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Book
xx, 432 pages : illustrations, music ; 26 cm
Green Library
Book
ix, 271 pages : illustrations, maps, music ; 22 cm
This anthology concerns traditional music and archives, and discusses their relationship as seen from historical and epistemological perspectives. Music recordings on wax cylinders, 78 records or magnetic tape, made in the first half of the 20th century, are regarded today as valuable sources for understanding musical processes in their social dimension and as unique cultural heritage. Most of these historical sound recordings are preserved in sound archives, now increasingly accessible in digital formats. Written by renowned experts, the articles here focus on archives, individual and collective memory, and heritage as today's recreation of the past. Contributors discuss the role of historical sources of traditional music in contemporary research based on examples from music cultures in West Africa, Scandinavia, Turkey, and Portugal, among others. The book will appeal to musicologists and cultural anthropologists, as well as historians and sociologists, and will be of interest to anyone concerned with sound archives, libraries, universities and cultural institutions dedicated to traditional music.
(source: Nielsen Book Data)9781443873260 20170724
Music Library
Book
247 pages : illustrations (chiefly color) ; 21 cm.
SAL3 (off-campus storage)
Book
xxiv, 168 pages : illustrations ; 24 cm
Music Library
Book
181 pages : illustrations (chiefly color), music ; 21 cm + 1 DVD.
  • Vorwort / Barbara Alge
  • Kunstmusik : Kolonialismus : Lateinamerika : eine Einleitung / Barbara Alge
  • Jesuiten
  • Die Jesuiten und ihr Einfluss auf die Musik im kolonialen Brasilien / Marcos Holler
  • Mission durch Musik im Mexiko der frühen Neuzeit (Abstract) / Jutta Toelle
  • Chacona und Lundum
  • Der Ungebärdigen Zähmung : zur Adaption und Metamorphose der Chacona im 17. Jahrhundert / Hanna Walsdorf
  • Alessandro Piccinini's "Ciaconna in partite variate", 1623 : eine afrikanische Inspiration? / Gerhard Kubik
  • Der "Lundu da Monroy" in Manuskripten für Tasteninstrumente / Edite Rocha
  • Musikmanuskripte aus Minas Gerais
  • Musikmanuskripte aus Minas Gerais : musiktheoretische und ethnomusikologische Perspektiven / Barbara Alge und Jan Philipp Sprick
  • Zum Barocken und Hybriden in der in Minas Gerais komponierten Musik im 18. Jahrhundert / Domingos Sávio Lins Brandão
  • Zum Umgang mit musikalischen Manuskripten in Minas Gerais / Mary Angela Biason und Guilherme Matozinhos da Silva
  • Deutsche Siedlungskolonien in Lateinamerika
  • Deutsche Siedlungskolonien als Orte kunstmusikalischer Praxis : das Beispiel Santa Catarina, Brasilien, im 19. und frühen 20. Jahrhundert / Christian Storch
  • Anhang
  • Inhalte der DVD
  • Die Autorinnen und Autoren
  • Fotos vom Projekt.
Music Library
Book
1 online resource : illustrations (black and white)
Ethnomusicology is an academic discipline with a very broad mandate: to understand why and how human beings are musical through the study of music in all its geographical and historical diversity. Ethnomusicological scholarship, however, has been remiss in articulating such goals, methods, and theories. A renowned figure in the field, Timothy Rice is one of the few scholars to regularly address this problem. In this volume, he offers a compilation of essays drawn from across his career that finds implicit and yet largely unrecognized patterns unifying ethnomusicology over its recent history. Modeling Ethnomusicology summarizes thirty years of thinking about the field of ethnomusicology as Rice frames and reframes the content of eight of his most important essays from their original context in relation to the environment of today's ethnomusicology. Rice proposes a variety of models meant to guide students and researchers in their study of ethnomusicology. Some of these models pull together disparate strands of the field, while others propose heuristic models that generate questions for researchers as they plan and conduct their research. A new introduction to these essays reviews the history of his writing about ethnomusicology and proposes an innovative model for theorizing in ethnomusicology by ethnomusicologists. This book will be an enduring, essential text in undergraduate and graduate ethnomusicology classrooms, as well as a must-buy for established scholars in the field.
(source: Nielsen Book Data)9780190616885 20170731
Book
vii, 224 pages : illustrations, music ; 23 cm.
