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1. AMMmusic, 1966 [2016]

Music recording
1 audio disc ; 12 in.
Archive of Recorded Sound

2. Candy [1958]

Music recording
1 audio disc ; 12 in. Sound: analog; 33 1/3 rpm; microgroove; stereo.
Archive of Recorded Sound
Book
xiii, 213 pages ; 24 cm
  • J.S. Bach and other early music
  • Johann Sebastian Bach
  • Early music from Bull to Liszt
  • John Cage and other new music
  • John Cage
  • Minimalists
  • Other new music.
Archive of Recorded Sound
Archive of Recorded Sound, Music Library

5. Godbear [2016]

Music recording
1 audio disc ; 12 in.
Archive of Recorded Sound

6. Hank Mobley [1957]

Music recording
1 audio disc ; 12 in. Sound: analog; 33 1/3 rpm; microgroove; stereo.
Archive of Recorded Sound
Book
ix, 244 pages ; 21 cm
Currently, there is very little academic literature dealing with the topic of record collecting, and, when the topic is broached, it appears to be done so with some level of suspicion towards the record collector. As such, the only depictions of record collectors in the public domain tend to be very stereotypical and demeaning. This work serves as a new starting point in how the record collector and the practices involved are viewed and understood by considering the roots of these stereotypes, which mainly stem from the work of the Frankfurt School theorists who lived during a time of great insecurity, both in regards to new methods of production for cultural artefacts and art, but also their physical lives. Once this has been achieved, a consideration of more realistic record collecting practices takes place through discussions with collectors themselves, an examination of a collectible record label (Vertigo Records), and a diachronic analysis of the theories that have contributed to a fallacious view of the record collector. The record collector consumes his/her records on an individual basis - both in terms of person to person, but also - and crucially - even record to record. Ultimately, it is argued that one cannot define consumption through (the artefact's) production, which most considerations of the record collector have mistakenly done.
(source: Nielsen Book Data)9781443889124 20161031
Archive of Recorded Sound
Music recording
1 audio disc ; 12 in. Sound: analog; 33 1/3 rpm; microgroove; stereo.
Archive of Recorded Sound

