Search results

164 results

View results as:
Number of results to display per page
Book
vii, 131 pages : illustrations (some color) ; 30 cm.
The authors in this illustrated volume explore how art historical and technical examination of 15th-18th century European paintings conducted in tandem not only address key subjects such as meaning, materials, and manufacturing techniques, but also allow fresh perspectives on the prevailing workshop practices of copying, replicating, and emulating paintings.
The authors in this illustrated volume explore how art historical and technical examination of 15th-18th century European paintings conducted in tandem not only address key subjects such as meaning, materials, and manufacturing techniques, but also allow fresh perspectives on the prevailing workshop practices of copying, replicating, and emulating paintings.
Art & Architecture Library
Status of items at Art & Architecture Library
Art & Architecture Library Status
Stacks
ND454 .E97 2014 F Unknown
Book
286 p. : ill. (chiefly col.) ; 31 cm.
  • Leonardo da Vinci's art and science -- Art et science de Léonard de Vinci -- Art et science de Léonard de Vinci -- Leonardo da Vinci's art and science -- Space and light at the origin in modern painting : from Alberti to Leonardo -- Espace et lumière à l'origine de la peinture classique : d'Alberti à Léonard -- Espace et lumière à l'origine de la peinture classique : d'Alberti à Léonard -- Space and light at the origin in modern painting : from Alberti to Leonardo -- Introduction: The CHARISMA Workshop devoted to Leonardo's studio practic'es -- Introduction : le colloque CHARISMA consacré à la pratique d'atelier de Léonard -- The European project CHARISMA -- Le projet européen CHARISMA -- Leonardo's charisma: Leonardo as a subject for scientific study applied to Cultural Heritage -- Le charisme de Léonard de Vinci : Léonard de Vinci, sujet d'étude scientifique appliquée au patrimoine culturel -- Leonardo's Adoration of the Magi at the Uffizi : preliminary technical studies at the OPD -- L'Adoration des Mages de Léonard de Vinci du Musée des Offices : études techniques préliminaires à l'Office des Pierres Dures (Florence, Italie) -- The Madonna with a Carnation. Technological studies of an early painting by Leonardo -- La Madone à l'oeillet. Études techniques sur une oeuvre de jeunesse de Léonard -- Leonardo's portrait of Ginevra de' Benci: a reading of the X-radiographs and infrared reflectographs -- Le portrait de Ginevra de' Benci par Léonard : une lecture des radiographies et des réfiectographies infrarouges -- Vincent Delieuvin, Bruno Mottin, Élisabeth Ravaud The Paris Virgin of the Rocks: a new approach based on scientific analysis -- La Vierge aux Rochers de Paris: nouvelle approche à partir d'analyses scientifiques -- The Madonna of the Yarnwinder : conservation history and the painting's influence -- La Madone au fuseau : histoire de la conservation et rayonnement de l'oeuvre -- Cristina Acidini, Roberto Bellucci, Cecilia Frosinini New hypotheses on the Madonna of the Yarnwinder series -- Nouvelles hypothèses concernant la série des Madone au Fuseau -- La Belle Ferronnière: a non invasive technical examination -- La Belle Ferronnière : étude technique non invasive -- The Salvator Mundi by Leonardo da Vinci resdiscovered. History, technique and condition -- Le Salvator Mundi peint par Léonard de Vinci redécouvert. Histoire, technique et état -- Leonardo's Portrait of a Musician and some reflections on his Milanese Workshop -- Le Portrait d'un Musicien et quelques réflexions sur l'atelier milanais de Léonard -- Leonardo's Last Supper: technique of execution and conservation thirteen years after its restoration -- La Cène de Léonard : technique d'exécutionet conservation treize ans après sa restauration -- The Esterhàzy Madonna in the context of Leonardo daVinci's studio practice -- La Madone Esterhâzy dans le contexte de la pratique d'atelier de Léonard de Vinci -- Some observations on the painting technique of Boltraffio's The Madonna and Child -- Quelques observations sur la technique picturale de La Madone et l'Enfant de Boltraffio -- The copy of the Gioconda -- La copie de La Joconde -- Leonardo's Monna Lisa in the light of its Madrid copy -- La Mona Lisa de Léonard à la lumière de sa copie madrilène
  • On the role of scientific evidence in the study of Leonardo's drawings -- De la fonction d'une approche scientifique dans l'étude des dessins de Léonard -- The visual and technical examination of Leonardo drawings in the British Museum -- L'examen technique de dessins de Léonard conservés au British Museum -- An investigation of"faded" metalpoint drawings by Leonardo daVinci in the Royal Collection -- Recherche sur les dessins à la pointe de métal altérés de Léonard de Vinci et conservés dans les collections royales anglaises.
