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1. Arias [2017]

Music recording
1 audio disc : CD audio, stereo ; 4 3/4 in. Sound: digital; optical; stereo. Digital: audio file. CD audio.
  • Oreste. Agitato da fiere tempeste (4:24)
  • Serse. Frondi tenere e belle (:47) ; Ombra mai fu (3:24) ; Crude furie degl'orridi abissi (3:55)
  • Rinaldo. Cara sposa, amante cara (8:48) ; Venti, turbini, prestate (4:06)
  • Imeneo. Se potessero i sospir miei (6:47)
  • Il Pastor Fido. Sento brillar nel sen (6:45)
  • Rodelinda, Regina de' Longobardi. Pompe vane di morte (2:53) ; Dove sei, amato bene? (6:19)
  • Giulio Cesare in Egitto. Se in fiorito, ameno prato (8:40)
  • Ariodante. Scherza, infida, in grembo al drudo (11:13) ; Dopo notte atra e funesta (7:28)
  • Partenope. Ch'io parta? (4:14).
Music Library
xii, 170 pages : illustrations ; 24 cm.
  • Abstract Dedication Acknowledgements Chapter 1. Introduction Chapter 2. Cultural Obsession The Making of China's National Icon The Rise of an All-Female Utopia National Identity and the Formation of the Gender Aesthetics Chapter 3. Mao's "Gender Trouble" The Downfall of the Cross-Gender Performance Tradition From Theatre to Reality: Normalization of Female Masculinity The Production of a Social Taboo Chapter 4. The Revival White Faced Gentleman: The Unofficial Return of Nandan "Natural Selection" in the Aesthetic Regime: The Return of Traditional Femininity The Mainstreaming of Drag in Popular Media Chapter 5. The New Generation "Two Spirited" M. Butterfly The Superwoman Within Intersex Occasional Cross-Gender Training "Double Standard" Employment Opportunities Relationships Success Chapter 6. Rebel or Follow When Theatre and Biology Intersect Interplay: Desires, Identities and Transgression Make Believe: Creating a Psychological Truth The Performed and the Innate The Drama of Reality Sexual Artifice in Gender Transgression Chapter 7. Conclusion References Appendix A. Major interview questions Appendix B. List of Interviewees Appendix C. Glossary.
  • (source: Nielsen Book Data)9781138057906 20171201
Cross-Gender China, the outcome of more than twenty years of theatrical and sociological research, deconstructs the cultural implications of cross-gender performance in today's China. The recent revival in male-to-female cross-gender nandan performance in Chinese theatre raises a multitude of questions: it may suggest new gender dynamics, or new readings of old aesthetic traditions in new socio-cultural contexts. Interrogating the positions of the gender being performed and the gender doing the performing, this volume gives a broad cultural account of the contexts in which this unique performance style has found new life.
(source: Nielsen Book Data)9781138057906 20171201
Green Library
184 pages ; 19 cm.
  • En guise de prélude -- "Les anges n'ont pas de sexe" -- La Traviata. Signes, ellipses, allusions -- Aida. Le dernier grand opéra -- La Gioconda. Opéra vériste ? -- Elehtra. La renaissance de la tragédie -- La Fanciulla del West. Invention et réinvention musicales -- Zemlinsky. Une tragédie florentine et Le Nain -- Les Sortilèges de l'Enfance -- Kurt Weill et la question de la voix -- Trajectoires croisées. Liszt et Wagner -- Trajectoires croisées. Mahler et Ligeti -- Trajectoires croisées. Gdrecki et Penderecki -- Massenet. Source d'inspiration pour les compositeurs d'aujourd'hui ?
"D'abord la musique, ensuite les paroles ? Plutôt que de rouvrir la dispute, largement résolue par les grands maîtres, Karol Beffa déplace le problème, apprenant de ses prédécesseurs l'art de ruser avec la norme. Il revisite l'opéra en tant qu'auditeur et spectateur mais aussi avec ses interrogations de compositeur. En sa compagnie, on découvre autrement Verdi (La Traviata, Aida), Ravel (L'Enfant et les Sortilèges), Strauss (Elektra), Puccini (La Fanciulla del West), Zemlinsky (Une tragédie florentine, Le Nain), Ponchielli (La Gioconda) ou l'injustement oublié Massenet (Le Cid, Cendrillon). Karol Beffa compare également les trajectoires de Wagner et Liszt, Ligeti et Mahler, Gôrecki et Penderecki pour apprendre d'eux leurs secrets de fabrique dans le traitement de la voix."--Page 4 of cover.
