Search results

39 results

View results as:
Number of results to display per page
Book
xvi, 330 p. : ill. ; 20 cm.
  • A brief résumé of the history of the French comedy.--La farce du cuvier.--Le retour imprévu, by J.F. Regnard.--L'épreuve, by Marivaux.--L'habit vert, by Musset and Augier.--J'invite le colonel, by Labiche.--L'œillet blanc, by A. Daudet.--L'école des belles-méres, by Brieux.--Franches lippées, by T. Bernard.
  • A brief résumé of the history of the French comedy.--La farce du cuvier.--Le retour imprévu, by J.F. Regnard.--L'épreuve, by Marivaux.--L'habit vert, by Musset and Augier.--J'invite le colonel, by Labiche.--L'œillet blanc, by A. Daudet.--L'école des belles-méres, by Brieux.--Franches lippées, by T. Bernard.
Education Library (Cubberley)
Status of items at Education Library (Cubberley)
Education Library (Cubberley) Status
Stacks
TX 448.73 .M552 Unknown
Book
xiii, 208 p. ; 23 cm.
  • Introduction by Benjamin D. Carson The Playwright's Theatre: O'Neill's Use of the Provincetown Players as Laboratory - Jeff Kennedy 'Why d'yuh hate me so?': Between Sensationalism and Sociology in O'Neill's The Web - J. Chris Westgate Eugene O'Neill's Abortion and Standard Family Roles: The Economics of Terminating a Romance and a Pregnancy - Lesley Broder The Movie Man, the failure of aesthetics? - Thierry Dubost 'God stiffen us...': Queering O'Neill's Sea Plays - Phillip Barnhart Epistemological Crises in O'Neill's S. S. Glencairn Plays - Michael Y. Bennett 'The Curtain is Lowered': Self-Revelation and the Problem of Form in Exorcism - Kurt Eisen 'Ain't nothin' dere but de trees!' Ghosts and the Forest in The Emperor Jones - Paul D. Streufert Neither Fallen Angel nor Risen Ape-Desentimentalizing Robert Smith - Thomas F. Connolly Waiting for O'Neill: The Makings of an Existentialist - Steven F. Bloom O'Neill's Hughie: The Sea Plays Revisited - Robert Combs Condensed Comedy: The Neo-Futurists Perform O'Neill's Stage Directions - Zander Brietzke.
  • (source: Nielsen Book Data)
Although Eugene O'Neill's work has generated much scholarship, his one-act plays have not received the critical attention they deserve. Given that O'Neill began his career writing one-act plays, including his justly famous "Sea Plays, " associated with the Provincetown Players, it is surprising that his one-acts have been largely neglected. This collection aims to fill the gap by examining O'Neill's one-act plays, during what can be considered O'Neill's formative writing years, and the formative period of American drama. It is our hope that a wide-ranging investigation into O'Neill's one-acts will shed light on a less-explored part of his career, and thus assist scholars in understanding O'Neill's entire oeuvre.
(source: Nielsen Book Data)
  • Introduction by Benjamin D. Carson The Playwright's Theatre: O'Neill's Use of the Provincetown Players as Laboratory - Jeff Kennedy 'Why d'yuh hate me so?': Between Sensationalism and Sociology in O'Neill's The Web - J. Chris Westgate Eugene O'Neill's Abortion and Standard Family Roles: The Economics of Terminating a Romance and a Pregnancy - Lesley Broder The Movie Man, the failure of aesthetics? - Thierry Dubost 'God stiffen us...': Queering O'Neill's Sea Plays - Phillip Barnhart Epistemological Crises in O'Neill's S. S. Glencairn Plays - Michael Y. Bennett 'The Curtain is Lowered': Self-Revelation and the Problem of Form in Exorcism - Kurt Eisen 'Ain't nothin' dere but de trees!' Ghosts and the Forest in The Emperor Jones - Paul D. Streufert Neither Fallen Angel nor Risen Ape-Desentimentalizing Robert Smith - Thomas F. Connolly Waiting for O'Neill: The Makings of an Existentialist - Steven F. Bloom O'Neill's Hughie: The Sea Plays Revisited - Robert Combs Condensed Comedy: The Neo-Futurists Perform O'Neill's Stage Directions - Zander Brietzke.
  • (source: Nielsen Book Data)
