• Preface vii Acknowledgements xi Introduction / Mary Caton Lingold, Darren Mueller, and Whitney Trettien
• 1 I. Theories and Genealogies
• 1. Ethnodigital Sonics and the Historical Imagination / Richard Cullen Rath
• 29
• 2. Performing Zora: Critical Ethnography, Digital Sound, and Not Forgetting / Myron M. Beasley
• 47
• 3. Rhetorical Folkness: Reanimating Walter J. Ong in the Pursuit of Digital Humanity / Jonathan W. Stone
• 64 II. Digital Communities
• 4. The Pleasure (Is) Principle: Sounding Out! and the Digitizing of Community / Aaron Trammell, Jennifer Lynn Stover, and Liana Silva
• 83
• 5. Becoming OutKasted: Archiving Contemporary Black Southernness in a Digtal Age / Regina N. Bradley
• 120
• 6. Reprogramming Sounds of Learning: Pedagogical Experiments with Critical Making and Community-Based Ethnography / W. F. Umi Hsu
• 130 III. Disciplinary Translations
• 7. Word. Spoken. Articulating the Voice for High-Performance Sound Technologies for Access and Scholarship (HiPSTAS) / Tanya E. Clement
• 155
• 8. "A Foreign Sound to Your Ear": Digital Image Sonification for Historical Interpretation / Michael J. Kramer
• 178
• 9. Augmenting Musical Arguments: Interdisciplinary Publishing Platforms and Augmented Notes / Joanna Swafford
• 215 IV. Points Forward
• 10. Digital Approaches to Historical Acoustemologies: Replication and Reenactment / Rebecca Dowd Geoffroy-Schwinden
• 231
• 11. Sound Practices for Digital Humanities / Steph Ceraso
• 250 Afterword. Demands of Duration: The Futures of Digital Sound Scholarship / Jonathan Sterne, with Mary Caton Lingold, Darren Mueller, and Whitney Trettien
• 267 Contributors
• 285 Index 291.
• (source: Nielsen Book Data)

The digital turn has created new opportunities for scholars across disciplines to use sound in their scholarship. This volume's contributors provide a blueprint for making sound central to research, teaching, and dissemination. They show how digital sound studies has the potential to transform silent, text-centric cultures of communication in the humanities into rich, multisensory experiences that are more inclusive of diverse knowledges and abilities. Drawing on multiple disciplines-including rhetoric and composition, performance studies, anthropology, history, and information science-the contributors to Digital Sound Studies bring digital humanities and sound studies into productive conversation while probing the assumptions behind the use of digital tools and technologies in academic life. In so doing, they explore how sonic experience might transform our scholarly networks, writing processes, research methodologies, pedagogies, and knowledges of the archive. As they demonstrate, incorporating sound into scholarship is thus not only feasible but urgently necessary. Contributors. Myron M. Beasley, Regina N. Bradley, Steph Ceraso, Tanya Clement, Rebecca Dowd Geoffroy-Schwinden, W. F. Umi Hsu, Michael J. Kramer, Mary Caton Lingold, Darren Mueller, Richard Cullen Rath, Liana M. Silva, Jonathan Sterne, Jennifer Stoever, Jonathan W. Stone, Joanna Swafford, Aaron Trammell, Whitney Trettien.
(source: Nielsen Book Data) 9780822370604 20181210

Der Kunstraum Nestroyhof widmet sich in der Ausstellung dem Schnittpunkt zwischen Fotografie, bildender Kunst und Musik - dem Plattencover. Der Katalog '33 1/3 - Cover Art' erschien begleitend zur Ausstellung und blickt mit Begleittexten und Abbildungen aller gezeigten Plattencover auf die Geschichte der Plattenhülle zurück. Exhibition: Kunstraum Nestroyhof, Vienna, Austria (23.06.-09.11.2017).

• The first time America heard herself
• I'll get a break someday: Will Shade and the Memphis Jug Band
• In the shadow of Clinch Mountain: The Carter Family
• My heart keeps singing: Elder J.E. Burch
• Gonna die with my hammer in my hand: Dick Justice and the Williamson Brothers
• Down the dirt road: Charley Patton and the Mississippi Delta Blues
• Chant of the snake dance: The Hopi Indian Chanters
• Bird of paradise: Joseph Kekuku
• Mal hombre: Lydia Mednoza
• Allons à Lafayette: The Breaux Family
• Avalon blues: Mississippi John Hurt
• The American epic sessions
• Travel and the crew.

