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- Manchester : Manchester University Press, 2019.
- Description
- Book — xvi, 342 pages : illustrations ; 24 cm
- Online
SAL1&2 (on-campus shelving)
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AM7 .C89 2019 | Unavailable On order |
- Chaumier, Serge author.
- Paris : Hermann, [2018]
- Description
- Book — 228 pages : illustrations ; 21 cm
- Summary
-
- Les perspectives
- L'expérientiel
- L'interprétation
- L'engagement
- La participation
- Les conditions nécessaires
- Dépasser l'impératif du patrimoine
- Redécouvrir la notion d'action culturelle
- Réinventer l'institution et ses professions
- Conclusion
- Postface. Une altermuséologie plurielle et participative / Raymond Montpetit.
- Online
SAL3 (off-campus storage)
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AM151 .C46 2018 | Available |
- Cimoli, Anna Chiara, author.
- Bologna : CLUEB, [2018]
- Description
- Book — 297 pages : illustrations ; 21 cm.
- Online
SAL3 (off-campus storage)
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AM40 .C56 2018 | Available |
- Berlin : Hatje Cantz, [2018]
- Description
- Book — 221 pages : illustrations ; 32 cm
- Online
- Leleu, Nathalie, author.
- Bruxelles : La Lettre volée, [2018]
- Description
- Book — 132 pages : illustrations ; 21 cm.
- Summary
-
- Réplique d'artiste, péché d'artiste? / Gino Severini par lui-même
- Le chef-d'oeuvre auquel il est impossible de renoncer / Willem Sandberg et Piet Mondrian
- Genius loci - Esprit de l'oeuvre, oeuvre de l'esprit / Harald Seiler (sur les traces d'Alexander Dorner) et El Lissitzky
- "Mettre le regard sous le contrôle du toucher" / Pontus Hultén et Vladimir Tatline
- La mariée et ses prétendants / Ulf Linde, Richard Hamilton et Marcel Duchamp.
- Online
SAL3 (off-campus storage)
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AM133 .L44 2018 | Available |
- Hamilton, James, 1948- author.
- London : Head of Zeus, an Apollo book, 2018.
- Description
- Book — 208 pages : illustrations (chiefly color) ; 21 cm.
- Summary
-
A concise history of one of the world's greatest and most comprehensive museum collections, from its founding in 1753. A product and symbol of the 18th-century Enlightenment, the British Museum is as iconic an expression of that cultural tendency as Johnson's Dictionary, the French Encyclopedie and Linnaean plant classification. Its collections embody the raw material of empiricism - the bringing together of things to enable the widest intellectual experiment to take place. James Hamilton explores the establishment of the Museum in the 1750s (from the bequest to the nation of the collections of Sir Hans Sloane); the chosen site of its location; the cultural context in which it came into being; the subsequent development, expansion and diversification of the Museum, both as a collection and as a building, from the early 19th to the 21st century; the controversy occasioned by some of its acquisitions; and the legacy and influence of the Museum nationally and globally.
(source: Nielsen Book Data) 9781786691835 20180611
- Online
7. Das Depot als Versprechen : warum unsere Museen die Lagerräume ihrer Dinge wiederentdecken [2018]
- Thiemeyer, Thomas, 1976- author.
- Köln : BV, Böhlau Verlag, 2018.
- Description
- Book — 298 pages : illustrations ; 24 cm
- Summary
-
- Einleitung
- Anfänge
- Die Kunst des Wunderns
- Die Teilung der Sammlungen
- Die Erfindung des Schaudepots
- Depotausstellungen : Vier Portraits
- Gottfried Sempers Ideales Museum
- Das k.k. Österreichische Museum für Kunst und Industrie
- Eine Vorbildersammlung, die zum Museum wird
- Studiensammlung und Design-Labor
- Fazit : das Ende der Studiensammlungen
- Carl von Linnes Ordnung der Dinge und der "Ursprung der Kultur"
- Das Bremer Ubersee-Museum
- Stammbäume und Kulturkreise
- Das Schaumagazin
- Fazit : das Museum als Forschungsort
- Alfred Döblins Berlin Alexanderplatz
- Das Deutsche Literaturarchiv Marbach
- Depot-Ordnungen und Werkcharakter
- Literarische Archivalien im Literaturmuseum der Moderne
- Die Literaturausstellung als Erkenntnis- und Distinktionsmittel
- Epilog : Abschied vom "Schatzhaus der Kennerschaft"?
