jump to search box

Modern architecture since 1900 / William J.R. Curtis.


At the Library

  • Art & Architecture Library - Reference (non-circulating)
    1. NA680 .C87 1996 in-library use only

Other libraries

Curtis, William J. R.
Publication date:
3rd ed., [Rev., expanded, and redesigned]. - [London] : Phaidon, [1996]
  • Book
  • 736 p. : ill. (some col.) ; 26 cm.
Includes bibliographical references (p. 693-719) and index.
  • Part 1 The formative strands of Modern architecture: the idea of a Modern architecture in the 19th century-- industrialization and the city - the skyscraper as type and symbol-- the search for new forms and the problem of ornament-- rationalism, the engineering tradition, and reinforced concrete-- arts and crafts ideals in Britain and the USA-- responses to mechanization - the Deutscher Werkbund and futurism-- the architectural system of Frank Lloyd Wright-- national romanticism and classical transformations-- cubism and new conceptions of space. Part 2 The crystallization of Modern architecture between the wars: Le Corbusier's quest for ideal form-- Walter Gropius, German expressionism, and the Bauhaus-- architecture and revolution in Russia-- skyscraper and suburb - the USA between the wars-- the ideal community - alternatives to the industrial city-- the international style, the individual talent, and the myth of functionalism-- the image and idea of Le Corbusier's Villa Savoye at Poissy-- the continuity of older traditions-- nature and the machine - Mies van der Rohe, Wright and Le Corbusier in the 1930s-- totalitarian critiques of the Modern movement-- the spread of modern architecture to Britain and Finland-- universal models, national inflections and regional accents. Part 3 Transformation and dissemination after 1940: modern architecture in the USA - immigration and consolidation-- form and meaning in the late works of Le Corbusier-- the Unite d'Habitation at Marseilles as a collective housing prototype-- Alvar Aalto and Scandinavian developments-- disjunctions and continuities in the Europe of the 1950s-- the process of absorption - Latin America, Australia, Japan-- Louis I. Kahn and the challenge of monumentality-- architecture and anti-architecture in Britain-- crises and critiques in the 1960s-- modernity and tradition in the Third World-- architectural types and urban fragments - new directions in the 1970s. Part 4 Changing ideals in the late 20th century: modern architecture and the historical sense-- world cultures and local identities-- traditions of the modern-- towards architecture, beyond style.
  • (source: Nielsen Book Data)
Publisher's Summary:
This work on 20th-century architecture combines a clear general outline with analysis and interpretation of particular buildings. While technical, economic, social and intellectual developments are fully treated, the final emphasis is on individuals and on the qualities that give buildings their lasting value. For this revised and updated third edition, an appreciation of regional identity and variety has been incorporated, and also a section on recent architecture. There are many new colour illustrations, plans and drawings. The bibliography and notes have also been extended. This book sets the Modern tradition in perspective, relating it to earlier traditions, and analyzing its richness and complexity.
(source: Nielsen Book Data)

powered by Blacklight
© Stanford University. Stanford, California 94305. (650) 725-1064. Terms of Use | Copyright Complaints | Opt Out of Analytics
jump to top