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Book
697 pages ; 21 cm.
  • Akhmatova i Pasternak : boĭ babochek
  • Pasternak i Stalin : "sobesednik roshch" i vozhdʹ
  • Bulgakov i Pasternak : tochnostʹ taĭn
  • Mandelʹshtam i Pasternak : kvartirnyĭ vopros
  • Shalamov i Pasternak : k istorii odnogo stikhotvorenii͡a
  • Andreĭ Platonov i Evgeniĭ Zami͡atin : predskazateli
  • Mikhail Zoshchenko : pechalʹnyĭ geniĭ smekha
  • Aleksandr Fadeev : zhiznʹ na "Titanike"
  • Valentin Kataev : solo na fagote
  • Konstantin Simonov glazami cheloveka moego pokolenii͡a
  • Dombrovskiĭ : mertvai͡a roshcha
  • Grossman. Chukovskai͡a. I͡Ampolʹskiĭ : khranitʹ vechno
  • I͡Uriĭ Trifonov : zabvenie ili pami͡atʹ?
  • Tendri͡akov : potaennoe
  • Fazilʹ Iskander : pisatelʹ dolzhen postavitʹ pered soboĭ bezumnye zadachi
  • Andreĭ Bitov : sudʹba i rolʹ
  • Vladimir Makanin : portrety i vokrug
  • "Samodonos intelligent͡sii" i vremi͡a kavychek
  • Spet͡snaz i aristokraty : literaturnye gruppirovki noveĭshego vremeni
  • A my prosto vytopchem : russkie arkhetipy i rossiĭskie novat͡sii : kto kogo
  • Vysokoe chtivo : strategii͡a literaturnogo vyzhivanii͡a
  • Svobodnai͡a i svoevremennai͡a--ili bessmyslennai͡a i umirai͡ushchai͡a?
  • Toska po zadache : ob otvetstvennosti pisateli͡a pered literaturoĭ
  • Bytʹ pritcheĭ na ustakh u vsekh : nomenklatura prozy
  • Vyzov
  • Russkai͡a literatura kak inostrannyĭ agent
  • "I͡A" pod psevdonimom i bez
  • Drugai͡a zhiznʹ v SSSR.
  • Ахматова и Пастернак : бой бабочек
  • Пастернак и Сталин : "собеседник рощ" и вождь
  • Булгаков и Пастернак : точность тайн
  • Мандельштам и Пастернак : квартирный вопрос
  • Шаламов и Пастернак : к истории одного стихотворения
  • Андрей Платонов и Евгений Замятин : предсказатели
  • Михаил Зощенко : печальный гений смеха
  • Александр Фадеев : жизнь на "Титанике"
  • Валентин Катаев : соло на фаготе
  • Константин Симонов глазами человека моего поколения
  • Домбровский : мертвая роща
  • Гроссман. Чуковская. Ямпольский : хранить вечно
  • Юрий Трифонов : забвение или память?
  • Тендряков : потаенное
  • Фазиль Искандер : писатель должен поставить перед собой безумные задачи
  • Андрей Битов : судьба и роль
  • Владимир Маканин : портреты и вокруг
  • "Самодонос интеллигенции" и время кавычек
  • Спецназ и аристократы : литературные группировки новейшего времени
  • А мы просто вытопчем : русские архетипы и российские новации : кто кого
  • Высокое чтиво : стратегия литературного выживания
  • Свободная и своевременная--или бессмысленная и умирающая?
  • Тоска по задаче : об ответственности писателя перед литературой
  • Быть притчей на устах у всех : номенклатура прозы
  • Вызов
  • Русская литература как иностранный агент
  • "Я" под псевдонимом и без
  • Другая жизнь в СССР.
  • Akhmatova i Pasternak : boĭ babochek
  • Pasternak i Stalin : "sobesednik roshch" i vozhdʹ
  • Bulgakov i Pasternak : tochnostʹ taĭn
  • Mandelʹshtam i Pasternak : kvartirnyĭ vopros
  • Shalamov i Pasternak : k istorii odnogo stikhotvorenii͡a
  • Andreĭ Platonov i Evgeniĭ Zami͡atin : predskazateli
  • Mikhail Zoshchenko : pechalʹnyĭ geniĭ smekha
  • Aleksandr Fadeev : zhiznʹ na "Titanike"
  • Valentin Kataev : solo na fagote
  • Konstantin Simonov glazami cheloveka moego pokolenii͡a
  • Dombrovskiĭ : mertvai͡a roshcha
  • Grossman. Chukovskai͡a. I͡Ampolʹskiĭ : khranitʹ vechno
  • I͡Uriĭ Trifonov : zabvenie ili pami͡atʹ?
