Decoded messages : the symbolic language of Chinese animal painting
- Sung, Hou-mei.
- New Haven [Conn.] : Yale University Press ; Cincinnati, Ohio : Cincinnati Art Museum, 2009.
- Physical description
- xv, 271 p. : ill. (chiefly col.) ; 30 cm.
The Art & Architecture Library is closed July 25 - Sept. 9 during its relocation to the new McMurtry Building. The collection is not accessible during this period. Please contact Interlibrary Borrowing to obtain this title.
ND1383 .C6 S88 2009 F
- Unknown ND1383 .C6 S88 2009 F
- Cincinnati Art Museum.
- Includes bibliographical references (p. -263) and index.
- Foreword / by Aaron Betsky
- Preface / by Hou-mei Sung
- Introduction / by Hou-mei Sung
- Eagle and Hawk
- Wild geese
- Illustration list
- List of artists in exhibition
- Lenders to the exhibition.
- Publisher's Summary
- During the Ming Dynasty numerous new animal themes were created to convey political and ethical messages current at court. As the result a sophisticated language of Chinese animal painting was developed, employing both the animals' symbolic associations and homonymic puns. Hou-mei Sung's exciting rediscovery of some of these lost meanings has led to a full-scale investigation of the evolving history of Chinese animal painting. Distinct symbolic meanings were associated with individual motifs, but all animals were assigned a place in the universe according to the Chinese concept of nature. From the very early yin/yang cosmology to later developments of Daoist and Confucian philosophies and ethics, Chinese animals gained new meanings related to their historical contexts. This book explores these new findings, using the colourful animal images and their rich and evolving symbolic meanings to gain insight into unique aspects of Chinese art, as well as Chinese culture and history.
(source: Nielsen Book Data)
- Publication date
- Hou-mei Sung.
- Published in conjunction with an exhibition held at the Cincinnati Art Museum, 9 Oct. 2009-3 Jan. 2010.