60 results in SearchWorks catalog

1. Fellow men : Fantin-Latour and the problem of the group in nineteenth-century French painting [2013]

Alsdorf, Bridget.
Princeton, NJ : Princeton University Press, [2013]

Description

Book — 333 pages : illustrations ; 27 cm

Summary

Acknowledgments ix Introduction 1
Chapter 1 The Self in Group Portraiture 19 In Homage 21 Moi et Delacroix 39 Manet: "One in a thousand, or alone" 56 Degas: Relational Portraiture 61
Chapter 2 A Crisis of Pride 68 Mutual Admiration Society 70 Courbet's Studio 74 To Truth! 79 Mirror, Mirror 82
Chapter 3 Studio of the Self 105 Solitary Confinement 111 Velazquez's Mirror 131 Bazille's Studio 144 Secret Societies 149
Chapter 4 Deviance and Disappearance 156 Les Vilains Bonshommes 160 Courbet / Fantin / Pelletan 178 In Absentia 189 Manet's Crowd 193 Rimbaud the Bourgeois 198
Chapter 5 The Irregularists 203 Renoir's Society 206 An Impressionist's Studio 215 Degas, Odd Man In 217 Conclusion 228 Notes 243 Selected Bibliography 309 Index 323.
(source: Nielsen Book Data)

Focusing on the art of Henri Fantin-Latour (1836-1904) and his colleagues Gustave Courbet, Edgar Degas, Edouard Manet, Frdric Bazille, and Pierre-Auguste Renoir, Fellow Men argues for the importance of the group as a defining subject of nineteenth-century French painting. Through close readings of some of the most ambitious paintings of the realist and impressionist generation, Bridget Alsdorf offers new insights into how French painters understood the shifting boundaries of their social world, and reveals the fragile masculine bonds that made up the avant-garde. A dedicated realist who veered between extremes of sociability and hermetic isolation, Fantin-Latour painted group dynamics over the course of two decades, from 1864 to 1885. This was a period of dramatic change in French history and art--events like the Paris Commune and the rise and fall of impressionism raised serious doubts about the power of collectivism in art and life. Fantin-Latour's monumental group portraits, and related works by his friends and colleagues from the 1850s through the 1880s, represent varied visions of collective identity and test the limits of association as both a social and an artistic pursuit. By examining the bonds and frictions that animated their social circles, Fantin-Latour and his cohorts developed a new pictorial language for the modern group: one of fragmentation, exclusion, and willful withdrawal into interior space that nonetheless presented individuality as radically relational.
(source: Nielsen Book Data)

Online

Art & Architecture Library (Bowes)

Status of items at Art & Architecture Library (Bowes)
Art & Architecture Library (Bowes)	Status
Find it Stacks
ND553 .F32 A85 2013	Unknown

2. Ruth Asawa papers, 1926-2020, bulk 1939-2012 [1926 ... 2020]

Asawa, Ruth creator.

Description: Archive/Manuscript — 236 linear feet: 299 containers (213 boxes, 43 flat boxes, 23 map folders, 8 cartons, 7 half boxes, 4 card boxes, 1 tube)
Summary: The papers of Japanese American artist and educator Ruth Asawa document her art and commissions as well her involvement in arts education, civic art, and art administration. The collection contains correspondence, notes, memoranda, portfolios, exhibition notices and other publicity, articles and publications, design sketches and plans, photographs, and audiovisual media.
Finding aid: Online Archive of California

Special Collections

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Also online at

Ruth Asawa Bibliography

3. Alphonse Mucha [2013]

Bade, Patrick, author.
New York : Parkstone International, [2013]

Description

Book — 1 online resource (199 pages) : illustrations (chiefly color)

Summary

Art nouveau
Mucha
Works
Graphic works
Biography.

Born in 1860 in a small Czech town, Alphonse Mucha (1860-1939) was an artist on the forefront of Art Nouveau, the modernist movement that swept Paris in the 1910s, marking a return to the simplicity of natural forms, and changing the world of art and design forever. In fact, Art Nouveau was known to insiders as the "Mucha style" for the legions of imitators who adapted the master's celebrated tableaux. Today, his distinctive depictions of lithe young women in classical dress have become a pop cultural touchstone, inspiring album covers, comic books, and everything in between. Patrick Bade and Victoria Charles offer readers an inspiring survey of Mucha's career, illustrated with over one hundred lustrous images, from early Parisian advertisements and posters for Sandra Bernhardt, to the famous historical murals painted just before his death, at the age of 78, in 1939

Online

4. Creative margins : cultural production in Canadian suburbs [2013]

Bain, Alison L., 1974- author.
Toronto [Ontario] : University of Toronto Press, 2013. Toronto, Ontario : Scholars Portal, 2013.

Description

Book — 1 online resource

Summary

Frontmatter
Contents
List of Illustrations
Acknowledgments
Chapter One. Introduction: Creating from the Margins
Chapter Two. The Geography of Somewhere: The Suburbs
Chapter Three. (Un)usual Suburbanites? Explorations and Interventions at the Cultural Frontier
Chapter Four. Why (Not) Here? Valuing the Intermediate Landscape
Chapter Five. Suburban Cultural Infrastructure Planning Formulas: From District to Multiplex
Chapter Six. The Creative Art of Place Complexity in Suburbia
Chapter Seven. Networked Geographies of Suburban Cultural Workers
Chapter Eight. Conclusion: Culture from the Outside In
Appendix: The Arbour Lake Sghool
Notes
References
Index

Suburbs can be incubators of creativity: innovative and complex, but all too often underappreciated. In Creative Margins, Alison L. Bain documents the unique role of Canadian artists and cultural workers in suburban place-formation and dismantles mischaracterizations of suburbs as cultural wastelands. Creative Margins interweaves stories of the challenges and opportunities presented by the creation of culture in suburbs, focusing on Etobicoke and Mississauga outside Toronto, and Surrey and North Vancouver outside Vancouver. The book investigates whether the creative process unfolds differently for suburban and urban cultural workers, as well as how this process is affected by the presence or absence of cultural infrastructure and planning initiatives. Bain shows how suburban culture can enhance a city-region's vitality and sustainability. This book firmly debunks the myth of culture as a solely urban phenomenon and demonstrates the social and economic merits of investing in suburban art and culture.
(source: Nielsen Book Data)

Online

5. Creative margins : cultural production in Canadian suburbs [2013]

Bain, Alison L., author.
Toronto : University of Toronto Press, [2013]

Description

Book — viii, 294 pages : illustrations, maps ; 23 cm

Summary

List of illustrations Acknowledgements
Chapter 1 Introduction: creating from the margins
Chapter 2 The geography of somewhere: the suburbs
Chapter 3 (Un)usual suburbanites? Explorations and interventions at the cultural frontier
Chapter 4 Why (not) here? Valuing the intermediate landscape
Chapter 5 Suburban cultural infrastructure planning formulas: from district to multiplex
Chapter 6 The creative art of place complexity in suburbia
Chapter 7 Networked geographies of suburban cultural workers
Chapter 8 Conclusion: culture from the outside in
Appendix 1 Notes References.
(source: Nielsen Book Data)

Suburbs can be incubators of creativity: innovative and complex, but all too often underappreciated. In Creative Margins, Alison L. Bain documents the unique role of Canadian artists and cultural workers in suburban place-formation and dismantles mischaracterizations of suburbs as cultural wastelands. Creative Margins interweaves stories of the challenges and opportunities presented by the creation of culture in suburbs, focusing on Etobicoke and Mississauga outside Toronto, and Surrey and North Vancouver outside Vancouver. The book investigates whether the creative process unfolds differently for suburban and urban cultural workers, as well as how this process is affected by the presence or absence of cultural infrastructure and planning initiatives. Bain shows how suburban culture can enhance a city-region's vitality and sustainability. This book firmly debunks the myth of culture as a solely urban phenomenon and demonstrates the social and economic merits of investing in suburban art and culture.
(source: Nielsen Book Data)

Online

SAL3 (off-campus storage)

Status of items at SAL3 (off-campus storage)
SAL3 (off-campus storage)	Status
Stacks	Request (opens in new tab)
NX180 .S6 B36 2013	Available

6. Tracce di follia nelle Vite del Vasari [2013]

Capra, Raul.
Novara : Interlinea, 2013.

Description: Book — 39 p.

Online

7. Glorify the empire : Japanese avant-garde propaganda in Manchukuo [2013]

Culver, Annika A., 1975- author.
Vancouver : UBC Press, 2013.

Description

Book — 1 online resource (xii, 268 pages) : illustrations, maps Digital: text file.