Music Library

4. Don Giovanni [2018]

287 pages : illustrations (some color) ; 20 cm.
  • The 'Comic' Element in Don Giovanni, Michael F. RobinsonMusic and Action in Don Giovanni, David Wyn JonesLorenzo Da Ponte, Christopher RaeburnCharacterization in Don Giovanni, E.J. Dent, Brigid Brophy, Julian Rushton, Lawrence Lipking, Andrew Steptoe, George HallDon Giovanni: Libretto by Lorenzo da PonteDon Giovanni: English translation by Visiontext.
  • (source: Nielsen Book Data)9781847497062 20180403
Don Giovanni is one of Mozart's most popular and enduringly fascinating works. E.T.A. Hoffmann described it as the "opera of all operas". This edition begins with a discussion of its comic elements by Michael F. Robinson. An overall view of the score is given by David Wyn Jones, showing how Mozart maintained dramatic momentum over its two acts and giving an overview of the dramatic pacing and orchestration in some of the most important scenes. Christopher Raeburn concludes the commentary with an engaging portrait of Lorenzo Da Ponte, Mozart's "libertine librettist", and his relationship with the composer. This guide contains more than thirty photographs covering performances of Don Giovanni to the present day, a detailed thematic analysis, the libretto in Italian with a facing literal translation, an up-to-date bibliography and a discography, as well as DVD and website guides. Contains: The `Comic' Element in Don Giovanni, Michael F. Robinson; Music and Action in Don Giovanni, David Wyn Jones; Lorenzo Da Ponte, Christopher Raeburn; Characterization in Don Giovanni, E.J. Dent, Brigid Brophy, Julian Rushton, Lawrence Lipking, Andrew Steptoe, George Hall; Don Giovanni: A Selective Performance History, Hugo Shirley; Don Giovanni: Libretto by Lorenzo da Ponte; Don Giovanni: English translation by Visiontext.
(source: Nielsen Book Data)9781847497062 20180403
Music Library
1 videodisc (108 min.) : DVD video, sound, color ; 4³/₄ in Sound: digital; optical. Video: NTSC; 2 rda. Digital: video file; DVD video; Region code 0.
Music Library
Music recording
2 audio discs (2:35:59) : CD audio, stereo ; 4 3/4 in. Sound: digital; optical; stereo. 1.4 m/s. Digital: audio file. CD audio.
  • Disc 1. Act 1 (78:40)
  • Disc 2. Act 2 (77:19).
Music Library
xvii, 295 pages : illustrations ; 24 cm.
  • Acknowledgements List of Musical Works Introduction List of Musical Figures Chapter 1: The Voices of Eve (Gen. chapters 2-3) Chapter 2: Noah and the Flood (Gen. chaps. 6-9) Chapter 3: The Abraham-Sarah Narratives (Gen. chaps. 12-22) Chapter 4: Rebecca at the Well (Gen. chap. 24) Chapter 5: Joseph and his Brothers (Gen. chaps. 37-47) Appendix of Additional Works Bibliography Index.
  • (source: Nielsen Book Data)9780567673732 20180122
This volume examines the stories of Genesis in music, showing how musical settings can illuminate many of the Bible's most noted tales. Helen Leneman studies oratorios, operas and songs (as well as their librettos) to shed light on how Genesis has been understood and experienced over time. Examining an extensive range of musical settings of stories from the book of Genesis, Leneman offers an overview of chiefly 19th and 20th century musical engagements with this biblical text. Leneman first discusses how Eve's inner thoughts are explored by noted French composers Jules Massenet and Gabriel Faure. The text then enters the deep waters of Noah's flood in examination of several compositions, including two unusual settings by Igor Stravinsky and Benjamin Britten, as well as more conventional settings by Saint-Saens and Donizetti. Two major 19th century oratorio settings of Abraham's story by lesserknown German composers Martin Blumner and Karl Mangold provide fascinating illuminations of the Abraham narratives, whereas parts of Rebecca's story are found in works by Cesar Franck, Ferdinand Hiller, and most unusually, by a French woman composer, Celanie Carissan. Finally, Leneman shows how Joseph's story was set in numerous oratorios (including by Handel) but that one of the most important works based on his story is an opera by 18th century French composer Etienne Mehul. In addition to discussing these larger 19th century works, Leneman also examines several interesting atonal 20th century works based on the stories of Eve and the Flood, shedding new light on the history of the interpretation of the Book of Genesis.
