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• Foreword. The Hoji Shinbun Digital Collection: possibilities and limitations / by Eiichiro Azuma
• Acknowledgments
• Introduction. The Hoji Shinbun Digital Collection / by Kaoru "Kay" Ueda
• Essay. Roots of the Issei: exploring early Japanese American Newspapers / by Andrew Way Leong
• References
• About the author.

Roots of the Issei presents a complex and nuanced picture of the Japanese American community in the early twentieth century: a people challenged by racial prejudice and anti-Japanese immigration laws trying to gain a foothold in a new land while remaining connected to Japan. Against this backdrop, Andrew Way Leong examines the emergence of generational terms that have long been used to organize Japanese American narratives: issei (first generation), nisei (second generation), and sansei (third generation). In the process, he suggests these widely-used generational concepts are in fact a recent construct. Leong's illuminating research is made possible by the Hoji Shinbun Digital Collection, the world's largest open-access, full-image, and searchable online digital collection of Japanese American newspapers. With this technology, Leong is able to analyze materials that until recently were regarded as beyond computer-aided analysis, due to difficulties presented by the complexity of Japanese language. With access to these primary sources, Leong is able to upend several scholarly assumptions and beliefs and present a never-before-seen picture of Japanese American struggles-both with an adversarial host country and among themselves-backed by the authority of primary sources.
(source: Nielsen Book Data)

• 1. Introduction: Face-to-Face with the Angel of History I. Murderers Among Us: WWII, Antifascism and Film
• 2. The Swastika World and the Aesthetics of Resistance
• 3. Radical Projection
• 4. Great Dictators
• 5. Paranoia and Pedagogy II. Global Exiles During the Cold War
• 6. Radical Beauty
• 7. Forbidden Games
• 8. Perversion and Pervasion
• 9. Radical Transmissions.
• (source: Nielsen Book Data)

Through a series of detailed film case histories ranging from The Great Dictator to Hiroshima mon amour to The Lives of Others, The Aesthetics of Antifascist Film: Radical Projection explores the genesis and recurrence of antifascist aesthetics as it manifests in the WWII, Cold War and Post-Wall historical periods. Emerging during a critical moment in film history-1930s/1940s Hollywood- cinematic antifascism was representative of the international nature of antifascist alliances, with the amalgam of film styles generated in emigre Hollywood during the WWII period reflecting a dialogue between an urgent political commitment to antifascism and an equally intense commitment to aesthetic complexity. Opposed to a fascist aesthetics based on homogeneity, purity and spectacle, these antifascist films project a radical beauty of distortion, heterogeneity, fragmentation and loss. By juxtaposing documentation and the modernist techniques of surrealism and expressionism, the filmmakers were able to manifest a non-totalizing work of art that still had political impact. Drawing on insights from film and cultural studies, aesthetic and ethical philosophy, and socio-political theory, this book argues that the artistic struggles with political commitment and modernist strategies of representation during the 1930s and 40s resulted in a distinctive, radical aesthetic form that represents an alternate strand of post-modernism.
(source: Nielsen Book Data)

• Kniga pervai͡a. Svidetelʹstva
• Razdel 1. Razgovory i vokrut
• Kniga 3-i͡a. Fotoletopis. Kak ėto bylo....

• Kнига первая. Свидетельства
• Раздел 1. Разговоры и вокруг
• Книга 3-я. Фотолетопись. Как это было ....

• Presses and democracies / Daniel C. Hallin, Robert Giles
• American journalism in historical perspective / Michael Schudson, Susan E. Tifft
• The nature and sources of news / Robert M. Entman
• Definitions of journalism / Barbie Zelizer
• The minority press / Pamela Newkirk
• Journalism and democracy across borders / John Keane
• What democracy requires of the media / James Curran
• The marketplace of ideas / Robert Schmuhl, Robert G. Picard
• The agenda-setting function of the press / Maxwell McCombs
• The watchdog role / W. Lance Bennett, William Serrin
• Informing the public / Thomas Patterson, Philip Seib
• Mobilizing citizen participation / Esther Thorson
• Government and the press / Martha Joynt Kumar, Alex Jones
• Public policy toward the press / Timothy E. Cook
• The First Amendment tradition and its critics / Bruce W. Sanford, Jane E. Kirtley
• Legal evolution of the government-news media relationship / Jane E. Kirtley
• Communications regulation in protecting the public interest / Robert B. Horwitz
• Journalism and the public interest / Daniel Schorr
• The military and the media / William Prochnau
• Money, media, and the public interest / Robert G. Picard
• The market and the media / James T. Hamilton
• The press and the politics of representation / Mitchell Stephens, David T.Z. Mindich
• The legacy of autonomy in American journalism / Theodore L. Glasser, Marc Gunther
• What kind of journalism does the public need? / Carolyn Marvin, Philip Meyer
• The future of news, the future of journalism / John Carey, Nancy Hicks Maynard.

American democracy is built on its institutions. The Congress, the presidency, and the judiciary, in particular, undergird the rights and responsibilities of every citizen. The free press, for example, protected by the First Amendment, allows for the dissent so necessary in a democracy. How has this institution changed since the nation's founding? And what can we, as leaders, policymakers, and citizens, do to keep it vital? The freedom of the press is an essential element of American democracy. With the guidance of editors Geneva Overholser and Kathleen Hall Jamieson, this volume examines the role of the press in a democracy, investigating alternative models used throughout world history to better understand how the American press has evolved into what it is today. The commission also examines ways to allow more voices to be heard and to improve the institution of the American free press. "The Press", a collection of essays by the nation's leading journalism scholars and professionals will examine the history, identity, roles, and future of the American press, with an emphasis on topics of concern to both practitioners and consumers of American media.
(source: Nielsen Book Data)