Summary

Introduction: Propaganda in the Manchukuo Context, 1932-45
1 Laying the Groundwork for the Japanese Avant-Garde Propagandists
2 Literature in Service of the State: Yamada Seizaburo and Right-Wing Proletarianism, 1931-43
3 Surrealism in Service of the State: Fukuzawa Ichiro and Associates, 1935-36
4 The Lure of Artistic Vision and Commercial Prerogative: Ai Mitsu and the Burden of Representation, 1935 and 1943
5 Reflections of Labour and the Construction of the New State: Fuchikami Hakuyo and Manchuria Graph, 1933-41
6 The Manchukuo Publicity and News Bureau's War of Words and Images: Muto Tomio and the Discourse of Culture, 1938-43
7 The Legitimization of a Multi-Ethnic Literary Culture in Manchukuo: Kawabata Yasunari's Promotion of Manchurian Literature, 1941-44 Conclusion: The Reflected Utopia Darkens: Manchukuo, Imperial Japan's Surrender, and Postwar Issues Notes Bibliography Index.
(source: Nielsen Book Data)

In the 1930s and '40s, Japanese rulers in Manchukuo enlisted writers and artists to promote imperial Japan's modernization program. Ironically, the cultural producers chosen to spread the imperialist message were previously left-wing politically. In Glorify the Empire, Annika A. Culver explores how these once anti-imperialist intellectuals produced avant-garde works celebrating the modernity of a fascist state and reflecting a complicated picture of complicity with, and ambivalence toward, Japan's utopian project. A groundbreaking work, this book magnifies the intersection between politics and art in a rarely examined period of Japanese history.
(source: Nielsen Book Data)

Online

8. Daily rituals : how artists work [2013]

Currey, Mason, author.
First edition - New York : Alfred A. Knopf, 2013

Description

Book — 1 online resource

Summary

W.H. Auden
Francis Bacon
Simone de Beauvoir
Thomas Wolfe
Patricia Highsmith
Federico Fellini
Ingmar Bergman
Morton Feldman
Wolfgang Amadeus Mozart
Ludwig van Beethoven
Soren Kierkegaard
Voltaire
Benjamin Franklin
Anthony Trollope
Jane Austen
Frédéric Chopin
Gustave Flaubert
Henri de Toulouse-Lautrec
Thomas Mann
Karl Marx
Sigmund Freud
Carl Jung
Gustav Mahler
Richard Strauss
Henri Matisse
Joan Miró
Gertrude Stein
Ernest Hemingway
Henry Miller
F. Scott Fitzgerald
William Faulkner
Arthur Miller
Benjamin Britten
Ann Beattie
Günter Grass
Tom Stoppard
Haruki Murakami
Toni Morrison
Joyce Carol Oates
Chuck Close
Francine Prose
John Adams
Steve Reich
Nicholson Baker
B.F. Skinner
Margaret Mead
Jonathan Edwards
Samuel Johnson
James Boswell
Immanuel Kant
William James
Henry James
Franz Kafka
James Joyce
Marcel Proust
Samuel Beckett
Igor Stravinsky
Erik Satie
Pablo Picasso
Jean-Paul Sartre
T.S. Eliot
Dmitry Shostakovich
Henry Green
Agatha Christie
Somerset Maugham
Graham Greene
Joseph Cornell
Sylvia Plath
John Cheever
Louis Armstrong
W.B. Yeats
Wallace Stevens
Kingsley Amis
Martin Amis
Umberto Eco
Woody Allen
David Lynch
Maya Angelou
George Balanchine
Al Hirschfeld
Truman Capote
Richard Wright
H.L. Mencken
Philip Larkin
Frank Lloyd Wright
Louis I. Kahn
George Gershwin
Joseph Heller
James Dickey
Nikola Tesla
Glenn Gould
Louise Bourgeois
Chester Himes
Flannery O'Connor
William Styron
Philip Roth
P.G. Wodehouse
Edith Sitwell
Thomas Hobbes
John Milton
Rene Descartes
Johann Wolfgang von Goethe
Friedrich Schiller
Franz Schubert
Franz Liszt
George Sand
Honoré de Balzac
Victor Hugo
Charles Dickens
Charles Darwin -- Herman Melville
Nathaniel Hawthorne
Leo Tolstoy -- Pyotr Ilich Tchaikovsky
Mark Twain
Alexander Graham Bell
Vincent van Gogh
N.C. Wyeth
Georgia O'Keeffe
Sergey Rachmaninoff
Vladimir Nabokov -- Balthus
Le Corbusier
Buckminster Fuller
Paul Erdos
Andy Warhol
Edward Abbey
V.S. Pritchett
Edmund Wilson
John Updike
Albert Einstein
L. Frank Baum
Knut Hamsun
Willa Cather
Ayn Rand
George Orwell
James T. Farrell
Jackson Pollock
Carson McCullers
Willem de Kooning
Jean Stafford
Donald Barthelme
Alice Munro
Jerzy Kosinski
Isaac Asimov
Oliver Sacks
Anne Rice
Charles Schulz
William Gass
David Foster Wallace
Marina Abramovic
Twyla Tharp
Stephen King
Marilynne Robinson
Saul Bellow
Gerhard Richter
Jonathan Franzen
Maira Kalman
Georges Simenon
Stephen Jay Gould
Bernard Malamud

Online

9. Street angel [2013]

Dominic, Magie, 1944- author.
Waterloo, Ontario : Wilfrid Laurier University Press, 2014.

Description

Book — 1 online resource (vii, 149 pages) Digital: data file.

Summary

Part Two. 1956, October
Speaking in a Foreign Language
1960
Four Years After the Hamlet
22 November 1963
1964, Early Morning
End of the Seventies, Autumn
Central Park, Start of the Eighties
Manhattan, a Morning in June
Y2K
Final Prayer
After Everything That Ever Happened.

Part One. Saturday Day One
Sunday Day Two
Monday Day Three
Tuesday Day Four
Wednesday Day Five
Thursday Day Six
Friday Day Seven
Saturday Day Eight
Sunday Day Nine
After the Hamlet

Magie Dominics first memoir , The Queen of Peace Room, was shortlisted for the Canadian Womens Studies Award, ForeWord magazines Book of the Year Award, and the Judy Grahn Award. Told over an eight-day period, the book captured a lifetime of turbulent memories, documenting with skill Dominics experiences of violence, incest, and rape. But her story wasnt finished. Street Angel opens to the voice of an eleven-year-old Dominic. Shes growing up in Newfoundland. Her mother suffers from terrifying nighttime hallucinations. Her fathers business is about to collapse. She layers the world she hears on radio and television onto her family, speaking in paratactic prose with a point-blank delivery. She finds relief only in the glamour of Hollywood films and the majesty of Newfoundlands wilderness. Revealing her life through flashbacks, humour, and her signature self-confidence, Dominic takes readers from 1950s Newfoundland to 1960s Pittsburgh, 1970s New York, and the end of the millennium in Toronto. Capturing the long days of childhood, this book questions how important those days are in shaping who we become as we age and time seems to speed up. With quick brush-stroke chapters Dominic chronicles sixty years of a complex, secretive family in this story about violence, adolescence, families, and forgiveness.
(source: Nielsen Book Data)

Online

10. Bas Jan Ader : death is elsewhere [2013]

Dumbadze, Alexander Blair, 1973-
Chicago ; London : University of Chicago Press, 2013.

Description

Book — 1 online resource (pages . cm)

Summary

Falling; 1; 2; 3; 4; Representing; 5; 6; 7; 8; Trading; 9; 10; 11; 12; Sailing; 13; 14; 15; 16; Dying; 17; 18; 19; 20; Acknowledgments; Notes; Index.

On July 9, 1975, Dutch-born artist Bas Jan Ader set sail from Chatham, Massachusetts, on a thirteen-foot sailboat. He was bound for Falmouth, England, on the second leg of a three-part piece titled "In Search of the Miraculous." The damaged boat was found south of the western tip of Ireland nearly a year later. Ader was never seen again.aSince his untimely death, Ader has achieved mythic status in the art world as a figure literally willing to die for his art. Considering the artistOCOs legacy and concise oeuvre beyond the romantic and tragic associations that accompany his peculiar end, Alexander Dumbadze resituates AderOCOs art and life within the conceptual art world of Los Angeles in the early 1970s and offers a nuanced argument about artistic subjectivity that explains AderOCOs tremendous relevance to contemporary art.a"Bas Jan Ader "blends biography, theoretical reflection, and archival research to draw a detailed picture of the world in which AderOCOs work was rooted: a vibrant international art scene populated with peers such as Ger van Elk, William Leavitt, and Allen Ruppersberg. Dumbadze looks closely at AderOCOs engagement with questions of free will and his ultimate success in creating art untainted by mediation. The first in-depth study of this enigmatic conceptual artist, "Bas Jan Ader" is a thoughtful reflection on the necessity of the creative act and its inescapable relation to death.".
(source: Nielsen Book Data)

Online

11. David Kakabadze : Georgian modern artist and inventor [2013]

Kincurašvili, Kʻetʻevan.
New York : Nova Publishers, [2013]

Description

Book — 1 online resource.