  • Bode Omojola: Introduction: Perspectives on Music and Social Dynamics in Nigeria - Laz. E. N. Ekwueme: Music in Nigeria's Social Development: A Step Forward - Richard C. Okafor: The Emergence of Neo-Traditional Forms in Contemporary Church Music in Eastern Nigeria - Tunji Vidal: From Traditional Antiquity to Contemporary Modernism: A Multilateral Development of Music in Nigeria - Ademola Adegbite: Change and Continuity in Yoruba Socio-religious Music - Christian Onyeji: Playing Technique and Contemporary Compositions for the Oja (Wooden Flute) - J. O. Ofosu: Modernity and Ovwuvwe: A Sociocultural Process of the Abraka in Urhoboland - Taiye Adeola: Aesthetics in Yoruba Music: Case Study of the People of Igboho - Emeka T. Nwabuoku: Toward a Human Interest in Ethnomusicology: The Practice and Transformation of the Uyi Edo - Ngozi Mokwunyei: Igbo Social Music: Focus on a Nigerian Delta-Igbo Entertainment Dance Group - Oluyemi Olaniyan: Resource Avenues for the Creative Performance of Dundun Music - Sam Olu Amusan: Ege of the E?gba: Its Musical Essence - A. K. Achinivu - The Performer Is a Creative Artist and a Researcher: The Case of the Performer in Institutions of Higher Learning in Nigeria - Lucy V. Ekwueme: Music in the Secondary School Curriculum in Nigeria - Femi Faseun: Professional Requirements of Secondary School Music Teachers for the Implementation of the Music Curriculum in Nigeria - Ranti Adeogun: The Nature of and Approaches in Research in Music Education - Joshua Uzoigwe: The Process of Composing Talking Drums - Bode Omojola: Compositional Style and the Search for Identity in Nigerian Art Music - Oluwalomoloye Bateye: Fela Sowande and Posterity: Whither Nigerian Music? - C. E. Ugolo: Music in Nigerian Traditional Dance Performance - Segun Oyeleke Oyewo: Working Dynamics in Directing an Opera for Stage: Bode Omojola's Ode for a New Morning - Adolf Ahanotu: The Performing Arts: Music, Dance and Drama-Contributions to National Development - Ayo Akinwale: Music and the Nigerian Theatre: The New Social Dynamics - References - Contributors - Index.
  • (source: Nielsen Book Data)9781433134012 20180409
Music and Social Dynamics in Nigeria explores the diverse ways in which music reflects, and is shaped by, historical and social dynamics of life in Nigeria. Contributors to this volume include some of the leading scholars of Nigerian music, such as Joshua Uzoigwe, Laz Ekwueme, Tunji Vidal, Richard C. Okafor, A. K. Achinivu, Ademola Adegbite, Femi Faseun, and Christian Onyeji. Focusing on ancient and new musical traditions, including modern African art music, and drawing on the methods of ethnography and music analysis, the various chapters of the book discuss the role of music in community life, enculturation and education, political institutions, historical processes, belief systems, and social hierarchies. Conceived primarily for students and scholars of African music, this book will also be of immense value to the general reader.
(source: Nielsen Book Data)9781433134012 20180409
Green Library
Book
454 pages : illustrations (chiefly color) ; 25 cm.
Green Library
Book
159 pages : illustrations ; 24 cm
"Os tamboreiros da Ilha das Montanhas apresenta ao leitor uma pincelada breve, ou poderemos dizer, um toque na superfície de uma das maiores e mais intensas manifestações culturais do arquipélago: o Colá Son Jon de Porto Novo. Neste livro, o autor leva-nos numa viagem, na qual navegamos entre os locais e os momentos da festa que acontece todos os anos durante o mês de junho, na cidade de Porto Novo. Para além de uma análise sobre a música dos tambores, na qual dialoga com etnomusicólogos que estudaram as rítmicas africanas, com especial destaque para o etnomusicólogo ganense Willie Anku, o etnomusicólogo nativo, também acompanha de perto as transformações profundas que esta festa tem atravessado nos últimos tempos."--Back cover.
