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• Preface
• Introduction
• Art of rhetoric. Book I ; Book II ; Book III

Aristotle (384-322 BC), the great Greek thinker, researcher, and educator, ranks among the most important and influential figures in the history of philosophy, theology, and science. He joined Plato's Academy in Athens in 367 and remained there for twenty years. After spending three years at the Asian court of a former pupil, Hermeias, he was appointed by Philip of Macedon in 343/2 to become tutor of his teenaged son, Alexander. After Philip's death in 336, Aristotle became head of his own school, the Lyceum at Athens, whose followers were known as the Peripatetics. Because of anti-Macedonian feeling in Athens after Alexander's death in 323, he withdrew to Chalcis in Euboea, where he died in 322. Aristotle wrote voluminously on a broad range of subjects analytical, practical, and theoretical. Rhetoric, probably composed while he was still a member of Plato's Academy, is the first systematic approach to persuasive public speaking based in dialectic, on which he had recently written the first manual. This edition of Aristotle's Rhetoric, which replaces the original Loeb edition by John Henry Freese, supplies a Greek text based on that of Rudolf Kassel, a fresh translation, and ample annotation fully current with modern scholarship.
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The Satyrica (Satyricon liber), a comic-picaresque fiction in prose and verse traditionally attributed to the Neronian Petronius (d. AD 66) but possibly of Flavian or Trajanic date, survives only as fragments of a much larger whole. It takes the form of a first-person narrative by the endearing ne'er-do-well Encolpius, a brilliant storyteller, parodist, and mimic who recalls episodes from his past life as a wandering bohemian, living by his wits on the margins of society in Greek southern Italy and encountering a vividly realized array of characters from the early imperial demimonde, including the wealthy freedman Trimalchio, one of the most unforgettable characters in all of Latin literature. Paired with the Satyrica, and likewise in prose and verse, is the Apocolocyntosis (Pumpkinification), a short satirical pamphlet lampooning the death, apotheosis, and attempt to enter heaven of the emperor Claudius (reigned 41-54). If the work of Lucius Annaeus Seneca (4 BC-AD 65), better known for his austere Stoic moralism, its sarcastic wit and rollicking humor were no doubt inspired by bitterness over his exile at Claudius' hands in 41-49. For this Loeb edition the Latin texts have been freshly edited and translated, with ample introductions and explanatory notes.
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• On temperaments
• On non-uniform distemperment
• The soul's traits depend on bodily temperament
• Appendix. Two short treatises. On the best constitution of our body ; On good bodily state

Galen of Pergamum (129-?199/216), physician to the court of the emperor Marcus Aurelius, was a philosopher, scientist, medical historian, theoretician, and practitioner who wrote forcefully and prolifically on an astonishing range of subjects and whose impact on later eras rivaled that of Aristotle. Galen synthesized the entirety of Greek medicine as a basis for his own doctrines and practice, which comprehensively embraced theory, practical knowledge, experiment, logic, and a deep understanding of human life and society. This volume presents three works of the greatest importance to Galen's theory and practice of medicine. On Temperaments sets out Galen's concept of the combination (krasis) of the four elemental qualities (hot, cold, wet, and dry), which is fundamental to his account of the structure and function of the human body and of animal and plant bodies generally, and is in turn essential to his theory of medical practice. The two related works, On Non-Uniform Distemperment and The Soul's Traits Depend on Bodily Temperament, deal with specific aspects of dyskrasia, which is a disturbance in the combination of these qualities. Appended are two related short treatises, On the Best Constitution of Our Body and On Good Bodily State.
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This compendium examines the history and culture of the Byzantine world from the foundation of Constantinople (324) to the Ottoman conquest of the city, which brought the final downfall of the Byzantine Empire (1453). A detailed 100-page introduction is followed by discussion of 15 key topics, including politics and government, people and society, legislation and legal practice, the army and navy, church and religion, nature and the environment, art and architecture, languages, literature, education and culture, medicine and music. Because the work forms part of Brill's New Pauly, particular attention is paid to aspects of continuity with the ancient world, and of innovation.
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• Treatise I / Menader Rhetor
• Treatise II / Menander Rhetor
• Ars rhetorica / (Dionysius of Halicaranassus) [that is, Pseudo-Dionysius of Halicarnassus].