Summary

Preface
Introduction
1889-1913
1913-1918
1918-1919
1920-1927
1927-1952
Index.
(source: Nielsen Book Data)

This book is dedicated to the great Georgian modern artist David Kakabadze (1889-1952). This book compares the importance of David Kakabadze's creative work against the background of world avant-garde art of the beginning of the 20th century. This book is of interest for art historians and other experts, studying Georgian and Soviet art/culture, modern art and, especially, abstract art.
(source: Nielsen Book Data)

Online

12. Pay for your pleasures : Mike Kelley, Paul McCarthy, Raymond Pettibon [2013]

Levine, Cary S., author.
Chicago ; London : University of Chicago Press, 2013.

Description

Book — 1 online resource (xii, 211 pages) : illustrations (some color)

Summary

Paul McCarthy : making car crashes
Mike Kelley : a history of civilization
Raymond Pettibon : a democracy of split personalities
Bending gender
Sex panic
The kids aren't alright.

Mike Kelley, Paul McCarthy, and Raymond PettibonOCothese Southern California artists formed a OC bad boyOCO trifecta. Early purveyors of abject art, the trio produced work ranging from sculptures of feces to copulating stuffed animals, and gained notoriety from being perverse. Showing how their work rethinks transgressive art practices in the wake of the 1960s, " Pay for Your Pleasures" argues that their collaborations as well as their individual enterprises make them among the most compelling artists in the Los Angeles area in recent years.aCary Levine focuses on KelleyOCOs, McCarthyOCOs, and PettibonOCOs work from the 1970s through the 1990s, plotting the circuitous routes they took in their artistic development. Drawing on extensive interviews with each artist, he identifies the diverse forces that had a crucial bearing on their developmentOCosuch as McCarthyOCOs experiences at the University of Utah, KelleyOCOs interest in the Detroit-based White Panther movement, PettibonOCOs study of economics, and how all three participated in burgeoning subcultural music scenes. Levine discovers a common political strategy underlying their art that critiques both nostalgia for the 1960s counterculture and Reagan-era conservatism. He shows how this strategy led each artist to create strange and unseemly images that test the limits of not only art but also gender roles, sex, acceptable behavior, poor taste, and even the gag reflex that separates pleasure from disgust. As a result, their work places viewers in uncomfortable situations that challenge them to reassess their own values.aThe first substantial analysis of Kelley, McCarthy, and Pettibon, "Pay for Your Pleasures" shines new light on three artists whose work continues to resonate in the world of art and politics.".
(source: Nielsen Book Data)

Online

13. Mary Nohl : a lifetime in art [2013]

Manger, Barbara, 1943-
[Madison, Wisconsin] : Wisconsin Historical Society Press, 2013.

Description

Book — 1 online resource : illustrations

Summary

1. The Witch's House;
2. Childhood Adventures;
3. Learning to Be an Artist;
4. Danny Diver;
5. The Art of Teaching;
6. Loving Clay and Silver;
7. Paintings Galore;
8. Inside Mary's House;
9. Outside Mary's House;
10. Leaving the Lakeshore; Appendixes; Mary's Time Line; Gallery of Mary's Art; Glossary; Reading Group Guide and Activities; To Learn More about Being an Artist; Acknowledgments; Illustration Credits.; Index.

From her home on the shores of Lake Michigan, artist Mary Nohl created a world of whimsical figures, odd sculptures, and brightly-colored oil paintings - many made from "found" objects that other people might think of as junk, like driftwood, bedsprings, and sand that she made into concrete. With hundreds of sculptures populating her yard, her lake property became known in her later years as "The Witch's House."

Online

14. The Oxford dictionary of American art and artists [electronic resource] [2007 -]

Morgan, Ann Lee.
[New York] : Oxford University Press, 2007-

Description: 1 online resource.
Database topics: Uncategorized
Summary: In this dictionary of American art, 945 alphabetically arranged entries cover painters, sculptors, graphic artists photographers, printmakers, and contemporary hybrid artists along with important aspects of the cultural infrastructure.

Online

15. National Gallery of Canada review = Revue du Musée des beaux-arts du Canada [2000 -]

National Gallery of Canada.
Ottawa : The Gallery = Le Musée, 2000-

Description: Journal/Periodical — volumes : illustrations (some color) ; 27 cm

Online

16. Creating a world on paper : Harry Fenn's career in art [2013]

Rainey, Sue.
[Place of publication not identified] : University of Massachusetts Press, [date of publication not identified]

Description

Book — 1 online resource

Summary

Early life in England and New York
Gaining recognition as an illustrator and watercolor painter
Poetry and picturesque America
Years abroad; Picturesque Europe and Picturesque Palestine
New clients, new technologies, and a new home; the 1880s
Challenges and triumphs; the 1890s and beyond
Continuity and change; 1900/1911, and an assessment
Appendix 1. List of additional Fenn illustrations
Appendix 2. Fenn's works included in exhibitions.

Online

17. Carolee Schneemann papers, circa 1954-2015 [1954 ... 2015]

Schneemann, Carolee, 1939-2019 creator.

Description: Archive/Manuscript — 128 linear feet (249 containers)
Summary: The papers of Carolee Schneemann chronicle in detail her work as an artist, film maker, writer, art historian, feminist, and teacher, focusing on her more recent projects (1990s-2000s). Her own writing and notes dominate, but there is a significant amount of correspondence, including printed and annotated email exchanges. One of the main series is devoted to project files, which begin around 1990. These have not been physically arranged, and in most cases folder titles were transcribed directly from the original. Printed material about Schneemann includes exhibit and event publicity as well as reviews and criticism. Of the many photographs and slides, most document her art and its evolution, as do the audiovisual media. There are also lecture and workshop notes, scrapbooks, research files, and book preparation material, especially for "Correspondence Course, An Epistolary History of Carolee Schneemann and Her Circle" edited by Kristine Stiles
Finding aid: Online Archive of California

Special Collections

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18. Affairs of the art : love, death and money in the Australian art world [2013]

Strickland, Katrina.
Carlton, Vic. : Melbourne University Publishing, 2013.

Description

Book — 1 online resource

Summary

Preface; 1 The Power of One; 2 Before the Widow Comes the Wife; 3 The Crimson Line; 4 The F Word; 5 Boom Times; 6 The Gold Standard; 7 Contemporary by Nature; 8 Copyright Wars; 9 Immortality; Notes; Select Bibliography; Cast of Characters; Interviews; Acknowledgements; Index.

The reputations of artists are curious things, influenced by factors beyond the quality of the work. Affairs of the Art explores the role those left behind play in burnishing an artist?s reputation after he or she dies. Through interviews with those handling the estates of artists including Fred Williams, Brett Whiteley, John Brack, Howard Arkley, Bronwyn Oliver, George Baldessin and Albert Tucker, as well as a raft of art dealers, academics, curators and auctioneers, Strickland traverses the strange alleyways of the art market, where power resides with those who hold the best stock, and highl.

Online

19. Art for social change and cultural awakening : an anthropology of residence in Taiwan [2013]

Tung, Wei Hsiu, 1974- author.
Lanham, MD : Lexington Books, a wholly owned subsidiary of The Rowman & Littlefield Pub. Group, Inc., 2013.

Description

Book — 1 online resource

Summary

Table of Contents Acknowledgments Introduction
Chapter 1: Art as Sociocultural Representation
Chapter 2: Concepts and Practices in Artistic Residence
Chapter 3: Art in Taiwan: The Quest for Identity
Chapter 4: Artistic Residence in Taiwan
Chapter 5: Towards a New Genre of Artistic Residence Conclusion Bibliography About the Authors.
(source: Nielsen Book Data)

Artistic residency has become widely adopted in Western countries while only recently having become popular and well-supported within Taiwan. This book explores the challenges that this form of art practice faced in contemporary Taiwan from the revocation of Martial Law in 1987 to the 2000s-arguably one of the most exciting periods in the sociocultural history of the island. Case studies show what is at stake politically, historically, and socially in artists' endeavors to give shape to a sense of Taiwanese identity.
(source: Nielsen Book Data)

Online

20. Bas Jan Ader : In search of the miraculous [2013]

Verwoert, Jan, author.
London : Afterall, 2013 [New Haven, Connecticut] : Library Stack, [2022]

Description: Book — 1 online resource (53 pages) : illustrations
Summary: "Bas Jan Ader disappeared at sea in 1975 while attempting to sail from the east coast of the United States to Europe as part of a project titled In Search of the Miraculous. The circumstances of his disappearance have led many interpreters to identify Ader with the role of the tragic romantic hero. This identification has obscured the fact that Ader's art was a critical investigation of precisely those romantic motives his persona has now come to be associated with. In this book, Jan Verwoert highlights the specific ways in which Ader's cycle of works explores those motives with an artistic approach that is as conceptual and analytic as it is poetic and existential."-- provided by distributor

Online

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21. The life and afterlives of Hanabusa Itchō, artist-rebel of Edo [2013]

Wattles, Miriam, author.
Leiden ; Boston : Brill, 2013.

