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Callimachus (ca. 303-ca. 235 BC), a proud and well-born native of Cyrene in Libya, came as a young man to the court of the Ptolemies at Alexandria, where he composed poetry for the royal family; helped establish the Library and Museum as a world center of literature, science, and scholarship; and wrote an estimated 800 volumes of poetry and prose on an astounding variety of subjects, including the Pinakes, a descriptive bibliography of the Library's holdings in 120 volumes. Callimachus' vast learning richly informs his poetry, which ranges broadly and reworks the language and generic properties of his predecessors in inventive, refined, and expressive ways. The "Callimachean" style, combining learning, elegance, and innovation and prizing brevity, clarity, lightness, and charm, served as an important model for later poets, not least at Rome for Catullus, Virgil, Horace, Ovid, and the elegists, among others. This edition, which replaces the earlier Loeb editions by A. W. Mair (1921) and C. A. Trypanis (1954, 1958), presents all that currently survives of and about Callimachus and his works, including the ancient commentaries (Diegeseis) and scholia. Volume I contains Aetia, Iambi, and lyric poems; Volume II Hecale, Hymns, and Epigrams; and Volume III miscellaneous epics and elegies, other fragments, and testimonia, together with concordances and a general index. The Greek text is based mainly on Pfeiffer's but enriched by subsequently published papyri and the judgment of later editors, and its notes and annotation are fully informed by current scholarship.
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• Introduction
• Part I: The Hereford map, 6000 BCE-1497 CE. Thatcher's law, 6000-4000 BCE ; Europe's poor cousin, 4000-55 BCE ; Empire, 55 BCE-410 CE ; The original European union, 410-973 ; United kingdoms, 973-1497
• Part II: Mackinder's map, 1497-1945. Englexit, 1497-1713 ; The pivot, 1713-1815 ; Wider still and wider, 1815-65 ; The new world steps forth, 1865-1945
• Part III: The money map, 1945-2103. The very point of junction, 1945-91 ; Keep calm and carry on, 1992-2013 ; Can't go home again, 2017

"In the wake of Brexit, Ian Morris chronicles the eight-thousand-year history of Britain's relationship to Europe as it has changed in the context of a globalizing world"-- Provided by publisher

Callimachus (ca. 303-ca. 235 BC), a proud and well-born native of Cyrene in Libya, came as a young man to the court of the Ptolemies at Alexandria, where he composed poetry for the royal family; helped establish the Library and Museum as a world center of literature, science, and scholarship; and wrote an estimated 800 volumes of poetry and prose on an astounding variety of subjects, including the Pinakes, a descriptive bibliography of the Library's holdings in 120 volumes. Callimachus' vast learning richly informs his poetry, which ranges broadly and reworks the language and generic properties of his predecessors in inventive, refined, and expressive ways. The "Callimachean" style, combining learning, elegance, and innovation and prizing brevity, clarity, lightness, and charm, served as an important model for later poets, not least at Rome for Catullus, Virgil, Horace, Ovid, and the elegists, among others. This edition, which replaces the earlier Loeb editions by A. W. Mair (1921) and C. A. Trypanis (1954, 1958), presents all that currently survives of and about Callimachus and his works, including the ancient commentaries (Diegeseis) and scholia. Volume I contains Aetia, Iambi, and lyric poems; Volume II Hecale, Hymns, and Epigrams; and Volume III miscellaneous epics and elegies, other fragments, and testimonia, together with concordances and a general index. The Greek text is based mainly on Pfeiffer's but enriched by subsequently published papyri and the judgment of later editors, and its notes and annotation are fully informed by current scholarship.
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• Series introduction
• General introduction
• Ancient medicine
• Airs, waters, places
• Epidemics I
• Epidemics III
• Oath
• Precepts
• Nutriment

