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Book
265 pages, 8 unnumbered pages of plates : illustrations (some color) ; 26 cm
  • Introduction: recovering audience
  • The politics of participation
  • The pedagogical subject of participation
  • Photography, agency, and participation
  • Art, affect, crisis
  • Conclusion: partcipation in the present.
Art & Architecture Library (Bowes)
Video
1 videodisc (approximately 59 min.) : sound, color with black and wihite sequences ; 4 3/4 in. Sound: digital; optical. Dolby Digital. Video: NTSC. Digital: video file. DVD video; all regions.
"Everybody Knows... Elizabeth Murray is an intimate portrait of the groundbreaking artist Elizabeth Murray. This film explores the relationship between Murray's family life and career, and reconsiders her place in contemporary art history. Verité footage, home videos and excerpts from her journals, voiced by Meryl Streep, tell of Murray's internal struggles and incredible ambition. Exclusive interviews with art world luminaries provide the historical backdrop for the New York art scene."--Film website. https://www.everybodyknowselizabethmurray.com/the-film
Art & Architecture Library (Bowes)
Book
109 pages : chiefly illustrations ; 31 cm
Art & Architecture Library (Bowes)
Book
144 pages : color illustrations ; 29 cm
The years between the Revolution of 1848 and the end of World War II were characterised by profound social, intellectual, and political change in France. The art world, centred in Paris, also witnessed remarkable transformations as artists experimented with bold, expressive styles. Realism, Impressionism, Post-Impressionism, Symbolism, Fauvism, Cubism, Surrealism...All emerged in and around the French capital during this period, and had profound impacts on the Western artistic canon. This splendid volume featuring 59 works from the Brooklyn Museum's renowned European collection, celebrates France as the artistic centre of international modernism from the mid-nineteenth to the mid-twentieth century. Ranging widely in scale, subject matter, and style, these paintings and sculptures were produced by the era's leading artists, both French-born and others who studied and worked in France. The 47 artists represented include Bonnard, Caillebotte, Cezanne, Chagall, Degas, Matisse, Monet, Redon, Renoir, and Rodin.Organised into four sections, the works in this book exemplify the successive avant-garde movements that defined modern art in the nineteenth and twentieth centuries, tracing a shift from naturalism to the rise of abstraction. Chapters on 'Landscape, ' 'Still Life, ' 'Portraits and Figures, ' and 'The Nude, ' invite the reader to discover comparisons and contrasts across time and mediums. Accompanies a major travelling exhibition, the venues and dates of which are: McNay Art Museum, San Antonio, Texas: February 22 May 21, 2017; TK: June 16 October 8, 2017; Baker Museum, Naples, Florida: November 3, 2017 January 28, 2018; TK: February 23 May 20, 2018; Winnipeg Art Gallery, Manitoba, Canada: June 15 September 9, 2018; Figge Art Museum, Davenport, Iowa: October 5, 2018 January 6. 2019.
(source: Nielsen Book Data)9781785510724 20170403
Art & Architecture Library (Bowes)
Book
272 pages, some folded : color illustrations ; 26 cm
The Hidden Art reveals for the first time an exceptional trove of contemporary and historic artworks by an exemplary roster of international self-taught artists from the collection of Audrey B. Heckler. Heckler, who has been building her extensive collection with the highest criteria of quality and rigor since the early 1990s, is celebrated for having an acute instinct for exquisite works. This volume presents exceptional examples of some of the most recognisable artists of the field, including Henry Darger, Bill Traylor, Martin Ramirez, Adolf Wolfli, Aloise Corbaz, William Edmondson, Thornton Dial, Howard Finster, Morris Hirshfield, Nek Chand, and Achilles Rizzoli. The Hidden Art explains the breadth and significance of Heckler s collection within the context of the field of self-taught art. Elegant yet engaging, this comprehensive volume will be treasured by a wide audience of art lovers, artists, and artisans alike.