Description

Book — 1 online resource (xi, 288 pages) : color illustrations

Summary

The Life and Afterlives of Hanabusa Itchō, Artist-Rebel of Edo; Dedication; Contents; Preface; INTRODUCTION; Peak Generational Moments; Legend and Biography; School and Genre; Itchō as Haiga Artist; Itchō, "Founder of Giga"; Itchō and Ukiyo-e; PART ONE: A LIFE; 1 MULTIPLE NAMES FOR MANY PERSONAS; Mapping Itchō's Personas in Time and Place; Becoming a Kanō Painter: Yasuo/Shūrinsai; Playful Paintings, Playfully Painted; In the Floating World: Waō; In the World of Haikai Poetry: Gyōun; Autonomous: Fuji Nobuka and Taga Chōko; The Elegant and Vulgar at Play in an Album.

Fuji Nobuka's Accidental Meetings2 ISLAND ITCHŌ; Island Patrons; Poetic Communications from Exile; Island Paintings; Coda: The Sociability of a Summer Kimono; 3 HANABUSA ITCHŌ: HEAD OF THE STUDIO; The Kyōhō Era; The Sage at the Northern Window; Three Monumental Works; What Four Accomplishments?; The Visual Antics of Itchō; Best-Loved Motifs; Familiar Themes in the Hanabusa-School Repertoire; Painterly Poetics; Itchō's Inscription into Art History; The Itchō Legacy; PART TWO: AFTERLIVES; 4 TANGLED IN SCANDAL: MANUSCRIPT CULTURE; Print versus Manuscript Culture; The Vagaries of the Case.

A Record of Rumor: Sands of EdoAn Embellished Drama: Ryūkei's Tale; Made Transgressive: Edo Hearsay in Recent Times; 5 POETICALLY EVOKED: SONGS, POEMS, AND PICTURES IN PRINT; Itchō the Songwriter: Unattributed and Fleetingly Lauded; Paintings in Print: Publishing in the Name of the Master; 6 OBJECTIVITY AND ATMOSPHERE: BIOGRAPHIES TO JOURNALS; Kyōden's Embedded Account; The Broader Context: Biographies, 1790s-1850s; Itchō's Gradual Marginalization; 7 GOSSIP AFLOAT: THE PROMISCUITY OF THE ASAZUMA BOAT; Meanings Accrued; A Question of Attribution; Kyōden's Facts; Kyōden's Playfulness.

On the Kabuki Stage and in Ukiyo-eEPILOGUE; Endnotes; Bibliography; Illustration Credits; List of Characters; Index.

Miriam Wattles recounts the making of Hanabusa Itcho¿¿ (1652-1724), painter, haikai-poet, singer-songwriter, and artist subversive, in The Life and Afterlives of Hanabusa Itcho¿¿, Artist-Rebel of Edo . Translating literary motifs visually to encapsulate the tensions of his time, many of Itcho¿¿¿́¿s original works became models emulated by ukiyo-e and other artists. A wide array of sources reveals a lifetime of multiple personas and positions that are the source of his multifarious artistic reincarnations. While, on the one hand, his legend as seditious exile appears in the fictional cross-media worlds of theater, novels, and prints, on the other hand, factual accounts of his complicated artistic life reveal an important figure within the first artists¿́¿ biographies of early modern Japan.

Online

22. Picasso and the chess player : Pablo Picasso, Marcel Duchamp, and the battle for the soul of modern art [2013]

Witham, Larry, 1952-
Hanover [N.H.] : University Press of New England, c2013.

Description

Book — 357 p., [16] p. of plates : ill. ; 24 cm.

Summary

"Sensation of sensations"
The Spanish gaze
The notary's son
Bohemian Paris
Little cubes
Modernist tide
The Armory Show
The return to order
A Parisian in America
Surrealist bridges
Europe's chessboards
Flight of the avant-garde
Art in revolt
The readymade
Picasso's last stand
The Duchampians
Year of Picasso, age of Duchamp.

In the fateful year of 1913, events in New York and Paris launched a great public rivalry between the two most consequential artists of the twentieth century, Pablo Picasso and Marcel Duchamp. The New York Armory Show art exhibition unveiled Duchamp's Nude Descending a Staircase, a "sensation of sensations" that prompted Americans to declare Duchamp the leader of cubism, the voice of modern art. In Paris, however, the cubist revolution was reaching its peak around Picasso. In retrospect, these events form a crossroads in art history, a moment when two young bohemians adopted entirely opposite views of the artist, giving birth to the two opposing agendas that would shape all of modern art. Today, the museum-going public views Pablo Picasso as the greatest figure in modern art. Over his long lifetime, Picasso pioneered several new styles as the last great painter in the Western tradition. In the rarefied world of artists, critics, and collectors, however, the most influential artist of the last century was not Picasso, but Marcel Duchamp: chess player, prankster, and a forefather of idea-driven dada, surrealism, and pop art. Picasso and the Chess Player is the story of how Picasso and Duchamp came to define the epochal debate between modern and conceptual art-a drama that features a who's who of twentieth-century art and culture, including Henri Matisse, Gertrude Stein, AndreBreton, Salvador Dali, and Andy Warhol. In telling the story, Larry Witham weaves two great art biographies into one tumultuous century.
(source: Nielsen Book Data)

Online

Art & Architecture Library (Bowes)

Status of items at Art & Architecture Library (Bowes)
Art & Architecture Library (Bowes)	Status
Find it Stacks
ND553 .P5 W547 2013	Unknown

23. African art, interviews, narratives : bodies of knowledge at work [2013]

Bloomington : Indiana University Press, c2013.

Description

Book — viii, 194 p. : ill. ; 23 cm.

Summary

Acknowledgements Introduction: The Work of Interviews / Carol Magee and Joanna Grabski
1. Talking to People about Art / Patrick McNaughton
2. Ghostly Stories: Interviews with Artists in Dakar and the Productive Space around Absence / Joanna Grabski
3. Can the Artist Speak? Hamid Kachmar's Subversive Redemptive Art of Resistance / Joseph Jordan
4. Photography, Narrative Interventions, and (Cross) Cultural Representations / Carol Magee
5. Narrating the Artist: Seyni Camara and the Multiple Constructions of the Artistic Persona / Silvia Forni
6. Interview--Akinbode Akinbiyi / Akinbode Akinbiyi
7. Inter-Weaving Narratives of Art and Activism: Sandra Kriel's Heroic Women / Kim Miller
8. Politics of Narrative at the African Burial Ground in NYC: The Final Monument / Andrea E. Frohne
9. Who Owns the Past: Constructing an Art History of a Malian Masquerade / Mary Jo Arnoldi
10. Framing Practices: Artists' Voices and the Power of Self-Representation / Christine Mullen Kreamer
11. Undisciplined Knowledge / Allan deSouza and Allyson Purpura Appendix: Interlocutors
Contributors
Index.
(source: Nielsen Book Data)

Joanna Grabski and Carol Magee bring together a compelling collection that shows how interviews can be used to generate new meaning and how connecting with artists and their work can transform artistic production into innovative critical insights and knowledge. The contributors to this volume include artists, museum curators, art historians, and anthropologists, who address artistic production in a variety of locations and media to question previous uses of interview and provoke alternative understandings of art.
(source: Nielsen Book Data)

Online

Art & Architecture Library (Bowes)

Status of items at Art & Architecture Library (Bowes)
Art & Architecture Library (Bowes)	Status
Find it Stacks
NX587 .A5 2013	Unknown

24. American art directory [1898 -]

New York [etc.], R.R. Bowker [etc.]

Description: Journal/Periodical
Summary: The biographical material formerly included in the directory is issued separately as Who's who in American art, 1936/37-

Online

Green Library, Art & Architecture Library (Bowes), SAL1&2 (on-campus shelving), SAL3 (off-campus storage)

Status of items at Green Library
Green Library	Status

Status of items at Art & Architecture Library (Bowes)
Art & Architecture Library (Bowes)	Status
Find it Reference Latest issue in REFERENCE; earlier issues in SAL3.	Latest: v.78 (2024)
N50 .A54 V.77 2023	Unknown
Find it Stacks
N50 .A54 V.36:PT.1 1941/1945	Unknown
N50 .A54 V.31 1934	Unknown
N50 .A54 V.26 1929	Unknown
N50 .A54 V.21 1924	Unknown
N50 .A54 V.16 1919	Unknown
N50 .A54 V.11 1914	Unknown
N50 .A54 V.6 1907/1908	Unknown
N50 .A54 V.1 1898	Unknown

Status of items at SAL1&2 (on-campus shelving)
SAL1&2 (on-campus shelving)	Status