  • Tendri͡akov : potaennoe
  • Fazilʹ Iskander : pisatelʹ dolzhen postavitʹ pered soboĭ bezumnye zadachi
  • Andreĭ Bitov : sudʹba i rolʹ
  • Vladimir Makanin : portrety i vokrug
  • "Samodonos intelligent͡sii" i vremi͡a kavychek
  • Spet͡snaz i aristokraty : literaturnye gruppirovki noveĭshego vremeni
  • A my prosto vytopchem : russkie arkhetipy i rossiĭskie novat͡sii : kto kogo
  • Vysokoe chtivo : strategii͡a literaturnogo vyzhivanii͡a
  • Svobodnai͡a i svoevremennai͡a--ili bessmyslennai͡a i umirai͡ushchai͡a?
  • Toska po zadache : ob otvetstvennosti pisateli͡a pered literaturoĭ
  • Bytʹ pritcheĭ na ustakh u vsekh : nomenklatura prozy
  • Vyzov
  • Russkai͡a literatura kak inostrannyĭ agent
  • "I͡A" pod psevdonimom i bez
  • Drugai͡a zhiznʹ v SSSR.
  • Ахматова и Пастернак : бой бабочек
  • Пастернак и Сталин : "собеседник рощ" и вождь
  • Булгаков и Пастернак : точность тайн
  • Мандельштам и Пастернак : квартирный вопрос
  • Шаламов и Пастернак : к истории одного стихотворения
  • Андрей Платонов и Евгений Замятин : предсказатели
  • Михаил Зощенко : печальный гений смеха
  • Александр Фадеев : жизнь на "Титанике"
  • Валентин Катаев : соло на фаготе
  • Константин Симонов глазами человека моего поколения
  • Домбровский : мертвая роща
  • Гроссман. Чуковская. Ямпольский : хранить вечно
  • Юрий Трифонов : забвение или память?
  • Тендряков : потаенное
  • Фазиль Искандер : писатель должен поставить перед собой безумные задачи
  • Андрей Битов : судьба и роль
  • Владимир Маканин : портреты и вокруг
  • "Самодонос интеллигенции" и время кавычек
  • Спецназ и аристократы : литературные группировки новейшего времени
  • А мы просто вытопчем : русские архетипы и российские новации : кто кого
  • Высокое чтиво : стратегия литературного выживания
  • Свободная и своевременная--или бессмысленная и умирающая?
  • Тоска по задаче : об ответственности писателя перед литературой
  • Быть притчей на устах у всех : номенклатура прозы
  • Вызов
  • Русская литература как иностранный агент
  • "Я" под псевдонимом и без
  • Другая жизнь в СССР.
SAL3 (off-campus storage)
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PG3016 .I936 2015 Available
Book
160 pages : illustrations ; 24 cm
  • Einleitung
  • Ivan Kaliáieff / Harry Graf Kessler
  • Die russophile Fronde : mit Kessler zur bibliografischen Internationale / Dina Gusejnova
  • Mit größter Bewunderung ... : Harry Graf Kessler liest Dostojewski / Kay Wolfinger
  • Harry Graf Kessler und die Literatur der emphatischen Moderne / Roland S. Kamzelak
  • Harry Graf Kessler und der PAN : zur Diskussion um Kunstreligion und Massenkultur / Arno Barnert
  • Verborgene Leidenschaften : Harry Graf Kessler und das Kino / Günter Riederer
  • "Müssige Betrachtungen eines Schlachtenbummlers" : Harry Graf Kessler an der Ostfront des Ersten Weltkrieges und seine Warschauer Mission 1914-1918 / Pascal Trees
  • Der Nachlass Harry Graf Kessler im Deutschen Literaturarchiv Marbach / Hildegard Dieke, Angelika Kreh
  • Dank.