This volume contains three rhetorical treatises dating probably from the reign of Diocletian (AD 285-312) that provide instruction on how to compose epideictic (display) speeches for a wide variety of occasions both public and private. Two are attributed to one Menander Rhetor of Laodicea (in southwestern Turkey); the third, known as the Ars Rhetorica, incorrectly to the earlier historian and literary critic Dionysius of Halicarnassus. These treatises derive from the schools of rhetoric that flourished in the Roman Empire from the 2nd through 4th centuries AD in the Greek East. Although important examples of some genres of occasional prose were composed in the 5th and 4th centuries BC by Thucydides, Xenophon, Plato, and especially Isocrates, it was with the flowering of rhetorical prose during the so-called Second Sophistic in the second half of the 2nd century AD that more forms were developed as standard repertoire and became exemplary. Distinctly Hellenic and richly informed by the prose and poetry of a venerable past, these treatises are addressed to the budding orator contemplating a civic career, one who would speak for his city's interests to the Roman authorities and be an eloquent defender of its Greek culture and heritage. They provide a window into the literary culture, educational values and practices, and social concerns of these Greeks under Roman rule, in both public and private life, and considerably influenced later literature both pagan and Christian. This edition offers a fresh translation, ample annotation, and texts based on the best critical editions.
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• Migration theory and historiography
• Mobility in the Roman world : new concepts, new perspectives / Claudia Moatti
• Language, identity and migrant communities : Cyrenaeans in Hellenistic Egypt / Rachel Mairs
• Documenting migrant flows
• Inscribing Near Eastern mobility in the Hellenistic and Roman Period / L.E. Tacoma and R.A. Tybout
• Migration in late antiquity : stories from Syria / Andrea U. De Giorgi
• The presentation of migration and mobility in Strabo's Mesopotamia / Hamish Cameron
• Mapping the Jewish communities of the Byzantine Empire using GIS / Gethin Rees, Alexander Panayotov, and Nicholas de Lange
• Migration and physical anthropology
• Stable isotope analysis and human migration in the ancient Mediterranean and Near East / Tracy Prowse, Robert Stark, and Matthew Emery
• Anatomy of restlessness : strontium isotopes and human migration in the Graeco-Roman Near East / Megan Perry
• Migrant identities
• A long way from home : meshworks of migration, memory and emotion in the Roman Empire / Anna Collar
• Pots on the border: ceramics, identity, and mobility in North Mesopotamia between Rome and the East / Rocco Palermo
• Migration to and within Palestine in the Early Islamic Period : two archaeological paradigms / Itamar Taxel
• "Maugre li Polein" : European migration to the Latin East and the construction of an oriental identity in the Crusader States / Jan Vandeburie
• Epilogue
• Making ancient mobility visible / Elena Isayev

This book brings together recent developments in modern migration theory, a wide range of sources, new and old tools revisited (from GIS to epigraphic studies, from stable isotope analysis to the study of literary sources) and case studies from the ancient Eastern Mediterranean which illustrate how new theories and techniques are helping to give a better understanding of migratory flows and diaspora communities in the ancient Near East. A geographical gap has emerged in studies of historical migration as recent works have focused on migration and mobility in the western part of the Roman Empire and thus fail to bring a significant contribution to the study of diaspora communities in the Eastern Mediterranean. Bridging this gap represents a major scholarly desideratum and, by drawing upon the experiences of previously neglected migrant and diaspora communities in the eastern Mediterranean from the Hellenistic period to the early medieval world, this collection of essays approaches migration studies with new perspectives and methodologies, shedding light not only on the study of migrants in the ancient world, but also on broader issues concerning the rationale for mobility and the creation and features of diaspora identities

"Beginning with Appius Claudius Caecus (340-273 BC), this three-volume edition covers the full range of speech-making--political, juridical, and epideictic (display)--and with the exceptions of Cato the Elder and Cicero includes all individuals for whom speech-making is attested and for whose speeches quotations, descriptive testimonia, or historiographic recreations survive." -- publisher's website