Status of items at SAL3 (off-campus storage)
SAL3 (off-campus storage)	Status
Stacks	Request (opens in new tab)
N50 .A54 V.76 2022	Available
N50 .A54 V.75 2021	Available
N50 .A54 V.74 2020	Available
N50 .A54 V.73 2019	Available
N50 .A54 V.72 2018	Available
N50 .A54 V.71 2017	Available
N50 .A54 V.70 2016	Available
N50 .A54 V.69 2015	Available
N50 .A54 V.68 2014	Available
N50 .A54 V.67 2013	Available
N50 .A54 V.66 2012	Available
N50 .A54 V.65 2011	Available
N50 .A54 V.64 2010	Available
N50 .A54 V.63 2009	Available
N50 .A54 V.62 2008	Available
N50 .A54 V.61 2007/2008	Available
N50 .A54 V.60 2005/2006	Available
N50 .A54 V.59 2003/2004	Available
N50 .A54 V.58 2001/2002	Available
N50 .A54 V.58 2001	Available
N50 .A54 V.57 1999/2000	Available
N50 .A54 V.57 1999/2000	Available
N50 .A54 V.56 1997/1998	Available
N50 .A54 V.56	Available
N50 .A54 V.55 1995/1996	Available
N50 .A54 V.55 1995/1996	Available
N50 .A54 V.54 1993/1994	Available
N50 .A54 V.54 1993/1994	Available
N50 .A54 V.53 1991/1992	Available
N50 .A54 V.52 1989/1990	Available
N50 .A54 V.52 1989/1990	Available
N50 .A54 V.51 1986	Available
N50 .A54 V.51 1986	Available
N50 .A54 V.50 1984	Available
N50 .A54 V.50 1984	Available
N50 .A54 V.49 1982	Available
N50 .A54 V.49 1982	Available
N50 .A54 V.48 1980	Available
N50 .A54 V.48 1980	Available
N50 .A54 V.47 1978	Available
N50 .A54 V.47 1978	Available
N50 .A54 V.46 1976	Available
N50 .A54 V.46 1976	Available
N50 .A54 V.45 1974	Available
N50 .A54 V.45 1972	Available
N50 .A54 V.44 1970	Available
N50 .A54 V.44 1970	Available
N50 .A54 V.43 1967	Available
N50 .A54 V.42 1964	Available
N50 .A54 V.41 1961	Available
N50 .A54 V.40 1958	Available
N50 .A54 V.39 1955	Available
N50 .A54 V.38 1952	Available
N50 .A54 V.37:PT.1 1945/1948	Available
N50 .A54 V.35 1938/1941	Available
N50 .A54 V.34 1937/1938	Available
N50 .A54 V.33 1936	Available
N50 .A54 V.32 1935	Available
N50 .A54 V.30 1933	Available
N50 .A54 V.29 1932	Available
N50 .A54 V.28 1931	Available
N50 .A54 V.27 1930	Available
N50 .A54 V.25 1928	Available
N50 .A54 V.24 1927	Available
N50 .A54 V.23 1926	Available
N50 .A54 V.22 1925	Available
N50 .A54 V.20 1923	Available
N50 .A54 V.19 1922	Available
N50 .A54 V.18 1921	Available
N50 .A54 V.17 1920	Available
N50 .A54 V.15 1918	Available
N50 .A54 V.14 1917	Available
N50 .A54 V.13 1916	Available
N50 .A54 V.12 1915	Available
N50 .A54 V.10 1913	Available
N50 .A54 V.9 1911	Available
N50 .A54 V.8 1910/1911	Available
N50 .A54 V.7 1909/1910	Available
N50 .A54 V.5 1905/1906	Available
N50 .A54 V.4 1903/1904	Available
N50 .A54 V.3 1900/1901	Available
N50 .A54 V.2 1899	Available

25. Aporia [1998 -]

Aporia (Toronto, Ont.)
Toronto : Ryan Whyte, c1998-

Description: Journal/Periodical — v. ; 28 cm.

Online

26. Archives de l'art français. [1872 -]

Archives de l'art français (Paris, France : 1907)
Paris : Société de l'histoire de l'art français, 1872-

Description: Journal/Periodical — v. : ill., facsims. ; 22-28 cm.

Online

Art & Architecture Library (Bowes)

Status of items at Art & Architecture Library (Bowes)
Art & Architecture Library (Bowes)	Status
Find it Stacks Some individual vols. of this title also cataloged separately. Some individual vols. of this title also cataloged separately. Some individual vols. of this title also cataloged separately. Some individual vols. of this title also cataloged separately.
N6841 .A9 V.6 1878	Unknown
N6841 .A9 V.5 1877	Unknown
N6841 .A9 V.4 1876	Unknown
N6841 .A9 V.3 1874/1875	Unknown
N6841 .A9 V.2 1873	Unknown
N6841 .A9 V.1 1872	Unknown
N6841 .A9 SER.3:V.22 1906	Unknown
N6841 .A9 SER.3:V.21 1905	Unknown
N6841 .A9 SER.3:V.20 1904	Unknown
N6841 .A9 SER.3:V.19 1903	Unknown
N6841 .A9 SER.3:V.18 1902	Unknown
N6841 .A9 SER.3:V.17 1901	Unknown
N6841 .A9 SER.3:V.16 1900	Unknown
N6841 .A9 SER.3:V.15 1899	Unknown
N6841 .A9 SER.3:V.14 1898	Unknown
N6841 .A9 SER.3:V.13 1897	Unknown
N6841 .A9 SER.3:V.12 1896	Unknown
N6841 .A9 SER.3:V.11 1895	Unknown
N6841 .A9 SER.3:V.10 1894	Unknown
N6841 .A9 SER.3:V.9 1893	Unknown
N6841 .A9 SER.3:V.8 1892	Unknown
N6841 .A9 SER.3:V.7 1891	Unknown
N6841 .A9 SER.3:V.6 1890	Unknown
N6841 .A9 SER.3:V.5 1889	Unknown
N6841 .A9 SER.3:V.4 1888	Unknown
N6841 .A9 SER.3:V.3 1887	Unknown
N6841 .A9 SER.3:V.2 1886	Unknown
N6841 .A9 SER.3:V.1 1884/1885	Unknown
N6841 .A9 SER.2:V.6 1885	Unknown
N6841 .A9 SER.2:V.5 1884	Unknown
N6841 .A9 SER.2:V.4 1883	Unknown
N6841 .A9 SER.2:V.3 1882	Unknown
N6841 .A9 SER.2:V.2 1880/1881	Unknown
N6841 .A9 SER.2:V.1 1879	Unknown
N6841 .A9 N.S.:V.26 1984	Unknown
N6841 .A9 N.S.:V.25 1978	Unknown
N6841 .A9 N.S.:V.24 1969	Unknown
N6841 .A9 N.S.:V.23 1968	Unknown
N6841 .A9 N.S.:V.21 1946/1949	Unknown
N6841 .A9 N.S.:V.20 1937/1945	Unknown
N6841 .A9 N.S.:V.18 1933/1934	Unknown
N6841 .A9 N.S.:V.17 1931/1932	Unknown
N6841 .A9 N.S.:V.16 1929/1930	Unknown
N6841 .A9 N.S.:V.15 1927/1928	Unknown
N6841 .A9 N.S.:V.14 1927	Unknown
N6841 .A9 N.S.:V.12 1921/1922	Unknown
N6841 .A9 N.S.:V.11 1919/1920	Unknown
N6841 .A9 N.S.:V.10 1916/1918	Unknown
N6841 .A9 N.S.:V.9 1915	Unknown
N6841 .A9 N.S.:V.8 1914	Unknown
N6841 .A9 N.S.:V.7 1913	Unknown
N6841 .A9 N.S.:V.6 1912	Unknown
N6841 .A9 N.S.:V.5 1911	Unknown
N6841 .A9 N.S.:V.4 1910	Unknown
N6841 .A9 N.S.:V.3 1909	Unknown
N6841 .A9 N.S.:V.2 1908	Unknown
N6841 .A9 N.S.:V.1 1907	Unknown

27. Art, intellect and politics : a diachronic perspective [2013]

Leiden : Brill, 2013.

Description

Book — 1 online resource

Summary

Contributors include: Alessandra Beccarisi, Robert Bees, Riccardo Dottori, Paolo Fedeli, Wilfried Gruhn, Hans-Christian Gunther, Bengt Jangfeldt, Rolf Kuhn, Salvatore Lavecchia, Detlef Liebs, Luigi Magarotto, Giusy Margagliotta, John Kevin Newman, Dominic O'Meara, Riccardo Pozzo, Donald Rayfield, Bertram Schefold, Max Scherberger, Harro von Senger, Christophe Sirodeau, Matthias Stadelmann, Alessandro Stavru, Antonella Tedeschi, Wolfgang Graf Vitzthum, Johann Peter Vogel.
(source: Nielsen Book Data)

The volume explores the relationship of artists and intellectuals from ancient Greece to modern times. Special attention is paid to Plato, Augustan poets (including the reception), Soviet art (Mayakowsky) and Jewish intellectuals. Non European contexts (China, Turkey) are treated as well.
(source: Nielsen Book Data)

Online

28. The artist as reader : on education and non-education of early modern artists [2013]

Boston : Brill, 2013.

