• Overview: All Media Are Social Media: Concepts, Materials, Methods Key Reading: "From Music Publishing to MP3: Music and Industry in the 20th Century" Reebee Garofalo
• Part 1: The Early Recording Industry,
• 1875 to
• 1940. Key Reading: A collection of gramophone and phonograph ads from the early 20th century.
• 1. Mediated Music, Fidelity, and Social Anxiety Focus: Selling the Phonograph
• 2. Sound Recordings and Radio in the 'Jazz Age' Focus: The Devil's Music
• 3. `Microphone Singing' and the Short Musical Film Focus: Crooners and `Real' Singers
• 4. The Global Gramophone Focus: The Recorded Music of the `Black Atlantic'
• Part 2: Bigger, Better, Louder, Longer,
• 1930 to
• 1970. Key Reading: Introduction to Rock `N' Film David James
• 5. The Triumph of the Film Musical Focus: Two Films with Frank Sinatra
• 6. The `Youth' Movie and the
• 45 Focus: Marlon, Jimmy, and Elvis on Film Key Reading: Chasing Sound: The Culture and Technology of Recording Studios in Postwar America Susan Horning
• 7. FM Radio and the Long Playing Record Focus: Freeform Radio
• 8. Magnetic Tape and the Recording Studio Focus: The Producer: Tom Dowd of Atlantic Records
• Part 3: New Forms of Media, New Kinds of Fame,
• 1960 to
• 2000 Key Reading: Music, Image, Labor: Television's Prehistory Murray Forman
• 9. Music on Television in the 1960s and 70s Focus: "Our World" and "Elvis"
• 10. MTV and the Evolution of the Short Musical Film Focus: From Playing Music Videos to Branding Musical Fame
• 11. The Popular Music Documentary Focus: "Don't Look Back" and the `Great Art' of Bob Dylan
• 12. Rock Film at the End of the 20th Century Focus: "Meeting People Is Easy" and the `Great Art' of Radiohead Part Four: Clouds, Crowds, and Idols,
• 1980 to
• 2015 Key Reading: The Heavenly Jukebox Charles Mann
• 13. New Ways to Connect Focus: The Invention and Spread of the MP3
• 14. The Catastrophe of Napster, the Opportunities of Digital Focus: Napster v. The Music Industry
• 15. Music-Based Reality TV Focus: The Idol Journey
• 16. Streaming, Clouds, and the Dematerialization of Music Focus: Curating Music in the Playlist Economy Index.
• (source: Nielsen Book Data)

Sounds, Screens, Speakers provides a broadly comprehensive survey of the emerging field of music and media. Music has been present at the advent of nearly every new media form since the turn of the 20th century. Whether we look at the start of sound recording, film, television or the Internet, music has been a crucial participant in the social changes brought about by these new tools for making and listening to music. This book examines such changes starting in the late 19th century to the present. From the introduction of the microphone all the way through to music in reality television, the purpose of each section is not simply to move chronologically towards the present, but to focus especially on the tangible social relationships created through specific forms of mediation. With readings at the end of most chapters, key questions to facilitate additional discovery and research, and direction to additional readings and resources on popular websites and news sources, this text serves as the ideal introduction to popular music and media.
