Between two cultures : late-nineteenth- and twentieth-century Chinese paintings from the Robert H. Ellsworth collection in the Metropolitan Museum of Art
- Fong, Wen.
- New York : Metropolitan Museum of Art ; New Haven : Yale University Press [distributor], c2001.
- Physical description
- xi, 286 p. : ill. (some col.), map ; 31 cm.
The Art & Architecture Library is closed July 25 - Sept. 9 during its relocation to the new McMurtry Building. The collection is not accessible during this period. Please contact Interlibrary Borrowing to obtain this title.
ND1045 .F66 2001 F
- Unknown ND1045 .F66 2001 F
- Metropolitan Museum of Art (New York, N.Y.)
- Includes bibliographical references (p. 269-279) and index.
- Publisher's Summary
- During a crucial period from the 1860s to about 1980, Chinese painting was transformed into a modern expression of its classical heritage. This book draws on a selection of modern Chinese paintings from the Robert H. Ellsworth Collection at The Metropolitan Museum of Art in order to explore this period, discussing issues of modernity and creativity in late-nineteenth- and early-twentieth-century Chinese painting. Wen C. Fong deals with both traditionalist and modernising Chinese masters from the comparative perspective of East and West, traditional and modern. He begins by examining the last traditional 'revival', the epigraphic school of painting, and the rise of a populist art in the cosmopolitan city of Shanghai. Next he focuses on painters who absorbed the lessons of Western realism, in particular one artist who followed the Ecole des Beaux Arts and one who adapted the model of the Japanese Nihonga painters, and on three great traditionalist masters, two of whom were professional populist painters. Finally he explores Chinese painting from about 1950 to 1980 by the second generation of artists and teachers in the national academies who, having been trained by traditionalist and Western-style teachers, developed their own schools of influence in their search for a new synthesis of Chinese and Western methods. Wen C. Fong is Douglas Dillon Curator Emeritus of Asian Art at The Metropolitan Museum of Art and former Edwards S. Sanford Professor of Art and Archaeology at Princeton University. He is also the author of Beyond Representation, published by Yale University Press.
(source: Nielsen Book Data)
- Publication date
- Wen C. Fong.
- Title Variation
- Late-nineteenth- and twentieth-century Chinese paintings from the Robert H. Ellsworth collection in the Metropolitan Museum of Art
- Late 19th- and 20th-century Chinese paintings from the Robert H. Ellsworth collection in the Metropolitan Museum of Art
- Published in conjunction with an exhibition held at the Metropolitan Museum of Art, New York, Jan. 30-Aug. 19, 2001.