SAL3 (off-campus storage)
Book
159 pages : illustrations ; 24 cm
"Os tamboreiros da Ilha das Montanhas apresenta ao leitor uma pincelada breve, ou poderemos dizer, um toque na superfície de uma das maiores e mais intensas manifestações culturais do arquipélago: o Colá Son Jon de Porto Novo. Neste livro, o autor leva-nos numa viagem, na qual navegamos entre os locais e os momentos da festa que acontece todos os anos durante o mês de junho, na cidade de Porto Novo. Para além de uma análise sobre a música dos tambores, na qual dialoga com etnomusicólogos que estudaram as rítmicas africanas, com especial destaque para o etnomusicólogo ganense Willie Anku, o etnomusicólogo nativo, também acompanha de perto as transformações profundas que esta festa tem atravessado nos últimos tempos."--Back cover.
Green Library
Book
viii, 319 pages : illustrations ; 23 cm.
  • The splash of Icarus : theorizing sound writing/Writing sound theory / Deborah Kapchan
  • Part One. Writing sound theory. 1. Musicology, performativity, acoustemology / Suzanne G. Cusick ; 2. Acoustic palimpsests / J. Martin Daughtry ; 3. Writing the magnified musicking moment / Michele Kisliuk
  • Part Two. Memoir and metaphor as method. 4. Listening to resonant words / Alex Waterman ; 5. Sound commitments : extraordinary stories / Tomie Hahn ; 6. Traffic patterns / David Henderson ; 7. In my solitude : jazz song as "Sound Writing" / Carol Muller
  • Part Three. Theorizing sound writing. 8. Women out loud : religious performance in Islamic Indonesia / Anne K. Rasmussen ; 9. "Where the transcendent breaks into time" : toward a theology of sound in Afro-Cuban Regla de Ochá / Katherine Johanna Hagedorn ; 10. Almost imperceptible rhythms and stuff like that : the power of affect in live performance / Ana Pais
  • Part Four. Listening and witness. 11. Deadly soundscapes : scripts of lethal force and Lo-Fi death / Deborah Wong ; 12. Listening acts : witnessing the pain (and praise) of others / Deborah Kapchan ; Afterword : sound properties of the written word / Michael Jackson.
The study of listening-aurality - and its relation to writing is the subject of this eclectic edited volume. Theorizing Sound Writing explores the relationship between sound, theory, language, and inscription. This volume contains an impressive lineup of scholars from anthropology, ethnomusicology, musicology, performance, and sound studies. The contributors write about sound in their ongoing work, while also making an intervention into the ethics of academic knowledge, one in which listening is the first step not only in translating sound into words but also compassionate scholarship.
(source: Nielsen Book Data)9780819576644 20170612
Music Library
Book
206 pages : illustration, map, music ; 21 cm.
  • Les enjeux d'une histoire des "orchestres modernes" du Soudan français -- En mémoire de Michael Jackson ? -- Échos des musiques afro-américaines et politiques des archives au Gabon -- Musiciens et orchestres de gafieira, dépositaires de mémoires et archives vivantes -- Production phonographique, mémoire et revitalisation culturelle à La Réunion : le cas du séga -- Aux sons prophétiques : les cantiques du mouvement Croix-Koma comme support des mémoires à Nkankata (Congo-Brazzaville) -- Le sonore dans tous ses états : Quarante ans de recherche au CRESSON -- Archives musicales, mix et "culture nationale" au Portugal : Tiago Pereira et le projet "A miiska portuguesa a gostar dela prépria".
"Comment les musiques et les récits sonores accompagnent-ils la formation des mémoires collectives ? Quelles places occupent-ils au sein de sociétés et de régimes d'historicité pluriels, et comment sont-ils susceptibles d'y faire archive ? Quelles fonctions jouent alors l'ethnologue, l'ethnomusicologue, l'historien ou le sociologue dans la production et l'utilisation de ces sources ? Les contributions de cet ouvrage explorent ces questionnements, en décrivant la constitution de fonds d'archives, les méthodes de recueil de documents musicaux sur le terrain, et leur usage pour la connaissance des mémoires. À partir d'études de cas ciblées, l'ouvrage interroge la façon dont les acteurs contribuent à la formation, à la circulation et à l'usage de fragments de mémoire voyageant par-delà les lieux et les époques. Il part d'études situées en dehors des territoires précédemment balisés par l'ethnomusicologie de l'Europe et de la France, pour mettre en lumière, dans des aires géographiques différentes, les relations existant entre archives et musiques."--Page 4 of cover.