• Volume I. [Appian's] Preface
• Book I. The book of kings
• Book II. The Italian book
• Book III. The Samnite book
• Book IV. The Celtic book
• Book V. The Sicilian and Island book
• Book VI. The Iberian book
• Book VII. The Hannibalic book

• Volume II. Book VIII.1. The African book
• Book VIII.2. The Numidian book
• Book IX.1. The Macedonian book
• Book IX.2. The Illyrian book
• Book X. The Hellenic and Ionian book [lost]

• Volume III. Book XI. The Syrian book
• Book XII. The Mithridatic war

• Volume IV. Civil wars, Books 1-2 : [Books XIII-XIV]

• Volume V. Civil wars, Books 3-4 : [Books XV-XVI]

• Volume VI. Civil wars, Book 5 : [Book XVII]
• Fragments

Appian (Appianus) is among our principal sources for the history of the Roman Republic, particularly in the 2nd and 1st centuries BC, and sometimes our only source, as for the Third Punic War and the destruction of Carthage. Born circa AD 95, Appian was an Alexandrian official at ease in the highest political and literary circles who later became a Roman citizen and advocate. He died during the reign of Antoninus Pius (emperor 138-161). Appian's theme is the process by which the Roman Empire achieved its contemporary prosperity, and his unique method is to trace in individual books the story of each nation's wars with Rome up through her own civil wars. Although this triumph of "harmony and monarchy" was achieved through characteristic Roman virtues, Appian is unusually objective about Rome's shortcomings along the way. Of the work's original 24 books, only the Preface and Books 6-9 and 11-17 are preserved complete or nearly so: those on the Spanish, Hannibalic, African, Illyrian, Syrian, and Mithridatic wars, and five books on the civil wars. This edition of Appian replaces the original Loeb edition by Horace White and provides additional fragments, along with his letter to Fronto.
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First published in 1960, Albert B. Lord's The Singer of Tales remains the fundamental study of the distinctive techniques and aesthetics of oral epic poetry. Based upon pathbreaking fieldwork conducted in the 1930s and 1950s among oral epic singers of Bosnia, Croatia, and Serbia, Lord analyzes in impressive detail the techniques of oral composition in performance. He explores the consequences of this analysis for the interpretation of numerous works of traditional verbal art, including--in addition to South Slavic epic songs--the Homeric Iliad and Odyssey, Beowulf, the Chanson de Roland, and the Byzantine epic Digenis Akritas. A cardinal text for the study of oral traditions, The Singer of Tales also represents an exemplary use of the comparative method in literary criticism. This third edition offers a corrected text of the second edition and is supplemented by an open-access website (in lieu of the second edition's CD-ROM), providing all the recordings discussed by Lord, as well as a variety of other multimedia materials.
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• I. Testimonia ; Epic fragments
• II. Dramatic fragments ; Minor works
• III-V. Oratory / Edited and Translated by Gesine Manuwald (3 volumes).

Quintus Ennius (239 169), widely regarded as the father of Roman literature, was instrumental in creating a new Roman literary identity, domesticating the Greek forms of epic and drama, and pursuing a range of other literary and intellectual pursuits. He inspired major developments in Roman religion, social organization, and popular culture.
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• Introduction
• The Mediterranean region, ca. 1200-600 BC
• Regions of the Mediterranean world
• Aspects of cultural contact.

Ranging in time from the end of the Bronze Age to the dawn of the so-called historical period (12th-6th centuries BC), this compendium presents the first complete survey of the early history of all the cultures along the coasts of the Mediterranean. The volume brings together the knowledge gained from material, textual and pictorial sources in all disciplines working in this field.
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• v. 1. Theogony ; Works and days ; Testimonia ; Testimonia Concordance
• v. 2. The shield ; Catalogue of women ; Other fragments ; Fragment concordances ; Cumulative index.

