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- IEEE Radio and Wireless Symposium (2018 : Anaheim, Calif.)
- [Piscataway, New Jersey] : IEEE, [2018]
- Description
- Book — 1 online resource : illustrations (some color) Digital: text file.
Archive of Recorded Sound
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eResource | In-library use |
- Fruth, Pia, 1971- author.
- Bielefeld : Transcript, [2018]
- Description
- Book — 350 pages : illustrations ; 23 cm.
- Online
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TK7881.6 .F78 2018 | Unknown |
- New York : Bloomsbury Academic, an imprint of Bloomsbury Publishing Inc, 2015.
- Description
- Book — vi, 289 pages : illustrations ; 24 cm
- Summary
-
- Table of Contents
- List of Illustrations
- Acknowledgements
- Introduction: Living Stereo (Paul Th berge, Kyle Devine and Tom Everrett)
- (AUDIO) POSITIONS
- 1. The "Sweet Spot": The Technology of Stereo and the Field of Auditorship (Tony Grajeda)
- 2. The Stereophonic Spaces of Soundscape (Jonathan Sterne)
- 3. Sonar and the Channelization of the Ocean (John Shiga)
- LISTENING CULTURES
- 4. Training the Listener: Stereo Demonstration Discs in an Emerging Consumer Market (Tim J. Anderson)
- 5. Mono in the Stereo Age (Eric Barry)
- 6. Looking Past the Stereo Loudspeakers: From the Home to the Amplified Concert Hall (Jonathan Tee)
- 7. Recorded British Folk Song (Allan F. Moore)
- MULTICHANNEL SOUND and SCREEN MEDIA
- 8. Television: Now with Two Channels of Audio (David Sedman)
- 9. The Grandeur(s) of CinemaScope (Matthew Malsky)
- 10. Atmos Now: Dolby Laboratories, Mixing Ideology and Hollywood Sound Production (Benjamin Wright)
- 11. A Symphony of Sound: Surround Sound in Formula One Racing Games (Ruth Dockwray and Karen Collins)
- List of Contributors
- Index.
- (source: Nielsen Book Data)
(source: Nielsen Book Data) 9781623566654 20160618
- Online
Archive of Recorded Sound
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TK7881.4 .L57 2015 | Unknown |
4. Practical recording techniques : the step-by-step approach to professional audio recording [2013]
- Bartlett, Bruce.
- Sixth edition. - Waltham, MA : Focal Press, Taylor & Francis Group, 2013.
- Description
- Book — xi, 513 pages : illustrations ; 24 cm
- Summary
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- Preface Acknowledgements
- 1 Music: Why We Record Increasing Your Involvement in Music Different Ways of Listening Why Record?
- 2 The Recording Process Types of Recording Pros and Cons of Each Method Recording the Mixes
- 3 Sound, Signals, and Studio Acoustics Sound Wave Creation Characteristics of Sound Waves Behavior of Sound in Rooms How to Tame Echoes and Reverb Making a Quieter Studio Signal Characteristics of Audio Devices
- 4 Equipping Your Studio Equipment Setting Up Your Studio Hum Prevention Reducing Radio Frequency Interference
- 5 Monitoring Speaker Requirements Nearfield[tm] Monitors Powered (Active) Monitors The Power Amplifier Speaker Cables and Polarity Control-Room Acoustics Speaker Placement Using the Monitors Headphones The Cue System Conclusion
- 6 Microphones Transducer Types Polar Pattern Frequency Response Impedance (Z) Maximum SPL Sensitivity Self-Noise Signal-to-Noise Ratio Polarity Microphone Types Microphone Selection Mic Accessories Summary
- 7 Microphone-Technique Basics Which Mic Should I Use? How Many Mics? How Close Should I Place the Mic? Where Should I Place the Mic? On-Surface Techniques The Three-to-One Rule Off-Axis Coloration Stereo Mic Techniques
- 8 Microphone Techniques Electric Guitar Electric Bass Synthesizer, Drum Machine, and Electric Piano Leslie Organ Speaker Drum Set Percussion Acoustic Guitar Singer/Guitarist Grand Piano Upright Piano Acoustic Bass Banjo Mandolin, Dobro, Bouzouki, and Lap Dulcimer Hammered Dulcimer Fiddle (Violin) String Section String Quartet Bluegrass Band and Old-Time String Band Harp Horns Saxophone Woodwinds Harmonica, Accordion, and Bagpipe Lead Vocal Background Vocals Spoken Word Choir and Orchestra Summary