"Leonardo's work is universally recognized: it arouses enthusiasm, causes astonishment, and provokes lyrical descriptions as well as inflammatory debate. A particular approach in appreciating Leonardo's work is to understand its material aspects more fully (the materials used by the artist, the manner of their preparation, associations between them and .ways of combining different materials) so that artistic intention can be studied in depth, while at the same rime revealing technical mastery and inventiveness. In addition, studying the way in which works age allows them to be better conserved and preserved. These are precisely the aims of the CHARISMA project, which brings together the expertise and experience of major European institutions that specialize in the examination and conservation of cultural heritage. This book is the result of contributions made by art historiens, scientists and conservators during an international meeting held in early 2012 at the National Gallery, London, organized by CHARISMA to coincide with the exhibition Leonardo da Vinci : Painter at the Gourt of Milan' which included the newly-conserved London version of the Virgin of the Rocks. The workshop was devoted to the study of the artistic technique of Leonardo and his workshop. The juxtaposition of different perspectives on the paintings and drawings of one of the most iconic artists of the Italian Renaissance highlights the need to take account of multidisciplinary points of view in order to build a more complete history of the works of art. The various articles illustrate the influence that Leonardo had not only on his students and those with whom he shared his workshops, but also on his contemporaries."--P. [4] of cover.
  • Leonardo da Vinci's art and science -- Art et science de Léonard de Vinci -- Art et science de Léonard de Vinci -- Leonardo da Vinci's art and science -- Space and light at the origin in modern painting : from Alberti to Leonardo -- Espace et lumière à l'origine de la peinture classique : d'Alberti à Léonard -- Espace et lumière à l'origine de la peinture classique : d'Alberti à Léonard -- Space and light at the origin in modern painting : from Alberti to Leonardo -- Introduction: The CHARISMA Workshop devoted to Leonardo's studio practic'es -- Introduction : le colloque CHARISMA consacré à la pratique d'atelier de Léonard -- The European project CHARISMA -- Le projet européen CHARISMA -- Leonardo's charisma: Leonardo as a subject for scientific study applied to Cultural Heritage -- Le charisme de Léonard de Vinci : Léonard de Vinci, sujet d'étude scientifique appliquée au patrimoine culturel -- Leonardo's Adoration of the Magi at the Uffizi : preliminary technical studies at the OPD -- L'Adoration des Mages de Léonard de Vinci du Musée des Offices : études techniques préliminaires à l'Office des Pierres Dures (Florence, Italie) -- The Madonna with a Carnation. Technological studies of an early painting by Leonardo -- La Madone à l'oeillet. Études techniques sur une oeuvre de jeunesse de Léonard -- Leonardo's portrait of Ginevra de' Benci: a reading of the X-radiographs and infrared reflectographs -- Le portrait de Ginevra de' Benci par Léonard : une lecture des radiographies et des réfiectographies infrarouges -- Vincent Delieuvin, Bruno Mottin, Élisabeth Ravaud The Paris Virgin of the Rocks: a new approach based on scientific analysis -- La Vierge aux Rochers de Paris: nouvelle approche à partir d'analyses scientifiques -- The Madonna of the Yarnwinder : conservation history and the painting's influence -- La Madone au fuseau : histoire de la conservation et rayonnement de l'oeuvre -- Cristina Acidini, Roberto Bellucci, Cecilia Frosinini New hypotheses on the Madonna of the Yarnwinder series -- Nouvelles hypothèses concernant la série des Madone au Fuseau -- La Belle Ferronnière: a non invasive technical examination -- La Belle Ferronnière : étude technique non invasive -- The Salvator Mundi by Leonardo da Vinci resdiscovered. History, technique and condition -- Le Salvator Mundi peint par Léonard de Vinci redécouvert. Histoire, technique et état -- Leonardo's Portrait of a Musician and some reflections on his Milanese Workshop -- Le Portrait d'un Musicien et quelques réflexions sur l'atelier milanais de Léonard -- Leonardo's Last Supper: technique of execution and conservation thirteen years after its restoration -- La Cène de Léonard : technique d'exécutionet conservation treize ans après sa restauration -- The Esterhàzy Madonna in the context of Leonardo daVinci's studio practice -- La Madone Esterhâzy dans le contexte de la pratique d'atelier de Léonard de Vinci -- Some observations on the painting technique of Boltraffio's The Madonna and Child -- Quelques observations sur la technique picturale de La Madone et l'Enfant de Boltraffio -- The copy of the Gioconda -- La copie de La Joconde -- Leonardo's Monna Lisa in the light of its Madrid copy -- La Mona Lisa de Léonard à la lumière de sa copie madrilène
  • On the role of scientific evidence in the study of Leonardo's drawings -- De la fonction d'une approche scientifique dans l'étude des dessins de Léonard -- The visual and technical examination of Leonardo drawings in the British Museum -- L'examen technique de dessins de Léonard conservés au British Museum -- An investigation of"faded" metalpoint drawings by Leonardo daVinci in the Royal Collection -- Recherche sur les dessins à la pointe de métal altérés de Léonard de Vinci et conservés dans les collections royales anglaises.
