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Book
xiii, 213 pages ; 24 cm
  • J.S. Bach and other early music
  • Johann Sebastian Bach
  • Early music from Bull to Liszt
  • John Cage and other new music
  • John Cage
  • Minimalists
  • Other new music.
Archive of Recorded Sound
Archive of Recorded Sound, Music Library
Book
255 pages ; 21 cm
Archive of Recorded Sound

4. The music library [2016]

Book
247 pages : color illustrations ; 25 cm
Archive of Recorded Sound
Book
xiii, 274 pages ; 21 cm
Archive of Recorded Sound
Book
172 pages : illustrations (chiefly color) ; 25 cm
Archive of Recorded Sound
Book
xxii, 258 pages, 16 unnumbered pages of plates : illustrations (some color) ; 23 cm
  • Acknowledgements Introduction Chapter One: Songs of Innocence and Inexperience: The Roots of Sarah Chapter Two: "Let's Just Communicate!": The 1980s Fanzine Underground Chapter Three: "How Much Do One Thousand Flexidiscs Weigh?": When Matt Met Clare Chapter Four: "Come to My World": The Sea Urchins and the Beginning of Sarah Chapter Five: "A Constant Source of Bemusement and Wonder": The Orchids Chapter Six: "Another Fucking Harvey Band": The Ubiquitous Harvey Williams Chapter Seven: "Sarah Records Unequivocally Supports a Fully Integrated Light-Rail Rapid-Transit System for the Greater Bristol Area": Expressions of Civic Pride Chapter Eight: "A Diary of Sorts": The Field Mice, Northern Picture Library, and the Quicksilver Bobby Wratten Chapter Nine: "I Sometimes Feel So Lost": Brighter Chapter Ten: Safe Harbour: The Wake and The Hit Parade Chapter Eleven: "I Am Telling You Because You Are Far Away": Internationalism and Sarah's Written Communiques Chapter Twelve: "Atta Girl": Heavenly, Riot Grrrl and Feminism Chapter Thirteen: Sadness is Unisex": Blueboy and "the Best Album" Sarah Released Chapter Fourteen: An Economy of Ambition: Sarah's Short-Term Visitors Chapter Fifteen: "We Had an Outsider's Perspective": Sarah's Foreign Visitors Chapter Sixteen: "A Day for Destroying Things...": The End of Sarah Chapter Seventeen: The Afterlife of Sarah The Sarah Discography Index.
  • (source: Nielsen Book Data)9781628922189 20160619
From 1987 to 1995, Bristol, England's Sarah Records was a modest underground success and, for the most part, a critical laughingstock in its native country-sneeringly dismissed as the sad, final repository for a fringe style of music (variously referred to as "indie-pop, " "C86, " "cutie" and "twee") whose moment had passed. Yet now, more than 20 years after its founders symbolically "destroyed" it, Sarah is among the most passionately fetishized record labels of all time. Its rare releases command hundreds of dollars, devotees around the world hungrily seek out any information they can find about its poorly documented history, and young musicians-some of them not yet born when Sarah shut down-claim its bands (such as Blueboy, the Field Mice, Heavenly, and the Wake) as major influences. Featuring dozens of exclusive interviews with the music-makers, producers, writers and assorted eyewitnesses who played a part in Sarah's eight-year odyssey, Popkiss: The Life and Afterlife of Sarah Records is the first authorised biography of an unlikely cult legend.
(source: Nielsen Book Data)9781628922189 20160619
Archive of Recorded Sound
Book
xx, 471 pages : illustrations ; 24 cm
  • Marketing concepts
  • Markets, market segmentation, and consumber behavior
  • Market research
  • Branding in the music business
  • Marketing plan
  • Industry numbers
  • Label operations
  • Record label finances
  • Publicity
  • Social media
  • The business of radio
  • Promotion, airplay, and the charts
  • Music video
  • Distribution and retail
  • Technology
  • Tour support and sponsorship
  • Grassroots
  • Advertising.