- 9 Effects and Signal Processors Software Effects (Plug-Ins) Equalizer Compressor Limiter Noise Gate Delay--Echo, Doubling, Chorus, and Flanging Reverberation Preverb Enhancer Octave Divider Harmonizer Vocal Processor Pitch Correction Tube Processor Rotary Speaker Simulator Analog Tape Simulator Spatial Processor Microphone Modeler Guitar Amplifier Modeler Distortion De-Click and De-Noise Surround Sound Multi-effects Processor Looking Back Sound-Quality Glossary
- 10 Mixers and Mixing Consoles Stages of Recording Mixer Functions and Formats Analog Mixer Digital Mixer Software Mixer Control Surface
- 11 Mixer Operation Session Preparation Recording Playback Overdubbing Punching-In Composite Tracks Getting More Tracks Drum Replacement Mixdown Summary Automated Mixing Lo-Fi Recording: How to Trash Your Tracks
- 12 Judging Sound Quality Classical versus Popular Recording Good Sound in a Pop-Music Recording Good Sound in a Classical-Music Recording Training Your Hearing Troubleshooting Bad Sound
- 13 Digital Recording Analog versus Digital Digital Recording The Clock Digital Audio Signal Formats Dither Jitter Digital Transfers or Copies 2-Track Digital Recorders Multitrack Digital Recorders Backup
- 14 Computer Recording Basic Operation The Computer Audio Interfaces DSP Card Analog Summing Amplifier Recording Software Optimizing Your Computer for Multitrack Recording Using a DAW Audio for Video
- 15 Session Procedures, Mastering, and CD Burning Preproduction Setting Up the Studio Setting Up the Control Room Session Overview Recording Overdubbing Breaking Down Mixdown Mastering Transferring the Mastered Program to CD-R Master Log Copyrights and Royalties
- 16 MIDI and Looping MIDI Components Recording Music Made by Soft Synths "No sound" MIDI Troubleshooting Recording with a Keyboard Workstation Recording with a Drum Machine and Synth Using Effects Loop-Based Recording Summary
- 17 On-Location Recording of Popular Music Record Off the Board Record with Mics and a Portable Digital Recorder Record with a 4-Tracker Connect the PA Mixer Insert Sends to a Recording Mixer Splitting the Mic Signals Multitrack Recording in a Truck Preparing for the SessionPreparing for Easier Setup At the Session: Setup Mic Techniques Sound Check and Recording Teardown
- 18 On-Location Recording of Classical Music Equipment Selecting a Venue Session Setup Microphone Placement Setting Levels Recording a Concert Editing
- 19 Web Audio and Online Collaboration Streaming versus Downloading Data Compression Web-Related Audio Files What You Need How to Upload Compressed Audio Files Putting Your Music On Your Website Collaborating by Sharing Files Finding Studio Musicians, Producers and Engineers A dB or Not dB Definitions Sound Pressure Level Signal Level The VU Meter, Zero VU, and Peak Indicators Balanced versus Unbalanced Equipment Interfacing Balanced and Unbalanced Equipment Microphone Sensitivity B Optimizing Your Computer for Multitrack Recording Speeding Up Your Hard Drive Increasing Processing Speed Preventing Interruptions Setting the Buffer Size Minimizing Latency Other Tips Windows Vista and Windows
- 7 Optimizing MacIntosh for Multitrack Recording C Impedance What is Impedance? I'm connecting two audio devices. Is it important to match their impedances? What if I don't? What about microphone impedance? I'm connecting a mic to a mixer. Is impedance a consideration? Should I consider impedance when I connect two line-level devices? Can I connect one source to two or more loads? Can I connect two or more sources to one input? Summary D Phantom Power Explained Definition Using a Stand-Alone Supply Cautions for Use DC Bias E Where to Learn More Books and Videos Recording Magazines Pro Audio Magazines Consumer Audio Magazines Guides, Brochures, and Other Literature Guides to Recording Schools The Internet Recording Equipment Catalogs Experience Starting a Career as a Recording Engineer Glossary.