  • Einleitung
  • Ivan Kaliáieff / Harry Graf Kessler
  • Die russophile Fronde : mit Kessler zur bibliografischen Internationale / Dina Gusejnova
  • Mit größter Bewunderung ... : Harry Graf Kessler liest Dostojewski / Kay Wolfinger
  • Harry Graf Kessler und die Literatur der emphatischen Moderne / Roland S. Kamzelak
  • Harry Graf Kessler und der PAN : zur Diskussion um Kunstreligion und Massenkultur / Arno Barnert
  • Verborgene Leidenschaften : Harry Graf Kessler und das Kino / Günter Riederer
  • "Müssige Betrachtungen eines Schlachtenbummlers" : Harry Graf Kessler an der Ostfront des Ersten Weltkrieges und seine Warschauer Mission 1914-1918 / Pascal Trees
  • Der Nachlass Harry Graf Kessler im Deutschen Literaturarchiv Marbach / Hildegard Dieke, Angelika Kreh
  • Dank.
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DD231 .K4 K47 2015 Available
Book
335 pages : illustrations (some color) ; 22 cm
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PG3015.5 .A73 S55 2015 Available
Book
583 pages : illustrations ; 22 cm
SAL3 (off-campus storage)
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PG3488 .M443 Z46 2015 Available
Book
302 pages ; 22 cm
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PG3476 .M355 Z959 2015 Available
Book
296 pages : illustrations ; 24 cm
  • INTRODUCTION: Witnessing History: The Voice of Postmodern Poetry PART 1 Post-Communist Traumas, Post-Modernist Testimonies: Reference, History, and Memory in Russian Conceptualism and Metarealism I. The Problem of Reference in Russian Conceptualism 1. The Origins and Meanings of Russian Conceptualism 2. The Striptease of Totalitarian Concepts: De-referencing the Communist Idiom 3. Life on the Threshold: Ideological Manipulations of the 1980s 4. Witnessing a Catastrophe: The Sudden Breakdown of Communism 5. The Unforeseen Arrival of the Future. Displacements in a Post-Futurity Modus Vivendi 6. Traumatizing the Mind. Psychological Death of the Subject 7. Conceptualism, Corpora, and History. The Body-Aggregate and the Disarticulated Body 8. Referring to the Loss of Reference II. Parallel Developments in Other Post-Communist Literatures: A Bulgarian Interlude 1. Denuding and Revoking the Cliches of Communism 2. Surviving an Apocalypse: Testimonies to the Outbreak of Post-Communist Trauma 3. Attaining the Impending. The Temporal and Psychological Displacements of the Post-Totalitarian Subject 4. Witnessing and Testimony. The Lethal Imagery of Post-Totalitarian Poetry 5. Corpora and History: The Mutilated and Dismembered Body III. Toward a Meta Understanding of Reality: The Problem of Reference in Russian Metarealist Poetry 1. Russian Metarealism: The Expansion of Realism and Referentiality 2. Victor Krivulin's Kontsert po zaiavkam (A Pre-Commissioned Concert) and Novoe zrenie (New Vision) 3. A Poetry of the Threshold: Ol'ga Sedakova's Vrata, Okna, Arki (Gateways, Windows, Arches) 4. Deterritorializing into New Realities: Elena Shvarts's Lotsiya nochi (Sailing Directions of the Night) 5. Conclusion PART 2 Trauma, Reference, and Media Technology in Postmodern American Poetry: The Testimonies of Language Writing I. The Problem of Reference in Language Poetry 1. The Meanings of Language Poetry 2. The Rapprochement between Language Writing and Russian Postmodern Poetry 3. The Self-Referentiality of Language Poetry 4. Debunking the Referent as Linguistic Equivalent of Commodity Fetishism. The Project of De-referencing Language II. Rebelling against Poetic Standards: The Defiant Verbal Aesthetics of Language Poetry 1. The Commodification of Poetry 2. Undermining the Instrumental Discourse of Reification: Alternate Linguistic Discourses in Language Poetry 3. Implosive Referentiality. The New Sentence 4. Linguistic Experimentation. "Ludism" as the Unlimited Play of Signification 5. The Revolutionary Charge of Morphemic and Phonetic Disruption 6. Becoming Meaningful: Re-Narrativizing Language Poetry 7. The Semantics of Sound 8. The Referential Potential of Silence III. The Emplacement of Language Poetry and Art in Information-Saturated Environments 1. Introduction 2. The Wedding of Language Poetry and Media Technology 3. Resisting the Instrumental Discourse of Information Technology: The Production of Linguistic Noise in Charles Bernstein's "Azoot D'Puund" 4. The Unavoidability of Reference. Replicating the Language of Technology. Code as the "Unconscious of Language" 5. Reference, Meaning, and Information 6. Complicating the Vectors of Reference: The Multivalent Referentiality of Language Poetry IV. Language Poetry as a Discourse of Trauma 1. Cognitive Overstimulation and Information Overload: The Traumatic Impacts of Media Technology on The Mind 2. The Spasms of Language Poetry: Parataxis as Recording Cognitive Disruption and the Impacts of Trauma 3. Poetic Testimonies to the Genesis of Technological Trauma 4. David Melnick's "Apocalypse of Fragmentation." Pcoet: A "Conscious Creation" or a "Protosemantic Delirium"? 5. Coping with the Wrong Tomorrow: Testimonies to the Trauma of Temporal Dislocation in the Age of Media Saturation 6. "Play It Again, Pac-Man": The Referential Power of Reenactment and "Traumatic Repetition" V. The Corporeal Response to the Experience of Trauma 1. "Traumas of Code" : The Affinities of Codework and Language Poetry 2. Salvaging the Body from the Structures of Information: Mez's the data][h!][bleeding texts 3. "fleshwords by Ms Post Modemism": the Therapeutic Function of Code 4. The Experiential Impact of Technological Trauma. Retooling Freud's Notion of the Dead Cortical Layer 5. Reconceptualizing the Notions of Gognition and Experience VI. Conclusion: Trauma and History.