(source: Nielsen Book Data)9780847859023 20170418
Art & Architecture Library (Bowes)
Book
296 pages : illustrations (some color) ; 32 cm
This enlightening and thought-provoking look at New York City's postwar art scene focuses on the galleries and the artists that helped transform American art. While the achievements of New York City's most renowned postwar artists--de Kooning, Pollock, Rothko, Franz Kline-- have been studied in depth, a large cadre of lesser-known but influential artists came of age between 1952 and 1965. Also understudied are the early, experimental works by more well- known figures such as Mark di Suvero, Jim Dine, Dan Flavin, and Claes Oldenburg. Focusing on innovative artist-run galleries, this book invites readers to reevaluate the period--uncovering its diversity, creativity, and nuances, and tracing the spaces' influence during the decades that followed. Inventing Downtown charts the development of artist-run galleries in Lower Manhattan from the early 1950s to the mid-1960s, showing how the area's multicultural spirit played a major role in shaping the artworks exhibited there. The book explores 14 key spaces in which styles such as Pop, Minimalism, and performance and installation art thrived. Excerpts from 33 revealing interviews with artists, critics, and dealers, conducted by Billy KluÌ ver and Julie Martin, offer unique personal insight into the era's creative milieu. Taken together, the book's essays and interviews provide a distinctly new assessment of how downtown New York's fertile environment nurtured an innovative art scene.
(source: Nielsen Book Data)9783791355580 20170724
Art & Architecture Library (Bowes)
Book
ix, 219 pages : illustrations (some color), color map ; 26 cm
  • A 'thoroughness of decorative design' : Alma-Tadema's London interiors / Alexis Goodin
  • Building a reputation : Henry Gurdon Marquand's New York mansion / Melody Barnett Deusner
  • A history of Johnstone, Norman & Co. / Kathleen M. Morris
  • Gallery : the Marquand music room
  • Unrivaled in originality : the Marquand music room / Kathleen M. Morris
  • Gallery : the Marquand furniture suite
  • The fate of the Marquand music room / Kathleen M. Morris and Alexis Goodin
  • The Marquand furniture suite : techniques and materials / Hugh Glover
  • The musical life of the Marquand piano / Alexis Goodin
  • Johnstone, Norman & Co. chronology / Kathleen M. Morris.
Art & Architecture Library (Bowes)
Book
246 pages : illustrations (some color), portraits ; 29 cm
Art & Architecture Library (Bowes)
Book
138 pages ; 24 cm.
  • Introduction 1. Architecture's Academy 2. Gym Crow Must Go 3. Renewing New Haven 4. What Is the Public Interest?
  • (source: Nielsen Book Data)9781138121812 20170612
Revolt and Reform in Architecture's Academy uniquely addresses the complicated relationship between architectural education and urban renewal in the 1960s, which paved the way for what is today known as public interest design. Through an examination of curricular reforms at Columbia University's and Yale University's schools of architecture in the 1960s, this book translates the "urban crisis" through the experiences of two influential groups of architecture students, as well as their contributions to design's lexicon. The book argues that urban renewal and campus expansion half a century ago recast architectural education at two schools whose host cities, New York and New Haven, were critical sites for political, social, and urban upheaval in America. The urban challenges of that time are the same challenges rapidly growing cities face today-access, equity, housing, and services. As architects, architects in training, and architecture students continue to wrestle with questions surrounding how design may serve a broadly defined public interest, this book is a timely assessment of the forces that have shaped the debate.
(source: Nielsen Book Data)9781138121812 20170612
Art & Architecture Library (Bowes)
Book
xiii, 160 pages : illustrations (chiefly color) ; 22 cm.
  • Introduction.- The extraction of subway graffiti: The late 1960s to 1989.- The "clean train" era: Creating a space for the legal production of graffiti.- Responding to the new graffiti writing culture: Broader publics, art worlds, and the sphere of commodity exchange.- The moral panic over graffiti in New York City: Political elites and the mass print media.- Engendering desire for neoliberal penality and the logic of growth machines.- Conclusion.
  • (source: Nielsen Book Data)9789811027994 20170621
This pivot analyzes the historical emergence of legal graffiti and how it has led to a new ethos among writers. Examining how contemporary graffiti writing has been brought into new relationships with major social institutions, it explores the contemporary dynamics between graffiti, society, the art world and social media, paying particular attention to how New York City's political elite has reacted to graffiti. Despite its major structural transformation, officials in New York continue to construe graffiti writing culture as a monolithic, criminal enterprise, a harbinger of economic and civic collapse. This basic paradox - persistent state opposition to legal forms of graffiti that continue to gain social acceptance - is found in many other major cities throughout the globe, especially those that have embraced neoliberal forms of governance. The author accounts for the cultural conflicts that graffiti consistently engenders by theorizing the political and economic advantages that elites secure by endorsing strong 'anti-graffiti' positions.
(source: Nielsen Book Data)9789811027994 20170621
Art & Architecture Library (Bowes)
Book
311 pages : illustrations (some color) ; 28 cm
  • Modern in the Best Sense : Six Pioneering Collectors / Megan Fontanella
  • Thannhauser Collection
  • Solomon R. Guggenheim Founding Collection
  • The Hilla Rebay Collection
  • Estate of Katherine S. Dreier
  • Peggy Guggenheim Collection
  • The Collectors.
