• Time Capsule Found on the Dead Planet / Margaret Atwood (Peter Koch, Printer, Berkeley, California)
• The Wild Marsh / Rick Bass (Greenboathouse Press, Jason Dewinetz, Printer, Vernon British Columbia)
• Questionnaire / Wendell Berry (Larkspur Press, Grey Zeitz, Printer, Monterey, Kentucky)
• All Over the World / Robert Bringhurst (Richard Seibert, Printer, Berkeley, California)
• The Turf-Cutter Speaks / Annemarie Ní Churreáin (The Salvage Press, Jamie Murphy, Printer, Dublin, Ireland)
• Mining Words / Peter Coyote (Turkey Press, Harry & Sandra Liddell Reese, Printers, Isla Vista, California)
• How the Milky Way Was Made / Natalie Diaz (Foolscap Press, Peggy Gotthold & Lawrence Van Velzer, Printers, Santa Cruz, California)
• Corrosion / Edwin Dobb (Mixolydian Editions, Richard Wagener, Printer, Petaluma, California)
• One River / David James Duncan (Deep Wood Press, Chad Pastotnik, Printer, Mancelona, Michigan)
• A Clearing / Forrest Gander (Taller Martin Pescador, Juan Pascoe, Printer, Tacambaro, Mexico)
• The Blind / Eliza Griswold (Russell Maret, Printer, New York, New York)
• A Map to the Next World / Joy Harjo (Classic Letterpress, Norman Clayton, Printer, Ojai, California)
• September, Inverness / Robert Hass (Patrick Reagh, Printer, Sebastapol, California)
• Triple Moments of Light & Industry / Brenda Hillman (Barbarian Press, Crispin & Jan Elsted, Printers, Mission, British Columbia)
• Ledger / Jane Hirshfield (Peter Koch, Printer, Berkeley, California)
• Trail of Tears: Our Removal / Linda Hogan (Moving Parts Press, Felicia Rice, Printer, Santa Cruz, California)
• Singularity / Marie Howe (Nomad Letterpress, Pat Randle, Printer, Whittington Court, England)
• The Nature of Generosity / William Kittredge (The Press at Colorado College, Aaron Cohick, Printer, Colorado Springs, Colorado)
• The Blind Horses / Ed Lahey (The Territorial Press, Aaron Parrett, Printer, Helena, Montana)
• Informed by Indifference / Barry Lopez (INK-A! Press, Inge Bruggeman, Printer, Reno, Nevada)
• Cerro Rico / Emily McGiffin (Walking Bird Press, Tara Bryan, Printer, Newfoundland)
• The Niagara River / Kay Ryan (Jungle Garden Press, Marie Dern, Printer, Fairfax, California)
• In Vento / Gaylord Schanilec (Midnight Paper Sales, Gaylord Schanilec, Printer, St. Paul, Minnesota)
• Dillingham, Alaska, the Willow Tree Bar / Gary Snyder (Artichoke Press, Jonathan Clark, Printer, Mountain View, California)
• Black Center / Arthur Sze (The Press at the Palace of Governors, Thomas Leech, Printer, Santa Fe, New Mexico)
• Seeing / Jan Zwicky (Ninja Press, Carolee Campbell, Printer, Sherman Oaks, California).

"[A] limited edition portfolio of poetry and lyric prose in broadside format, edited by Peter Rutledge Koch with contributing editors Edwin Dobb, Jane Hirshfield, and Jan Zwicky. The portfolio, consisting of twenty-six poems and lyrical texts addressing themes of nature and its irresponsible destruction, is a part of an international artist's intervention--EXTRACTION: Art on the Edge of the Abyss. Twenty-six notable poets, artists, and writers have been paired with an equal number of highly regarded letterpress printers from four countries; each has been invited to produce an editioned broadside/print especially for this portfolio. WORDS on the Edge will be sold to raise funds for the greater EXTRACTION project, which is sponsored by the CODEX Foundation as our commitment to art and the environment." -- From publisher's website, viewed August 5, 2019 https://www.codexfoundation.org/publications/words-on-the-edge
"EXTRACTION: Art on the Edge of the Abyss is a multimedia, multi-venue, cross-border art intervention that will investigate extractive industry in all of its forms (from mining and drilling to the reckless exploitation of water, soil, trees, marine life, and other natural resources). The project will expose and interrogate extraction's negative social and environmental consequences, from the damage done to people, especially indigenous and disenfranchised communities, to ravaged landscapes and poisoned water to climate change and its many troubling implications." -- From project website, viewed August 5, 2019 https://www.extractionart.org/

• 1. Athens
• 2. Plato's pavilion
• 3. The winds
• 4. The test of 1844
• 5. A mainspring of technology
• 6. The sun, the winds & time.

"The twelve-step program I've written about is what at the time would have been called a set of labors. Eurystheus didn't have a lot of research to fall back on. He had to make it up as he went along. You have to give the man credit"--Foolscap Press website.