- Der Deutsche Werkbund und die Alltäglichkeit der Dinge
- Der Deutsche Werkbund und die Versöhnung der Kulturen
- Vom Museum der Alltagskultur zum Museum der Dinge
- Die Sammlung des Flaneurs
- Offenes Depot
- Fazit : Alltagskultur und die Logik der Kunst
- Die Macht Der Ideen : Episteme der Depotausstellungen
- Linkes Denken und Neue Kulturpolitik
- Die Krise der (Re-)Präsentation
- Materielle Kultur und die Sinnlichkeit der Dinge
- Neuer Archiv-und Wissensdiskurs
- Fazit : Machtkritik, Erkenntnistheorie und Krisensymptome
- Die Transformation der Dinge : Werk, Exemplar, Zeuge
- Werk
- Exemplar
- Zeuge
- Werk, Exemplar und Zeuge : Produkte kuratorischer Praxis
- Die Logik der Räume : Ausstellung und Depot
- Depot-und Ausstellungsraum
- Archivalie und Exponat
- Das Depot Als Versprechen
- Das Depot als politische Utopie
- Das Depot als epistemische Methode
- Das Depot als geheimnisvoller Ort
- Die Aura des Depots : Experiment, Freiheit und Kreativität
- Die Zukunft des Depots
- Dank
- Quellen
- Literatur
- Abbildungsnachweise.
- Online
SAL3 (off-campus storage)
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AM111 .T45 2018 | Available |
- Message, Kylie, author.
- London : Routledge, Taylor & Francis Group, 2018.
- Description
- Book — 115 pages : illustrations ; 22 cm.
- Summary
-
- Introduction: `This is not a protest. This is a process'
- 1. Political Protest
- 2. Disciplinary Crisis
- 3. Writing Resistance Conclusion: `Movements are born in the moments when abstract principles become concrete concerns'.
- (source: Nielsen Book Data)
(source: Nielsen Book Data) 9781315294117 20180219
- Online
- Marseille : Mucem ; Paris : Réunion des musées nationaux, [2018]
- Description
- Book — 303 pages : illustrations (chiefly color), facsimiles ; 24 cm
- Summary
-
"Le XXe siècle fut le temps du développement des musées, de leur mise en cause, de leur réinvention et souvent de leur redistribution. Le Mucem incarne une part essentielle de cette évolution, grâce à ses collections issues du musée d'Ethnographie du Trocadéro, du musée de l'Homme et du musée national des Arts et Traditions populaires, héritiers de Georges Henri Rivière (1897-1985). Fasciné par l'objet, au contact des créateurs et des collectionneurs, Rivière consacra son existence aux musées, pour en faire non seulement des lieux de sauvegarde, mais aussi des espaces d'accueil des chercheurs comme des publics. En prenant sa vie comme fil conducteur, "Georges Henri Rivière. Voir, c'est comprendre" dresse le portrait d'une époque: du cabaret parisien du Boeuf sur le toit aux enquêtes ethnologiques dans l'Aubrac, jusqu'à l'invention d'un musée révolutionné, instrument de connaissance évolutif et participatif jusqu'alors sans équivalent."--Page 4 of cover.
- Online
- Britto, Clovis Carvalho.
- Salvador : EDUFBA, 2018.
- Description
- Book — 225 pages : illustrations ; 24 cm
- Online
SAL3 (off-campus storage)
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AM34 .B62 B337 2018 | Available |
- London : Routledge, Taylor & Francis Group, 2018.
- Description
- Book — ix, 207 pages : illustrations ; 24 cm
- Summary
-
- List of figures Acknowledgements Introduction: Practical Histories: How We Do Things with Performance by Jonah Westerman
- Chapter 1. Stuart Comer, Chief Curator in the Department of Media and Performance Art-- Michelle Elligott, Chief of Archives, MoMA-- Ana Janevski, Associate Curator-- in conversation with Jonah Westerman, New York, April
- 2015.