This is the first volume in the Loeb Classical Library's complete edition of Hippocrates' invaluable texts, which provide essential information about the practice of medicine in antiquity and about Greek theories concerning the human body. Here, Paul Potter presents the Greek text with facing English translation of five treatises that showcase the range of Hippocratic theory, philosophy, and practice: Ancient Medicine; Airs, Waters, Places; Epidemics 1 and 3; Precepts; and Nutriment. Also included is the famous Hippocratic Oath. This Loeb edition replaces the original by W. H. S. Jones. The works available in the Loeb Classical Library edition of Hippocrates are: Volume I: Ancient Medicine. Airs, Waters, Places. Epidemics 1 and 3. The Oath. Precepts. Nutriment. Volume II: Prognostic. Regimen in Acute Diseases. The Sacred Disease. The Art. Breaths. Law. Decorum. Physician (Ch. 1). Dentition. Volume III: On Wounds in the Head. In the Surgery. On Fractures. On Joints. Mochlicon. Volume IV: Nature of Man. Regimen in Health. Humours. Aphorisms. Regimen 1-3. Dreams. Volume V: Affections. Diseases 1-2. Volume VI: Diseases 3. Internal Affections. Regimen in Acute Diseases. Volume VII: Epidemics 2 and 4-7. Volume VIII: Places in Man. Glands. Fleshes. Prorrhetic 1-2. Physician. Use of Liquids. Ulcers. Haemorrhoids and Fistulas. Volume IX: Anatomy. Nature of Bones. Heart. Eight Months' Child. Coan Prenotions. Crises. Critical Days. Superfetation. Girls. Excision of the Fetus. Sight. Volume X: Generation. Nature of the Child. Diseases 4. Nature of Women. Barrenness. Volume XI: Diseases of Women 1-2.
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• Volume I. Hadrian ; Aelius ; Antoninus Pius ; Marcus Antoninus the Philosopher ; Verus ; Avidius Cassius ; Commodus Antoninus ; Pertinax ; Didius Julianus ; Septimius Severus ; Pescennius Niger ; Clodius Albinus
• Volume II. Antoninus Caracalla ; Antoninus Geta ; Opilius Macrinus ; Antoninus Diadumenus ; Antoninus Heliogabalus (Elegabalus) ; Alexander Severus ; The two Maximini ; The three Gordians ; Maximus and Balbinus
• Volume III. The two Valerians ; The two Gallieni ; The Thirty Userpers ; The deified Claudius ; The deified Aurelian ; Tacitus ; Probus ; Firmus, Saturninus, Proculus, and Bonosus ; Carus, Carinus, and Numerian

The Historia Augusta is a biographical work roughly following the model of the imperial biographer Suetonius (LCL 31, 38) and covering the lives of the Roman emperors from Hadrian (r. 117-138) to Carinus (r. 283-285), with a lacuna between the lives of the Gordians and the Valerians. Although the work comes down to us as a collection of thirty books written by six different authors, it is now generally considered to be the creation of a single individual writing under several pseudonyms no earlier than the late fourth century. It is a thoroughly enigmatic work whose origins, nature, and purpose remain obscure; the very beginning of the life of Hadrian is lost, and with it any general introduction that may have existed. While the Historia Augusta is our most detailed surviving source for the second and third centuries, often providing details beyond the Greek accounts, it is not a trustworthy source for historical information: too many of the details are anachronistic, unsupported, or preposterous, or contradicted internally or by better sources, and many documents, speeches, acclamations, and inscriptions that it quotes or cites are entirely fictional. The Historia Augusta nevertheless has its attractions: for the connoisseur of biography the author provides plenty of wordplay, puns, allusions, literary games, and mock-scholarly digressions, and for the casual reader he offers vivid characterizations of emperors both good and bad. This revision of the original Loeb edition by David Magie offers text, translation, and annotation that are fully current with modern scholarship.
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• Lysis
• Symposium
• Phaedrus

Plato of Athens, who laid the foundations of the Western philosophical tradition and in range and depth ranks among its greatest practitioners, was born to a prosperous and politically active family circa 427 BC. In early life an admirer of Socrates, Plato later founded the first institution of higher learning in the West, the Academy, among whose many notable alumni was Aristotle. Traditionally ascribed to Plato are thirty-five dialogues developing Socrates' dialectic method and composed with great stylistic virtuosity, together with the Apology and thirteen letters. The three works in this volume, though written at different stages of Plato's career, are set toward the end of Socrates' life (from 416) and explore the relationship between two people known as love (eros) or friendship (philia). In Lysis, Socrates meets two young men exercising in a wrestling school during a religious festival. In Symposium, Socrates attends a drinking party along with several accomplished friends to celebrate the young tragedian Agathon's victory in the Lenaia festival of 416: the topic of conversation is love. And in Phaedrus, Socrates and his eponymous interlocutor escape the midsummer heat of the city to the banks of the river Ilissus, where speeches by both on the subject of love lead to a critical discussion of the current state of the theory and practice of rhetoric. This edition, which replaces the original Loeb editions by Sir Walter R. M. Lamb and by Harold North Fowler, offers text, translation, and annotation that are fully current with modern scholarship.
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• Miscellaneous epics and elegies
• Scholarly fragments
• Fragments of uncertain location
• Unattributed fragments
• Testimonia

