• Western American art
• Impressionism
• Modern & contemporary art
• African & Oceanic art
• Design after
• 1900
• American Indian art
• Pre-Columbian art
• Spanish colonial art
• Asian art
• European & American art
• Design before
• 1900
• Textile art
• In & around DAM
• Out & about DAM
• Donor acknowledgments.

Illustrates almost 100 of the museum's greatest treasures, including works by Degas, Monet and Warhol.
(source: Nielsen Book Data) 9781857594324 20160528

• [v. 1]. Crossing Borders: The Myst, October 13-November 18,
• 1995 / curated by Rainer Crone and Petrus Schaesberg
• All Dressed Up, December 21, 1995-January 27,
• 1996 / curated by Steven Rand
• Alice's Looking Glass: A Glimpse at the Non-Linear, March 7-April 6,
• 1996 / curated by Mary Beyt
• Screaming Heads, Grating Bodies: George Condo's Drawings, Peter Hartman's Photographs, April 11-May 11,
• 1996 / curated by Donald Kuspit
• Method and Multiplicity, September 12-October 19,
• 1996 / curated by Richmond Burton
• Ceremonial, October 24-November 23,
• 1996 / curated by Barry Schwabsky
• Color Detour, January 9-February 8,
• 1997 / curated by Faye Hirsch
• SLAD, February 13-March 15,
• 1997 / curated by Mary Jones and Janice Krasnow
• Ornament and Landscape: On the Nature of Artifice, March 20-April 19,
• 1997 / curated by Tom Huhn
• Colorflex, May 29-June 28,
• 1997 / curated by Raphael Rubinstein -
• 444: Four Curators Four Artists Four Weeks, July 9-August 2,
• 1997 / curated by Darryl Graff . . . [et al.]
• Dazzle Gradually, September 11-October 11,
• 1997 / curated by Gregory Volk --

• [v. 2]. Try a Little Tenderness, November 26-January 4,
• 1997 / curated by Joe Fyfe
• Apex Art C. P.: 1997/89 Studio Program / curated by Isabella Prata . . . [et al.]
• Original Scale, January 8-February 7,
• 1998 / curated by John Yau
• Not for Sale: Feminism and Art in the USA during the 1970s, February 12-March 14,
• 1998 / video essay by Laura Cottingham
• The Sound of One Hand: The Collection of Collier Schorr, March 19-April 18,
• 1998
• Scattered Affinities, April 23-May 23,
• 1998 / curated by Nuria Enguita Mayo
• Live and Let Die, June 4-20,
• 1998 / curated by Udo Kittelmann
• 444: Four Curators Four Artists Four Weeks, June 24-July 25,
• 1998 / curated by Corey McCorkle . . . [et al.]
• Remembering Times Past, September 9-October 10,
• 1998 / curated by Irena Popiashvili
• Finger: Newsletter for Contemporary Cultural Phenomena, October 22-November 14,
• 1998 / curated by Joseph Kosuth
• Harriet Craig, November 19-December 19,
• 1998 / curated by David Rimanelli
• Actual Size, February 11-March 13,
• 1999 / exhibition and essay by Nancy Princenthal
• Mixology: An Insta-llation by Christine Siemens, March 18-April 17,
• 1999
• Street Theater: An Installation by Yung Ho Chang and Atelier FCJZ, April 22-May 22,
• 1999 / curated by Hou Hanru and Evelyne Jouanno -
• 444: Four Curators Four Artists Four Weeks, June
• 7- July
• 31 / curated by Spencer Brownstone . . . [et al.]
• Arrested Ambition, May 27-June 26,
• 1999 / curated by Gregory Williams
• The Production of Production, September 9-October 9,
• 1999 / curated by Tim Griffin and Bennett Simpson
• Building Histories, October 14-November 13,
• 1999 / curated by Maureen Connor
• Deep Skin Excursions: Early Work by Howard Fried, November 20-January 3,
• 1998 / curated by Dennis Oppenheim
• Cancelled: The Fortuitous Consequences of an Unexpected Act?, November 18-December 18,
• 1999 --

• [v. 3]. Making the Making, January 5-February 3,
• 2001 / curated by Charles Goldman
• Demonstration Room: Ideal House, February 7-March 10,
• 2001 / curated by Jesus Fuenmayor and Julieta Gonzales
• In/SITE/Out: Inquiries into Social Space, March 16-April 14,
• 2001 / curated by Karen E. Jones
• Gesture, Posture and Bad Attitude in Contemporary News Photography, April 18-May 19,
• 2001 / curated by David Byrne
• Lost and Found, May 23-June 23,
• 2001 / curated by René Block - SportCult, September 7-November 3,
• 2001 / curated by Euridice Arratia
• Revolving Doors, November 14-December 22,
• 2001 / curated by Montse Badia
• Apexart 2001/02 Season Report
• Gain, January 4-26,
• 2002 / curated by Kelly Taxter
• Art That Heals, March 6-April 6,
• 2002 / curated by Jean-Hubert Martin
• The Passions of the Good Citizen, April 10-May 11,
• 2002 / curated by Heather Felty
• Public Key, May 15-June 15,
• 2002 / curated by Angeline Scherf
• Second Glance, July 16-July 31,
• 2002 / selected by Sara Meltzer
• Shadow Cabinets in a Bright Country, September 5-Oct 5,
• 2002 / curated by Ted Purves
• Time is Free, October 9-November 9,
• 2002 / curated by Jan Hoet with Ann Demeester
• Sans an Exhibition: Five Weeks of Alternative Programming, November 13-December 21,
• 2002 --