Exhibition catalog featuring late nineteenth- through mid-twentieth-century works from the collection of the Solomon R. Guggenheim Foundation, which coincides with the eightieth anniversary of its establishment in 1937. The show traces the activities of six pioneering arts patrons who helped shape the Guggenheim Foundation's holdings when each of their prized personal collections was joined with this public insitution. Francesca lavazza.
Art & Architecture Library (Bowes)
Book
x, 163 pages : illustrations (some color) ; 26 cm
  • Prologue
  • Nasal passages
  • Nose bleeds
  • A special theory of relativity
  • Object lessons
  • Collegiate assessments.
South African artist William Kentridge's drawings, films, books, installations, and collaborations with opera and theater companies have established him as a world-class star in contemporary art, media, and theater. In 2010, and again in 2013, he staged Dmitri Shostakovich's The Nose at the Metropolitan Opera; after the premiere, the New York Times noted that "Kentridge, who directed this production, helped design the sets and created the videos that animate the staging, received the heartiest bravos." In this book, Jane Taylor, Kentridge's friend and frequent collaborator, invites us to take an extraordinary behind-the-scenes look at his work for the show. Kentridge has long been admired for his unconventional use of conventional media to produce art that is stunning, evocative, and narratively powerful and how he works is as important as what he creates. This book is more than just a simple record of The Nose. The opera serves as a springboard into a bracing conversation about how Kentridge's methods serve his unique mode of expression as a narrative and political artist. Taylor draws on his etchings, sculptures, and drawings to render visible the communication that occurs between his mind and hand as he thinks through the activity of making. Beautifully illustrated in color, William Kentridge offers striking insights about one of the most innovative artists of our present moment.
(source: Nielsen Book Data)9780226791203 20170731
Art & Architecture Library (Bowes)
Book
283 pages : color illustrations, maps ; 21 x 27 cm
This beautifully designed book showcases the work of nine pairs of New York City's finest graffiti and street artists, delving deep into their backgrounds, techniques, and collaborative processes. Each duo consists of artists with unique styles who come together to create a larger-than-life work of street art in a neighbourhood in New York, the birthplace of modern graffiti. Witness the immense creative potential of collaborations that have produced stunning examples of classic graffiti, collage work, screen printing, and murals. Each chapter provides access to a mysterious underworld, leading readers to secretive meetings of creative minds out of which ephemeral, yet nonetheless remarkable, works are born and later transferred onto walls, rooftops, trucks, and subway platforms. The combination of revealing interviews and colourful action photography produces a narrative arc of relationships -- formed between individuals from diverse backgrounds and creative upbringings -- that follows the artistic process from creative spark to collaborative masterpiece.
(source: Nielsen Book Data)9780764352652 20170130
Art & Architecture Library (Bowes)
Book
176 pages : illustrations (chiefly color) ; 29 cm
Art & Architecture Library (Bowes)
Book
1 volume (unpaged) : color illustrations ; 23 x 26 cm
Noa the Boa is a slave to fashion with the heart of an actor and an obsession with celebrity. He becomes luxurious leather accessories for illustrious clients - from Grace Kelly's pillow to the codpieces at the Folies Bergere - in a high-fashion gift book for adults that is whimsical, and a little bit naughty.
(source: Nielsen Book Data)9780500519257 20170418
Art & Architecture Library (Bowes)

16. Barneys New York [2016]

Book
303 pages : illustrations (chiefly color) ; 34 cm
As Sarah Jessica Parker once told Vanity Fair, If you re a nice person and you work hard, you get to go shopping at Barneys. It s the decadent reward. Known as the style hub where art, culture, and fashion merge and a mecca for discerning clothing connoisseurs since 1923, Barneys New York is a Manhattan institution that lives and breathes its mantra Taste. Luxury. Humor. Founded more than ninety years ago when Barney Pressman opened his first store in Manhattan, Barneys New York has since expanded into the premiere designer emporium with locations throughout the United States. Featuring over two hundred iconic images, Barneys New York invites readers into its always stylish, creative, and eclectically chic world. This stunning visual album, designed by Stefan Sagmeister, traces the evolution of New York fashion from the perspective of Barneys New York by show- casing the fashion designers whose careers the company helped launch, including Giorgio Armani, Dries van Noten, Christian Louboutin, and Proenza Schouler; images of its storied window displays; iconic advertising campaigns shot by Herb Ritts, Juergen Teller, Deborah Turbeville, and Corinne Day, among others; its celebrity collaborations with stars like Jay Z and Lady Gaga and philanthropic efforts such as its recent Transgender project by Bruce Weber; and the acclaimed store design and architecture of its flagship stores and restaurants. This one-of-a-kind gem captures the luxury, whimsy, and quintessential Manhattan esprit of Barneys New York.