Music Library
Book
169 pages : illustrations ; 24 cm.
  • Grußwort / Hellmut Hoffmann, Botschafter der Bundesrepublik Deutschland in Albanien
  • Einleitung / Eckehard Pistrick
  • Die deutsch-albanische Expedition von 1957 und ihre Bedeutung für die deutschsprachige Albanologie / Wilfried Fiedler
  • Wilfried Fiedler und die Kontakte zwischen kosovarischen Albanologen und ihren deutschsprachigen Kollegen / Rexhep Ismajli
  • Mit den großen Buchstaben : die fletë-rrufe im kommunistischen Albanien / Ardian Vehbiu
  • Die Diskussion der Frage der albanischen Ethnogenese : ein historischer Abriss / Kurt Gostentschnigg
  • A Post-Mortem Journey : Ambiguities of Home and Return among the Albanian Migrants in Greece / Gerda Dalipaj
  • Der Islam, Enver Hoxha und das albanische Kino : Umwege zur westlichen visuellen Moderne / Karl Kaser
  • Josef Székely und die Anf̃nge der Fotografie in Albanien / Robert Elsie
  • Visual culture in communist Albania : photography and photographers at the time of the Stockmann-Sokoli expedition (1957) / Gilles de Rapper
  • Fotografien als ideologischer Filter : Kurt Seligers "Albanien : Land der Adlersöhne" zwischen ethnologischem Blick und sozialistischem Realismus / Henry Ludwig
  • Eine musikalische "terra incognita"? : Albanien im Spiegel der multimedialen Ergebnisse der Expedition von 1957 / Eckehard Pistrick
  • Materials of the Albanian-German fieldwork of 1957 in the archive of music at the Institute of Cultural Anthropology and Art Studies : values, preservation and utility of a cultural heritage / Miaser Dibra.
Green Library
Book
236 pages : illustrations ; 24 cm
  • Introductory notes / Enrique Cámara de Landa ; Terada Yoshitaka
  • 1. Theory and methodology.
  • The ethnomusicological documentary: Some principles and guidelines / Nico Staiti
  • Approaches to visual anthropology applied to ethnomusicology: "Multivocal editing" and musical action as a form of knowledge / Charlotte Vignau
  • A regola d'Arte, an experience in reflexive visual anthropology / Fulvia Caruso
  • 2. Ethics and representation.
  • On making "Drumming out a Message": Filmmaking and marginalized communities / Terada Yoshitaka
  • Payada, empathy and social commitment: a filming experience in an Argentinian prison / Matías Isolabella
  • 3. Analysis.
  • Using video as a tool for the analysis of music and dance performances / Giorgio Adamo
  • Western chaco flutes and flute players revisited / María Eugenia Dominguez
  • Saludos amigos: Reflections about Brazilian's cultural identity / Daniel Vilela ; João Egashira
  • 4. Education.
  • Producing ethnomusicological audiovisuals in current educational contexts / Enrique Cámara de Landa
  • Ethnomusicology in the audiovisual world: Theoretical and educational applications / Nick Poulakis
  • 5. Fieldwork footage.
  • The birth of an intangible heritage archive: Guitarrón music and chino dances in central Chile / Claudio Mercado M.
  • Life beyond the archive: Converting archived fieldwork footage into a documentary / Rui Oliveira
  • 6. TV Documentaries.
  • An ethnomusicological perspective for a television documentary film shot in Calabar (Nigeria) / Leonardo D'Amico
  • Researching and producing visual ethnomusicology in Peru: On ethnographic videos and television documentaries / Raúl R. Romero.
Music Library
Book
323 pages : illustrations, map ; 22 cm
Green Library
Book
253 pages : illustrations ; 23 cm.