Callimachus (ca. 303-ca. 235 BC), a proud and well-born native of Cyrene in Libya, came as a young man to the court of the Ptolemies at Alexandria, where he composed poetry for the royal family; helped establish the Library and Museum as a world center of literature, science, and scholarship; and wrote an estimated 800 volumes of poetry and prose on an astounding variety of subjects, including the Pinakes, a descriptive bibliography of the Library's holdings in 120 volumes. Callimachus' vast learning richly informs his poetry, which ranges broadly and reworks the language and generic properties of his predecessors in inventive, refined, and expressive ways. The "Callimachean" style, combining learning, elegance, and innovation and prizing brevity, clarity, lightness, and charm, served as an important model for later poets, not least at Rome for Catullus, Virgil, Horace, Ovid, and the elegists, among others. This edition, which replaces the earlier Loeb editions by A. W. Mair (1921) and C. A. Trypanis (1954, 1958), presents all that currently survives of and about Callimachus and his works, including the ancient commentaries (Diegeseis) and scholia. Volume I contains Aetia, Iambi, and lyric poems; Volume II Hecale, Hymns, and Epigrams; and Volume III miscellaneous epics and elegies, other fragments, and testimonia, together with concordances and a general index. The Greek text is based mainly on Pfeiffer's but enriched by subsequently published papyri and the judgment of later editors, and its notes and annotation are fully informed by current scholarship.
(source: Nielsen Book Data)

• To the Threshold of Greek Mathematics
• The Generation of Archytas
• The Generation of Archimedes
• Mathematics in the World
• Mathematics of the Stars
• The Canonization of Greek Mathematics
• Into Modern Science: The Legacy of Greek Mathematics
• Epilogue: Bringing to the Boil

The ancient Greeks played a fundamental role in the history of mathematics and their ideas were reused and developed in subsequent periods all the way down to the scientific revolution and beyond. In this, the first complete history for a century. Reviel Netz offers a panoramic view of the rise and influence of Greek mathematics and its significance in world history. He explores the Near Eastern antecedents and the social and intellectual developments underlying the subject's beginnings in Greece in the fifth century BCE. He leads the reader through the proofs and arguments of key figures like Archytas, Euclid and Archimedes, and considers the totality of the Greek mathematical achievement which also includes, in addition to pure mathematics, such applied fields as optics, music, mechanics and, above all, astronomy. This is the story not only of a major historical development, but of some of the finest mathematics ever created.
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• Proxies for Economic Performance in the Roman Empire
• Excursus: Morgantina
• Pliny's Purpose, Audience, and Method
• Excursus: Pliny on Remedies for Rabies
• Parens Natura and Smithian Growth
• Innovation and Economic Growth in the Natural History
• Excursus: Aulus Gellius on Pliny and the Culture Of Authoritative Knowledge
• Pliny's Economic Observations and Reasoning
• "Utility" and the Afterlife of the Natural History
• Excursus: Fulling as an Illustration Comparing Pliny's Natural History And
• Chambers' Cyclopaedia
• Conclusion