- (source: Nielsen Book Data)
(source: Nielsen Book Data) 9780240821535 20160610
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TK7881.6 .B367 2013 | Unknown |
- Diem Tigani, Roberto.
- 1. ed. - Varese (Italy) : Zecchini, 2012.
- Description
- Book — 280 p. ; 24 cm.
- Online
Archive of Recorded Sound
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TK7881.4 .D524 2012 | Unknown |
6. Un secolo di suoni, i suoni di un secolo : l'Istituto centrale per i beni sonori ed audiovisivi [2012]
- 1. ed. - Argelato (BO) [i.e. Bologna, Italy] : Minerva, 2012.
- Description
- Book — 304 p. ; 24 cm. + 1 sound disc.
- Online
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TK7881.4 .S46 2012 | Unknown |
7. The politics of recorded sound [2010]
- Durham, NC : Duke University Press, c2010.
- Description
- Book — 146 p. : ill. ; 23 cm
- Summary
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- Introduction : breaking sound barriers / Gustavus Stadler
- Sound, knowledge, and the "immanence of human failure" : rethinking musical mechanization through the phonograph, the player-piano, and the piano / David Suisman
- Deaf jam : from inscription to reproduction to information / Mara Mills
- Splicing the sonic color-line : Tony Schwartz remixes postwar Nueva York / Jennifer Stoever-Ackerman
- Never heard such a thing : lynching and phonographic modernity / Gustavus Stadler
- Can you feel the beat? : freestyle's systems of living, loving, and recording / Alexandra T. Vasquez
- Buzz and rumble : global pop music and utopian impulse / Jayna Brown
(source: Nielsen Book Data) 9780822367307 20160612
- Online
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TK7881.4 .P65 2010 | Unknown |
- International Association of Sound and Audiovisual Archives. Technical Committee.
- 2nd ed. - Auckland Park, South Africa : International Association of Sound and Audiovisual Archives, 2009.
- Description
- Book — 150 p. : ill. ; 25 cm.
- Online
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TK7881.4 .I57 2009 | Unknown |
- Friesecke, Andreas.
- München : K.G. Saur Verlag, 2007.
- Description
- Book — viii, 893 p. : ill. ; 25 cm.
- Online
Archive of Recorded Sound
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TK7881.4 .F75 2007 | Unknown |
10. Practical art of motion picture sound [2007]
- Yewdall, David Lewis, 1950-
- 3rd ed. - Amsterdam [The Netherlands] ; Boston : Elsevier/Focal Press, c2007.
- Description
- Book — viii, 582 p. : ill. ; 24 cm. + 1 DVD (4 3/4 in.)