"Hesiod describes himself as a Boeotian shepherd who heard the Muses call upon him to sing about the gods. His exact dates are unknown, but he has often been considered a younger contemporary of Homer. The first volume of this revised Loeb Classical Library edition offers Hesiod’s two extant poems and a generous selection of testimonia regarding his life, works, and reception. In Theogony, Hesiod charts the history of the divine world, narrating the origin of the universe and the rise of the gods, from first beginnings to the triumph of Zeus, and reporting on the progeny of Zeus and of goddesses in union with mortal men. In Works and Days, Hesiod shifts his attention to humanity, delivering moral precepts and practical advice regarding agriculture, navigation, and many other matters; along the way he gives us the myths of Pandora and of the Golden, Silver, and other Races of Men. The second volume contains The Shield and extant fragments of other poems, including the Catalogue of Women, that were attributed to Hesiod in antiquity. The former provides a Hesiodic counterpoint to the shield of Achilles in the Iliad; the latter presents several legendary episodes organized according to the genealogy of their heroes’ mortal mothers. None of these is now thought to be by Hesiod himself, but all have considerable literary and historical interest. Glenn W. Most has thoroughly revised his edition to take account of the textual and interpretive scholarship that has appeared since its initial publication." --Book jacket.

• FRONTMATTER-- PART I: THE MODERN-DAY MATERIAL-- PART II: APPLICATION TO THE HOMERIC EPICS-- ENDMATTER.
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The Homeric Simile in Comparative Perspectives: Oral Traditions from Saudi Arabia to Indonesia investigates both the construction of the Homeric simile and the performance of Homeric poetry from neglected comparative perspectives, offering a revealing exploration of what made the epics such powerful examples of verbal artistry. Divided into two Parts, the volume first considers similes in five modern-day oral poetries - Rajasthani epic, South Sumatran epic, Kyrgyz epic, Bosniac epic, and Najdi lyric poems from Saudi Arabia - and studies successful performances by still other verbal artists, such as Egyptian singers of epic, Turkish minstrels, and Chinese storytellers. By applying these findings to the Homeric epics, the second Part presents a new take on how the Homeric poet put together his similes and alters our understanding of how the poet displayed his competence as a performer of verbal art and interacted with his poetic peers and predecessors. Engaging intensively with a diverse array of scholarship from outside the field of classical studies, from folkloristics to cognitive linguistics, this truly interdisciplinary volume transforms how we view not only a central feature of Homeric poetry but also the very nature of Homeric performance.
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• I. Hygiene. Books 1-4
• II. Hygiene. Books 5-6 ; Thrasybulus (On whether hygiene belongs to medicine or gymnastics) ; On exercise with a small ball.

In his treatises Hygiene, Thrasybulus, and On Exercise with a Small Ball, Galen of Pergamum addresses topics of preventive medicine, health, and wellness that continue to resonate with practices of modern doctors and physical therapists.
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• Arms and the manosphere
• The angriest Stoics
• The Ovid method
• How to save Western civilization.