9. The music library [2016]

Book
247 pages : color illustrations ; 25 cm
Archive of Recorded Sound

10. Musiques occitanes [2016]

Book
233 pages : illustrations ; 21 cm
  • La musique comme révélateur culturel -- Marti ? Occitania! -- Pèire-Andrièu Delbeau ? Pèire-Andrièu Delbeau -- Yves Rouquette, Jean-Henri Signoret...? Messa pets porcs -- Daniel Daumàs ? Tràç de Vida -- Henri Gougaud ? Henri Gougaud chante les troubadours -- Dague ? %pi occitans -- Joan Pau Verdier ? Occitània sempre -- Los Deu Larvath ? Un càp sera -- Josiana Vicenzutto ? Josiana Vicenzutto -- Mans de Breïsh ? Volem Viure al Païs -- Gaston Beltrame ? Beltrame -- Cardabèla ? Cardabèla -- Jacmelina ? Ambe lagremas e solelh -- Mont-Jàia ? Cant e Musica de Provenca )aie-)ce -- Patric ? Cançonetas -- Riga-Raga ambe La Talvera ? Per Téner cap -- Frederic ? Escota... -- Clemencic Consort ? Troubadours -- Mauris ? Mauris & l'Ontario Blues Banda -- André Chiron ? Canto Brassens en Prouvençau -- Del Sauveterre ? Febrier 78 -- Jan dau Melhau ? Lo Diable es jos la pàrta -- Los de Nadau ? L'Immortèla -- Bogre de Carnaval ? Teatre de la Carrièra -- Maria Roanet ? AIs enfants d'Occitania -- Fulbert Cant ? Ô manié crompa-me un skèit-bàrd -- Hot d'Oc ? Hot d'Oc -- Rosina de Pèira e Martina ? Cançons de Femnas -- Alan Pelhon ? Brami -- Chichomeia ? Rogaton de bleu -- Compilation ?Tresàrs dau Païs Nissart -- Perlinpinpin Fàlc ? Als Curi6s -- Benoît Hutin ? Occitania -- Test ? Sea, Sex and Sàm -- Afga Linda ? Cant e Musica en Cevenas -- Claude Sicre & Daniel Loddo ? Batèstas e cantariàs -- Subèr Albèrt ? Biarnés cap e tot -- Chansons de métiers de Provence et du comtat Venaissin -- André Ricros & Louis Sclavis Quartet ? Le Partage des eaux -- Conservatoire occitan ? Musiques et voix traditionnelles... -- Bouducon Production ? Bouducon Production -- Jan-Maria Carlotti ? Pachiqueli ven de nuèch... -- Cabrette, l'âge d'or de la cornemuse d'Auvergne 1895-1960 -- Miquèla e lei Chapacans ? Per Tu -- Massilia Sound System ? Commando Fada -- Jan-Maria Carlotti et Michel Marre ? Trobar 1... -- Fabulous Trobadors ? Ma ville est le plus beau park -- Vents d'Est (Keleti Szél) ? Ballade pour une mer qui chante -- Gacha Empega ? Polyphonies marseillaises -- Patrick Vaillant, Renat Sette... ? Enamorada Madalena -- Ontàrio C.S.N.? Radio Babazouk -- Éric Montbel ? Chabretas, les cornemuses à miroirs du Limousin -- Cap-Negre ? Passat Deman -- Jan-Nouvè Mabelly ? Barrulaire -- Xavier Vidal et ses invités ? Le Bal -- La Fabrique ? Nuit -- Familha Ardis ? Ômi -- Compilation ? Victor Gelu -- Bodega, Bodegifres! ? Anthologie de la cornemuse... -- Renat Jurié, Jean-Pierre Lafitte ? Chants sacrés... -- Moussu T e lei Jovents ? Mademoiselle Marseille -- Mauresca ? Contèsta -- Nux Vo m ica ? Nissa-Pemambuco -- Les Mourres de Porc ? Chants de marins de Méditerranée -- Troubadours Art Ensemble ? La Tràba vol. 1 -- Delphine Aguilera & Marc Bellity ? Fin'Amor -- Du Bartàs ? Turbo Balèti -- Flor Enversa ? Savis e Fols -- André Minvielle ? La Vie d'ici bas -- Pèire Boissière ? Margarida. Cantar en Pais d'Oc -- Lou Dalfin ?I Virasolelhs -- France ? Do Den Haag Church -- Verd e Blu ?.lacs de dança -- Laurent Cavalié ? Sà/i Solet -- Gigi de Nissa ? Gigi de Nissa -- Castanha e Vinovèl ? Castanha e Vinovèl
  • Eric Frai ? Fat e Fais -- Hum ? Lei Passa Tèms -- Vox Bigerri ?Adora -- Joan FrancésTisnèr ? TranspôrtsTisnèr SA -- ForrOccitània -- Le Bal Brotto Lopez ? Le Bal Brotto Lopez -- Lo Càr de la Plana ? Marcha! -- Doctors de Trobar ? Doctors de Trobar -- Forabandit ? Port -- D'Aqui Dub ? Impermanència -- La Mal Coiffée ? L'Embelinaire -- La Nàvia ? Mostla -- Sourdure ? La Virée -- Tornamaï? Tomamaï -- Arnaud Cance ? Saique... Benlèu! -- Rodin ? Ara -- Dupain ? Sèrga -- Super Parquet ? Super Parquet -- Compagnie Guillaume Lopez ? Medin'Aqui -- Enlàc ? Temps Libre -- Uèi ?Ai marna -- Compilation ? Lo son d'aquela votz, Leon Càrdas, Poeta Paisan -- Sàfia Jacques - Serano ? Bodega en Viatge -- Delta Sànic ? Delta Sànic #I -- Bibliographie.
"Vaste territoire, l'Occitanie se définit en premier lieu par sa langue vernaculaire et déploie une mythologie où se côtoient troubadours, luttes sociales contemporaines et transmission orale. Les musiques des Pays d'oc montrent toute cette multiplicité, depuis leur renouveau militant dans les années soixante-dix, impulsé notamment par Claude Marti, puis par Claude Sicre en 1980, jusqu'aux expérimentations actuelles du collectif La Nôvia, au reggae occitan du Massilia Sound System. Aussi est-il naturel que des groupes tels que Riga-Raga, Nux Vomica, les Fabulous Trobadors, Du Bartas, La Mal Coiffée et tant d'autres donnent à entendre ses richesses et ses contradictions, ses racines et ses affinités culturelles diverses, tant avec le bassin méditerranéen que l'Orient voire le Nordeste brésilien, alliant musiques et instru-mentarium traditionnels et musiques actuelles telles que le rock, le dub ou l'electro."--Page 4 of cover.
Archive of Recorded Sound

