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Book
317 pages : illustrations ; 29 cm
Art & Architecture Library (Bowes)
Book
201 pages (some folded) : illustrations (chiefly color) ; 32 cm
Art & Architecture Library (Bowes)
Book
135 pages : illustrations (chiefly color) ; 22 cm.
Art & Architecture Library (Bowes)
Book
279 pages : color illustrations ; 25 cm.
Art & Architecture Library (Bowes)
Book
47 pages : illustrations (chiefly color) ; 30 cm.
Art & Architecture Library (Bowes)
Book
347 pages : illustrations (chiefly color) ; 24 cm. + 1 folded leaf of plates.
Art & Architecture Library (Bowes)

7. Duane Michals [2017]

Book
327 pages : illustrations (some color) ; 26 cm.
Art & Architecture Library (Bowes)
Book
189 pages : illustrations (chiefly color) ; 24 x 29 cm
Art & Architecture Library (Bowes)
Book
316 pages : illustrations (some color) ; 24 cm
Art & Architecture Library (Bowes)

10. Jia Aili [2017]

Book
122 pages : illustrations (chiefly color) ; 28 cm.
Art & Architecture Library (Bowes)
Book
2 volumes : illustrations (chiefly color) ; 24 cm
Art & Architecture Library (Bowes)
Book
183 pages : illustrations (chiefly color) ; 30 cm.
Art & Architecture Library (Bowes)

13. Lewis Baltz [2017]

Book
330 pages (some folded) : illustrations (some color) ; 25 x 27 cm
Art & Architecture Library (Bowes)
Book
167 pages : illustrations (some color) ; 25 cm
Art & Architecture Library (Bowes)
Book
240 pages : color illustrations ; 25 cm.
Art & Architecture Library (Bowes)
Book
181 pages : illustrations (chiefly color), portraits ; 23 x 31 cm
Cuban painter Rafael Soriano (1920-2015) was an acclaimed master of geometric abstraction and a global figure in the twentieth-century art world--his work resonated with such international artists of Latin American origin as Roberto Matta, Rufino Tamayo, and Wifredo Lam. As a result of the revolution in Cuba in 1959, Soriano left the country in 1962 for the United States. The effect of the Cuban revolution on his art as well as his aesthetics in general are the focus of this book, an unprecedented examination of his entire oeuvre. Featuring more than ninety paintings, pastels, and drawings, this bilingual English-Spanish catalog for an accompanying exhibition at the McMullen Museum of Art, Boston College; the Long Beach Museum of Art; and the Patricia & Phillip Frost Art Museum at Florida International University begins with a contextual analysis of Soriano's relationship to the Cuban avant-garde and his position within the emerging mid-century modernists. Essays then trace his evolving styles, examining his work through the lens of surrealism and European and Latin American transnational aesthetics. The idea of exile and struggle is a leitmotif and is framed within questions of transcendence and spirituality. Taken together, the contributions suggest both Soriano's rootedness in Latin America and his striving for universality. The most comprehensive exploration of Soriano's work to date, Rafael Soriano: The Artist as Mystic deftly takes the idea of exile and struggle so prominent in the artist's work and frames it within important questions of transcendence and spirituality. This book will be essential reading for anyone intrigued by Latin American and modern art.
(source: Nielsen Book Data)9781892850270 20170621
Art & Architecture Library (Bowes)
Book
285 pages : illustrations (chiefly color) ; 28 cm
Art & Architecture Library (Bowes)
Book
157 pages : illustrations (some color) ; 22 cm
Art & Architecture Library (Bowes)
Book
121 pages : illustrations (chiefly color) ; 21 cm
Art & Architecture Library (Bowes)
Book
8 unnumbered leaves : color illustrations, color photograph ; 20 cm.
"For such a small book, Las Trocas Angelinas, con sus Mercancía (The Angelinos' Trucks with their Cargo) speaks volumes. Javier Carrillo created a suite of 6 "suicide prints" -- a type of linoleum print considered to be the single most difficult form of multicolor printing -- each featuring what is a common sight across this country and many others: a small, well-worn pickup truck filled to the breaking point with tools or merchandise. In Carrillo's prints, the pickup trucks with their humble yet priceless cargo -- used wooden pallets, freshly-picked oranges, lawn mowing equipment -- become almost heroic in their stoicism, and one can't help but draw a comparison between them and the burros that they have replaced. The original, signed photograph included with each copy of the book is one of the snapshots Carrillo made as a "sketch" for his finished studio prints."--Publisher's website.
Art & Architecture Library (Bowes)