightable subject matter
  • Copyright ownership
  • Formalities
  • Copyright duration
  • Assignments and licenses
  • Exclusive rights
  • Limitations on exclusive rights
  • Infringement
  • Defenses
  • Remedies
  • Digital Millennium Copyright Act
  • Preemption.
This product offers a compact yet comprehensive and up-to-date overview of U.S. copyright law in an uncluttered and readable format. Coverage ranges from the fundamental concepts of originality, authorship, and infringement to the highly technical rules governing digital phonorecord deliveries and digital public performance rights in sound recordings, the safe harbor provisions that limit the liability of Internet service providers, and the anti-circumvention and copyright management information provisions of the Digital Millennium Copyright Act. The evolving doctrines of fair use and contributory liability are also given thorough attention.
(source: Nielsen Book Data)9781634603041 20170206
Law Library (Crown)
xiii, 528 pages ; 24 cm
  • Justifications for copyright limitations and exceptions / Pamela Samuelson
  • The role of the author in copyright / Jane C. Ginsburg
  • A few observations about the state of copyright law / William F. Patry
  • Fetishizing copies / Jessica Litman
  • Copyright in a digital ecosystem : a user rights approach / Niva Elkin-Koren
  • The Canadian copyright story : how Canada improbably became the world leader on users' rights in copyright law / Michael Geist
  • (When) is copyright reform possible? / James Boyle
  • Fair use and its politics : at home and abroad / Justin Hughes
  • Flexible copyright : can the EU author's rights accommodate fair use? / P. Brent Hugenholtz
  • The limits of "limitations and exceptions" in copyright law / Jerome H. Reichman
  • Lessons from CopyrightX / William W. Fisher III
  • Rights on the border : the Berne Convention and neighbouring rights / Sam Ricketson
  • How Oracle erred : the use/explanation distinction and the future of computer copyright / Wendy J. Gordon
  • Reframing international copyright limitations and exceptions as development policy / Ruth L. Okediji.
Copyright Law in an Age of Limitations and Exceptions brings together leading copyright scholars and the field's foremost authorities to consider the critical role of copyright law in shaping the complex social, economic, and political interaction critical for cultural productivity and human flourishing. The book addresses defining issues facing copyright law today, including justifications for copyright law's limitations and exceptions (L&Es), the role of authors in copyright, users' rights, fair use politics and reform, the three-step test in European copyright law, the idea/expression principle with respect to functional works, limits on the use of L&Es in scientific innovation, and L&Es as a tool for economic development in international copyright law. The book also presents case studies on the historical development of the concept of 'neighboring rights' and on Harvard Law School's pioneering model of global copyright education, made possible by the exercise of L&Es across national borders.
(source: Nielsen Book Data)9781107132375 20170515
Law Library (Crown)
x, 328 pages ; 25 cm
  • Idea-expression dichotomy and originality requirements for copyright protection : an analysis of the jurisprudential underpinnings of the judicial pronouncements in India / T.G. Agitha
  • The economics of intellectual property and economic entrepreneurship of copyrights / Rodney D. Ryder and N.S. Sreenivasulu
  • Jurisprudential analysis of the rights of users in copyrighted works / Yashomati Ghosh
  • Marrakesh Treaty to facilitate access to published works for visually disabled : putting an end to global book famine / V.K. Ahuja
  • Reproduction right in digital medium and free use for educational purpose : an analysis of national and international obligations to India to provide education to all viz. a viz. protecting copyright / Poonam Dass
  • 'Minor expectations' doctrine in national copyright law : guidance from the WTO jurisprudence / R. Rajesh Babu
  • Copyright and human rights : the quest for a fair balance / Vandana Mahalwar
  • Copyright, access and information society / Anirban Mazumder
  • Software protection under copyright law / V.K. Unni
  • Database protection in India : need for reforms / K.D. Raju
  • Copyright and the digital media : perspective and challenges in the new legal regime in India / C.P. Dayanada Murthy
  • First sale doctrine in the digital era / Amit Jyoti S. Gomber
  • Hosting service providers' liability for third party content : a Malaysian perspective / Cheng Peng Sik and Pek San Tay
  • Criminalization of copyright infringements in the digital era with special reference to India / C.P. Nandini.