Record Label Marketing, Third Edition is the essential resource to help you understand how recorded music is professionally marketed. Fully updated to reflect current trends in the industry, this edition is designed to benefit marketing professionals, music business students, and independent artists alike. As with previous editions, the third edition is accessible for readers new to marketing or to the music business. The book addresses classic marketing concepts while providing examples that are grounded in industry practice. Armed with this book, you'll master the jargon, concepts, and language to understand how music companies brand and market artists in the digital era. Features new to this edition include: * Social media strategies including step-by-step tactics used by major and independent labels are presented in a new section contributed by Ariel Hyatt, owner of CYBER PR. An in-depth look at SoundScan and other big data matrices used as tools by all entities in the music business. * An exploration of the varieties of branding with particular attention paid to the impact of branding to the artist and the music business in a new chapter contributed by Tammy Donham, former Vice President of the Country Music Association. * The robust companion website, focalpress.com/cw/macy, features weblinks, exercises, and suggestions for further reading. Instructor resources include PowerPoint lecture outlines, a test bank, and suggested lesson plans.
(source: Nielsen Book Data)9780415715157 20160619
Archive of Recorded Sound
Book
416 pages : illustrations ; 23 cm.
  • Spiel (mit) der Maschine : Anmerkungen zur Historiographie musikalischer Medienpraxis in der Frühzeit der Reproduktions und Übertragungsmedien : eine Einführung / Marion Saxer
  • Medienchronologie / Marion Saxer, Leonie Storz
  • Musikalische Medienpraxis im Kontext : Naturwissenschaft : Ästhetik : Ökonomie
  • Experimentalisierung des Hörens : Musik und Medien um 1900 / Julia Kursel
  • Absolute Klangbilder : Abstrakter Film und Radiohörspiel der 1920er als komplementäre Formen einer "Eigenkunst" der Medien / Dieter Daniels
  • Die Ökonomisierung der Wahrnehmung : Anmerkungen zur Wirtschaftsgeschichte der Medien oder : vom Aufstieg und Niedergang des Selbstspielklaviers / Marion Saxer, Leonie Storz
  • Klingende Industriegescmchte : die Frankfurter Orchestrion- & Piano-Instrumenten-Fabrik J. D. Philipps / Kerstin Helfricht
  • Musikalische Medienpraxis als Interaktio von Menschen und Maschinen
  • "Grammophon-Konzerte" : Historische Medienkombinationen mit Schallplatte und der Wandel der Live-Ästhetik / Marion Saxer
  • Spielen und bedienen : das selbstspielende Klavier als virtuose Maschine / Rebecca Wolf
  • Das Reproduktionsklavier : Zwischen Musikinstrument und Medium / Kai Köpp
  • Zeitarbeit : das Zusammenspiel von Menschen, Maschinen und Musik in der Entwicklung von Tonfilmtechniken / Tobias Plebuch
  • Radio als Erlebnsraum / Sabine Breitsameter
  • Leiblichkeit und das Körperspiei der Maschinen / Michael Harenberg
  • Musikalische Medienpraxis in historischen Zeitschriften
  • "Die Stimme seines Herrn" : Hauszeitschrift der Deutschen Grammophon AG von 1909 bis 1918 / Claudia Thiesse
  • Radio zum Blättern : Spotlights auf die Rundfunkzeitschrift "Die Funk-Stunde" (1924-1929) / Janina Klassen
  • Musikalische Medienpraxis im Horizont einer Ästhetik des Eigenwerts der Medien
  • Immer Neues ans Licht bringen" : Paul Hindemith und die (neuen) Medien / Susanne Schaal-Gotthardt
  • Ausweitung der Machbarkeitszone : Ästhetisch-technische Modernitätskonzepte von Film und Partitur in Arnold Fancks und Paul Hindemiths "In Sturm und Eis" 1921) / Andreas Münzmay
  • Hindemiths Versuche "grammophonplatteneigener Stücke" im Kontext einer Ideengeschichte der Mechanischen Musik im 20· Jahrhundert / Martin Eiste
  • Das Grammophon als Instrument : László Moholy-Nagy, Oskar Messter und die Gestaltung einer gezeichneten Phonoschrift für Schallplatten / Daniel Gethmann
  • Gespielte Medien und die Anfänge 'phonographischer Arbeit' / Rolf Grossmann
