• Presentación / Rebeca Monroy Nasr
• Introducción / Alberto del Castillo Troncoso, Mónica Morales Flores
• Trayectoria periodística
• Nicaragua
• Íconos
• Proyectos personales
• Cuartoscuro.

• 1 - History of Film Editing.-- 2 - Different Editing Aesthetics.-- 3 - How Genre Affects Editing.-- 4 - Narrative (Fiction) vs. Documentary.-- 5 - Features vs. Shorts.-- Part II. Final Cut Express.-- 6 - A Brief History of NLE Systems-- MAC vs. PC-- FCP vs. FCE.-- 7 - Basic Interface of Final Cut Express.-- 8 - Understanding the Different Tools.-- 9 - Effects and Advanced Techniques-- LiveType.-- 10 - Understanding Format-- Outputting/Exporting.-- 11 - Why is Kuleshov's Legacy Important?-- 12 - Sound Design.-- 13 - Genre 1 - Comedy.-- 14 - Genre 2 - Drama.-- 15 - Genre
• 3- Thriller/Horror Film.
• (source: Nielsen Book Data)

Designed for the novice or for a course in film editing, this book is the perfect introductory text. Editing is the art of using the building blocks supplied by the writer and director to create a structurally sound and brilliant piece of cinematic dazzle. As the word is to the sentence, so the shot is to the scene, and the editor must 'write' coherently. This book teaches the aspiring editor how to speak the inspiring language of images. For projects, it covers the latest version of 'Final Cut Express', contains structured exercises, and uses video clips on the companion DVD, to allow the reader to apply the lessons of the book in clear and entertaining ways. Solutions to exercises and PowerPoint slides are available to instructors.
(source: Nielsen Book Data)

DVD-Rom includes the entire manuscript of the Codex on Flight, viewable page by page; 3D reconstructions and animations of all the drawings (more than 130); interactive text; video of the Codex history; ultra high-definition reproduction of the original Self-portrait of Leonardo.

• Preface. About the DVD.
• CHAPTER 1: BEGINNING MODELING TECHNIQUES.
• CHAPTER 2: INTERMEDIATE MODELING TECHNIQUES.
• CHAPTER 3: ANATOMY OF THE HUMAN FIGURE.
• CHAPTER 4: ADVANCED MODELING TECHNIQUES.
• CHAPTER 5: ADVANCED MODELING TECHNIQUES.
• PART 2: THE TORSO.
• CHAPTER 6: ADVANCED MODELING TECHNIQUES.
• PART 3: THE ARM AND HAND.
• CHAPTER 7: ADVANCED MODELING TECHNIQUES.
• PART 4: THE LEG AND FOOT.
• CHAPTER 8: ADVANCED MODELING TECHNIQUES.
• PART 5: FINAL PARTS.
• CHAPTER 9: SURFACING AND LIGHTING DETAILS.
• CHAPTER 10: SETTING UP THE HUMAN MODEL FOR ANIMATION.
• CHAPTER 11: FUNDAMENTALS OF HUMAN ANIMATION.
• CHAPTER 12: HUMAN ANIMATION PRINCIPLES. Bibliography. Index.
• (source: Nielsen Book Data)

Completely updated, this is the head-to-toe guide to creating animated human characters. Now featuring a new full-color format and a companion CD with tutorials for students and self-learners alike, "3-D Human Modeling and Animation, Third Edition" demonstrates how readers can use their artistic skills to create convincing digital characters. More than 500 images illustrate every step in the process and the accompanying Quicktime tutorials demonstrate the process of modeling, texturing, lighting, and animating the human figure. Peter Ratner (Harrisonburg, VA) is a professor of 3-D computer animation in the School of Art and Art History at James Madison University where he founded the computer animation program. Besides teaching and writing books, he has exhibited his oil paintings, animations, and computer graphics in numerous national and international juried exhibitions.
(source: Nielsen Book Data)

The portraits and testimonies featured in 'Intended Consequences' offer intensely personal accounts of survivors' experiences of the genocide in Rwanda, as well as their conflicted feelings about raising a child who is a reminder of horrors endured.

• I. Introduction II. The Basics: How Compositing Works III. Types of Keying Processes
• 1. Luminance Keying
• 2. Difference Keying
• 3. Chroma Keying
• 4. Alpha Keying
• 5. Mathematical Operations IV. Simple Compositing Solutions
• 1. Coverup: Fixing problems in the picture
• 2. Digital "Glass Paintings"
• 3. Other simple compositing effects V. Setting Up a Studio
• 1. Paint vs. fabric screen
• 2. Space required
• 3. Electrical and HVAC considerations
• 4. Portable & High Tech Solutions VI. Lighting for Blue & Green Screen
• 1. Lighting the screen
• 2. Lighting the talent
• 3. Garbage mattes
• 4. Visually matching the background plate VII. Costuming and Design for Blue & Green Screen
• 1. Color wheel and fabric choice
• 2. Sheen and reflectivity VIII. Format Problems
• 1. 4:2:2
• 2. DV
• 3. HD
• 4. HDV IX. Creating the Plates
• 1. Background
• 2. Foreground
• 3. The Matte
• 4. Working in 3D programs X. Post Problems
• 1. Pulling the matte
• 2. Cleaning up edges
• 3. Repairing faulty mattes XI. Hardware Keyers
• 1. Ultimatte
• 2. Video Toaster NT
• 3. Switchers/SEG - Edirol Sima SFX 9 XII. Software Keyers and Tutorials:
• 1. Ultimatte Advantedge
• 2. After Effects
• 3. Apple Shake
• 4. Keylight
• 5. Boris Red
• 6. Digital Film Tools Zmatte
• 7. dvGarage dvMatte Pro
• 8. Serious Magic Ultra XIII. Creating New Visions XIV. Appendix A. Glossary B. How Color and Color Difference Keyers work C. Building a permanent cyclorama D. Calibrating a Video Monitor E. Manufacturers Addresses.
• (source: Nielsen Book Data)

Master the art and technique of blue and greenscreen compositing with this comprehensive how-to course in creating effective and realistic composited scenes in video formats. You get clear, understandable explanations of the different types of keying techniques and how they work, including real-world examples and tutorials. Topics include setting up a greenscreen studio, how to light the screen effectively, how to light the talent or foreground material, and matching lighting to the composited background plate. Complete tutorials of each of the major software keyers walk you through the process for creating a clean and accurate composite. 4 color illustrations detail the art and technique of compositing. It is a complete guide to studio set-up, keying and troubleshooting. It includes a DVD packed with real-world examples and tutorial lessons.
(source: Nielsen Book Data)