This book addresses the key issues, challenges and implications arising out of changes in the copyright law and corresponding judicial responses. Using concrete examples, the book does not assume any prior knowledge of copyright law, but brings together leading intellectual property researchers to consider the significant role of copyright law in shaping the needs of the modern digital world. It provides an insight into two distinct arenas: copyright and digital media. The exponential increase in the ability to multiply and disseminate information by digital means has sparked numerous conflicts pertaining to copyright - and in turn has prompted lawmakers to expand the scope of copyright protection in the digital age. Bearing in mind the new questions that the advent of the digital age has raised on the role and function of copyright, the book presents a collection of papers largely covering new frontiers and changing horizons especially in this area. The contributions intensively address core issues including the exhaustion principle, copyright and digital media, liability of hosting service providers, the originality requirement, accessibility to published works for the visually disabled, criminalization of copyright infringement, and software protection under copyright law, among others. Consisting of 14 papers, this book will be equally interesting to researchers, policymakers, practitioners and lawmakers, especially those active in the field of Intellectual Property Rights (IPR).
(source: Nielsen Book Data)9789811039836 20170605
Law Library (Crown)
ix, 613 pages ; 25 cm.
  • Preface
  • Walking the copyright tightrope / Ysolde Gendreau
  • Copyright history as book history : the law in multidisciplinary context / Myra J. Tawfik
  • Originality under EU copyright law / Irini A. Stamatoudi
  • When the Court of Justice of the European Union sets about defining exclusive rights : copyright quo vadis? / Paul Torremans
  • The right of 'communication to the public' in the European Union / Fabiene Brison and Sari Depreeuw
  • The WIPO right of making available / Gaetano Dimita
  • Enforcing the EU right of communication to the public in cases of ubiquitous infringement / Justin Koo
  • Invitation for a 'Europeanification' of moral rights / Marie-Christine Janssens
  • Does only compulsory collective management guarantee that an author actually receives his resale right? / Hendrik Vanhees
  • The renumeration of authors and performers in copyright contract law / Agnès Lucas-Schloetter
  • Sampling of sound recordings in the United States and Germany : revival of a discussion on musical creativity / Bernd Justin Jütte
  • The borderless online user : carving up the market for online and streaming services / Thomas Riis and Jens Schovsbo
  • Private copying exception and payment of fair compensation : EU case-law / Gemma Minero
  • Who owns the rights to works created within universities and public research organizations? : a Spanish case study / Pilar Cámara Águila
  • Who owns the orphans? : property in digital cultural heritage assets / Uma Suthersanen
  • Copyright in works reproduced and published online by search engines / Ernesto Rengifo
  • Collective management and exclusive rights : friends or foes? / Sylvie Nérisson
  • Copyright, contemporary intangible cultural heritage and freedom of expression : mapping the terrain / Charlotte Waelde
  • Albanian copyright law and compliance with EU legislation / Blerina Mullisi
  • Copyright infringement in Vietman : recognizing the reasons and suggesting some solutions / Nguyễ Hồ Bích Hằng
  • Can copyright law be transplanted? : Vietnam's experiences with droit d'auteur, 1864-1975 / Tran Kien
  • Copyright jurisdiction under EU private international law / Paul Torremans.
This second edition has been completely rewritten to reflect recent changes and new trends that have emerged since the popular first edition was published. Copyright law has become a fast moving area, which is reflected in the wealth and diversity of research. This comprehensive Research Handbook is situated at the cutting edge of current copyright research, with each chapter written by a leading author in that particular field. The Research Handbook begins with an examination of fundamental questions such as the historical foundations of copyright, the basic concept of originality and the significant discussion on communication to the public. The contributors then focus on moral rights and the artist resale right. In-depth treatment of specialist topics is provided, including copyright contracts, collective management, issues surrounding streaming and sampling, cultural heritage, orphan works, search engines and the potential for a public policy exclusion. The Research Handbook provides global coverage while also considering specific jurisdictions and private international law. The Research Handbook on Copyright Law is a rich research tool that reflects the wealth and diversity of the ongoing research in copyright. It is essential reading for students and researchers in copyright and intellectual property law, as well as practitioners and policymakers.
