Colored pictures : race and visual representation
- Harris, Michael D., 1948-
- Chapel Hill : University of North Carolina Press, c2003.
- Physical description
- xiv, 281 p. : ill. (some col.) ; 28 cm.
The Art & Architecture Library is closed July 25 - Sept. 9 during its relocation to the new McMurtry Building. The collection is not accessible during this period. Please contact Interlibrary Borrowing to obtain this title.
N8232 .H37 2003
- Unknown N8232 .H37 2003
- Includes bibliographical references (p. -274) and index.
- Black: the discredited signifier/signified
- Constructing and visualizing race
- The nineteenth century: imaged ideology
- Aunt Jemima, the fantasy black mammy/servant
- Jezebel, Olympia, and the sexualized woman
- Color lines: mapping color consciousness in the art of Archibald Motley Jr.
- The language of appropriation: fantasies and fallacies
- Turning in from the periphery.
- Publisher's Summary
- In this book, artist and art historian Michael Harris investigates the role of visual representation in the construction of black identities, both real and imagined, in the United States. He focuses particularly on how African American artists have responded to - and even used - stereotypical images in their own works. Harris shows how, during the nineteenth and twentieth centuries, racial stereotypes became the dominant mode through which African Americans were represented. These characterizations of blacks formed a substantial part of the foundation of white identity and social power. They also, Harris argues, seeped into African Americans' self-images and undermined their self-esteem. Harris traces black artists' responses to racist imagery across two centuries, from early works by Henry O. Tanner and Archibald J. Motley Jr., in which African Americans are depicted with dignity, to contemporary works by Kara Walker and Michael Ray Charles, in which derogatory images are recycled to controversial effect. The work of these and other artists - such as John Biggers, Jeff Donaldson, Betye Saar, Juan Logan, and Camille Billops - reflects a wide range of perspectives, Examined together, they offer compelling insight into the profound psychological impact of visual stereotypes on the African American community.
(source: Nielsen Book Data)
- Publication date
- Michael D. Harris ; foreword by Moyo Okediji.