In Following the Elephant, Bruno Nettl edits articles drawn from fifty years of the pioneering journal Ethnomusicology. The roster of acclaimed scholars hail from across generations, using other works in the collection as launching points for dialogues on the history and accomplishments of the field. Nettl divides the collection into three sections. In the first, authors survey ethnomusicology from perspectives that include thoughts on defining and conceptualizing the field and its concepts. The second section offers milestones in the literature that critique major works. The authors look at what separates ethnomusicology from other forms of music research and discuss foundational issues. The final section presents scholars considering ethnomusicology--including recent trends--from the perspective of specific, but abiding, strands of thought. Contributors: Charlotte J. Frisbie, Mieczylaw Kolinski, Gerhard Kubik, George List, Alan P. Merriam, Bruno Nettl, David Pruett, Adelaida Reyes, Timothy Rice, Jesse D. Ruskin, Kay Kaufman Shelemay, Gabriel Solis, Jeff Todd Titon, J. Lawrence Witzleben, and Deborah Wong.
(source: Nielsen Book Data)9780252082559 20170410
Music Library
Book
648 pages, 24 pages of unnumbered plates : illustrations (some color) ; 23 cm
SAL3 (off-campus storage)
Book
220 pages : illustrations ; 21 cm.
Music Library
Book
xi, 449 pages : illustrations, music ; 24 cm
  • One hundred years of Latin American music scholarship : an overview / Helena Simonett (with Michael Marcuzzi)
  • Part one. Academic lineages, disciplinary canons, and historiographies. Introduction / Javier F. León
  • Music research in South America / Raúl R. Romero
  • Between folklore and ethnomusicology : sixty years of folk and vernacular music studies in Colombia / Carlos Miñana Blasco
  • Popular musicology in Latin America : synthesis of its accomplishments, problems, and challenges / Juan Pablo González
  • The construction of history : the charango in the collective memory of mestizo Ayacucho / Julio Mendívil
  • Decline or progress? : eighteenth-century music and nineteenth-century nationalism / Alejandro Vera
  • The bambuco, hybrid knowledges, and the academy : a historical analysis of the persistence of coloniality in Latin American musical studies / Carolina Santamaría-Delgado
  • Part two. Popular music, style, and the social construction of genre. Introduction / Javier F. León
  • Notes for a prehistory of mambo / Rubén López-Cano
  • "I got phrasing" : changes in samba's melodic rhythm, 1917-1933 / Carlos Sandroni
  • Singing difference : Violeta Parra and Chilean song / Rodrigo Torres Alvardo
  • The nuevo cancionero movement : a change of paradigm in Argentine folklore / Claudio F. Díaz
  • Timba, rumba, and "appropriation from the inside" / Iñigo Sánchez Fuarros
  • Gender and Brazilian popular music : a study of female bands / Rodrigo Cantos Savelli Gomes, Maria Ignêz Cruz Mello
  • Part three. Alternate genealogies, marginal ontologies, and applied ethnomusicology. Introduction / Javier F. León
  • Myth, music, and dance : the Chicomexochitl / Gonzalo Camacho Díaz
  • Indigenous music and identity : musical spaces of urban Mapuche communities / Jorge Martínez Ulloa
  • Brazilian ethnomusicology as participatory ethnomusicology : anxieties regarding Brazilian musics / Angela Lühning
  • Applied ethnomusicology : a critical history of indigenous music studies in Mexico / Marina Alonso Bolaños
  • Metamorphosis of Afro-Brazilian performance traditions : from cultural heritage to the entertainment industry / José Jorge de Carvalho.
Javier F. LeA^3n and Helena Simonett curate a collection of essential writings from the last twenty-five years of Latin American music studies. Chosen as representative, outstanding, and influential in the field, each article appears in English translation. A detailed new introduction by LeA^3n and Simonett both surveys and contextualizes the history of Latin American ethnomusicology, opening the door for readers energized by the musical forms brought and nurtured by immigrants from throughout Latin America. Contributors: Marina Alonso BolaA+-os, JosA(c) Jorge de Carvalho, Maria IgnA*z Cruz Mello, Gonzalo Camacho DA-az, Claudio F. DA-az, Rodrigo Cantos Savelli Gomes, Juan Pablo GonzA!lez, Javier F. LeA^3n, RubA(c)n LA^3pez Cano, Angela LA hning, Jorge MartA-nez Ulloa, Julio MendA-vil, Carlos MiA+-ana Blasco, RaA * l R. Romero, IA+-igo SA!nchez Fuarros, Carlos Sandroni, Carolina SantamarA-a Delgado, Helena Simonett, Rodrigo Torres Alvarado, and Alejandro Vera.
(source: Nielsen Book Data)9780252081675 20170424
Music Library