- Summary
-
- Chapter 1 The Empowerment of Sound--
- Chapter 2 Our Amateur Beginnings--
- Chapter 3 Formerly titled The First Tuesday Night in February--
- Chapter 4 Success or Failure: Before the Camera Even Rolls--
- Chapter 5 The Challenging Battlefield of Production--
- Chapter 6 From the Set to the Laboratory--
- Chapter 7 Picture Editorial
- and the use of the Sound Medium--
- Chapter 8 Temp Dubs and Test Screenings:
- A Critical Objective View--
- Chapter 9 Spotting the Picture
- for Sound and Music--
- Chapter 10 Custom Recording Sound Effects --The Real Fun and Adventure--
- Chapter 11 The Sound Librarian : the curator of an audio empire--
- Chapter 12 Sound Design
- Myths and Realities--
- Chapter 13 Sound Editorial : Sync-sync
- Chop-chop--
- Chapter 14 Dialog Editors
- Hollywoods Unsung Heroes--
- Chapter 15 ADR -and- Looping
- Getting the Lips to Flap in Sync--
- Chapter 16 FOLEY : The Art of Footsteps, Props and Cloth Movement--
- Chapter 17 Nonlinear
- the Digital Workstation--
- Chapter 18 The Music Composer
- Audio Collaboration or Mud and Destruction--
- Chapter 19 The Rerecording Stage
- Predubbing and the Final Mix--
- Chapter 20 5.1
- Audio Restoration and Emerging Audio Technologies--
- Chapter 21 The venerable Nagra IV-S ( analog )--
- Chapter 22 The new recording hot-rod the Nagra V (digital)-- Glossary of Terms.
- (source: Nielsen Book Data)
(source: Nielsen Book Data)
- Online
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TK7881.4 .Y48 2007 | Unknown |
- Washington, D.C. : Council on Library and Information Resources and Library of Congress, c2006.
- Description
- Book — vi, 37 p. ; 28 cm.
- Online
Archive of Recorded Sound
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TK7887.6 .C378 2006 | Unknown |
12. The audio dictionary [2005]
- White, Glenn D., 1933-
- 3rd ed., rev. and expanded. - Seattle : University of Washington Press, c2005.
- Description
- Book — xii, 504 p. : ill. ; 23 cm.
- Summary
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- The audio dictionary
- The art and science of good acoustics
- Some frequently used symbols and units
- How to subdue a hi-fi salesperson
- Good acoustics in small rooms and auditoria
- Some notes on audio measurements
- The balanced line
- Some notes on digital audio
- Musical scales and the tuning of musical instruments
- Some notes on the history of high fidelity
- Some notes on decimal and binary arithmetic as used in computer terminology
- Some notes on impedance and frequency response.
(source: Nielsen Book Data) 9780295984988 20160528
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TK7881.4 .W48 2005 | Unknown |
13. Modern recording techniques [2005]
- Huber, David Miles.
- 6th ed. - Boston : Focal Press/Elsevier, c2005.
- Description
- Book — xix, 652 p. : ill. ; 24 cm.
- Summary
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- Introduction-- Sound and Hearing-- Studio Acoustics and Design-- Microphones - Design and Application-- Analog Tape Recorder-- Digital Audio Technology-- MIDI-- Multimedia-- Synchronization-- Amplifiers-- Audio Production Console-- Signal Processors-- Noise Reduction Monitoring-- Product Manufacture-- Studio session procedures-- Yesterday, Today and Tomorrow.
- (source: Nielsen Book Data)
(source: Nielsen Book Data) 9780240806259 20160528
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TK7881.6 .H85 2005 | Unknown |
14. Practical recording techniques [2005]
- Bartlett, Bruce.
- 4th ed. - Amsterdam : Elsevier ; Boston : Focal, c2005.
- Description
- Book — xxvii, 600 p. : ill. ; 25 cm. + 1 sound disc (digital ; 4 3/4 in.)
- Summary
-
- Music: Why You Record-- The Recording Chain-- Sound, Signals, and Studio Acoustics-- Setting Up Your Studio-- Monitoring-- Microphones-- Microphone-Technique Basics-- Microphone Techniques-- Digital Recording-- Signal Processors and Effects-- Recorder-Mixers and Mixing Consoles-- Operating the Multitrack Recorder and Mixer-- Computer Recording-- Judging Sound Quality-- Session Procedures-- The MIDI Studio: Equipment and Recording Procedures-- On-Location Recording of Popular Music-- On-Location Recording of Classical Music-- Surround Sound: Techniques and Media-- Putting Your Music on the Web. Appendices: dB or Not dB-- Optimizing Your Computer for Digital Audio-- Optimizing Macintosh for Audio-- Introduction to SMPTE Time Code-- Further Education-- Impedance-- Glossary.