The first comprehensive study of Pliny the Elder's economic thought-and its implications for understanding the Roman Empire's constrained innovation and economic growth The elder Pliny's Natural History (77 CE), an astonishing compilation of 20,000 "things worth knowing, " was avowedly intended to be a repository of ancient Mediterranean knowledge for the use of craftsmen and farmers, but this 37-book, 400,000-word work was too expensive, unwieldy, and impractically organized to be of utilitarian value. Yet, as Richard Saller shows, the Natural History offers more insights into Roman ideas about economic growth than any other ancient source. Pliny's Roman Economy is the first comprehensive study of Pliny's economic thought and its implications for understanding the economy of the Roman Empire. As Saller reveals, Pliny sometimes anticipates modern economic theory, while at other times his ideas suggest why Rome produced very few major inventions that resulted in sustained economic growth. On one hand, Pliny believed that new knowledge came by accident or divine intervention, not by human initiative; research and development was a foreign concept. When he lists 136 great inventions, they are mostly prehistoric and don't include a single one from Rome-offering a commentary on Roman innovation and displaying a reverence for the past that contrasts with the attitudes of the eighteenth-century encyclopedists credited with contributing to the Industrial Revolution. On the other hand, Pliny shrewdly recognized that Rome's lack of competition from other states suppressed incentives for innovation. Pliny's understanding should be noted because, as Saller shows, recent efforts to use scientific evidence about the ancient climate to measure the Roman economy are flawed. By exploring Pliny's ideas about discovery, innovation, and growth, Pliny's Roman Economy makes an important new contribution to the ongoing debate about economic growth in ancient Rome.
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• Introduction: The metatheater of blackness
• 1. Masks of blackness: Reading the iconography of black people in ancient Greece
• 2. Masks of difference in Aeschylus's suppliants
• 3. Beyond blackness: Reorienting Greek geography
• 4. From Greek scythians to black Greeks: Spectrum of foreignness in Lucian's satires
• 5. Black disguises in an aithiopian novel
• Conclusion: (re)placing blackness
• Appendix 1
• Appendix 2
• Bibliography
• Recommended translations of primary Greek texts
• Index.
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How should articulations of blackness from the fifth century BCE to the twenty-first century be properly read and interpreted? This important and timely new book is the first concerted treatment of black skin color in the Greek literature and visual culture of antiquity. In charting representations in the Hellenic world of black Egyptians, Aithiopians, Indians, and Greeks, Sarah Derbew dexterously disentangles the complex and varied ways in which blackness has been co-produced by ancient authors and artists; their readers, audiences, and viewers; and contemporary scholars. Exploring the precarious hold that race has on skin coloration, the author uncovers the many silences, suppressions, and misappropriations of blackness within modern studies of Greek antiquity. Shaped by performance studies and critical race theory alike, her book maps out an authoritative archaeology of blackness that reappraises its significance. It offers a committedly anti-racist approach to depictions of black people while rejecting simplistic conflations or explanations.
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This volume explores engagement with Greco-Roman Antiquity across Europe and beyond in the 18th century. Approximately 100 experts, in some 140 articles from "Academy" to "Wallpaper", show how Classical and rival antiquities were perceived and studied during the age of Enlightenment, revolution and scientific progress, and how they served the formulation and affirmation of new ideals. The survey covers the period between the outbreak of the Querelle des Anciens et des Modernes in France in 1687 and the reorganization of Europe at the Congress of Vienna in 1815.
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• v. 1. General introduction. Declamations 1-5
• v. 2. Declamations 6-11
• v. 3. Declamations 12-19

The Major Declamations stand out for their unique contribution to our understanding of the final stage in Greco-Roman rhetorical training. These exercises, in which students learned how to compose and deliver speeches on behalf of either the prosecution or the defense at imaginary trials, demonstrate how standard themes, recurring situations and arguments, and technical rules were to be handled by the aspiring orator. And what is more, they lay bare the mistakes that students often made in this process. The practice of declamation was already flourishing in Greece as early as the fifth century BC, but nearly all of its vast tradition has disappeared except the present anthology, whose nineteen declamations are almost the only substantial examples surviving from pre-medieval Latinity. They seem to represent that tradition reasonably well: although attributed to the great master Quintilian in antiquity, internal features indicate multiple authorship from around AD 100 to the mid- or late third century, when the collection was assembled. A wide variety of fascinating ethical, social, and legal details animates the fictional world conjured up by these oratorical exercises, and although the themes of declamation can be unrealistic and even absurd (often reminiscent of ancient novel and tragedy), they seem to provide a safe space in which a student could confront a range of complex issues, so as to attain both the technical knowledge necessary to speak persuasively and the soft skills needed to manage the challenges of adult life under the Roman empire.
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• Preface
• Introduction
• Art of rhetoric. Book I ; Book II ; Book III