- Chapter 2. Jay Sanders, Engell Speyer Family Curator and Curator of Performance, Whitney Museum of American Art, in conversation with Jonah Westerman, New York, April
- 2015.
- Chapter 3. Catherine Wood, Senior Curator International Art (Performance), and Pip Laurenson, Head of Collection Care Research, in conversation with Jonah Westerman, London, June,
- 2016.
- Chapter 4. Jill Sterrett, Director of Collections and Conservation, Rudolf Frieling, Curator for Media Arts, and Frank Smigiel, Associate Curator for Performance and Film, in conversation with Gabriella Giannachi, San Francisco Museum of Modern Art, San Francisco, August,
- 2015.
- Chapter 5. Christiane Berndes, Curator and Head of Collection, and Annie Fletcher, Chief Curator, Van Abbemuseum, in conversation with Jonah Westerman, Amsterdam February
- 2015.
- Chapter 6. Tim Griffin, Executive Director and Chief Curator, The Kitchen, in conversation with Jonah Westerman, New York, April
- 2015.
- Chapter 7. Philip Bither, William and Nadine McGuire Director and Senior Curator, Performing Arts-- Eric Crosby, Associate Curator, Visual Arts-- Robin Dowden, Director, New Media Initiatives-- Fionn Meade, Artistic Director-- Walker Art Center, in conversation with Jonah Westerman, Minneapolis, April
- 2015.
- Chapter 8. RoseLee Goldberg, Founding Director and Curator, Performa, in conversation with Jonah Westerman, New York, May
- 2015.
- Chapter 9. Gaby Wijers, Director, LIMA, in conversation with Jonah Westerman, Amsterdam, February,
- 2015.
- Chapter 10. Pics or It Didn't Happen: Amalia Ulman Interviewed by Catherine Wood.
- Chapter 11. Performing the Archive and Exhibiting the Ephemeral by Barbara Clausen.
- Chapter 12. At the edge of the `living present': re-enactments and re-interpretations as strategies for the preservation of performance and new media art by Gabriella Giannachi.
- Chapter 13. Documenting Interaction by Katja Kwastek.
- Chapter 14. Screen Capture and Replay: Documenting Gameplay as Performance by Henry Lowood, Eric Kaltman and Joseph C. Osborn.
- Chapter 15. Mixed Reality Performance through Ethnography by Peter Tolmie and Steve Benford. Afterword: The intention of the artist and the point of view of the audience, performance documentation revisited, by Gabriella Giannachi. Index.
- (source: Nielsen Book Data)
(source: Nielsen Book Data) 9781138184138 20171023
- Online
12. IV Encontro Luso-Brasileiro de Museus Casas : revestimentos internos das casas do século XIX [2018]
- Encontro Luso-Brasileiro de Museus Casas (4th : 2012 : Fundação Casa de Rui Barbosa)
- Rio de Janeiro : Fundação Casa de Rui Barbosa, 2018.
- Description
- Book — 314 pages : illustrations (some color) ; 21 cm.
- Online
SAL1&2 (on-campus shelving)
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AM34 .B6 E53 2012 | Unknown |
- 民国时期的中国博物馆协会与中国博物馆学(1935-1949)
- Wu, Changwen, author.
- 吴昌稳, author.
- Di 1 ban. 第1版. - Beijing Shi : Wen wu chu ban she, 2018. 北京市 : 文物出版社, 2018.
- Description
- Book — 2, 290 pages : illustrations ; 23 cm
- Summary
-
$a 本书以民国时期的中国博物馆协会为中心开展研究, 评估中国博物馆协会成立对于民国博物馆事业发展的作用, 了解民国学人在博物馆学方面的修养和知识储备, 审视中国博物馆发生和发展的情况.
- Online
East Asia Library
East Asia Library | Status |
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Find it Chinese Collection | |
AM72 .A2 W823 2018 | Unknown |
14. Museum object lessons for the digital age [2018]
- Geismar, Haidy, author.
- London : UCL Press, 2018.