(source: Nielsen Book Data)9780567673732 20180122
Music Library
Music score
1 score (xxviii, 453 pages, 10 pages of plates) : facsimiles ; 31 cm.
  • Appendix 1. Sarti's original "Eclaircissement sur la musique composée par [that is, pour] Oleg"
  • Appendix 2. Russian folk songs quoted in the score
  • Appendix 3. Cimarosa's rejected chorus.
Music Library
xxx, 208 pages : illustrations ; 24 cm.
  • 1. Prologue: Into the Abyss - Batavia 2. Failure: The Establishing of Colonial Myths - Voss 3. The Bush - The Ghost Wife, Whitsunday, Fly away Peter 4. Postwar Disillusion - The Summer of the Seventeenth Doll, Cloudstreet 5. New Beginnings - Bride of Fortune, The Riders 6. Cultural Renaissance - The Eighth Wonder 7. Suburban Dreams and Nightmares - The Children's Bach, Love in the Age of Therapy, Midnight Son 8. Journey to Salvation - Lindy, Bliss 9. Silenced Voices Sing - Black River, Pecan Summer, The Rabbits.
  • (source: Nielsen Book Data)9781472433275 20171218
Opera has been performed in Australia for more than two hundred years, yet none of the operas written before the Second World War have become part of the repertoire, and it is only in the late 1970s and early 1980s that there is evidence of the successful systematic production of indigenous opera. The premiere of Voss by Richard Meale and David Malouf in 1986 was a watershed in the staging and reception of new opera, and there has been a diverse series of new works staged in the last thirty years, not only by the national company, but also by thriving regional institutions. The emergence of a thriving operatic tradition in contemporary Australia is inextricably enmeshed in Australian cultural consciousness and issues of national identity. In this study of 18 representative contemporary operas, Michael Halliwell elucidates the ways in which the operas reflect and engage with the issues facing contemporary Australians. Stylistically these 18 operas vary greatly. The musical idiom is diverse, ranging from works in a modernist idiom such as The Ghost Wife, Whitsunday, Fly away Peter, Black River, Bride of Fortune, with Voss, Batavia, Bliss, Lindy, Midnight Son, The Riders, The Summer of the Seventeenth Doll, The Children's Bach being works which straddle several musical styles, to operas which draw strongly on musical theatre, such as The Eighth Wonder, Pecan Summer, The Rabbits, Cloudstreet, with Love in the Age of Therapy couched in a predominantly jazz idiom. While some of them are overtly political, all, at least tangentially, deal with recent cultural politics in Australia and offer sharply differing perspectives.
(source: Nielsen Book Data)9781472433275 20171218
Music Library

10. Objects in space [2017]

i, 298 pages ; 23 cm
SAL3 (off-campus storage)
xvii, 373 pages : illustrations ; 21 cm
  • Wechselbeziehungen zwischen Oper und Gesellschaft
  • Was trägt die etablierte Hochkultur zur Regionalentwicklung bei? Die wirtschaftliche Bedeutung von Opernhäusern / Oliver Falck, Michael Fritsch und Stephan Heblich
  • Politik, Gesellschaft und Oper im 20. Jahrhundert / Udo Bermbach
  • Gesellschaftliche Umbrüche und soziale Transformationen
  • Die Wiener Staatsoper zwischen Österreich-Ideologie und Kaltem Krieg : zur Politisierung des Wiederaufbaus des Operngebäudes, 1945-1955 / Fritz Trümpi
  • Emotionen und Konfrontationen : Saalschlachten in Oper und Konzert in Grossbritannien des 19. Jahrhunderts / Sven Oliver Müller
  • Kulturelle und soziale Rahmenbedingungen
  • Bizet, Bach und Beyoncé : Hochkulturelle Musik in grenzüberschreitenden Geschmackskombinationen / Debora Eicher und Katharina Kunissen
  • Das Kulturpublikum im städtischen Kontext : Wie sich das Publikum der Oper von anderen Kulturpublika unterscheidet / Karl-Heinz Reuband
  • Massenmedien als Vermittlungsinstanz
  • Nicht auf verlorenem Posten : Entwicklungen des Zeitungsfeuilletons und Wünsche des Opernpublikums an die Kulturberichterstattung / Gunter Reus und Lars Hardcn
  • Opernkritiker : geheime Verführer oder entfremdete Elite? Eine Inhalts- und Wirkungsanalyse von Opernrezensionen / Wolfgang Schweiger
  • Motive des Opernbesuchs und ihre soziokulturellen Prägungen
  • Wer geht warum in die Oper? Sozialstruktur und Motive des Opernbesuchs / Jörg Rössel und Michael Hoelscher
  • Der Opernbesuch als soziale Angelegenheit : zur kommunikativen Konstruktion eines 'unmöglichen Kunstwerks' / Joachim R. Höflich
  • Erwartungen an den Opernbesuch, Inszenierungsstile und Vermittlungsformen
  • Erneuerung der Oper aus dem Geist der Moderne? Das Regietheater und sein Publikum / Karl-Heinz Reuband
  • Oper für alle? Open Air-Veranstaltungen als Einstieg in das Opernerlebnis : das Beispiel der Bayerischen Staatsoper München / Jörn Hering.