- (source: Nielsen Book Data)
(source: Nielsen Book Data) 9780240806853 20160528
- Online
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TK7881.6 .B367 2005 | Unknown |
15. The recording engineer's handbook [2005]
- Owsinski, Bobby.
- Boston, MA : Artist Pro Pub. ; Milwaukee, WI : Distributed by Hal Leonard, c2005.
- Description
- Book — xiv, 368 p. : ill. ; 28 cm.
- Summary
-
- Microphones Classic Microphones Basic Recording Equipment Basic Stereo Techniques Basic Multichannel Tracking Preparing the Drum Kit for Recording Individual Instrument Miking Techniques The Session Surround Microphone Techniques Surround Microphones The Interviews.
- (source: Nielsen Book Data)
(source: Nielsen Book Data) 9781932929003 20160528
- Online
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TK7881.4 .O97 2005 | Unknown |
- Pesce, Anita, 1961-
- Napoli : Guida, c2005.
- Description
- Book — 156 p. : ill. ; 23 cm.
- Online
Archive of Recorded Sound
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TK7881.4 .P477 2005 | Unknown |
- International Association of Sound and Audiovisual Archives. Technical Committee.
- Aarhus, Denmark : International Association of Sound and Audiovisual Archives, Technical Committee, c2004.
- Description
- Book — 80 p. : col. ill. ; 25 cm.
- Online
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TK7881.4 .I57 2004 | Unknown |
- Morton, David, 1964-
- Westport, CT : Greenwood Press, 2004.
- Description
- Book — xv, 215 p. : ill. ; 24 cm.
- Summary
-
How did one of the great inventions of the 19th century - Thomas Edison's phonograph - eventually lead to one of the most culturally and economically significant technologies of the 20th and 21st centuries? Sound Recording tells that story, tracing the history of the business boom and the cultural revolution begun by Edison's invention. Ever since, recorded sound has been all around us - not just in reproducing and playing popular music, but also in more mundane areas, such as office dictation machines, radio and television programmes, and even telephone answering machines. Just as the styles of music have evolved over the years, the formats on which this music was played have changed as well. The quest for better sound was one of the driving forces of technological change, but so too were business strategies, patent battles, and a host of other factors. Sound Recording contains information that will appeal anyone interested in the history of recorded music and sound technology, such as the following facts: The composer John Phillip Sousa once denounced sound recordings as a threat to good musical taste, but made many recordings over the years; The first modern "cassette" tape cartridge and the stereophonic LP record were both introduced by RCA in 1958. The tape cartridge flopped almost immediately; the stereo LP was the music industry's biggest hit ever; Chrysler automobiles of the late 1950s offered "Highway Hi-Fi, " a dashboard phonograph that could play a record without skipping; The predecessor of the Compact Disc was a 12-inch home videodisc system from the late 1970s - the first of its kind - called DiscoVision. The volume includes a timeline and a bibliography.
(source: Nielsen Book Data) 9780313330902 20160527
- Online
19. Audiodesign [2002]
- Raffaseder, Hannes.
- München : Fachbuchverlag Leipzig im Carl Hanser Verlag, c2002.
- Description
- Book — 303 p. : ill. ; 23 cm. + 1 CD-ROM.
- Online
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ACDI 1 | In-library use |
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TK7881.4 .R24 2002 | Unknown |
20. The audio recording handbook [2001]
- Kefauver, Alan P.
- Middleton, Wis. : A-R Editions, c2001.
- Description
- Book — xii, 606 p. : ill. ; 24 cm.
- Online
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TK7881.4 .K433 2001 | Unknown |