Description

Book — 1 online resource (xiii, 521 pages, 16 plates) : illustrations

Summary

Acknowledgements Notes on the Editors Notes on the Contributors List of Illustrations
Introduction: Close and Extensive Reading among Artists in the Early Modern Period
HEIKO DAMM, MICHAEL THIMANN, CLAUS ZITTEL
I. THE POSSESSION OF BOOKS AND INDIVIDUAL READING
1. Jacopo Pontormo: A Scholarly Craftsman
CECILE BEUZELIN 2. Reading with acutezza: Lorenzo Lippi's Literary Culture
EVA STRUHAL 3. Gillis van Coninxloo. Der Kunstler als Leser
MARTIN PAPENBROCK 4. Pieter Lastman als Leser. Eine Kunstlerbibliothek und ihre Nutzung
CHRISTIAN TICO SEIFERT
5. The President as a Reader: Sir Joshua Reynolds and Book
IRIS WENDERHOLM
II. THE THEORISATION OF READING AND ITS EFFECT ON IMAGES
6. Artists and Knowledge in Sixteenth-century Venice
ELSJE VAN KESSEL 7. Reading Rhetoric: Oratory in Gian Paolo Lomazzo's Treatises on the Art of Painting
LEX HERMANS 8. Hondius meets Van Mander: The Cultural Appropriation of the First Netherlandish Book on the Visual Arts System of Knowledge in a Series of Artist's Portraits
ANETTE DE VRIES 9. Catonem narrare: Charles Le Brun as Reader and Painter of a Stoic's Suicide
ECKHARD LEUSCHNER 10. The Collaborative Authorship of Pictorial Invention in Seventeenth-century Italy: Artist, Adviser, and Patron at Palazzo Carignano
HUUB VAN DER LINDEN
III. BEYOND THE STUDIO
11. Peripatetici pariter et Platonici: Poliziano and Pico della Mirandola and the Library of the Badia Fiesolana
ANGELA DRESSEN 12. Nascentes morimur: Francisco da Holanda as Artist, Reader and Writer
MARIA BERBARA 13. Commonplaces, and Technical Knowledge: The Architect-Engineer as Reader
ALEXANDER MARR
14. Bach - Mattheson. Zwei deutsche Komponisten und ihre Bucher
RAINER BAYREUTHER 15. An Evangelist of Taste: The Book Collection of Jeronimo Antonio Gil
KELLY DONAHUE WALLACE
Index Nominum.
(source: Nielsen Book Data)

Reading is apparently the greatest proof of refinement when viewed within the context of the social climb of the visual artist. It is only as reader that the artist can participate in the exclusive culture of clerics, humanists, rulers and courtiers. How did it come about that such a figure was integrated into the general history-of-knowledge context of research on the early modern period - in order to outline what artists' reading specifically entails. Based on the history of knowledge, the contributions to this volume will then correspondingly elucidate various aspects of how, in the early modern period, artists' education, knowledge, reading and libraries were related to the ways in which they presented themselves.The volume endeavours at long last to go beyond merely publishing inventories by investigating the problem of artists' libraries with a fundamentally stronger emphasis on a discourse-analytical and history-of-knowledge approach. Contributors include: Rainer Bayreuther, Maria Berbara, Cecile Beuzelin, Heiko Damm, Annette de Vries, Kelly Donahue-Wallace, Angela Dressen, Lex Hermans, Eckhard Leuschner, Alexander Marr, Martin Papenbrock, Tico Seifert, Eva Struhal, Michael Thimann, Huub van der Linden, Elsje van Kessel, Iris Wenderholm, and Claus Zittel.
(source: Nielsen Book Data)

Online

29. Artnet [electronic resource]. [1995 -]

New York, NY : Artnet Worldwide Corp.

Description: Journal/Periodical
Database topics: Art, Architecture and Design
Summary: Features a collection of resources for art dealers and art buyers, presented by the Artnet Worldwide Corporation. Includes categories such as artists, galleries and museums. Includes database of auction prices, available to subscribers, and a monthly electronic publication: Artnet newsletter. Contains a site search engine.

Online

30. AskART.com [electronic resource] [2000 -]

AskART.com, c2000 -

Database topics: Art, Architecture and Design
Summary: "AskART is an online database containing over 350,000 artists, with information ranging from biographies to auction records. At the time of our Internet debut in year 2000, we focused on American artists; however, in 2008, we expanded our coverage to include international records. Our web site has become the preferred tool for collectors, gallery owners, researchers, appraisers, museum and library personnel, artists, insurers, scholars, art aficionados-- really anyone with an interest in two and three-dimensional original fine art. We offer extensive biographical information about American artists, as well as book and periodical references, along with international artists' auction records and images. Over 7,500 museums, dealers, and auction houses are referenced. AskART subscribers have complete access to this information, including artists' financial graphics." --AskART

Online

31. Benezit dictionary of artists [electronic resource]. [2011 -]

[Oxford] : Oxford University Press

Database topics: Art, Architecture and Design
Summary: Content is based on the 2006 English-language edition of Emmanuel Bénézit's Dictionary of artists. Contains artist biographies, auction records, exhibition histories, museum listings, bibliographies, images of artists signatures and monograms.

Online

32. Bomb-it. 2 [2013]

[Portland, Oregon] : Collective Eye Films, [2013]

Description: Video — 1 online resource (1 video file (72 min.)) : sound, color
Summary: Jon Reiss and his crew travel to Asia, Australia, the Middle East and beyond, exploring the local graffiti scenes and artists. Follow-up to the groundbreaking street art documentary Bomb It!

Online

33. Cahiers Jean Cocteau [1969 -]

Paris : Gallimard, c1969-

Description: Book — v. : ill. ; 21cm.

Online

Green Library, SAL3 (off-campus storage)

Status of items at Green Library
Green Library	Status

Status of items at SAL3 (off-campus storage)
SAL3 (off-campus storage)	Status
Stacks	Request (opens in new tab)
PQ2605 .O15 Z66 N.S.NO.1-3 2002-2004	Available
PQ2605 .O15 Z66 N.S.NO.4-6 2006-2008	Available
PQ2605 .O15 Z66 N.S.NO.7-9 2009-2011	Available
PQ2605 .O15 Z66 N.S.NO.10/11 2012/2013	Available
PQ2605 .O15 Z66 N.S.NO.12 2014	Available
PQ2605 .O15 Z66 N.S.NO.13 2015	Available
PQ2605 .O15 Z66 N.S.NO.14 2016	Available
PQ2605 .O15 Z66 N.S.NO.15 2017	Available
PQ2605 .O15 Z66 N.S.NO.16 2018	Available
PQ2605 .O15 Z66 N.S.NO.17 2019	Available
PQ2605 .O15 Z66 V.1	Available
PQ2605 .O15 Z66 V.2	Available
PQ2605 .O15 Z66 V.3	Available
PQ2605 .O15 Z66 V.4	Available
PQ2605 .O15 Z66 V.5-7	Available
PQ2605 .O15 Z66 V.8-9	Available
PQ2605 .O15 Z66 V.10-11	Available
PQ2605 .O15 Z66 V.12	Available

34. Canadian art. [1984 - 2021]

Canadian art (Toronto, Ont. : 1984)
[Toronto : MacLean Hunter, 1984-

Description: Journal/Periodical — v. : ill. ; 28 cm.

Online

Art & Architecture Library (Bowes)

Status of items at Art & Architecture Library (Bowes)
Art & Architecture Library (Bowes)	Status
Current periodicals Latest issues in CURRENT PERIODICALS; earlier issues in STACKS.
Find it Stacks
N1 .C22 V.38 NO.1 2021	Unknown
N1 .C22 V.36 4/V.37 1-3 2020/2021	Unknown
N1 .C22 V.34 1-3 2017	Unknown
N1 .C22 V.33 2016-2017	Unknown
N1 .C22 V.32 2015-2016	Unknown
N1 .C22 V.31 2014-2015	Unknown
N1 .C22 V.30 2013-2014	Unknown
N1 .C22 V.29 2012-2013	Unknown
N1 .C22 V.28 2011-2012	Unknown
N1 .C22 V.27 2010-2010/2011	Unknown
N1 .C22 V.26 2009	Unknown
N1 .C22 V.25 2008	Unknown
N1 .C22 V.24 2007	Unknown
N1 .C22 V.23 2006	Unknown
N1 .C22 V.22 2005	Unknown
N1 .C22 V.21 2004	Unknown
N1 .C22 V.20 2003	Unknown
N1 .C22 V.19 2002	Unknown
N1 .C22 V.18 2001	Unknown
N1 .C22 V.17 2000	Unknown
N1 .C22 V.16 1999	Unknown
N1 .C22 V.15 1998	Unknown
N1 .C22 V.14 1997	Unknown
N1 .C22 V.13 1996	Unknown
N1 .C22 V.12 1995	Unknown
N1 .C22 V.11 1994	Unknown
N1 .C22 V.10 1993	Unknown
N1 .C22 V.8-9 1991-1992	Unknown
N1 .C22 V.7 1990	Unknown
N1 .C22 V.6 1989	Unknown
N1 .C22 V.5 1988	Unknown
N1 .C22 V.4 1987	Unknown
N1 .C22 V.3 1986	Unknown
N1 .C22 V.2 1985	Unknown

35. The Columbia journal of law & the arts [2001 -]

New York, N.Y. : Columbia University School of Law, c2001-

Description: Journal/Periodical — v. ; 26 cm.