Music Library
1 online resource.
  • Introduction, 1. World Heritage Inscription and Social Value, 2. Social Value and Iconicity, 3. Participatory Culture and Socio-Visual Value, 4. Mediating Identity: Telling and Critiquing, 5. Mediating Experience: Making and Trading, 6. Mediating Time: Visiting and Capturing, 7. Entangled Significance: Personal Tributes, 8. Recognising Networked Significance in Heritage.
  • (source: Nielsen Book Data)9781472469892 20171023
This book develops new and innovative methods for understanding the cultural significance of places such as the World Heritage listed Sydney Opera House. By connecting participatory media, visual culture and social value, Cristina Garduno Freeman contributes to a fast-growing body of scholarship on digital heritage and the popular reception of architecture. In this, her first book, she opens up a fresh perspective on heritage, as well as the ways in which people relate to architecture via participation on social media. Social media sites such as YouTube, Pinterest, Wikipedia, Facebook and Flickr, as well as others become places for people to express their connections with places, for example, the Sydney Opera House. Garduno Freeman analyses real-world examples, from souvenirs to opera-house-shaped cakes, and untangles the tangible and intangible ways in which the significance of heritage is created, disseminated and maintained. As people's encounters with World Heritage become increasingly mediated by the digital sphere there is a growing imperative for academics, professionals and policy-makers to understand the social value of significant places. This book would be beneficial to academics, students and professionals of architecture.
(source: Nielsen Book Data)9781472469892 20171023
EBSCOhost Access limited to 1 user
5 videodiscs (825 min.) : sound, black & white ; 4 3/4 in. Sound: digital; optical. Digital: video file; DVD video.
Look past the innocent façade of small-town life and discover the truth about Peyton Place.
Media & Microtext Center
2 videodiscs (181 min.) ; DVD video, sound, color ; 4³/₄ in Sound: digital; optical; PCM stereo; DTS 5.1; Dolby Digital 5.1. Video: NTSC; 2 rda. Digital: video file; DVD video; Region code 0.
Music Library

15. Reset [2016]

1 online resource (streaming video file) (114 minutes) : digital, .flv file, sound Sound: digital. Digital: video file; MPEG-4; Flash.
A riveting documentary on the creative process, RESET depicts renowned choreographer and dancer Benjamin Millepied (best known for choreographing the dance sequences in Black Swan) as he creates a ballet for his first gala as artistic director of the Paris Opera Ballet.
Music recording
1 audio disc (73:45) : CD audio, digital ; 4 3/4 in. Sound: digital; optical. Digital: audio file. CD audio.
  • Rhapsody in blue : jazz band version / George Gershwin ; orch. Ferde Grofé
  • Somebody loves me ; I got rhythm / Earl Wild
  • Blame it on my youth / Oscar Levant (featuring Gary Burton, vibraphone)
  • Summertime (featuring Storm Large, vocals) ; Piano concerto in F / George Gershwin
  • Embraceable you / Earl Wild.
Music Library
1 online resource.