  • (source: Nielsen Book Data)
This book challenges the belief in the purely linguistic nature of contemporary poetry and offers an interpretation of late twentieth-century Russian poetry as a testimony to the unforeseen annulment of communist reality and its overnight displacement by a completely unfathomable post-totalitarian order. Albena Lutzkanova-Vassileva argues that, because of the sudden invalidation of a reality that had been largely seen as unattained and everlasting, this shift remained secluded from the mind and totally resistant to cognition, thus causing a collectively traumatic psychological experience. The book proceeds by inquiring into a school of contemporary American poetry that has been likewise read as cut off from reality. Executing a comparative analysis, Vassileva advances a new understanding of this poetry as a testimony to the overwhelming and traumatic impact of contemporary media, which have assailed the mind with far more signals than it can register, digest and furnish with semantic weight.
(source: Nielsen Book Data)
  • INTRODUCTION: Witnessing History: The Voice of Postmodern Poetry PART 1 Post-Communist Traumas, Post-Modernist Testimonies: Reference, History, and Memory in Russian Conceptualism and Metarealism I. The Problem of Reference in Russian Conceptualism 1. The Origins and Meanings of Russian Conceptualism 2. The Striptease of Totalitarian Concepts: De-referencing the Communist Idiom 3. Life on the Threshold: Ideological Manipulations of the 1980s 4. Witnessing a Catastrophe: The Sudden Breakdown of Communism 5. The Unforeseen Arrival of the Future. Displacements in a Post-Futurity Modus Vivendi 6. Traumatizing the Mind. Psychological Death of the Subject 7. Conceptualism, Corpora, and History. The Body-Aggregate and the Disarticulated Body 8. Referring to the Loss of Reference II. Parallel Developments in Other Post-Communist Literatures: A Bulgarian Interlude 1. Denuding and Revoking the Cliches of Communism 2. Surviving an Apocalypse: Testimonies to the Outbreak of Post-Communist Trauma 3. Attaining the Impending. The Temporal and Psychological Displacements of the Post-Totalitarian Subject 4. Witnessing and Testimony. The Lethal Imagery of Post-Totalitarian Poetry 5. Corpora and History: The Mutilated and Dismembered Body III. Toward a Meta Understanding of Reality: The Problem of Reference in Russian Metarealist Poetry 1. Russian Metarealism: The Expansion of Realism and Referentiality 2. Victor Krivulin's Kontsert po zaiavkam (A Pre-Commissioned Concert) and Novoe zrenie (New Vision) 3. A Poetry of the Threshold: Ol'ga Sedakova's Vrata, Okna, Arki (Gateways, Windows, Arches) 4. Deterritorializing into New Realities: Elena Shvarts's Lotsiya nochi (Sailing Directions of the Night) 5. Conclusion PART 2 Trauma, Reference, and Media Technology in Postmodern American Poetry: The Testimonies of Language Writing I. The Problem of Reference in Language Poetry 1. The Meanings of Language Poetry 2. The Rapprochement between Language Writing and Russian Postmodern Poetry 3. The Self-Referentiality of Language Poetry 4. Debunking the Referent as Linguistic Equivalent of Commodity Fetishism. The Project of De-referencing Language II. Rebelling against Poetic Standards: The Defiant Verbal Aesthetics of Language Poetry 1. The Commodification of Poetry 2. Undermining the Instrumental Discourse of Reification: Alternate Linguistic Discourses in Language Poetry 3. Implosive Referentiality. The New Sentence 4. Linguistic Experimentation. "Ludism" as the Unlimited Play of Signification 5. The Revolutionary Charge of Morphemic and Phonetic Disruption 6. Becoming Meaningful: Re-Narrativizing Language Poetry 7. The Semantics of Sound 8. The Referential Potential of Silence III. The Emplacement of Language Poetry and Art in Information-Saturated Environments 1. Introduction 2. The Wedding of Language Poetry and Media Technology 3. Resisting the Instrumental Discourse of Information Technology: The Production of Linguistic Noise in Charles Bernstein's "Azoot D'Puund" 4. The Unavoidability of Reference. Replicating the Language of Technology. Code as the "Unconscious of Language" 5. Reference, Meaning, and Information 6. Complicating the Vectors of Reference: The Multivalent Referentiality of Language Poetry IV. Language Poetry as a Discourse of Trauma 1. Cognitive Overstimulation and Information Overload: The Traumatic Impacts of Media Technology on The Mind 2. The Spasms of Language Poetry: Parataxis as Recording Cognitive Disruption and the Impacts of Trauma 3. Poetic Testimonies to the Genesis of Technological Trauma 4. David Melnick's "Apocalypse of Fragmentation." Pcoet: A "Conscious Creation" or a "Protosemantic Delirium"? 