Cambridge, UK : Polity ; Malden, MA : Blackwell Publishers, 2003.
ix, 292 p. : ill. ; 25 cm.
Includes bibliographical references (p. -278) and index.
Part One Chapter 1: Iconology Chapter 2: Form Chapter 3: Art History Chapter 4: Ideology Chapter 5: Semiotics Chapter 6: Hermeneutics Part Two Chapter 7: Fine Art Chapter 8: Photography Chapter 9: Film Chapter 10: Television Chapter 11: New Media Conclusion.
(source: Nielsen Book Data)
An introductory textbook on visual literacy, exploring how meaning is both made and transmitted in an increasingly visual world. It is designed to introduce students to the analysis of all kinds of visual texts, whether drawings, paintings, photographs, films, advertisements, television programmes or new media forms. The book is illustrated with copious examples that range from medieval painting to contemporary record covers and is written in a lively and engaging style, avoiding unnecessary jargon. The first part of the book is concerned with differing theoretical approaches to visual analysis, and includes chapters on iconology, form, art history, ideology, semiotics and hermeneutics. The merits and disadvantages of each are discussed, and there is a special focus on one seminal writer for each topic. The second part shifts from a theoretical to a medium-based approach and comprises chapters on fine art, photography, film, television and new media. These investigate the complex relationship between reality and visual representation. As a whole, this textbook brings seemingly diverse approaches together under one roof while ultimately arguing for a polysemic approach to visual analysis. Each chapter concludes with a section of recommendations for further study. "Visual Culture" provides an introduction for students taking courses in visual culture and communication in a wide range of disciplines, including media and cultural studies, sociology, art history and design. (source: Nielsen Book Data)