Although Eugene O'Neill's work has generated much scholarship, his one-act plays have not received the critical attention they deserve. Given that O'Neill began his career writing one-act plays, including his justly famous "Sea Plays, " associated with the Provincetown Players, it is surprising that his one-acts have been largely neglected. This collection aims to fill the gap by examining O'Neill's one-act plays, during what can be considered O'Neill's formative writing years, and the formative period of American drama. It is our hope that a wide-ranging investigation into O'Neill's one-acts will shed light on a less-explored part of his career, and thus assist scholars in understanding O'Neill's entire oeuvre.
(source: Nielsen Book Data)
Green Library
Status of items at Green Library
Green Library Status
Stacks Find it
PS3529 .N5 Z639 2012 Unknown
Book
117 p. ; 19 cm.
  • The big bun -- The inventor of the horse -- War.
  • (source: Nielsen Book Data)
Comedies written in the 1920s and early 1930s. The Big Bun (8 men, 1 woman); Inventor of the Horse (10 men, 2 women, extras); War (1 man).
(source: Nielsen Book Data)
  • The big bun -- The inventor of the horse -- War.
  • (source: Nielsen Book Data)
Comedies written in the 1920s and early 1930s. The Big Bun (8 men, 1 woman); Inventor of the Horse (10 men, 2 women, extras); War (1 man).
(source: Nielsen Book Data)
Green Library
Status of items at Green Library
Green Library Status
Stacks Find it
PQ4809 .A53 A24 1995 Unknown
Book
79 p. : ill. ; 20 cm.
  • Crimson Hotel
  • Audience.
In this absurdist comedy two lovers - a playwright and his lead actress - escape to a discreet and charming Parisian hotel, conjured from a desert landscape. As the walls, door and crimson curtains of Room 322 materialise around them, a fumbling of fastenings ensues. But they soon discover they're not the only couple intent on escaping from reality...The Crimson Hotel has its world premiere at the Donmar Warehouse Theatre, London, on 25 July 2007. The volume also features the one-act play, Audience, a delightful send-up which holds up a mirror to the outlandish behaviour and comedy inherent in every theatre audience.
(source: Nielsen Book Data)
  • Crimson Hotel
  • Audience.
In this absurdist comedy two lovers - a playwright and his lead actress - escape to a discreet and charming Parisian hotel, conjured from a desert landscape. As the walls, door and crimson curtains of Room 322 materialise around them, a fumbling of fastenings ensues. But they soon discover they're not the only couple intent on escaping from reality...The Crimson Hotel has its world premiere at the Donmar Warehouse Theatre, London, on 25 July 2007. The volume also features the one-act play, Audience, a delightful send-up which holds up a mirror to the outlandish behaviour and comedy inherent in every theatre audience.
(source: Nielsen Book Data)
Green Library
Status of items at Green Library
Green Library Status
Stacks Find it
PR6056 .R3 C75 2007 Unknown
Book
505, [27] p. : ill. ; 23 cm.
  • section 1. Ten-minute one-act plays
  • Hands for toast / Carey Daniels
  • Offering / Richard Keller
  • Attention / Holly Walter Kerby
  • Interpreting a dream / Judy Klass
  • We all give thanks / Troy Tradup
  • Someday / Allison Williams with Japanese translations by Jana Duchova
  • Dreidel daze / Gaylord Brewer
  • Diorama / Lewis Horton
  • Playtime / Kent R. Brown
  • Driver's ed. / Steven Schutzman
  • The Nancy / Bethany Gibson
  • Bump / Maryann Lesert
  • In Ruth Reichl's restaurant review / Steve Feffer
  • Dada on rails / Christopher Farran
  • section 2. Longer one-act plays
  • Last call / Constance Alexander
  • Teeming with Clowny / Lisa Dillman
  • Unwholesome / Joe Byers
  • What are friends for? / Gloria G. Murray
  • Too much of me / James Magruder
  • The death of Saul / Bill Teitelbaum
  • Women in heat / Rich Orloff
  • Milk / Michael Hemmingson
  • Teachers who smoke cigarettes / Danny Sklar
  • Devoted / Claudia Barnett
  • The artist / Michael Hohnstein
  • Heart of hearts / Jim Daniels
  • Appendices
  • Points to consider in analyzing a play
  • Plot structure
  • Some notes on comedy