  • Anhang
  • Autoren
  • Namensregister
  • Sachregister.
Archive of Recorded Sound
Music recording
1 sound disc : digital ; 4 3/4 in.
Archive of Recorded Sound, Music Library
Book
xxv, 230 pages : illustrations (black and white, and colour) ; 27 cm
Archive of Recorded Sound
Music recording
15 audio discs.
Archive of Recorded Sound
Music recording
16 audio discs.
Archive of Recorded Sound
Book
549 p. : ill. (chiefly col.) ; 21 cm.
Archive of Recorded Sound
Book
260 pages : illustrations (chiefly color) ; 32 cm
Count Basie, Tchaikovsky, Aretha Franklin, Lou Reed, Diana Ross, John Lennon and the Rolling Stones all had their music promoted by Andy Warhol's record covers. This stunning volume reproduces all of the album covers, front and back, that Warhol designed over four decades. Hundreds of additional contextual illustrations present liner notes and inside covers, related works by Warhol and documentary images that trace the artist's visual sources. Author Paul Marechal explores Warhol's creative process, his relationship with artists and his fascination with all genres of music. The range of music represented through these record covers, from jazz to classical and rock to soul, reveals the breadth of Warhol's musical tastes and his extraordinary ability to combine his artistic vision with that of the musicians.
(source: Nielsen Book Data)9783791354248 20160618
Archive of Recorded Sound
Book
xii, 240 pages : color illustrations ; 28 cm.
  • Foreword
  • Message from ARSC
  • Acknowledgments
  • About this guide
  • Preserving audio / Curtis Peoples and Marsha Maguire
  • Audio formats : characteristics and deterioration / Harrison Behl
  • Appraisals and priorities / Maya Lerman
  • Care and maintenance / Carla Arton
  • Description of audio recordings / Marsha Maguire
  • Preservation reformatting / William Chase
  • What to do after digitization / Chris Lacinak
  • Audio preservation : the legal context / Brandon Butler
  • Disaster prevention, preparedness, and response / Kara Van Malssen
  • Appendix A. Fair use and sound recordings : lessons from community practice / Brandon Butler and Peter Jaszi
  • Appendix B. Glossary
  • Contributors and editors
  • Index.
Archive of Recorded Sound
Music recording
3 audio discs ; 12 in. Sound: analog; vinyl; 33 1/3 rpm; microgroove; stereo.
  • Songs (Betty Olsson, soprano; Galen Lurwick, piano)
  • Piano sonata no. 2 (Virko Baley, piano)
  • Piano sonatina (Frank Ahrold, piano)
  • Sonata for violin and piano (Garry White, violin; Gerita Hanna, piano)
  • Cannons and modes for two pianos (Robert Haffendon, Harry Anderson, pianos)
  • Sonatina for clarinet and piano (Bertram McGarrity, clarinet; Frank Ahrold, piano)
  • String quartet no. 3 (San Diego String Quartet)
  • Sonata for cello and piano (Mary Lindblom, cello; Gerita Hanna, piano)
  • Wordsworth song cycle (Diana Rankin, soprano; Carol Sagar, flute; Irvin Kimber, piano)
  • Sonata for flute and piano (David Karrol, flute; Frank Ahrold, piano).
Archive of Recorded Sound

18. The big beat [1960]

Music recording
1 audio disc : vinyl, analog, stereo, 33 1/3 rpm ; 12 in. Sound: analog; vinyl; 33 1/3 rpm; microgroove; stereo.
  • The chess players
  • Sakeena's vision
  • Politely
  • Dat dere
  • Lester left town
  • It's only a paper moon.
Archive of Recorded Sound

19. Blue & sentimental [1962]

Music recording
1 audio disc : vinyl, analog, stereo, 33 1/3 rpm ; 12 in. Sound: analog; vinyl; 33 1/3 rpm; microgroove; stereo.
  • Blue and sentimental
  • Minor impulse
  • Don't take your love from me
  • Blues for Charlie
  • Like
  • Count every star.
Archive of Recorded Sound

20. Blue hour [1961]

Music recording
1 audio disc ; 12 in. Sound: analog; vinyl; 33 1/3 rpm; microgroove; stereo.
  • I want a little girl
  • Gee baby ain't I good to you
  • Blue riff
  • Since I fell for you
  • Willow weep for me.
Archive of Recorded Sound