Transience : Chinese experimental art at the end of the twentieth century
- Wu Hung, 1945-
- Chicago, Ill. : David and Alfred Smart Museum of Art, University of Chicago, c1999.
- Physical description
- 216 p. : ill. (some col.) ; 28 cm.
The Art & Architecture Library is closed July 25 - Sept. 9 during its relocation to the new McMurtry Building. The collection is not accessible during this period. Please contact Interlibrary Borrowing to obtain this title.
N7345 .W83 1999
- Unavailable N7345 .W83 1999
- David and Alfred Smart Museum of Art.
- Includes bibliographical references (p. 212-213).
- Publisher's Summary
- "Transience: Chinese Experimental Art at the End of the Twentieth Century" is an exhibition organized by The David and Alfred Smart Museum of Chicago. Guest curator Wu Hung, an expert on ancient and contemporary Chinese art, identified three critical aspects of artistic production in China and focused the exhibition to explore those themes - "Demystification", "Ruins", and "Transience". The text concentrates on individual artists through close readings of specific works, constituting a voice in the discussion about contemporary Chinese art and its place in post-national cultural understanding.
(source: Nielsen Book Data)
- Publication date
- Wu Hung.
- Exhibition catalogue.
- Exhibition dates: 18 Feb.-18 April, 1999, David and Alfred Smart Museum of Art, University of Chicago; 16 July-12 Sept. 1999, University of Oregon Museum of Art, Eugene, Or.; 2 Oct.-19 Dec. 1999, Hood Museum of Art, Dartmouth College, Hanover, N.H.