  • Playwriting, some recommendations
  • Script format and related matters
  • Hand for toast : an excerpt in theatrical format.
A fresh mix of craft-talk with twenty-six previously unpublished one-act plays from both award winning, well known dramatists and exciting newcomers. This collection contains fourteen ten-minute and twelve ten-to-thirty minute plays, each introduced and discussed by the editors. This anthology also includes: introduction to one-act plays, bibliographical notes on each author, and notes on analyzing a play, plot structure, comedy, playwriting, techniques and format.
(source: Nielsen Book Data)
  • section 1. Ten-minute one-act plays
  • Hands for toast / Carey Daniels
  • Offering / Richard Keller
  • Attention / Holly Walter Kerby
  • Interpreting a dream / Judy Klass
  • We all give thanks / Troy Tradup
  • Someday / Allison Williams with Japanese translations by Jana Duchova
  • Dreidel daze / Gaylord Brewer
  • Diorama / Lewis Horton
  • Playtime / Kent R. Brown
  • Driver's ed. / Steven Schutzman
  • The Nancy / Bethany Gibson
  • Bump / Maryann Lesert
  • In Ruth Reichl's restaurant review / Steve Feffer
  • Dada on rails / Christopher Farran
  • section 2. Longer one-act plays
  • Last call / Constance Alexander
  • Teeming with Clowny / Lisa Dillman
  • Unwholesome / Joe Byers
  • What are friends for? / Gloria G. Murray
  • Too much of me / James Magruder
  • The death of Saul / Bill Teitelbaum
  • Women in heat / Rich Orloff
  • Milk / Michael Hemmingson
  • Teachers who smoke cigarettes / Danny Sklar
  • Devoted / Claudia Barnett
  • The artist / Michael Hohnstein
  • Heart of hearts / Jim Daniels
  • Appendices
  • Points to consider in analyzing a play
  • Plot structure
  • Some notes on comedy
  • Playwriting, some recommendations
  • Script format and related matters
  • Hand for toast : an excerpt in theatrical format.
A fresh mix of craft-talk with twenty-six previously unpublished one-act plays from both award winning, well known dramatists and exciting newcomers. This collection contains fourteen ten-minute and twelve ten-to-thirty minute plays, each introduced and discussed by the editors. This anthology also includes: introduction to one-act plays, bibliographical notes on each author, and notes on analyzing a play, plot structure, comedy, playwriting, techniques and format.
(source: Nielsen Book Data)
Green Library
Status of items at Green Library
Green Library Status
Stacks Find it
PN6120 .O5 A78 2007 Unknown
Video
1 videocassette (26 min.) : sd., col. ; 1/2 in.
In this play, Anton Chekhov gives us a glimpse into the world of the Russian upperclass. First performed in 1888, it is a one-act comedy, or "joke", telling of a boorish landowner and a sentimental widow whose quarrel ends in marriage.
In this play, Anton Chekhov gives us a glimpse into the world of the Russian upperclass. First performed in 1888, it is a one-act comedy, or "joke", telling of a boorish landowner and a sentimental widow whose quarrel ends in marriage.
Green Library
Status of items at Green Library
Green Library Status
Media & Microtext Center (Lower level) Find it
ZVC 11093 Unknown
Book
123 p. : ill. ; 22 cm.
  • Jian, Jin. Zhao Xiaolan.--Yu, Sun. The woman's representative.--Between husband and wife, by a group of artists of the Beijing People's Art Theatre.--Hsun, Chao. New comedies portraying the new life.
  • Jian, Jin. Zhao Xiaolan.--Yu, Sun. The woman's representative.--Between husband and wife, by a group of artists of the Beijing People's Art Theatre.--Hsun, Chao. New comedies portraying the new life.
SAL3 (off-campus storage)
Status of items at SAL3 (off-campus storage)
SAL3 (off-campus storage) Status
Stacks Request
895.108 .W872 Available
Book
103 p. 20cm.
SAL3 (off-campus storage)
Status of items at SAL3 (off-campus storage)
SAL3 (off-campus storage) Status
Stacks Request
822.7 .H84FP Available

Looking for different results?

Modify your search: Search without "and" "of" "the"

Search elsewhere: Search WorldCat Search library website