- Description
- Book — xxii, 141 pages : illustrations (some color) ; 24 cm
- Online
SAL1&2 (on-campus shelving)
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AM133 .G45 2018 | Unknown |
15. Museums and racism [2018]
- Message, Kylie, author.
- London ; New York : Routledge, Taylor & Francis Group, 2018.
- Description
- Book — 136 pages : illustrations ; 23 cm.
- Summary
-
- Introduction: `It's a summer of sequels. The culture wars are back. So is the civil rights movement'
- 1. Museums
- 2. Multiculturalism
- 3. Racism Conclusion: `I feel like I belong when I am made to feel welcome'.
- (source: Nielsen Book Data)
(source: Nielsen Book Data) 9781138240179 20180709
- Online
- Barbosa, Nila Rodrigues, author.
- 1a edição. - Curitiba, PR : Appris Editora, 2018.
- Description
- Book — 181 pages : illustrations (some color) ; 21 cm
- Online
SAL1&2 (on-campus shelving)
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AM34 .B72 M563 2018 | Unavailable At bindery |
- Journée d'études nord-africaines (8th : 2016 : Académie des inscriptions & belles-lettres (France)
- Paris : Académie des inscriptions et belles-lettres, 2018.
- Description
- Book — 122 pages : illustrations (chiefly color), maps (some color) ; 24 cm.
- Summary
-
- "Les collections puniques du musée de Kerkouane et leur vocation méditerranéenne" / Mounir Fantar
- "De Simitthus en Afrique proconsulaire à Chimtou en Tunisie : chronique d'un site" / Moheddine Chaoualt
- "Le musée national du Bardo : "éternel lieu de culture et de rencontres"" / Fatma Naït Yghil
- Allocution d'accueil / Michel Zink
- "De la pierre au plâtre : quelques expériences de copies de mosaïque" / Henri Lavagne
- "Muséographie et histoire : le musée national du Bardo (Tunisie)" / Adellatif Mrabet
- "Sculpture romaine et patrimoine de l'Afrique antique" / François Baratte.
- Online
SAL1&2 (on-campus shelving)
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AM80 .J68 2016 | Unavailable At bindery |
18. The private museum of the future [2018]
- Zürich : JRP Ringier ; Dijon : Les Presses du reel, [2018]
- Description
- Book — 203 pages : illustrations ; 21 cm.
- Online
19. Public representations of immigrants in museums : exhibition and exposure in France and Germany [2018]
- Porsché, Yannik, author.
- Cham, Switzerland : Palgrave Macmillan, [2018]
- Description
- Book — xi, 401 pages : illustrations ; 22 cm.
- Summary
-
- 1: Introduction: Staging public representations in the Cite Nationale de l'Histoire de l'Immigration, the Deutsches Historisches Museum, and the Friedrichshain-Kreuzberg Museum.2: Museums, the public, and immigration.3: Microsociological Contextualisation Analysis.4: Epistemic production behind the museum scenes in France and Germany.5: Public interactions on the museum stages.6: Conclusion: Exhibiting immigrants-exposing the public.
- (source: Nielsen Book Data)
(source: Nielsen Book Data) 9783319663562 20180508
- Online
20. William Hunter and his eighteenth-century cultural worlds : the anatomist and the fine arts [2018]
- McCormack, Helen, 1962- author.
- London : Routledge, Taylor & Francis Group, 2018.
- Description
- Book — xi, 199 pages, 8 unnumbered pages of plates : illustrations (some color) ; 26 cm.
- Summary
-
- Contents Acknowledgements Introduction: Art, Science, Curiosity and Commerce Chapter One: Forming the Museum: Context and Chronology Chapter Two: The Great Windmill Street Anatomy School and Museum Chapter Three: Patronage and Patriots: Hunter and a National School of Artists Chapter Four: Collecting Ambitions (1770-1783) The Grand Tour Paintings Chapter Five: Pursuing the Imitation of Nature in and beyond the Royal Academy of Arts Bibliography Index.
- (source: Nielsen Book Data)
(source: Nielsen Book Data) 9781472424426 20171211
- Online
SAL1&2 (on-campus shelving)
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AM401 .H86 M33 2018 | Unknown |