  • Foreword by Keith Jameson Introduction - Why Light Opera? Chapter 1 - Defining Light Opera Chapter 2 - Singing Light Opera Chapter 3 - Acting and Dialogue Chapter 4 - Dance and Movement Chapter 5 - Stylistic Considerations Chapter 6 - Auditioning for Light Opera Chapter 7 - Directing Light Opera Chapter 8 - Zarzuela Chapter 9 - Singing and Voice Science Chapter 10 - Vocal Health.
  • (source: Nielsen Book Data)9781442269385 20180129
So You Want to Sing Light Opera is a concise handbook for performers, teachers, and directors who want to learn more about the delightful genre of light opera, including Viennese operetta, English comic opera, French opera bouffe, and Spanish zarzuela. Award-winning opera director and singer Linda Lister brings clarity to this often misunderstood and overlooked category of music with detailed information on how to prepare and perform roles with stylistic and musical sensitivity and to deliver spoken dialogue and choreography with confidence. Lister focuses on the attributes of a light opera performer, light opera singing style, historical references, audition advice, directing insights, extensive repertoire recommendations Singing professionals, teachers, students, conductors, stage directors, coaches, and choreographers will find this book to be an ideal resource for the style. The So You Want to Sing series is produced in partnership with the National Association of Teachers of Singing. Like all books in the series, So You Want to Sing Light Opera features online supplemental material on the NATS website. Please visit www.nats.org to access style-specific exercises, audio and video files, and additional resources.
(source: Nielsen Book Data)9781442269385 20180129
EBSCOhost Access limited to 1 user
xiii, 154 pages : illustrations ; 23 cm.
  • Acknowledgments Discovering Telenovelas Change Agents: Beyond the Melodrama Beyond Betty: Gender and Sexuality Gay Love, Gay Kisses Black, White and Brown: Telenovelas and Race Narconovelas: Beyond the NewsConclusions : Looking Backward and Going Forward.
  • (source: Nielsen Book Data)9781138681767 20171121
  • Introduction Understanding Gender Rights Beyond Beauty Queens The Politics of Race Narrating Narcos Telenovelas for Social Change Conclusion.
  • (source: Nielsen Book Data)9781138681743 20171121
This concise book provides an accessible overview of the history of the telenovela in Latin America within a pan-Latino context, including the way the genre crosses borders between Latin America and the United States. Telenovelas, a distinct variety of soap operas originating in Latin America, take up key issues of race, class, sexual identity and violence, interweaving stories with melodramatic romance and quests for identity. June Carolyn Erlick examines the social implications of telenovela themes in the context of the evolution of television as an integral part of the modernization of Latin American countries.
(source: Nielsen Book Data)9781138681767 20171121
Green Library
211 pages, 1 unnumbered page ; 22 cm
  • Avant-propos -- Prélude. Au commencement -- Apprentissages -- Au Mariinski -- Dangers -- W Construire. Bâtir -- Gloire de la Russie -- Rencontres -- Questions de répertoire -- La direction d'orchestre -- Repères biographiques -- Discographie -- Remerciements.
"Fruit de dix ans d'entretiens avec Bertrand Dermon-court, Valery Gergiev, rencontre laisse enfin la parole au maestro, directeur du Théâtrte Mariinski (ex-Kirov) de Saint-Pétersbourg depuis 1988, et révèle l'incroyable aventure de sa vie. Il s'agit d'un parcours hors du commun, sur fond d'explosion de l'URSS et de chute du communisme. C'est aussi l'histoire d'un artiste qui a assumé un destin exceptionnel, riche en rebondissements, en renoncements et en conquêtes. Valery Gergiev nourrit son discours d'observations sur son art, faisant de son ouvrage une leçon de musique accessible à tous. Il raconte son combat pour la culture dans des conditions souvent rocambolesques, livre des anecdotes sur les grands de ce monde et de belles pages d'amitié. Car le tsar de la musique, véritable Karajan du XXIe siècle, est aussi un homme de coeur. Mélange de confession et de réflexion, cette rencontre avec Valery Gergiev lève un peu le voile sur son art et sa personnalité. En annexes, on trouvera des indications biographiques et une discographie complète."--Page 4 of cover.
Music Library
473 pages : illustrations, charts, music ; 21 cm.
