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- First edition. - Austin : University of Texas Press, 2018.
- Description
- Book — ix, 430 pages : illustrations ; 24 cm.
- Summary
-
- A Note on Iota Adscript and the Transliteration of Proper Nouns Acknowledgments Introduction (Jonathan L. Ready and Christos C. Tsagalis) Part I. Rhapsodes
- Chapter 1. Performance Contexts for Rhapsodic Recitals in the Archaic and Classical Periods (Christos C. Tsagalis)
- Chapter 2. Reading Rhapsodes on Athenian Vases (Sheramy D. Bundrick)
- Chapter 3. Performance Contexts for Rhapsodic Recitals in the Hellenistic Period (Christos C. Tsagalis)
- Chapter 4. Rhapsodes and Rhapsodic Contests in the Imperial Period (Anne Gangloff)
- Chapter 5. Formed on the Festival Stage: Plot and Characterization in the Iliad as a Competitive Collaborative Process (Mary R. Bachvarova)
- Chapter 6. Did Sappho and Homer Ever Meet? Comparative Perspectives on Homeric Singers (Olga Levaniouk)
- Part II. Narrators and Characters
- Chapter 7. Odysseus Polyonymous (Deborah Beck)
- Chapter 8. Embedded Focalization and Free Indirect Speech in Homer as Viewpoint Blending (Anna Bonifazi)
- Chapter 9. Speech Training and the Mastery of Context: Thoas the Aetolian and the Practice of Muthoi (Joel P. Christensen)
- Chapter 10. Diomedes as Audience and Speaker in the Iliad (James O'Maley)
- Chapter 11. Hektor, the Marginal Hero: Performance Theory and the Homeric Monologue (Lorenzo F. Garcia Jr.)
- Chapter 12. Performance, Oral Texts, and Entextualization in Homeric Epic (Jonathan L. Ready)
- Chapter 13. Homer's Rivals? Internal Narrators in the Iliad (Adrian Kelly)
- Works Cited Contributors Index of Terms Index of Passages.
- (source: Nielsen Book Data)
(source: Nielsen Book Data)
- Online
Green Library
Green Library | Status |
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Find it Stacks | Request (opens in new tab) |
PA4037 .H77474 2018 | Unknown |