• [v. 4]. Walking in the City, January 4-February 1,
• 2003 / curated by Melissa Brookhart Beyer and Jill Dawsey
• An Interest in Life, February 5-March 8,
• 2003 / curated by John Baldessari and Meg Cranston
• Between the Lines, March 15-April 12,
• 2003 / Rebecca Gordon Nesbitt . . . [et al.]
• Undesire, April 18-May 17,
• 2003 / curated by Vasif Kortun
• Art After the Age of Mechanical Reproduction, May 21-June 21,
• 2003 / curated by Eugene Tsai
• 2003 Summer Program: Gallerists Selected by Katy Siegel, June 25-July 26,
• 2003
• 222: Two Curators Two Artists Two Weeks, June 27-July
• 14 / curated by Derek Eller, Annie Herron, and Larry Walczak
• SportCult, September 7-November 3,
• 2001 / curated by Euridice Arratia
• Revolving Doors, November 14-December 22,
• 2001 / curated by Montse Badia
• Gain, January 4-26,
• 2002 / curated by Kelly Taxter
• Unjustified, January 30-March 2,
• 2002 / curated by Kerry James Marshall
• Art Heals, March 6-April 6,
• 2002 / curated by Jean-Hubert Martin
• The Passions of Good Citizens, April 10-May 11,
• 2002 / curated by Heather Felty
• Playing With a Loaded Gun: Contemporary Art in Pakistan, September 6-Oct 4,
• 2003 / curated by Atteqa Ali
• To Be Political It Has to Look Nice, October 11-November 8,
• 2003 / a project by Pablo Leon de la Barra
• Looking Awry, November 12-December 20,
• 2003 / curated by Što, kako i za koga = What, How & for Whom (WHW)
• Adaptations, January 7-February 7,
• 2004 / curated by Craig Buckley
• Treasure Maps, February 11-March 13,
• 2004 / curated by Janine Antoni
• The Future of the Reciprocal Readymade (The Use-Value of Art), March 17-April 17,
• 2004 / curated by Stephen Wright
• Black Dragon Society, April 21-May 22,
• 2004
• O.K., America!, May
• 26- June 26,
• 2004 / curated by Peter Noever
• 2004 Summer Exhibition, June 30-July 31,
• 2004 / gallerists selected by Cay Sophie Rabinowitz
• Building the Unthinkable, September 8-October 9,
• 2004 / curated by Christian Stayner
• Place for the Self, October 13-November 13,
• 2004 / curated by Amnon Barzel
• Drafting Deceit, November 17-December 22,
• 2004 / curated by Marta Kuzma --

• [v. 5]. Too Much Pollution to Demonstrate: Soft Guerrillas in Tehran's Contemporary Art Scene, January 5-February 9,
• 2005 / curated by Amiel Grumberg
• Maurizio Couldn't Be Here, February 12-March 12,
• 2005
• Social Democracy Revisited, March 16-April 16,
• 2005 / curated by Jonas Ekeberg
• Afterall, April 27-May 21,
• 2005 / curated by Charles Esche
• Sacred Wild: Opening to Shakti, May 25-June 25,
• 2005 / curated by Suzi Gablik
• Philosophical Toys, June 29-July 30,
• 2005 / curated by Sina Najafi
• If It's Too Bad to Be True, It Could be Disinformation, October 19-November 26,
• 2005 / curated by Mercedes Vicente
• One Brief Moment: Adam Chodzko, Maria Eichhorn, Knowles Eddy Knowles, Elizabeth Price, January 11-February 18,
• 2006 / curated by Mark Soo
• Neo-Sincerity: The Difference Between the Comic and the Cosmic is a Single Letter, February 22-April 8,
• 2008 / curated by Amei Wallach
• Re_dis_trans: Voltage of Relocation and Displacement, April 12-May 20,
• 2006 / curated by Aniko Redosi
• Sweet Taboos: A Mini Tirana Biennale in New York, May 24-July 1,
• 2006 / curated by Edi Muka
• Neo-Con.: Contemporary Returns to Conceptual Art, September 6-October 14,
• 2006 / curated by Cristiana Perrella
• Phantom Captain: Art and the Crowdsourcing, October
• 18- November 25,
• 2006 / curated by Andrea Grover
• Thanks: Returning the Favor, November 29-January 6,
• 2007
• The Most Curatorial Biennial of the Universe, July 7-August 11,
• 2007 / curated by Adam J. Shaffer . . . [et al.]
• The Museum of Crime and the Museum of God, May 16-June 23,
• 2007 / organized by Luc Sante
• Land Grab, November 7-December 22,
• 2007 / curated by Sarah Lookofsky and Lillian Fellman --