  • Dramaturgie et interprétation -- Dramaturgie -- Dramaturgies du pouvoir : Rienzi et Simon Boccanegra -- Deux visages du romantisme politique. Remarques autour du Trouvère et de Tannhäuser -- Verdi et Wagner : dramaturgie comparée dans l'optique de la comédie -- L'interjection lyrique dans les opéras de Verdi et de Wagner. Contribution à une poétique de la clameur -- La question du wagnérisme dans les dernières oeuvres de Verdi -- Verdi/Wagner et la naissance scénique de l'antihéros -- Intelligence et intelligibilité. L'acteur verdien et l'acteur wagnérien en quête du geste révélateur -- Entre Verdi et Wagner, la musique et l'histoire -- Le siècle d'Arturo Toscanini -- Programmation et réception Italie et pays germanophones -- Verdi versus Wagner. Mots et mythes de la réception dans la presse italienne (1840-1890) -- Verdi et Wagner selon Eduard Hanslick. Du dos à dos au face-à-face -- Verdi-Wagner : la constitution d'un répertoire bipolaire en Allemagne entre 1900 et 1930 -- Verdi et Wagner dans les pays germanophones. Programmation et mise en scène (1960-2010) -- Verdi, Wagner et l'Opéra de Paris (1847-2013) -- Verdi et Wagner à travers la presse parisienne (1861-1881) -- "De la choucroute dans le macaroni ?" -- Wagner et Verdi vus par la presse française, 1887-1914 -- Wagner et Verdi à l'épreuve des regards fiançais et allemands. Étude comparée de leur présence et de leur réception au Théâtre de Strasbourg entre 1860 et 1929 -- Wagner, Verdi (1871-1939) : représentations musicographiques des identités nationales -- Autres aires culturelles et Linguistiques -- Verdi et Wagner vus par les musiciens (et la critique) russes de la deuxième moitié du XIXe siècle -- Vu du Portugal. Verdi, Wagner, et le théâtre des nations -- Verdi et Wagner, deux visages de George Bernard Shaw au miroir de ses écrits sur la musique -- Verdi et Wagner en Israël -- Verdi, Wagner, Said et les études postcoloniales -- Postérité, entre cultures savantes et populaires -- Influences croisées dans la création opératique -- "Il melodramma invocato dall'arte". Faccio, Boito et Mascagni entre Verdi et Wagner -- Massenet et ses modèles. Concilier Verdi et Wagner -- Lectures en séries. Verdi et Wagner selon Dallapiccola, Maderna et Nono -- Échos dans la littérature -- Verdi. Roman de l'opéra de Franz Werfel, ou l'ombre de Wagner -- Reflets de la mythification de Verdi et Wagner dans la production littéraire italienne -- Au cinéma -- Le genre très italien de la cineopera -- Verdi et Wagner : passions viscontiennes -- "Quoi de plus photogénique que sa musique ?" -- Les usages ambivalents de Wagner au cinéma -- La réception contemporaine de la musique de Richard Wagner au cinéma -- Deux mondes en images : Verdi et Wagner vus par La bande dessinée -- Des vignettes et des bulles pour raconter Verdi -- "Aux sources de la fantasy" ? Wagner et la BD.
"Fruit d'un colloque organisé en 2013 à l'occasion des célébrations du bicentenaire de la naissance de Giuseppe Verdi et Richard Wagner, ce livre se fonde sur une approche résolument interdisciplinaire développée au sein de trois équipes de recherche de l'université Rennes 2. Il propose une étude comparée des deux compositeurs à partir de différentes approches, qui se veulent complémentaires, et à partir de corpus divers. La démarche adoptée tout au long de ce volume fortement articulé permet de suivre les strates culturelles, intellectuelles et artistiques d'un triple croisement : premièrement, celui de deux créateurs, de leurs deux productions lyriques et, plus globalement, des deux univers qu'ils ont engendrés ; deuxièmement, celui des formes d'expression, puisque l'on basculera de l'opéra à la littérature, au cinéma et à la bande dessinée ; troisièmement, celui des points de vue : dramaturgie, interprétation, programmation, réception et postérité. Apparaît ainsi, d'une contribution à une autre, la façon dont l'opposition, supposée ou réelle, entre Verdi et Wagner a été utilisée ou instrumentalisée - du milieu du XIXe siècle jusqu'à nos jours - pour légitimer des choix esthétiques ou des discours de diverses natures, dans des contextes historiques et géographiques variés. L'étude du couple Verdi-Wagner témoigne de l'incroyable capacité de l'opéra à sortir de son seul domaine pour infiltrer le monde des arts et participer de la vie des idées."--Page 4 of cover.
Music Library