11. Natural History [2016]

Music recording
1 audio disc ; 12 in.
Archive of Recorded Sound
Book
xiii, 274 pages ; 21 cm
Archive of Recorded Sound
Book
172 pages : illustrations (chiefly color) ; 25 cm
Archive of Recorded Sound
Book
xxii, 258 pages, 16 unnumbered pages of plates : illustrations (some color) ; 23 cm
  • Acknowledgements Introduction Chapter One: Songs of Innocence and Inexperience: The Roots of Sarah Chapter Two: "Let's Just Communicate!": The 1980s Fanzine Underground Chapter Three: "How Much Do One Thousand Flexidiscs Weigh?": When Matt Met Clare Chapter Four: "Come to My World": The Sea Urchins and the Beginning of Sarah Chapter Five: "A Constant Source of Bemusement and Wonder": The Orchids Chapter Six: "Another Fucking Harvey Band": The Ubiquitous Harvey Williams Chapter Seven: "Sarah Records Unequivocally Supports a Fully Integrated Light-Rail Rapid-Transit System for the Greater Bristol Area": Expressions of Civic Pride Chapter Eight: "A Diary of Sorts": The Field Mice, Northern Picture Library, and the Quicksilver Bobby Wratten Chapter Nine: "I Sometimes Feel So Lost": Brighter Chapter Ten: Safe Harbour: The Wake and The Hit Parade Chapter Eleven: "I Am Telling You Because You Are Far Away": Internationalism and Sarah's Written Communiques Chapter Twelve: "Atta Girl": Heavenly, Riot Grrrl and Feminism Chapter Thirteen: Sadness is Unisex": Blueboy and "the Best Album" Sarah Released Chapter Fourteen: An Economy of Ambition: Sarah's Short-Term Visitors Chapter Fifteen: "We Had an Outsider's Perspective": Sarah's Foreign Visitors Chapter Sixteen: "A Day for Destroying Things...": The End of Sarah Chapter Seventeen: The Afterlife of Sarah The Sarah Discography Index.
  • (source: Nielsen Book Data)9781628922189 20160619
From 1987 to 1995, Bristol, England's Sarah Records was a modest underground success and, for the most part, a critical laughingstock in its native country-sneeringly dismissed as the sad, final repository for a fringe style of music (variously referred to as "indie-pop, " "C86, " "cutie" and "twee") whose moment had passed. Yet now, more than 20 years after its founders symbolically "destroyed" it, Sarah is among the most passionately fetishized record labels of all time. Its rare releases command hundreds of dollars, devotees around the world hungrily seek out any information they can find about its poorly documented history, and young musicians-some of them not yet born when Sarah shut down-claim its bands (such as Blueboy, the Field Mice, Heavenly, and the Wake) as major influences. Featuring dozens of exclusive interviews with the music-makers, producers, writers and assorted eyewitnesses who played a part in Sarah's eight-year odyssey, Popkiss: The Life and Afterlife of Sarah Records is the first authorised biography of an unlikely cult legend.
(source: Nielsen Book Data)9781628922189 20160619
Archive of Recorded Sound
Book
xx, 471 pages : illustrations ; 24 cm
  • Marketing concepts
  • Markets, market segmentation, and consumber behavior
  • Market research
  • Branding in the music business
  • Marketing plan
  • Industry numbers
  • Label operations
  • Record label finances
  • Publicity
  • Social media
  • The business of radio
  • Promotion, airplay, and the charts
  • Music video
  • Distribution and retail
  • Technology
  • Tour support and sponsorship
  • Grassroots
  • Advertising.