• [v. 6]. Your Vote Counts!: The (Self) Promotion TV Project, January 9-February 16,
• 2008 / guest essay by Carlo McCormick
• Thinking in Loop, February 20-March 29,
• 2008 / Boris Groys
• Lots of Things Like This, April 2-May 10,
• 2008 / curated by Dave Eggers
• Nessie Does New York: Monetizing Myth, Legend & Culture, July 2-August 2,
• 2008 / Chris A. Kenny
• Scrawl, September 4-October 11,
• 2008 / Harley Spiller
• Perverted by Theater, October 22-December 6,
• 2008 / curated by Franklin Evans and Paul David Young
• Nameless Science, December 10, 2008-January 31,
• 2009 / curated by Hank Slager
• Kick My Heart’s Ass: Short Films About Love, February 11-March 21,
• 2009 / curated by Davy Rothbart
• I Am Art: An Expression of the Visual & Artistic Process of Plastic Surgery, March 28-May 9,
• 2009 / curated by Anthony Berlet, M.D.
• The Franchise: Resolving Another Boundary Between Art & Business, June 10-July 2,
• 2009 / András Szántó
• X, Y, Z and U, June 4-July 3,
• 2009 / curated by The League of Imaginary Scientists – Wondermare, July 8-August 4,
• 2009 / curated by Susan McIntosh and Albert Wilking
• A Way Beyond Fashion, September 16-October 24,
• 2009 / curated by Robert Punkenhofer
• Avant-Guide to NYC: Discovering Absence, November 4-December 19,
• 2009 / curated by Sandra Skurvida --

• [v. 7]. The Incidental Person, January 6-February 20,
• 2010 / curated by Antony Hudek
• Don't Piss on Me and Tell Me It’s Raining, April 7-May 22,
• 2010 / Richard Holland and Duncan MacKenzie
• Men With Balls: The Art of the
• 2010 World Cup, June 11-July 11,
• 2010 / curated by Simon Critchley
• You Can’t Get There From Here but You Can Get Here From There, September 15-October 30,
• 2010 / curated by Courtenay Finn
• Change the Channel: WCVB-TV 1972-1982, January 12-March 5,
• 2011 / Gary Fogelson & Michael Hutcherson
• Washed Out (Apexart Franchise 2011), February 2-March 3,
• 2011 / curated by Corina Oprea, Isabel Löfgren, Judith Souriau, Milena Placentile and Valerio Baglivo
• Let It End Like This, March 9-May 14,
• 2011 / curated by Todd Zuniga
• We Have Woven the Motherlands with Nets of Iron (Apexart Franchise 2011), May 4-June 6,
• 2011 / curated by Eric Gottesman and Toleen Touq
• The Peripheterists, June 1-July 30,
• 2011 / curated by Jocko Weyland
• Private Stash: A Musician’s Eye, September 8-October 29,
• 2011 / Fred Hersch
• The Walls That Divide Us, November 9-December 22,
• 2011 / curated by Miguel Amado --

• [v. 8]. Just Do It! Creative Strategies of Survival (Apexart Franchise 2012), February 4-March 3,
• 2012 / curated by Katharine Rohde
• A Postcard from Afar: North Korea from a Distance, January 11-March 10,
• 2012 / curated by Mark Feary
• Consent, March 21-May 12,
• 2012 / curated by Lynsey G
• Flesh & Concrete (Apexart Franchise 2012), April 19-May 17,
• 2012 / curated by Jaya Klara Brekke and Julio Salazar
• The Permanent Way, June 6-July 28,
• 2012 / organized by Brian Sholis
• Unrest: Revolt Against Reason, September 12-October 27,
• 2012 / organized by Natalie Musteata
• Ecología del Techo de Lima (Apexart Franchise), November 3-December 1,
• 2012 / organized by Carlos Leon-Xjimenez
• As Real As It Gets, November 15-December 22,
• 2012 / organized by Rob Walker
• Open Sesame, January 17-March 2,
• 2013 / organized by Ola El-Khalidi
• Video Slink Uganda (Apexart Franchise), February 7-March 6,
• 2013 / Marisa Jahn and Paul Falzone
• Exhibition Space, March 21-Mary 8,
• 2013 / organized by Greg Allen
• Memphis Social (Apexart:Memphis), May 10-May 18,
• 2013 / organized by Tom McGlynn.

The collection contains brochures from each of the eight exhibitions offered per season, and others during the summer program. Each contains color photographs of the exhibitions and an essay by the curator.

Original manuscript of Duret's published (1918) work together with three letters (1917) from Duret to Fernand Léger and Duret's notes concerning the illustrations for the work.