Online

SAL3 (off-campus storage)

Status of items at SAL3 (off-campus storage)
SAL3 (off-campus storage)	Status
Stacks	Request (opens in new tab)
KF390 .A7 A7 V.36:NO.3-4 2013	Available
KF390 .A7 A7 V.36:NO.2 2013	Available
KF390 .A7 A7 V.35/36 2011-2012	Available
KF390 .A7 A7 V.34 2010-2011	Available
KF390 .A7 A7 V.33 2009-2010	Available
KF390 .A7 A7 V.32 2008-2009	Available
KF390 .A7 A7 V.31 2007-2008	Available
KF390 .A7 A7 V.30 2006-2007	Available
KF390 .A7 A7 V.29 2005/2006	Available
KF390 .A7 A7 V.28 2004/2005	Available
KF390 .A7 A7 V.27 2003/2004	Available
KF390 .A7 A7 V.26 2002/2003	Available
KF390 .A7 A7 V.25 2001/2003	Available

36. The Columbia journal of law & the arts [2001 -]

New York, N.Y. : Columbia University School of Law, c2001-

Description: Journal/Periodical — v. ; 26 cm.

Online

Law Library (Crown)

Status of items at Law Library (Crown)
Law Library (Crown)	Status
Basement Library keeps latest 2 years only. Vols.25(2001)- also available online	Latest: v.46 no.4 (Spr 2023) Request (opens in new tab)
K1 .R57	Unknown

37. The Columbia journal of law & the arts [electronic resource]. [2001 -]

Columbia journal of law & the arts (Online)
New York, N.Y. : Columbia University School of Law, c2001-

Description: Journal/Periodical

Online

www.heinonline.org for assistance ask at the Stanford Law Library reference desk.
Google Books (Full view)

Law Library (Crown)

Status of items at Law Library (Crown)
Law Library (Crown)	Status
Online resource
eResource	Unknown

38. Con título o sin título : historias de teoría y práctica [2013]

Bogotá, D.C. : Colegio de Estudios Superiores de Administración, CESA, 2013.

Description: Book — 281 pages : 23 cm.

Online

SAL3 (off-campus storage)

Status of items at SAL3 (off-campus storage)
SAL3 (off-campus storage)	Status
Stacks	Request (opens in new tab)
HF5381 .C67 2013	Available

39. Critical collective [2011 -]

New Delhi, India : Critical Collective, 2011-

Description: Journal/Periodical — 1 online resource
Summary: "Critical Collective is an initiative by art curator and critic Gayatri Sinha. Critical Collective works towards building knowledge in the arts in India. Since its inception in 2011, it has collaborated closely with institutions in India and abroad to create exhibitions and seminars on art. In order to take is activities on a larger scale; Critical Collective created criticalcollective.in. This website is intended to fill in the lacuna caused by an absence of publishing in the arts, a lack of reprints and a shortage of institutional infrastructure to support knowledge in the domain of the arts."--Website (viewed on April 29, 2015)

Online

40. Doing democracy : activist art and cultural politics [2013]

Albany : State University of New York Press, [2013]

Description

Book — 1 online resource

Summary

Introduction : art, culture, democracy / Nancy S. Love and Mark Mattern
Photo-activism in the digital age : visions from Rio de Janeiro / Frank Möller
Framing the Obama political cartoons : injury or democracy? / Sushmita Chatterjee
The moral economy : doing democracy via public day of the dead rituals / Regina Marchi
The national D-Day memorial : an American military monument as "doing democracy" / Timothy W. Luke
The message in the medium : poetry slam as democratic practice / Mark Mattern
Tragedy and democracy : the fate of liberal democratic values in a violent world / Wairimu Njoya
"You're an American rapper, so what do you know?" : the political uses of British and US popular culture by first-time voters in the UK / Sanna Inthorn and John Street
Playing with hate : white power music and the undoing of democracy / Nancy S. Love
Betrayed by democracy : verbatim theatre as prefigurative politics / Mark Chou and Roland Bleiker
Political actors : performance as democratic protest in anti-apartheid theatre / Emily Beausoleil
Art in the house : cultural democracy in a neighborhood / Bruce Baum
Democracy despite government : African American parading and democratic theory / Peter G. Stillman and Adelaide H. Villmoare
Conclusion : activist arts, community development, and democracy / Mark Mattern and Nancy S. Love.

This book demonstrates how activists and others use art and popular culture to strive for a more democratic future. -- Provided by publisher.

Online

41. Doing democracy : activist art and cultural politics [2013]

Albany : State University of New York Press, [2013]

Description

Book — x, 386 pages ; 24 cm.

Summary

Introduction: art, culture, democracy / Nancy S. Love and Mark Mattern
Photo-activism in the digital age: visions from Rio de Janeiro / Frank Möller
Framing the Obama political cartoons: injury or democracy? / Sushmita Chatterjee
The moral economy: doing democracy via public day of the dead rituals / Regina Marchi
The national D-Day memorial: an American military monument as "doing democracy" / Timothy W. Luke
The message in the medium: poetry slam as democratic practice / Mark Mattern
Tragedy and democracy: the fate of liberal democratic values in a violent world / Wairimu Njoya
"You're an American rapper, so what do you know?": the political uses of British and US popular culture by first-time voters in the UK / Sanna Inthorn and John Street
Playing with hate: white power music and the undoing of democracy / Nancy S. Love
Betrayed by democracy: verbatim theatre as prefigurative politics / Mark Chou and Roland Bleiker
Political actors: performance as democratic protest in anti-apartheid theatre / Emily Beausoleil
Art in the house: cultural democracy in a neighborhood / Bruce Baum
Democracy despite government: African American parading and democratic theory / Peter G. Stillman and Adelaide H. Villmoare
Conclusion: activist arts, community development, and democracy / Mark Mattern and Nancy S. Love.

"Demonstrates how activists and others use art and popular culture to strive for a more democratic future"--Provided by publisher.

Online

Art & Architecture Library (Bowes)

Status of items at Art & Architecture Library (Bowes)
Art & Architecture Library (Bowes)	Status
Find it Stacks
NX650 .P6 D65 2013	Unknown

42. Estúdio : artistas sobre outras obras [2010 -]

Estúdio (Universidade de Lisboa. Centro de Investigação e Estudos em Belas-Artes)
Lisboa : Centro de Investigação e Estudos em Belas-Artes, Faculdade de Belas-Artes da Universidade de Lisboa

Description: Journal/Periodical — v. : ill. ; 23 cm.

Online

43. Etgar Keret: What Animal Are You?. [2013]

Zeitgeist Films, 2013. [San Francisco, California, USA] : Kanopy Streaming, 2019.

Description: Video — 1 online resource (streaming video file) (60 minutes): digital, .flv file, sound Sound: digital. Digital: video file; MPEG-4; Flash.
Summary: For this entertainingly intimate documentary portrait of renowned Israeli writer Etgar Keret, filmmaker Gur Bentwich accompanies his longtime friend on a whirlwind book tour to the Big Apple. Between readings and interviews, Keret ruminates on his life as a writer and the recent death of his father; he also hangs with New York pals including author Nathan Englander and *This American Life's* Ira Glass. By turns poignant, absurd and hilarious, WHAT ANIMAL ARE YOU? is a personal and playful journey with one of world literature's most original voices.

Online

44. Exilio y cosmopolitismo en el arte y la literatura hispánica [2013]

Madrid : Verbum, c2013.

Description: Book — 227 p. : ill. ; 20 cm.

Online

Green Library

Status of items at Green Library
Green Library	Status
Find it Stacks
PQ7081 .A1 E776 2013	Unknown

45. Final light : the life and art of V. Douglas Snow [2013]

Salt Lake City : The University of Utah Press, [2013]

Description

Book — 1 online resource (xvi, 105 pages) : chiefly color illustrations Digital: data file.

Summary

The art: Seeing Snow / Will South
The land: Art and place / David Kranes
Drama of the land: V. Douglas Snow in retrospect / Shawn Rossiter
The man: Douglas Snow and the white Navajo / Katie Lee
Notes on the artist / Edward Lueders
The visual evangelist: Doug Snow as teacher, mentor, and inspiration / Teresa Jordan.