Record Label Marketing, Third Edition is the essential resource to help you understand how recorded music is professionally marketed. Fully updated to reflect current trends in the industry, this edition is designed to benefit marketing professionals, music business students, and independent artists alike. As with previous editions, the third edition is accessible for readers new to marketing or to the music business. The book addresses classic marketing concepts while providing examples that are grounded in industry practice. Armed with this book, you'll master the jargon, concepts, and language to understand how music companies brand and market artists in the digital era. Features new to this edition include: * Social media strategies including step-by-step tactics used by major and independent labels are presented in a new section contributed by Ariel Hyatt, owner of CYBER PR. An in-depth look at SoundScan and other big data matrices used as tools by all entities in the music business. * An exploration of the varieties of branding with particular attention paid to the impact of branding to the artist and the music business in a new chapter contributed by Tammy Donham, former Vice President of the Country Music Association. * The robust companion website, focalpress.com/cw/macy, features weblinks, exercises, and suggestions for further reading. Instructor resources include PowerPoint lecture outlines, a test bank, and suggested lesson plans.
(source: Nielsen Book Data)9780415715157 20160619
Archive of Recorded Sound
Music recording
1 audio disc ; 12 in. Sound: analog; 33 1/3 rpm; microgroove; stereo.
Archive of Recorded Sound
Book
416 pages : illustrations ; 23 cm.
  • Spiel (mit) der Maschine : Anmerkungen zur Historiographie musikalischer Medienpraxis in der Frühzeit der Reproduktions und Übertragungsmedien : eine Einführung / Marion Saxer
  • Medienchronologie / Marion Saxer, Leonie Storz
  • Musikalische Medienpraxis im Kontext : Naturwissenschaft : Ästhetik : Ökonomie
  • Experimentalisierung des Hörens : Musik und Medien um 1900 / Julia Kursel
  • Absolute Klangbilder : Abstrakter Film und Radiohörspiel der 1920er als komplementäre Formen einer "Eigenkunst" der Medien / Dieter Daniels
  • Die Ökonomisierung der Wahrnehmung : Anmerkungen zur Wirtschaftsgeschichte der Medien oder : vom Aufstieg und Niedergang des Selbstspielklaviers / Marion Saxer, Leonie Storz
  • Klingende Industriegescmchte : die Frankfurter Orchestrion- & Piano-Instrumenten-Fabrik J. D. Philipps / Kerstin Helfricht
  • Musikalische Medienpraxis als Interaktio von Menschen und Maschinen
  • "Grammophon-Konzerte" : Historische Medienkombinationen mit Schallplatte und der Wandel der Live-Ästhetik / Marion Saxer
  • Spielen und bedienen : das selbstspielende Klavier als virtuose Maschine / Rebecca Wolf
  • Das Reproduktionsklavier : Zwischen Musikinstrument und Medium / Kai Köpp
  • Zeitarbeit : das Zusammenspiel von Menschen, Maschinen und Musik in der Entwicklung von Tonfilmtechniken / Tobias Plebuch
  • Radio als Erlebnsraum / Sabine Breitsameter
  • Leiblichkeit und das Körperspiei der Maschinen / Michael Harenberg
  • Musikalische Medienpraxis in historischen Zeitschriften
  • "Die Stimme seines Herrn" : Hauszeitschrift der Deutschen Grammophon AG von 1909 bis 1918 / Claudia Thiesse
  • Radio zum Blättern : Spotlights auf die Rundfunkzeitschrift "Die Funk-Stunde" (1924-1929) / Janina Klassen
  • Musikalische Medienpraxis im Horizont einer Ästhetik des Eigenwerts der Medien
  • Immer Neues ans Licht bringen" : Paul Hindemith und die (neuen) Medien / Susanne Schaal-Gotthardt
  • Ausweitung der Machbarkeitszone : Ästhetisch-technische Modernitätskonzepte von Film und Partitur in Arnold Fancks und Paul Hindemiths "In Sturm und Eis" 1921) / Andreas Münzmay
  • Hindemiths Versuche "grammophonplatteneigener Stücke" im Kontext einer Ideengeschichte der Mechanischen Musik im 20· Jahrhundert / Martin Eiste