The companion book to the ground breaking BBC Arena documentary series celebrating the pioneers and artists of American roots music, blues, gospel, folk, Cajun, Appalachian, Hawaiian, Native American without which there would be no jazz, rock, country R&B, or hip hop today. Jack White, T. Bone Burnett, and Robert Redford have teamed up to executive produce American Epic, a historical music project exploring the pivotal recording journeys of the early twentieth century, which for the first time captured the breadth of American music and made it available to the world. It was, in a very real way, the first time America truly heard herself. In the 1920s and 1930s, as radio took over the pop music business, record companies were forced to leave their studios in major cities in search of new styles and markets. Ranging the mountains, prairies, rural villages, and urban ghettos of America, they discovered a wealth of unexpected talent-farmers, labourers, and ethnic minorities playing styles that blended the intertwining strands of Europe, Africa, Asia, and the Americas. These recordings form the bedrock for modern music as we know it, but during the Depression many record companies went out of business and more than ninety percent of the fragile 78 rpm discs were destroyed. Fortunately, thanks to the continuing efforts of cultural detectives and record devotees, the stories of America's earliest musicians can finally be told. Bernard MacMahon and Allison McGourty, who directed and produced the documentary with American musician Duke Erikson, spent years traveling around the US in search of recollections of those musical pioneers. Their fascinating account, written with the assistance of prize-winning author Elijah Wald, continues the journey of the series and features additional stories, never-before-seen photographs, and unearthed artwork. It also contains contributions from many of the musicians who participated including Taj Mahal, Nas, Willie Nelson, and Steve Martin, plus a behind-the-scenes look at the incredible journey across America.American Epic is an extraordinary testament to our country's musical roots, the transformation of our culture, and the artists who gave us modern popular music.
(source: Nielsen Book Data) 9781501135606 20170703

This spectacular volume is a compendium of beautiful recording and playback equipment and at the same time an engaging, comprehensive history of sound recording. Organized chronologically, it showcases specially commissioned photography of the beautiful, iconic and rarely seen objects contained within the diverse collections of the EMI Archive Trust. Recording equipment, playback devices, catalogues, artist files, records, master tapes, radios and televisions are all here, accompanied by detailed specifications and intriguing archival photographs. Interspersed with the timeline and images are in-depth articles that tell the complete stories of the pioneering advances in the evolution of sound technology, from the invention of the 'Gramophone' method to the development of electronic signal amplifiers, and from the arrival of magnetic tape recording to the advent of CDs and the dawn of the digital age. It is sure to prove irresistible to music geeks and design lovers alike.
(source: Nielsen Book Data) 9780500519288 20171009

How record albums and their covers delivered mood music, lifestyle advice, global sounds, and travel tips to midcentury Americans who longed to be modern.The sleek hi-fi console in a well-appointed midcentury American living room might have had a stack of albums by musicians like Frank Sinatra, Elvis Presley, or Patti Page. It was just as likely to have had a selection of LPs from slightly different genres, with such titles as Cocktail Time, Music for a Chinese Dinner at Home, The Perfect Background Music for Your Home Movies, Honeymoon in Hawaii, Strings for a Space Age, or Cairo! The Music of Modern Egypt. The brilliantly hued, full-color cover art might show an ideal listener, an ideal living room, an ideal tourist in an exotic landscape -- or even an ideal space traveler. In Designed for Hi-Fi Living, Janet Borgerson and Jonathan Schroeder listen to and look at these vinyl LPs, scouring the cover art and the liner notes, and find that these albums offered a guide for aspirational Americans who yearned to be modern in postwar consumer culture.Borgerson and Schroeder examine the representations of modern life in a selection of midcentury record albums, discussing nearly 150 vintage album covers, reproduced in color -- some featuring modern art or the work of famous designers and photographers. Offering a fascinating glimpse into the postwar imagination, the first part, "Home, " explores how the American home entered the frontlines of cold war debates and became an entertainment zone -- a place to play music, mix drinks, and impress guests with displays of good taste. The second part, "Away, " considers albums featuring music, pictures, and tourist information that prepared Americans for the jet age as well as the space race.
(source: Nielsen Book Data) 9780262036238 20171030