(source: Nielsen Book Data)9780847848522 20161213
Art & Architecture Library (Bowes)

17. Before pictures [2016]

Book
307 pages : illustrations (some color) ; 24 cm
Douglas Crimp is the rare art critic whose work profoundly influenced a generation of artists. He is best known for his work with the "Pictures Generation" the very name of which Crimp coined to define the work of artists like Robert Longo and Cindy Sherman who appropriated images from mass culture to carry out a subversive critique. But while his influence is widely recognized, we know little about Crimp's own formative experiences before "Pictures."Before Pictures tells the story of Crimp's life as a young gay man and art critic in New York City during the late 1960s through the turbulent 1970s. Crimp participated in all of what made the city so stimulating in that vibrant decade. The details of his professional and personal life are interwoven with this the particularly rich history of New York City at that time, producing a vivid portrait of both the critic and his adopted city. The book begins with his escape from his hometown in Idaho, and we quickly find Crimp writing criticism for ArtNews while working at the Guggenheim where, as a young curatorial assistant, he was one of the few to see Daniel Buren's Peinture-Sculpture before it was removed amid cries of institutional censorship. We also travel to the Chelsea Hotel (where Crimp helped the down-on-his-luck couturier Charles James organize his papers) through to his days as a cinephile and balletomane to the founding of the art journal October, where he remained a central figure for many years. As he was developing his reputation as a critic, he was also partaking of the New York night life, from drugs and late nights alongside the Warhol crowd at the Max's Kansas City to discos, roller-skating, and casual sex with famous (and not-so-famous) men. As AIDS began to ravage the closely linked art and gay communities, Crimp eventually turned his attention to activism dedicated to rethinking AIDS. Part biography and part cultural history, Before Pictures is a courageous account of an exceptional period in both Crimp's life and the life of New York City. At the same time, it offers a deeply personal and engaging point of entry into important issues in contemporary art.
(source: Nielsen Book Data)9780226423456 20161205
Art & Architecture Library (Bowes)

18. Bound to fail [2016]

Book
293 pages : illustrations (chiefly colored) ; 30 cm
Art & Architecture Library (Bowes)
Book
345 pages : illustrations (chiefly color) ; 29 cm
Art & Architecture Library (Bowes)
Book
xix, 301 pages : illustrations (chiefly color) ; 29 cm
  • Directors foreword / Thomas P. Campbell
  • Introduction / Perrin Stein
  • Chronology / Kelsey Brosnan
  • Fact, fiction, function, and process : Toward a modern view of Fragonard's drawings / Perrin Stein
  • Every possible combination : Between inspiration and finish in Fragonard's oeuvre / Marie-Anne Dupuy-Vachey
  • Originals, copies, mirrors, and multiples / Perrin Stein
  • Catalogue : Early years: Paris to Rome ; Fragonard and the Abbé de Saint-Non ; Etchings inspired by Italy ; Fragonard and the Académie Royale ; Travels with Bergeret, 1773-74 ; Late career and shifting roles ; Etchings with Marguerite Gérard, 1778 ; Fragonard as illustrator ; Ariosto's Orlando Furioso / Perrin Stein, Marie-Anne Dupuy-Vachey, Eunice Williams, and Kelsey Brosnan.
An exquisitely illustrated volume that emphasizes the importance of drawing in Fragonard's creative process One of the most forward-looking artists in 18th-century France, Jean-Honore Fragonard (1732-1806) is considered the preeminent draftsman of his time. This fresh assessment of the artist focuses on the role of drawing in his creative process and showcases Fragonard's mastery and experimentation with drawing in a range of media, from vivid red chalk to luminous brown wash, as well as etching, watercolor, and gouache. Unlike many old master painters, Fragonard explored the potential of drawings as works of art in their own right, ones that permitted him to work with great freedom and allowed his genius to shine. The drawings featured here come from public and private collections in New York, balancing a mix of well-loved masterpieces, new discoveries, and works that have long been out of the public eye.
(source: Nielsen Book Data)9781588396013 20161128
Art & Architecture Library (Bowes)