(source: Nielsen Book Data)9781785361425 20180205
Law Library (Crown)
xliii, 780 pages ; 26 cm
  • Pre-litigation considerations / Brain A. Calhoun
  • Pre-litigation analysis and strategies / Jennifer Brockett, Stuart Dunwoody, Eric M. Stahl
  • Additional pre-litigation considerations / Dana M. Douglas
  • Drafting the demand letter and the complaint / Claudia Ray
  • Preliminary and injunctive relief in U.S. copyright litigation / J. Mark Smith
  • Responding to alleged violations of the Copyright Act : initial considerations / Kevin N. Ainsworth
  • Responding to alleged violations of the Copyright Act : going on the offensive / Diana Torres
  • The fair use defense : strategic considerations / Dale M. Cendali
  • Court annexed ADR / Hon. Suzanne K. Nusbaum
  • Formulating a discovery plan / Mark H. Lyon
  • Protective orders / Adam Kargman
  • Interrogatories / Burce C. ("Chip") Morris
  • Requests for admission / Burce C. ("Chip") Morris
  • Document discovery in copyright litigation / John Osborne, John B. Nelson
  • Depositions in copyright cases / William H. Frankel
  • Foreign discovery / Heather J. Hubbard, Keith W. Randall
  • Third-party discovery / Oreste R. Ramos, Luis R. Roman-Negron
  • Confronting discovery problems / Janice Rourke Hugener
  • Motion practice / Lance Koonce, James Rosenfeld, Camille Calman
  • Trial of a copyright case / Susan Progoff
  • Proving infringement / Jonathan Hudis
  • Willful infringement / David L. Rein Jr.
  • Defeating copyright infringement claims / Suzanne Bretz Blum
  • Use of experts in copyright litigation / Michelle Brooks
  • Evidence / Barbara Bison Jacobson
  • Remedies for copyright infringement / J. Michael Keyes
  • Permanent injunctive relief and other remedies / Will Montague, Jerrad Howard
  • Appeals / Anthony J. Dreyer, Jordan A. Feirman, Rebecca Levine.
"Providing 'best practices' for copyright litigation from many of the foremost names in the world of copyright law, this handbook is organized to break down a copyright case into the various phases of litigation--from what to consider before filing suit, to all the way through an appeal. With a focus on giving litigators with practical guidance on making strategic decisions throughout the life of a copyright case, [this guide] explores all aspects of copyright litigation strategies, including: pre-litigation considerations and analysis; alternative dispute resolution; formulating discovery plans; third-party discovery; foreign discovery; handling depositions; working with experts; motion practice; the trial; proving infringement; defeating infringement claims; evidence; appeals, and more."-- Publisher's website.
Law Library (Crown)
xxiii, 230 pages ; 24 cm
  • Introdution: o copyright users have rights?
  • User rights to commercial copies of copyright works
  • The nature and function of exceptions to copyright infringement
  • In search of copyright user remedies
  • Redefining goods, services, sales, and licences
  • First sale or exhaustion doctrine
  • Digital locks, physical objects, and immaterial works
  • Why user rights?
  • User property, user rights, and user privileges
  • One last word.
This is the first book to offer an in-depth investigation of the unsettled nature, scope and dynamics of copyright user rights in an increasingly dematerialized environment. Combining a detailed theoretical framework with practical applications, the book provides a comprehensive perspective on copyright user rights, exploring the nature of commercial copies of copyright works, of exceptions to copyright infringement, and how they are shaped to a large extent by traditional concepts of private law (e.g. property, goods, services, sales, and licences). Using property and contract law and theory, it addresses the competing interests of copyright holders and users in the same object, and points out the double standards in how the rights of copyright holders and copyright users are dealt with. It argues that the property component of user rights has been largely neglected and needs to be brought to the fore, to give the protection that users deserve, without neglecting the rights users should have as they increasingly experience copyright works through services. With the onset of an increasingly digital age, it emphasises how traditional concepts of private law need to adapt for adequately dealing with the dematerialization of copies of copyright works and user rights. It proposes a clearer view on the justification and nature of user rights, with possible gradations of powers for users, and suggests how courts and legislatures may address contract terms that weaken user rights. This book provides vital tools for law- and policy-makers worldwide who seek to achieve the proper balance between the competing rights and interests of copyright holders, copyright users, and the public domain.
(source: Nielsen Book Data)9780198754794 20180205
Law Library (Crown)