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• Aria della Battaglia a 8 / Annibale Padovano (5:54)
• La Battaglia per cantar e sonar a 8 / Francesco Usper (4:18)
• Canzon in echo a 8 / bastian Chilese (4:36)
• Canzon a 12 in echo / Giovanni Gabrieli (3:29)
• Pianto d'Erinna / Nicolo Fontei (7:54)
• Il lamento: "Su'l Rodano severo" / Barbara Strozzi (15:08)
• Pavana: El Bisson a 4 / anonymous (3:16)
• Lamento di Iole / Jacopo Peri (10:05).

Jordi Savall is hugely respected both as an instrumentalist and as a music director across early music. Throughout his career he has made outstanding period instrument recordings, exploring the roots of European Musical tradition, and his masterly playing of the viola da gamba gave immense depth to the success of the film 'Tous les matins du monde'. In the 17th Century, battles were celebrated with musical compositions which inspired soldiers with the glory of the past. But battles breed as much grief as grandeur. "Bataglie e Lamenti" is a musical journey which takes listeners through exhilarating and sombre landscapes, masterfully depicted by Savall, Figueras and Hesperion XX. Recorded in 1982, this is Savall's only recording for the Archiv Label.

• Miserere a 9 (vv. 1-4 & 17-20) / Allegri
• Veni Sancte Spiritus et emitte/Veni Sancte Spiritus et infunde/Veni Creator Spiritus mentes tu / Dustaple
• O nata lux / Tallis
• Verbum caro factum est / Sheppard
• Buccinate in neomenia tuba a 19 (Symphoniae sacrae II, 1615) / Gabrieli
• O magnum mysterium (Motecta, 1572) / De Victoria
• Ave verum corpus (Gradualia I, 1605) / Byrd
• Tu es Petrus / Palestrina
• Missa 'L'homme armé': Kyrie / Dufay
• Missa super 'Bell' Amfitrit' altera': Gloria / De Lassus
• Mass for Six Voices 'Euge Bone'. II. Credo / Tye
• Missa Paschale. Sanctus / Isaac
• Mass for four voices. Agnus Dei / Byrd
• Absalon, fili mi (attrib.) / Des Prez
• Hosanna to the son of David / Gibbons
• Spem in alium / Tallis
• Ce moys de may (rondeau) / Dufay
• Missa prolationum, Agnus Dei. Agnus Dei I / Ockeghem
• La déploration sur la mort de Jehan Ockeghem / De Prez
• Scaramella va alla guerra (villotta) / Des Prez
• El grillo e buon cantore (frottola) / Des Prez
• Es wolt ein Meydlein grasen gan / Isaac
• Inter vestibulum et altare / Penalosa
• En Vray Amoure / Henry VIII
• Pastime With Good Company / Henry VIII
• Spagna (Lute duet) / Da Milano
• Chi la gagliarda / Nola
• O dolce vita mia / Willaert
• Non t'aricordi / Agostini
• Vecchie letrose / Willaert
• Chantons, Sonnons, Trompettes (Pour 2 Trompettes & 2 Trombonnes) / Janequin
• La Guerre (La Bataille De Marignan) / Janequin
• Le Caquet Des Femmes / Janquin
• Orfeo: Toccata / Monteverdi
• Madrigals, Book 8 (Madrigali guerrieri et amorosi ... libro ottavo), Madrigali guerrieri, Altri canti d'amor: Sinfonia Altri canti d'Amor, tenero Arciero / Monteverdi
• Selva morale e spirituale, Venetia
• 1640. Psalmus
• 111: Beatus vir (primo) a 6 / Monteverdi
• L'Incoronazione di Poppea, Act Three, Scene
• 8: Pur ti miro / Monteverdi.

• Aria della Battaglia a 8 / Annibale Padovano (5:54)
• La Battaglia per cantar e sonar a 8 / Francesco Usper (4:17)
• Canzon in echo a 8 / bastian Chilese
• Canzon a 12 in echo / Giovanni Gabrieli (3:29)
• Pianto d'Erinna / Nicolo Fontei (7:54)
• Il lamento: "Su'l Rodano severo" / Barbara Strozzi (15:08)
• Pavana: El Bisson a 4 / Anon. (3:16)
• Lamento di Iole / Jacopo Peri (10:05).

In the 17th Century, battles were celebrated with musical compositions which inspired soldiers with the glory of the past. But battles breed as much grief as grandeur. "Bataglie e Lamenti" is a musical journey which takes listeners through exhilarating and sombre landscapes, masterfully depicted by Savall, Figueras and Hesperion XX.

• Vasto mar : SWV 19 : Madrigal für zwei Vokalchöre aus Il primo libro de madrigali, Venedig, 1611 / Heinrich Schütz (3:24)
• In ecclesiis : motet a 15 : vierchöriges geistliches Konzert für Vokal- und Instrumentalstimmen mit Basso continuo aus Symphoniae sacrae II, Venedig, 1615 (6:57) ; Canzon : aus Canzoni e sonate per sonar con ogni sorte de instrument, Venedig, 1615 (2:52) / Giovanni Gabrieli
• Ich danke dem Herrn von ganzem Herzen : Ps. 111 : SWV 34 : doppelchöriges Psalmkonzert für Vokal- und Instrumentalstimmen mit Basso continuo aus Psalmen Davids, 1619 / Heinrich Schütz (5:00)
• Hallelujah, Christ est erstanden : fünfchöriges geistliches Konzert für Vokal- und Instrumentalstimmen mit Basso continuo aus Polyhymnia caduceatrix & panegyrica, Wolfenbüttel, 1619 / Michael Praetorius (7:17)
• Gloria a 7 : für sieben Vokalsolisten, zwei Violinen, Instrumente (complementum) mit Basso continuo aus Selva morale e spirituale, Venedig 1640/41 / Claudio Monteverdi (11:41)
• Es steh Gott auf : SWV 356 : geistliches Konzert für zwei Soprane, zwei Violinen mit Basso continuo aus Symphoniae sacrae II, 1647 / Heinrich Schütz (6:15)
• Confitebor tibi Domine : Ps. 111 : Psalmkonzert für Sopran, Alt, Tenor, Bass, Violinen, Violen, Fagott, mit Basso continuo / Carlo Pallavicino (5:57)
• Fasciculus myrrhae : doppelchöriges geistliches Konzert für fünf Vokalsolisten, Instrumente mit Basso continuo / Marco Giuseppe Peranda (11:29)
• Jauchzet dem Herren alle Welt : Ps. 100 : SWV 493 : doppelchörige Motette für Vokal- und Instrumentalstimmen mit Basso continjuo aus Der Schwanengesang, 1671 / Heinrich Schütz (6:36)