A disturbing expose of how today's alt-right men's groups use ancient sources to promote a new brand of toxic masculinity online. A virulent strain of antifeminism is thriving online that treats women's empowerment as a mortal threat to men and to the integrity of Western civilization. Its proponents cite ancient Greek and Latin texts to support their claims-arguing that they articulate a model of masculinity that sustained generations but is now under siege. Donna Zuckerberg dives deep into the virtual communities of the far right, where men lament their loss of power and privilege, and strategize about how to reclaim them. She finds, mixed in with weightlifting tips and misogynistic vitriol, the words of the Stoics deployed to support an ideal vision of masculine life. On other sites, pickup artists quote Ovid's Ars Amatoria to justify ignoring women's boundaries. By appropriating the Classics, these men lend a veneer of intellectual authority and ancient wisdom to their project of patriarchal white supremacy. In defense or retaliation, feminists have also taken up the Classics online, to counter the sanctioning of violence against women. Not All Dead White Men reveals that some of the most controversial and consequential debates about the legacy of the ancients are raging not in universities but online.
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Alexandria was the greatest of the new cities founded by Alexander the Great as his armies swept eastward. It was ruled by his successors, the Ptolemies, who presided over one of the richest and most productive periods in the whole of Greek literature. Susan A Stephens here reveals a cultural world in transition: reverential of the compositions of the past (especially after construction of the great library, repository for all previous Greek oeuvres), but at the same time forward-looking and experimental, willing to make use of previous forms of writing in exciting new ways. The author examines Alexandria's poets in turn. She discusses the strikingly avant-garde Aetia of Callimachus; the idealized pastoral forms of Theocritus (which anticipated the invention of fiction); and the neo-Homerian epic of Apollonius, the Argonautica, with its impressive combination of narrative grandeur and psychological acuity. She shows that all three poets were innovators, even while they looked to the past for inspiration: drawing upon Homer, Hesiod, Pindar and the lyric poets, they emphasized stories and material that were entirely relevant to their own progressive cosmopolitan environment.
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Quintus Smyrnaeus' Posthomerica, the only long mythological epic to survive in Greek from the period between Apollonius' Argonautica (3rd century BC) and Nonnus' Dionysiaca (5th century AD), fills in the whole story of the Trojan expedition between the end of Homer's Iliad and the beginning of the Odyssey, which had been treated only episodically by earlier epic and dramatic poets. Composing sometime between the late second and mid-fourth centuries AD, Quintus boldly adapts Homeric diction and style to suit the literary, moral, religious, rhetorical, and philosophical culture of the high Roman Empire, and does not hesitate to diverge from the usual versions of the story in order to craft his own narrative vision. This edition of the Posthomerica replaces the earlier Loeb Classical Library edition by A. S. Way (1913) with an updated text based on that of F. Vian, and fresh translation, introduction, and bibliography that take account of more than a century of intervening scholarship.
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• v. 1. Hercules
• Trojan women
• Phoenician women
• Medea
• Phaedra
• v. 2. Oedipus
• Agamemnon
• Thyestes
• Hercules on Oeta
• Octavia.

Seneca is a figure of first importance in both Roman politics and literature: a leading adviser to Nero who attempted to restrain the emperor's megalomania; a prolific moral philosopher; and the author of verse tragedies that strongly influenced Shakespeare and other Renaissance dramatists. Seneca's plays depict intense passions and interactions in rhetoric that is equally strong. Their perspective is much bleaker than that adopted in his prose writings. His plots are based on mythical episodes, in keeping with classical tradition. But the political realities of imperial Rome are also reflected in an obsessive concern with power and dominion over others. The Octavia is our sole surviving example of a Roman historical play; set at Nero's court, it was probably written by an admirer of Seneca as statesman and dramatist. John G. Fitch has thoroughly revised his two-volume edition of Seneca's Tragedies to take account of the textual and interpretive scholarship that has appeared since its initial publication. His translation conveys the force of Seneca's dramatic language and the lyric quality of his choral odes.
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Apuleius (born ca. 125 AD), one of the great stylists of Latin literature, was a prominent figure in Roman Africa best known for his picaresque novel Metamorphoses or The Golden Ass. This edition, new to the Loeb Classical Library, contains Apuleius' other surviving works that are considered genuine.
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• List of figures and tables-- Preface-- Acknowledgements-- Note on the text--
• 1. Basic democracy--
• 2. The meaning of democracy in classical Athens--
• 3. Founding Demopolis--
• 4. Legitimacy and civic education--
• 5. Human capacities and civic participation--
• 6. Civic dignity and other necessary conditions--
• 7. Delegation and expertise--
• 8. A theory of democracy-- Epilogue. Democracy after liberalism-- Bibliography-- Index.
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What did democracy mean before liberalism? What are the consequences for our lives today? Combining history with political theory, this book restores the core meaning of democracy as collective and limited self-government by citizens. That, rather than majority tyranny, is what democracy meant in ancient Athens, before liberalism. Participatory self-government is the basis of political practice in 'Demopolis', a hypothetical modern state powerfully imagined by award-winning historian and political scientist Josiah Ober. Demopolis' residents aim to establish a secure, prosperous, and non-tyrannical community, where citizens govern as a collective, both directly and through representatives, and willingly assume the costs of self-government because doing so benefits them, both as a group and individually. Basic democracy, as exemplified in real Athens and imagined Demopolis, can provide a stable foundation for a liberal state. It also offers a possible way forward for religious societies seeking a realistic alternative to autocracy.
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