5. Coping with the Wrong Tomorrow: Testimonies to the Trauma of Temporal Dislocation in the Age of Media Saturation 6. "Play It Again, Pac-Man": The Referential Power of Reenactment and "Traumatic Repetition" V. The Corporeal Response to the Experience of Trauma 1. "Traumas of Code" : The Affinities of Codework and Language Poetry 2. Salvaging the Body from the Structures of Information: Mez's the data][h!][bleeding texts 3. "fleshwords by Ms Post Modemism": the Therapeutic Function of Code 4. The Experiential Impact of Technological Trauma. Retooling Freud's Notion of the Dead Cortical Layer 5. Reconceptualizing the Notions of Gognition and Experience VI. Conclusion: Trauma and History.
  • (source: Nielsen Book Data)
This book challenges the belief in the purely linguistic nature of contemporary poetry and offers an interpretation of late twentieth-century Russian poetry as a testimony to the unforeseen annulment of communist reality and its overnight displacement by a completely unfathomable post-totalitarian order. Albena Lutzkanova-Vassileva argues that, because of the sudden invalidation of a reality that had been largely seen as unattained and everlasting, this shift remained secluded from the mind and totally resistant to cognition, thus causing a collectively traumatic psychological experience. The book proceeds by inquiring into a school of contemporary American poetry that has been likewise read as cut off from reality. Executing a comparative analysis, Vassileva advances a new understanding of this poetry as a testimony to the overwhelming and traumatic impact of contemporary media, which have assailed the mind with far more signals than it can register, digest and furnish with semantic weight.
(source: Nielsen Book Data)
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PG3056 .L88 2015 Available
Book
x, 254 pages ; 23 cm.
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PG3026 .U5 .K65 2015 Unavailable On order Request
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573 pages ; 22 cm.
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PG3011 .B673 2015 Available
Book
357 pages
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PG3485.6 .D58 Z864 2015 Available
Book
541 pages ; 23 cm
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PG3065 .A24 A55 2014 Available
Book
371 pages : illustrations ; 23 cm
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PG3476 .T6 Z535 2014 Available
Book
207 pages : illustrations ; 20 cm
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PG3476 .A324 Z774 2014 Unknown
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volumes <034 (116 pages)> ; 24 cm.
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PG3016 .P63 2014 Available

14. Apologii͡a zhanra [2014]

Book
652 pages ; 22 cm
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PG2950 .K23 2014 Unknown
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414 pages ; 21 cm.
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PG3226 .C44 2014 Available
Book
474 pages : illustration ; 23 cm.
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PG3476 .C49 Z55 2014 Available
Book
59 pages : portrait ; 22 cm.
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PN56 .I42 S24 2014 Unknown
Book
171 p. ; 22 cm
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PG2991.4 .L48 2014 Unknown
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349 pages ; 18 cm.
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PG3492.76 .I55 E344 2014 Available
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153 p. ; 20 cm.
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PG2987 .P58 S56 2014 Unknown

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