Aristotle (384-322 BC), the great Greek thinker, researcher, and educator, ranks among the most important and influential figures in the history of philosophy, theology, and science. He joined Plato's Academy in Athens in 367 and remained there for twenty years. After spending three years at the Asian court of a former pupil, Hermeias, he was appointed by Philip of Macedon in 343/2 to become tutor of his teenaged son, Alexander. After Philip's death in 336, Aristotle became head of his own school, the Lyceum at Athens, whose followers were known as the Peripatetics. Because of anti-Macedonian feeling in Athens after Alexander's death in 323, he withdrew to Chalcis in Euboea, where he died in 322. Aristotle wrote voluminously on a broad range of subjects analytical, practical, and theoretical. Rhetoric, probably composed while he was still a member of Plato's Academy, is the first systematic approach to persuasive public speaking based in dialectic, on which he had recently written the first manual. This edition of Aristotle's Rhetoric, which replaces the original Loeb edition by John Henry Freese, supplies a Greek text based on that of Rudolf Kassel, a fresh translation, and ample annotation fully current with modern scholarship.
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• Introduction
• Text
• Commentary
• Bibliography--.
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The tragedy Rhesus has come down to us among the plays of Euripides but was probably the work either of fourth-century BC actors or producers heavily rewriting his original play or of a fourth-century author writing in competition. This edition explores the play as a 'postclassical' tragedy, composed when the plays of Aeschylus, Sophocles and Euripides had become the 'classical' canon. Its stylistic mannerisms, cerebral re-use of the motifs and language of fifth-century tragedy, and endemic experimentalism with various models of intertextuality exemplify the anxiety of influence of the Rhesus as a text that 'comes after' fifth-century drama and Book 10 of the Iliad. The anachronistic adaptations of the world of the epic heroes to the new reality of the polis and the irresistible rise of Macedonian power also reveal the Rhesus attempting to be both seriously intertextual with its models and seriously different from them.
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The Satyrica (Satyricon liber), a comic-picaresque fiction in prose and verse traditionally attributed to the Neronian Petronius (d. AD 66) but possibly of Flavian or Trajanic date, survives only as fragments of a much larger whole. It takes the form of a first-person narrative by the endearing ne'er-do-well Encolpius, a brilliant storyteller, parodist, and mimic who recalls episodes from his past life as a wandering bohemian, living by his wits on the margins of society in Greek southern Italy and encountering a vividly realized array of characters from the early imperial demimonde, including the wealthy freedman Trimalchio, one of the most unforgettable characters in all of Latin literature. Paired with the Satyrica, and likewise in prose and verse, is the Apocolocyntosis (Pumpkinification), a short satirical pamphlet lampooning the death, apotheosis, and attempt to enter heaven of the emperor Claudius (reigned 41-54). If the work of Lucius Annaeus Seneca (4 BC-AD 65), better known for his austere Stoic moralism, its sarcastic wit and rollicking humor were no doubt inspired by bitterness over his exile at Claudius' hands in 41-49. For this Loeb edition the Latin texts have been freshly edited and translated, with ample introductions and explanatory notes.
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• On temperaments
• On non-uniform distemperment
• The soul's traits depend on bodily temperament
• Appendix. Two short treatises. On the best constitution of our body ; On good bodily state

Galen of Pergamum (129-?199/216), physician to the court of the emperor Marcus Aurelius, was a philosopher, scientist, medical historian, theoretician, and practitioner who wrote forcefully and prolifically on an astonishing range of subjects and whose impact on later eras rivaled that of Aristotle. Galen synthesized the entirety of Greek medicine as a basis for his own doctrines and practice, which comprehensively embraced theory, practical knowledge, experiment, logic, and a deep understanding of human life and society. This volume presents three works of the greatest importance to Galen's theory and practice of medicine. On Temperaments sets out Galen's concept of the combination (krasis) of the four elemental qualities (hot, cold, wet, and dry), which is fundamental to his account of the structure and function of the human body and of animal and plant bodies generally, and is in turn essential to his theory of medical practice. The two related works, On Non-Uniform Distemperment and The Soul's Traits Depend on Bodily Temperament, deal with specific aspects of dyskrasia, which is a disturbance in the combination of these qualities. Appended are two related short treatises, On the Best Constitution of Our Body and On Good Bodily State.
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This compendium examines the history and culture of the Byzantine world from the foundation of Constantinople (324) to the Ottoman conquest of the city, which brought the final downfall of the Byzantine Empire (1453). A detailed 100-page introduction is followed by discussion of 15 key topics, including politics and government, people and society, legislation and legal practice, the army and navy, church and religion, nature and the environment, art and architecture, languages, literature, education and culture, medicine and music. Because the work forms part of Brill's New Pauly, particular attention is paid to aspects of continuity with the ancient world, and of innovation.
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