  • Das Grammophon als Instrument : László Moholy-Nagy, Oskar Messter und die Gestaltung einer gezeichneten Phonoschrift für Schallplatten / Daniel Gethmann
  • Gespielte Medien und die Anfänge 'phonographischer Arbeit' / Rolf Grossmann
  • Anhang
  • Autoren
  • Namensregister
  • Sachregister.
Archive of Recorded Sound
Music recording
1 sound disc : digital ; 4 3/4 in.
Archive of Recorded Sound, Music Library
Book
xxv, 230 pages : illustrations (some color) ; 27 cm
  • Introduction ...vi-- A Word about Classic FM ...x-- The Top 300 Chart ...xii-- The Classic FM Hall of Fame ...1-- 25 Recordings You Should Own ... 219-- Acknowledgements ...222-- About the Authors ... 223-- Index ... 224-- Contents.
  • (source: Nielsen Book Data)9781783962686 20160928
The Ultimate Classic FM Hall of Fame celebrates classical music's unique ability to stir the emotions of a listener - whether it's the haunting melodies of Gorecki's Symphony of Sorrowful Songs or Purcell's Dido and Aeneas; the passionately charged opening bars of Beethoven's Symphony No. 5; dramatic operas such as Puccini's La boheme; the moving sounds of Rachmaninov's Piano Concerto No. 2 and Mozart's Clarinet Concerto; beautiful ballet scores from Prokofiev and Tchaikovsky; or blockbuster film soundtracks composed by John Williams and Howard Shore.; This new edition of the Sunday Times bestseller celebrates the twentieth anniversary of the Classic FM Hall of Fame. With a fully updated chart of the nation's 300 favourite works, based on votes cast by millions of listeners over the past twenty years, a revised introduction and beautiful new illustrations, this definitive collection encompasses a rich variety of classical greats, contemporary masters, lesser-known treasures and outstanding British composers to provide a fascinating insight into our relationship with the music we love.; Darren Henley, Sam Jackson and Tim Lihoreau guide us through the world of classical music and the people responsible for creating and performing it. Combining fascinating histories and biographies, recommended recordings and the ranking of the 300 pieces themselves, this book is as relevant to a new listener discovering the joys of classical music as it is to long-time lovers of the genre. The Ultimate Classic FM Hall of Fame is a beautifully illustrated testament to the enduring power of classical music to inspire, entertain, relax and invigorate us.
(source: Nielsen Book Data)9781783962686 20160928
Archive of Recorded Sound
Book
xvi, 191 pages ; 24 cm
  • Cueing Up 1."Dog's Don't Listen to Phonographs:" Nipper, "His Master's Voice, " and the Discourse of "Fidelity" 2.The Beatles on iTunes and Vinyl Reissue: Aesthetic Discourse and the Listening Subject 3.Virtual Authenticity: The Return of Vinyl in the Digital Age 4.Criminal Records: Record Collecting as Counter-Discourse 5."Cabinets of Wonder" or "Coffins of Disuse?" Reissues, Box Sets, and Commodity Fetishism 6."You Spin Me Round (Like A Record):" Analog Audiophilia As Disciplinary Mechanism 7."The Vinyl Anachronist:" The Role of Social Media in the Formation of Communities of Vinyl The Run-out Groove.
  • (source: Nielsen Book Data)9781498510073 20161031
Vinyl Records and Analog Culture in the Digital Age: Pressing Matters looks at music technologies from a popular culture studies perspective, taking into consideration the ways in which human beings bring these technologies into their lives and the discursive practices they create. Focusing on the resurgence of vinyl records, this book examines the ways in which interacting with analog technologies creates and shapes listening subjectivity in its users.
(source: Nielsen Book Data)9781498510073 20161031
Archive of Recorded Sound