(source: Nielsen Book Data) 9781501336232 20190325

• Preface vii Acknowledgements xi Introduction / Mary Caton Lingold, Darren Mueller, and Whitney Trettien
• 1 I. Theories and Genealogies
• 1. Ethnodigital Sonics and the Historical Imagination / Richard Cullen Rath
• 29
• 2. Performing Zora: Critical Ethnography, Digital Sound, and Not Forgetting / Myron M. Beasley
• 47
• 3. Rhetorical Folkness: Reanimating Walter J. Ong in the Pursuit of Digital Humanity / Jonathan W. Stone
• 64 II. Digital Communities
• 4. The Pleasure (Is) Principle: Sounding Out! and the Digitizing of Community / Aaron Trammell, Jennifer Lynn Stover, and Liana Silva
• 83
• 5. Becoming OutKasted: Archiving Contemporary Black Southernness in a Digtal Age / Regina N. Bradley
• 120
• 6. Reprogramming Sounds of Learning: Pedagogical Experiments with Critical Making and Community-Based Ethnography / W. F. Umi Hsu
• 130 III. Disciplinary Translations
• 7. Word. Spoken. Articulating the Voice for High-Performance Sound Technologies for Access and Scholarship (HiPSTAS) / Tanya E. Clement
• 155
• 8. "A Foreign Sound to Your Ear": Digital Image Sonification for Historical Interpretation / Michael J. Kramer
• 178
• 9. Augmenting Musical Arguments: Interdisciplinary Publishing Platforms and Augmented Notes / Joanna Swafford
• 215 IV. Points Forward
• 10. Digital Approaches to Historical Acoustemologies: Replication and Reenactment / Rebecca Dowd Geoffroy-Schwinden
• 231
• 11. Sound Practices for Digital Humanities / Steph Ceraso
• 250 Afterword. Demands of Duration: The Futures of Digital Sound Scholarship / Jonathan Sterne, with Mary Caton Lingold, Darren Mueller, and Whitney Trettien
• 267 Contributors
• 285 Index 291.
• (source: Nielsen Book Data)

The digital turn has created new opportunities for scholars across disciplines to use sound in their scholarship. This volume's contributors provide a blueprint for making sound central to research, teaching, and dissemination. They show how digital sound studies has the potential to transform silent, text-centric cultures of communication in the humanities into rich, multisensory experiences that are more inclusive of diverse knowledges and abilities. Drawing on multiple disciplines-including rhetoric and composition, performance studies, anthropology, history, and information science-the contributors to Digital Sound Studies bring digital humanities and sound studies into productive conversation while probing the assumptions behind the use of digital tools and technologies in academic life. In so doing, they explore how sonic experience might transform our scholarly networks, writing processes, research methodologies, pedagogies, and knowledges of the archive. As they demonstrate, incorporating sound into scholarship is thus not only feasible but urgently necessary. Contributors. Myron M. Beasley, Regina N. Bradley, Steph Ceraso, Tanya Clement, Rebecca Dowd Geoffroy-Schwinden, W. F. Umi Hsu, Michael J. Kramer, Mary Caton Lingold, Darren Mueller, Richard Cullen Rath, Liana M. Silva, Jonathan Sterne, Jennifer Stoever, Jonathan W. Stone, Joanna Swafford, Aaron Trammell, Whitney Trettien.
(source: Nielsen Book Data) 9780822370604 20181210

• Musikwerke-Produktion als neuer Industriezweig in Leipzig
• Anliegen der Arbeit, Forschungslage und ausgewertete Quellen
• Leipziger Musikautomaten am Ende einer Jahrhunderte alten Tradition : Musik und Bewegungsapparat : Kombinierte Kunst zum Hören und Bestaunen
• Vom kostbaren Einzelstück zur industriellen Massenproduktion
• Leipziger Automatenbau im Vergleich mit anderen Zentren von Weltgeltung
• Beginn eines neuen Medien-Zeitalters : das "vierte Weltalter der Musik"
• Medien, Mediamorphose, Discomorphose ... und neue Kreativität
• Von der Loch-Codierung zum MIDI-file
• Neue Medien im Diskurs : Meinungen bedeutender
• Musikerpersönlichkeiten
• Leipziger Musikautomaten : Gattungen und Typen : Systematik der Musikinstrumente
• Organetten
• Organetten mit gelochten, umlaufenden Pappstreifen
• Organetten mit Lochplatten
• Vielfalt an Modellen
• Organetten mit Faltkartons oder Notenrollen
• Automatische Handharmonikas
• Lochplatten gesteuerte Harmonikas
• Lochbandrollen gesteuerte Harmonikas
• Automatische Harmoniums
• Harmoniums mit mechanischem Spielapparat
• Harmoniums mit pneumatischem Spielapparat
• Kammzungen-Spielwerke
• Automatische Zithern
• Lochplatten gesteuerte Zithern
• Lochbandrollen gesteuerte Zithern
• Automatische Schlaginstrumente
• Glockenspiele
• Trommeln
• Selbstspielende Klaviere und Vorsetzer
• Mechanische Vorsetzer
• Pneumatische Vorsetzer
• Mechanische Klaviere und Flügel
• Pneumatische Klaviere und Flügel
• Klavier-Orchestrions
• Mandolineneffekt, oder : vibrierende Hämmerchen als ein "Muss" im Orchestrionbau
• Mechanische Orchestrions
• Pneumatische Orchestrions
• Flötenwerke
• Automatische Streichinstrumente
• Mechanisch hin und her bewegte Streichbögen
• Mechanisch rotierende Streichscheiben
• Umlaufende Streichbänder aus Stoff
• Umlaufende Rosshaar-Bänder
• Der umlaufende Ringbogen mit Rosshaaren
• Musik aus den Leipziger Automaten : Tonvorrat, Repertoire, Arrangeure, Standorte Tonvorrat und Repertoire
• Die Arrangeure : nur selten benannt
• Die Konsumenten : für wen waren die vielen Musikautomaten bestimmt?
