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'Upward, yet not Northward.' How would a creature limited to two dimensions be able to grasp the possibility of a third? Edwin A. Abbott's droll and delightful 'romance of many dimensions' explores this conundrum in the experiences of his protagonist, A Square, whose linear world is invaded by an emissary Sphere bringing the gospel of the third dimension on the eve of the new millennium. Part geometry lesson, part social satire, this classic work of science fiction brilliantly succeeds in enlarging all readers' imaginations beyond the limits of our 'respective dimensional prejudices'. In a world where class is determined by how many sides you possess, and women are straight lines, the prospects for enlightenment are boundless, and Abbott's hypotheses about a fourth and higher dimensions seem startlingly relevant today. This new edition of Flatland illuminates the social and intellectual context that produced the work as well as the timeless questions that it raises about the limits of our perception and knowledge.
(source: Nielsen Book Data)

• Psychiatry by the dumpster
• H2O under the bridge
• A Greek tragedy
• With any luck
• Eternity drive
• Onychophagia.

Between 1917 and 1941, Hollywood film studios, gossip columnists, and novelists featured an unprecedented number of homosexuals, cross-dressers, and adulterers in their depictions of the glamorous Hollywood lifestyle. During this era, actress Greta Garbo defined herself as the ultimate serial bachelorette, screenwriter Mercedes De Acosta wore mannish attire and began numerous lesbian relationships with Hollywood elite (including Greta Garbo herself), and countless homosexual designers brazenly picked up men in the hottest Hollywood nightclubs. These personalities, along with many others, played an important role in establishing Hollywood's image as a place of sexual abandon, enhancing the movie capital's mystique and selling Hollywood as a "must-see" destination.This significant contribution to gay, lesbian, and film studies demonstrates that the Hollywood studios and mass media used images of these sexually adventurous characters to promote the movie industry and appeal to the prurient interests of a more conservative audience. Each chapter examines the happenings in one segment of important Hollywood locales, ranging from the stars' private homes to the hippest restaurants and public nightclubs. Focusing on the media coverage of each location in nationally distributed newspapers and local publications, tabloids or fan magazines, this book reveals how such media images indelibly altered the world's fascination with old Hollywood.
(source: Nielsen Book Data)

• Beating the System: Notes from an Antibureaucrat. Rubbish Heaps Grow, but They Don't Develop: Understanding the Differences Between Growth and Development. Never Let Your Schooling Interfere with Your Education: Becoming an Antibureaucrat. A Great Many People Think They Are Thinking When They Are Merely Rearranging Their Prejudices: The Costs of Discrimination. Wisdom Is the Power to Put Our Time and Our Knowledge to the Proper Use: People, Practice and Professions. Ask for Anything You Like Except Time: Culture, Language, and Customs. Notes. Bibliography.
• (source: Nielsen Book Data)

The author summarizes his experience as a management consultant in a series of fables designed to expose narrow thinking, muddle-headedness and complacency in business. He has previously written Management in Small Doses and The Art of Problem Solving.
(source: Nielsen Book Data)

Alfred Hitchcock was a strange child. Fat, lonely, burning with fear and ambition, his childhood was an isolated one, scented with fish from his father's shop. Afraid to leave his bedroom, he would plan great voyages, using railway timetables to plot an exact imaginary route across Europe. So how did this fearful figure become the one of the most respected film directors of the twentieth century? As an adult, Hitch rigorously controlled the press' portrait of himself, drawing certain carefully selected childhood anecdotes into full focus and blurring all others out. In this quick-witted portrait, Ackroyd reveals something more: a lugubriously jolly man fond of practical jokes, who smashes a once-used tea cup every morning to remind himself of the frailty of life. Iconic film stars make cameo appearances, just as Hitch did in his own films. Grace Kelly, Carey Grant and James Stewart despair of his detached directing style, and, perhaps most famously of all, Tippi Hedren endures cuts and bruises from a real-life fearsome flock of birds. Alfred Hitchcock wrests the director's chair back from the master of control and discovers what lurks just out of sight, in the corner of the shot.
(source: Nielsen Book Data)

• The child who never cried
• I'll do it
• Sound, please
• I was grey
• At home
• Fake it
• Oh dear
• I am typed
• Good evening
• Birds and beasts
• Back to basics.

"Alfred Hitchcock was a strange child. Fat, lonely, burning with fear and ambition, his childhood was an isolated one, scented with fish from his father's shop. Afraid to leave his bedroom, he would plan great voyages, using railway timetables to plot an exact imaginary route across Europe. So how did this fearful figure become the one of the most respected film directors of the twentieth century? As an adult, Hitch rigorously controlled the press's portrait of him, drawing certain carefully selected childhood anecdotes into full focus and blurring all others out. In this quick-witted portrait, Ackroyd reveals something more: a lugubriously jolly man fond of practical jokes, who smashes a once-used tea cup every morning to remind himself of the frailty of life. Iconic film stars make cameo appearances, just as Hitch did in his own films: Grace Kelly, Cary Grant, and James Stewart despair of his detached directing style and, perhaps most famously of all, Tippi Hedren endures cuts and bruises from a real-life fearsome flock of birds. In [this book], Peter Ackroyd wrests the director's chair back from the master of control and discovers what lurks just out of sight, in the corner of the shot,"--Amazon.com.
Fat, lonely, burning with fear and ambition-- Hitchcock's childhood was an isolated one. As an adult, Hitch rigorously controlled the press's portrait of him, drawing certain carefully selected childhood anecdotes into full focus and blurring all others out. Ackroyd reveals a jolly man fond of practical jokes, who smashes a once-used tea cup every morning to remind himself of the frailty of life. The result is a gripping biography of one of the most respected directors of the twentieth century.

A warm and witty memoir of motherhood (or what you meant to say but were too busy parenting ...) Every middle-aged woman wants to say in a firm, clear, loving voice to every young woman: 'I have been you. But you haven't been me, yet ...You should listen.' Liberated from the daily minutiae when her daughter left home, Michele A'Court suddenly found the time she'd never had as a parent - to think about being a parent. Mostly, she spent the time wondering if she'd told her daughter everything she needed to know - such as how to store ginger, get rid of bloodstains, calculate GST, stop your tights snagging, the meaning of feminism ...that sort of thing. So she began to make a list. The list became a hit solo comedy show. And then the list kept getting longer. So now it has become a book. A funny, wise, honest and maybe even useful book. Turns out I raised a determined young woman with her own very clear ideas about how to live her life. Who saw that coming? I blame the mother.
(source: Nielsen Book Data)