Japan's modern divide : the photographs of Hiroshi Hamaya and Kansuke Yamamoto
- Los Angeles : J. Paul Getty Museum, c2013.
- Physical description
- 224 p. : chiefly ill. (some col.) ; 29 cm.
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TR646 .J3 J36 2013
- Unknown TR646 .J3 J36 2013
- Includes bibliographical references and index.
- Publisher's Summary
- This title offers a superbly illustrated overview of the evolution of two very different strains of modern Japanese photography. In the 1930s, Japanese photography evolved in two very directions: one toward a documentary style, the other favouring an experimental, or avant-garde, approach strongly influence by Western Surrealism. This book explores these two divergent paths through the work of two remarkable figures: Hiroshi Hamaya and Kansuke Yamamoto. Hiroshi Hamaya (1915-1999) was born and raised in Tokyo and, after an initial period of creative experimentation, turned his attention to recording traditional life and culture. He went on to record cultural changes in China, political protests in Japan, and landscapes around the world. Kansuke Yamamoto (1914-1987) became fascinated by the innovative approaches in art and literature exemplified by Western artists such as Man Ray and Magritte. He promoted Surrealist and avant-garde ideas in Japan through his poetry, paintings, sculptures, and photography.
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- Publication date
- edited by Judith Keller and Amanda Maddox ; with contributions by Kōtarō Iizawa, Ryūichi Kaneko, and Jonathan M. Reynolds.
- Title Variation
- Photographs of Hiroshi Hamaya and Kansuke Yamamoto
- Published on the occasion of an exhibition held at the J. Paul Getty Museum at the Getty Center, Los Angeles, Mar. 26-Aug. 25, 2013.