The motivating force behind Final Light was to document Snow's "visual language"-forged early in his career from abstract expressionist influences typified by Willem de Kooning, Joan Mitchell, Robert Motherwell, and Franz Kline, among others. Final Light represents the first book to examine the legacy of this significant Utah educator and painter. Renowned scholars, writers, and activists who are familiar with Snow's work-and many of whom were close friends with him-recount personal experiences with the artist and delve into his motives, methods, and reputation. The volume not only offers their commentaries, but also contains more than 80 exquisite full-colour reproductions of Snow's paintings, dating from the 1950s until 2009, when he died in an auto accident at the age of eighty-two. A nationally recognised artist, Snow chose to stay in Utah where, when not teaching at the University of Utah, he roamed the southern Utah desert gaining inspiration from the red rock formations, especially the Cockscomb outside his studio near Capitol Reef National Park. Snow said, "Every artist probably wonders if he or she made the right decision to dig in to a certain place." He dug into the landscape in and around Southern Utah and never regretted it. Just as it did "Tennessee Williams's South, William Faulkner's Mississippi, [or] John Steinbeck's West Coast, " the desert lands of the Colorado Plateau informed Snow's work. Their sense of place, "without provincialism, " said Snow "is what gives their art its enduring power." Final Light will appeal to art historians and art lovers, especially those interested in abstract expressionism and the art of Utah, the West, and the Southwest.
(source: Nielsen Book Data)

Online

46. Final light : the life and art of V. Douglas Snow [2013]

Salt Lake City : The University of Utah Press, [2013]

Description

Book — xvi, 105 pages : chiefly color illustrations ; 29 cm

Summary

The art: Seeing Snow / Will South
The land: Art and place / David Kranes
Drama of the land: V. Douglas Snow in retrospect / Shawn Rossiter
The man: Douglas Snow and the white Navajo / Katie Lee
Notes on the artist / Edward Lueders
The visual evangelist: Doug Snow as teacher, mentor, and inspiration / Teresa Jordan.

The motivating force behind Final Light was to document Snow's "visual language"-forged early in his career from abstract expressionist influences typified by Willem de Kooning, Joan Mitchell, Robert Motherwell, and Franz Kline, among others. Final Light represents the first book to examine the legacy of this significant Utah educator and painter. Renowned scholars, writers, and activists who are familiar with Snow's work-and many of whom were close friends with him-recount personal experiences with the artist and delve into his motives, methods, and reputation. The volume not only offers their commentaries, but also contains more than 80 exquisite full-colour reproductions of Snow's paintings, dating from the 1950s until 2009, when he died in an auto accident at the age of eighty-two. A nationally recognised artist, Snow chose to stay in Utah where, when not teaching at the University of Utah, he roamed the southern Utah desert gaining inspiration from the red rock formations, especially the Cockscomb outside his studio near Capitol Reef National Park. Snow said, "Every artist probably wonders if he or she made the right decision to dig in to a certain place." He dug into the landscape in and around Southern Utah and never regretted it. Just as it did "Tennessee Williams's South, William Faulkner's Mississippi, [or] John Steinbeck's West Coast, " the desert lands of the Colorado Plateau informed Snow's work. Their sense of place, "without provincialism, " said Snow "is what gives their art its enduring power." Final Light will appeal to art historians and art lovers, especially those interested in abstract expressionism and the art of Utah, the West, and the Southwest.
(source: Nielsen Book Data)

Online

SAL3 (off-campus storage)

Status of items at SAL3 (off-campus storage)
SAL3 (off-campus storage)	Status
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N6537 .S622 F56 2013	Available

47. A Fuller Life [2013]

The Criterion Collection, 2013. [San Francisco, California, USA] : Kanopy Streaming, 2023.

Description: Video — 1 online resource (streaming video file) (81 minutes): digital, .flv file, sound Sound: digital. Digital: video file; MPEG-4; Flash.
Summary: Calling on a wide range of her father's collaborators and fellow travelers, from James Franco to William Friedkin, to read from his autobiography, the filmmaker Samantha Fuller evokes the inimitable voice and spirit of her father, the legendary writer-director Sam Fuller. Shot entirely within "The Shack," as Fuller called the backyard writing refuge he filled with notes for future projects, the film follows Fuller on his path from New York tabloid journalist to Hollywood hyphenate including his formative experiences as an infantryman in World War II.

Online

48. How Strange to be Named Federico [2013]

Kino Lorber, 2013. [San Francisco, California, USA] : Kanopy Streaming, 2019.

Description: Video — 1 online resource (streaming video file) (97 minutes): digital, .flv file, sound Sound: digital. Digital: video file; MPEG-4; Flash.
Summary: One great auteur pays loving tribute to another in this film by Ettore Scola about his decades-long friendship with Federico Fellini. Official Selection at the **Venice Film Festival**.

Online

49. Jingle Bell Rocks!. [2013]

Oscilloscope Laboratories, 2013. [San Francisco, California, USA] : Kanopy Streaming, 2019.

Description: Video — 1 online resource (streaming video file) (94 minutes): digital, .flv file, sound Sound: digital. Digital: video file; MPEG-4; Flash.
Summary: A trippy, cinematic sleighride into the strange & sublime universe of alternative & underground Xmas music, featuring The Flaming Lips, Run-DMC, The Free Design, Low, Miles Davis & Bob Dorough, Clarence Carter, John Waters, and many more. Official Selection at the **San Francisco Documentary Film Festival** and **DOC NYC**.

Online

50. Llyn Foulkes One Man Band [2013]

Kino Lorber, 2013 [San Francisco, California, USA] : Kanopy Streaming, 2021

Description: Video — 1 online resource (streaming video file) (88 minutes) : digital, .flv file, sound Sound: digital. Digital: video file; MPEG-4; Flash.
Summary: During the seven years chronicled in LLYN FOULKES ONE MAN BAND, artist and musician Llyn Foulkes creates, destroys, and recreates a pair of large-scale paintings - one of which costs him his marriage - until he is at last rediscovered by the international art world at age 77. With interviews from 1960's art scene vets Dennis Hopper and George Herms, and an appearance on The Tonight Show, the film reconstructs fifty years of his uncompromising, largely forgotten career. With music written and performed by Llyn Foulkes on his massive, fanciful, self-invented instrument called "The Machine."

Online

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60 catalog results

1. Fellow men : Fantin-Latour and the problem of the group in nineteenth-century French painting [2013]

2. Ruth Asawa papers, 1926-2020, bulk 1939-2012 [1926 ... 2020]

3. Alphonse Mucha [2013]

4. Creative margins : cultural production in Canadian suburbs [2013]

5. Creative margins : cultural production in Canadian suburbs [2013]

6. Tracce di follia nelle Vite del Vasari [2013]

7. Glorify the empire : Japanese avant-garde propaganda in Manchukuo [2013]

8. Daily rituals : how artists work [2013]

9. Street angel [2013]

10. Bas Jan Ader : death is elsewhere [2013]

11. David Kakabadze : Georgian modern artist and inventor [2013]

12. Pay for your pleasures : Mike Kelley, Paul McCarthy, Raymond Pettibon [2013]

13. Mary Nohl : a lifetime in art [2013]

14. The Oxford dictionary of American art and artists [electronic resource] [2007 -]

15. National Gallery of Canada review = Revue du Musée des beaux-arts du Canada [2000 -]

16. Creating a world on paper : Harry Fenn's career in art [2013]

17. Carolee Schneemann papers, circa 1954-2015 [1954 ... 2015]

18. Affairs of the art : love, death and money in the Australian art world [2013]

19. Art for social change and cultural awakening : an anthropology of residence in Taiwan [2013]

20. Bas Jan Ader : In search of the miraculous [2013]

21. The life and afterlives of Hanabusa Itchō, artist-rebel of Edo [2013]

22. Picasso and the chess player : Pablo Picasso, Marcel Duchamp, and the battle for the soul of modern art [2013]

23. African art, interviews, narratives : bodies of knowledge at work [2013]

24. American art directory [1898 -]

25. Aporia [1998 -]

26. Archives de l'art français. [1872 -]

27. Art, intellect and politics : a diachronic perspective [2013]

28. The artist as reader : on education and non-education of early modern artists [2013]

29. Artnet [electronic resource]. [1995 -]

30. AskART.com [electronic resource] [2000 -]

31. Benezit dictionary of artists [electronic resource]. [2011 -]

32. Bomb-it. 2 [2013]

33. Cahiers Jean Cocteau [1969 -]

34. Canadian art. [1984 - 2021]

35. The Columbia journal of law & the arts [2001 -]

36. The Columbia journal of law & the arts [2001 -]

37. The Columbia journal of law & the arts [electronic resource]. [2001 -]

38. Con título o sin título : historias de teoría y práctica [2013]

39. Critical collective [2011 -]

40. Doing democracy : activist art and cultural politics [2013]

41. Doing democracy : activist art and cultural politics [2013]

42. Estúdio : artistas sobre outras obras [2010 -]

43. Etgar Keret: What Animal Are You?. [2013]

44. Exilio y cosmopolitismo en el arte y la literatura hispánica [2013]

45. Final light : the life and art of V. Douglas Snow [2013]

46. Final light : the life and art of V. Douglas Snow [2013]

47. A Fuller Life [2013]

48. How Strange to be Named Federico [2013]

49. Jingle Bell Rocks!. [2013]

50. Llyn Foulkes One Man Band [2013]