• Lautstärke contra Musikalität?
• Wirtschaftsfaktor Musikautomatenbau
• Musikautomatenbau als drittgrösster ortstypischer Industriezweig
• Anzahl der Betriebsstätten
• Anzahl der Arbeitsplätze in den Kernbetrieben
• Anzahl der Erfindungen : Patente und Gebrauchsmuster
• Lizenzen und Urheberrechte : Patent-Streitigkeiten
• Günstige ökonomische Rahmenbedingungen in Leipzig
• Gründe für den Niedergang der Musikautomaten-Produktion
• Ausklang
• Weltweit einzigartig : Automatenbau in dieser Fülle und Vielfalt
• Was ist geblieben, wurde fortgeführt oder soll entstehen?
• Anmerkungen
• Lexikalischer Teil zum Leipziger Musikautomatenbau
• Firmenporträts von A : Z
• Katalogschema
• Adler : Adler deutsch-amerikanische Musikwerke Schlobach, Malke & Oberländer
• Apollo : Apollo Musikwerke Max Espenhain & co.
• Ariophon : Plagwitzer Musikwerke "Ariophon", R. M. Polter
• Augustin : Louis Augustin
• Bachmann : Hermann Bachmann
• Birnbaum : Birnbaum & co., Biskunola-Werke
• Blohut : Josef Blohut
• Brachhausen : Brachhausen & Riessner
• Buff : Neue Leipziger Musikwerke Adolf Buff-Hedinger
• Chordephon : Fabrik mechanischer Zithern "Chordephon", Clauss & co.
• Concordia : Concordia-Notenrollenfabrik Grieshaber & co. AG
• Dienst : E. Dienst
• Döhnert : Otto Döhnert
• Ehrlich, Emil : Ehrlichs Musikwerke Emil Ehrlich
• Ehrlich, Paul : Fabrik Leipziger Musikwerke vormals Paul Ehrlich & co. AG
• Etzold & Popitz
• Euphonika : Leipziger Musikwerke Euphonika AG
• Förster : Hermann Förster
• Frömsdorf : Helioswerke R. Frömsdorf & co.
• Geissler : Bruno Geissler
• Grieshaber : Notenrollenfabrik Josef Grieshaber
• Grob : J. M. Grob & co.
• Gubbe : Julius Gubbe
• Helbig : Otto Helbig & Polikeit
• Herkules : Herkules-Musikwerke
• Hofberg : Magnus Hofberg
• Holzweissig : Ernst Holzweissig Nachf
• Hörügel : M. Hörügel
• Hupfeld : Ludwig Hupfeid AG
• Kalliope : Kalliope Musikwerke AG
• Kästner : Kästner Autopiano AG
• Katz : Conrad Katz
• Komet : Komet Musikwerke Bauer & co.
