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Druid priestess Norma wrestles with love and betrayal before making the ultimate sacrifice on a funeral pyre.

• Opening credits
• Introduction by Patricia Racette
• Del dì la messaggiera
• Oh mattutini albori
• Qual suon!
• Uberto! Ah! dove t'ascondi?
• Sei già nel tetto mio
• D'Inibaca donzella
• Sei già sposa?
• Quali accenti!
• Ma son sorpreso
• Mura felici
• Elena! oh tu, che chiamo
• Oh quante lacrime
• Signor, giungi opportuno -- Figlia, è così
• Taci, lo voglio
• E nel fatal conflitto
• Vivere io non potrò
• Qual rapido torrente
• Eccomi a voi, miei prodi
• Ma dov'è colei
• Se a' miei voti amor sorride
• Alfin, me è dato, o Prence
• Vieni o stella che lucida
• Quanto a quest'alma amante
• La mia spada
• Questo amplesso
• Crudele sospetto
• Sul colle a Morve opposto
• Già un raggio forier
• Su-- amici! guerrieri!
• Introduction to Act II by Patricia Racette
• Oh fiamma soave
• Va, non temer
• Alla ragion, deh! rieda
• Nume, se a' miei sospiri
• Vincesti-- Addio!
• Qual pena in me già desta
• Parla-- chi sei?
• Io son la misera
• Quante sciagure in un sol giorno
• Ah! Si pera: ormani la morte
• Duglas! Duglas! ti salva!
• Che sento!
• E tantoosasti?
• Attendi: il Re fra poco
• Che sento! Aurora! ah sorgerai
• Stelle! sembra egli stesso!
• Imponga il Re
• Ah! che vedo!
• Tanti affeti in tal momento
• Fra il padre, e fra l'amanta
• Bows and closing credits
• Backstage at the Met with host Patricia Racette. Interview with Joyce DiDonato ; Interview with Juan Diego Flórez ; Interview with Daniela Barcellona and John Osborn

An all-star cast assembled for the Met's first-ever performances of Rossini's romantic retelling of Sir Walter Scott's epic poem The Lady of the Lake. Joyce DiDonato is Elena, the title heroine, who is being pursued by not one, but two tenors--setting off sensational vocal fireworks. Juan Diego Flórez is King James V of Scotland, disguised as the humble Uberto, and John Osborn sings his political enemy, and rival in love, Rodrigo Di Dhu. Complicating matters is the fact that Elena herself loves Malcolm, a trouser role sung by mezzo-soprano Daniela Barcellona, and that she is the daughter of Duglas (Oren Gradus), another of the king's political adversaries. Paul Curran's atmospheric production is conducted by Michele Mariotti

The comic misadventures of a down-on-his-luck knight looking to earn some money by romancing rich men's wives, a jealous husband, and his wife.

The comic misadventures of a down-on-his-luck knight looking to earn some money by romancing rich men's wives, a jealous husband, and his wife.

Recorded live at the Metropolitan Opera House in October 2014, the performance of Verdi's Macbeth features star soprano Anna Netrebko as the scheming Lady Macbeth. Netrebko is joined by Joseph Calleja, Zeljko Lucic, and Rene Pape. Fabio Luisi leads the Metropolitan Opera Orchestra and Chorus.

Recorded October 27, 2012.

• Opening credits
• Introduction by Eric Owens
• Una vela! Una vela!
• Esultate! L'orgoglio musulmano
• Roderigo, ebben che pensi?
• Fuoco di gioia!
• Roderigo, beviam!
• Inaffia l'ugola!
• Capitano, v'attende la fazione ai baluardi
• Già nella notte densa
• Non ti crucciar
• Vanne, la tua meta già vedo
• Credo in un Dio crudel
• Ciò m'accora--
• Che parli?
• Dove guardi splendono raggi
• D'un uom che geme sotto il tuo disdegno
• Tu?! Indietro! Fuggi!!
• Ora e per sempre addio
• Éra la notte, Cassio dormia
• Oh! mostruosa colpa!
• Sì, pel ciel marmoreo giuro!
• Introduction to Acts III and IV by Eric Owens
• La vedetta del porto ha segnalato la veneta galea
• Dio ti giocondi, o sposo
• Esterrefatta fisso
• Dio! mi potevi scagliar tutti i mali
• Vieni, l'aula è deserta
• Quest'è il segnale
• Il Doge ed il Senato salutano
• Quell'innocente un fremito
• Fuggite!
• Era più calmo?
• Piangea cantando nell'erma landa
• Ave Maria piena di grazia
• Chi è là? Otello?
• Diceste questa sera le vostre preci?
• Aprite! Apriete!
• Niun mi tema
• Bows and closing credits
• Backstage at the Met with host Eric Owens. Interview with Željko Lučić and Aleksandrs Antonenko
• Trio rehearsal from Act III
• Backstage at the Met with host Eric Owens. Interview with Yannick Nézet-Séguin and Bartlett Sher ; Interview with Sonya Yoncheva

Tony Award-winning Bartlett Sher's bold new production probes the psychological underpinnings of Verdi's dynamic setting of Shakespeare's great tragedy. At the helm of this performance is riveting conductor Yannick Nézet-Séguin who brings out all the cascading emotions in Verdi's turbulent score. Aleksandrs Antonenko is the Moor Otello, the triumphant general of the Venetian army who is ultimately brought down by the sly insinuations of his friend Iago (Željko Lučić). Sonya Yoncheva continues to win fans as Desdemona, Otello's faithful and long-suffering wife. With Günther Groissböck as Lodovico and Dimitri Pittas as Cassio

Antonin Dvorak's opera is an story that also plays as a children's tale, featuring a water nymph named Rusalka who falls in love with a man, and then becomes the subject of a spell created by a witch.

• Disc
• 1. Acts 1, 2 & 3
• Disc
• 2. Acts 4 & 5.

An aging scholar makes a deal with the Devil in exchange for an elixir of youth.

• Disc
• 1. Act I; Extra features
• Disc
• 2. Act II - Act III.

"François Girard's stunning post-apocalyptic production of Wagner's last opera Parsifal trailblazed the way for the Metropolitan Opera's centennial celebrations of the great composer"--Container.
Amfortas, the ruler of the knights of the Holy Grail is ailing from a wound given to him by Klingsor, who had been rejected by the knighthood. A prophecy says that he can only be saved by a "pure fool, enlightened by compassion." Klingsor knows that Parsifal is the person mentioned in the prophecy, and he enlists the mysterious woman Kundry, against her will, to seduce Parsifal and complete his revenge.