The deconstructive impulse : women artists reconfigure the signs of power, 1973-1991
- New York : Neuberger Museum of Art ; Munich ; New York : DelMonico Books/Prestel, c2011.
- Physical description
- 176 p. : ill. (some col.) ; 28 cm.
UPDATE - Library closed July 25 - Sept. 9.
The Library will be closed during its relocation to the new McMurtry Building. Please check out Art materials prior to July 25.
N8354 .D43 2011
- Unknown N8354 .D43 2011
- Includes bibliographical references and index.
- Hot and cool : feminist art in practice / Helaine Posner
- In theory : postmodernism and polemics / Nancy Princenthal
- Feeling things : fetishism and the sex appeal of the inorganic / Tom McDonough
- Home alone : "reversal of positions of presentation" and the visual semantics of domesticity / Kristine Stiles
- What women want : psychoanalysis and cultural critique / Griselda Pollock.
- Publisher's Summary
- The practice of deconstructivism, a term describing artwork that examines the imagery of the popular media, was significantly shaped by dozens of important female artists during a critical era in late twentieth-century visual culture. These artists subverted their source material, often by appropriating it, to expose the ways that commercial images express imbalances of power. The mechanisms of power in mainstream art institutions were also subject to these artists' critique. This exhibition catalogue features a diverse group of North American women whose transformative and often provocative work deals with gender, sexual, racial, ethnic, and class-based inequities. Among the artists included in the book are Dara Birnbaum, Sarah Charlesworth, The Guerrilla Girls, Susan Hiller, Jenny Holzer, Mary Kelly, Silvia Kolbowski, Barbara Kruger, Louise Lawler, Martha Rosler, Cindy Sherman, Laurie Simmons, Lorna Simpson, Carrie Mae Weems, and others. Essays by leading critics discuss such topics as the importance of critical theory and sexual politics in the art world of the 1980s; how domesticity is represented in commercial media and the art that addresses it; the importance of psychoanalytic theory as a critical framework; and the sexualization of inanimate objects.
(source: Nielsen Book Data)
- Publication date
- edited by Nancy Princenthal ; essays by Tom McDonough ... [et al.].
- Title Variation
- Women artists reconfigure the signs of power, 1973-1991
- "This publication accompanies the exhibition The Deconstructive Impulse : Women Artists Reconfigure the Signs of Power, 1973-1991, curated by Helaine Posner and Nancy Princenthal ..."--T.p. verso.