• Leipziger Automaten : Leipziger Automatengesellschaft Gmbh
• Libellion : Leipziger Musikwerke Libellion Schützhold & Werner
• Lipsia : Lipsia Notenrollenfabrik Rösch & co.
• Lösche : Leipziger Orchestrionwerke Paul Lösche
• Mannborg : Theodor Mannborg
• Meinel : Ottomar Meinel & co.
• Minerva : Minerva-Notenrollenfabrik
• Müller : Fabrik Müllerscher Musikwerke Müller & co.
• Original : Original Musikwerke Paul Lochmann Gmbh
• Orphenion : Bruno Rückert Orphenion-Musikwerke-Fabrik
• Orpheus : Musikwerke Orpheus Ludwig & co. KG
• Peters : H. Peters & co.
• Phönix : Leipziger Musikwerke "Phönix", Schmidt & co.
• Pianotist : The Pianotist : Co.m.b.H.
• Polyphon : Polyphon Musikwerke AG
• Popper : Popper & co.
• Pyrophon : Pyrophon-Musikwerke Ernst Berger
• Rettmeyer : Fabrik mechanischer Musikwerke "Troubadour" Rettmeyer & co.
• Richter : C. Richter & co.
• Riedel : W. Riedel
• Ruhl : Oscar Ruhl Leipziger Orchesterpiano-Fabrik
• Salomonia : Salomonia Gmbh
• Schüller : Felix Schüller
• Sirion : Sirion Mechanische Musikwerke Bortmann & Keller
• Sonatina : Leipziger Musikwerke "Sonatina" Rudolf Wünsch & co.
• Staffelstein : Phänomenal-Musikwerke Staffelstein & Kluge
• Stichel : F. Stichel
• Symphonion : Symphonien Fabrik Lochmannscher Musikwerke AG
• Tannhäuser : Musikwerke Tannhäuser
• Troubadour : Troubadour Musikwerke B. Grosz und co
• Uhlig : Uhlig, Schwerin & co.
• Weigel : C. H. Weigel
• Weissbach : Kurt Weissbach
• Wellner : Mechanische Musikwerkefabrik Wellner & Prager
• Wöhle : Wöhle & co.
• Zimmermann, Gebr : Leipziger Pianoforte-Fabrik Gebr : Zimmermann AG
• Zimmermann, J. H : Julius Heinrich Zimmermann
• Zollinger : Zollinger & Sohn
• Zuleger : A. Zuleger
• Wichtige Persönlichkeiten der Leipziger Musikwerke-Industrie von A -Z
• Abkürzungen
• Bibliographie
• Patente und Gebrauchsmuster (Tabelle)
• Register der Warenzeichen.

• Hey, where's my backstage pass...?
• How to use this book
• Pre-Queen
• The albums
• The songs A to Z
• Queen live
• Compilations and collaborations
• Other media : radio, video, interactive, stage film
• Post-Queen
• Singles discography
• Got to follow that dream.

Their fan base continues to grow, over 25 years on from the death of Freddie Mercury, Queen's flamboyant, unforgettable front man. Georg Purvis's meticulous, session-by-session, song-by-song, album-by-album, tour-by-tour record of the band's progress is the complete reference source that Queen fans have been waiting for. If you love the Champions of Rock, it's all here: *The Band - detailed insights into Freddie Mercury, Brian May, Roger Taylor and John Deacon including bands the members formed outside of Queen and solo endeavours *The Albums - detailed production history and analysis of every album, including solo releases *The Sessions - In depth coverage from the early days via A Night at The Opera all the way to Made in Heaven *The Songs - hundreds of individual entries on all the famous recordings, as well as obscure, unreleased rarities *The Tours - set-lists and histories of every Queen and Queen-related live show including Queen + Adam Lambert *The Videos - a complete guide to Queen's groundbreaking video work *The Movies - Flash Gordon, Highlander and 2018's Bohemian Rhapsody biopic *Plus - the reunion shows with Paul Rodgers, Adam Lambert, the radio sessions, the costumes, the parties and much, much more...
(source: Nielsen Book Data) 9781789090000 20190204