"Leonardo's work is universally recognized: it arouses enthusiasm, causes astonishment, and provokes lyrical descriptions as well as inflammatory debate. A particular approach in appreciating Leonardo's work is to understand its material aspects more fully (the materials used by the artist, the manner of their preparation, associations between them and .ways of combining different materials) so that artistic intention can be studied in depth, while at the same rime revealing technical mastery and inventiveness. In addition, studying the way in which works age allows them to be better conserved and preserved. These are precisely the aims of the CHARISMA project, which brings together the expertise and experience of major European institutions that specialize in the examination and conservation of cultural heritage. This book is the result of contributions made by art historiens, scientists and conservators during an international meeting held in early 2012 at the National Gallery, London, organized by CHARISMA to coincide with the exhibition Leonardo da Vinci : Painter at the Gourt of Milan' which included the newly-conserved London version of the Virgin of the Rocks. The workshop was devoted to the study of the artistic technique of Leonardo and his workshop. The juxtaposition of different perspectives on the paintings and drawings of one of the most iconic artists of the Italian Renaissance highlights the need to take account of multidisciplinary points of view in order to build a more complete history of the works of art. The various articles illustrate the influence that Leonardo had not only on his students and those with whom he shared his workshops, but also on his contemporaries."--P. [4] of cover.
Art & Architecture Library
Status of items at Art & Architecture Library
Art & Architecture Library Status
Stacks
N6923 .L33 L452 2014 F Unknown
Book
xiii, 298 p. : col ill. ; 24 cm.
  • William Page: an American titian (and America's Reynolds)
  • Eclectic materials and methods, 1860-1910
  • George Inness: glazing, alteration, and intuition
  • James McNeill Whistler's unique techniques
  • John Singer Sargent: painting with "slow haste"
  • Modernism and the revival of the craft of painting, 1910-45.
  • William Page: an American titian (and America's Reynolds)
  • Eclectic materials and methods, 1860-1910
  • George Inness: glazing, alteration, and intuition
  • James McNeill Whistler's unique techniques
  • John Singer Sargent: painting with "slow haste"
  • Modernism and the revival of the craft of painting, 1910-45.
Art & Architecture Library
Status of items at Art & Architecture Library
Art & Architecture Library Status
Stacks
ND1471 .M393 2013 Unknown
Book
464 pages : illustrations (chiefly color) ; 32 cm
Art & Architecture Library
Status of items at Art & Architecture Library
Art & Architecture Library Status
Stacks
ND653 .G7 V358 2013 F Unknown
Book
3 v. : ill. (chiefly col.) ; 30 cm.
This book aims at explaining the phenomenon from a technical point of view, while also taking into account the historical and economic background. In addition to the wealth of new findings on the son's copies, crucial discoveries were made regarding Bruegel the Elder's painting technique, leading to a new perception of his working practice.
This book aims at explaining the phenomenon from a technical point of view, while also taking into account the historical and economic background. In addition to the wealth of new findings on the son's copies, crucial discoveries were made regarding Bruegel the Elder's painting technique, leading to a new perception of his working practice.
Art & Architecture Library
Status of items at Art & Architecture Library
Art & Architecture Library Status
See circulation desk for access
ND673 .B7 C87 2012 F V.1 Unknown
ND673 .B7 C87 2012 F V.2 Unknown
ND673 .B7 C87 2012 F V.3 Unknown
Book
xiv, 391 p. : ill. ; 23 cm.
Art & Architecture Library
Status of items at Art & Architecture Library
Art & Architecture Library Status
Stacks
ND1043 .B882 2012 Unknown
Book
143 p. : ill. (some col.) ; 29 cm.
Art & Architecture Library
Status of items at Art & Architecture Library
Art & Architecture Library Status
Stacks
QK98.2 .M39 2012 Unknown
Book
168 p. : ill. (chiefly col.) ; 24 cm.
  • Die Anfänge der Erforschung der Temperamalerei im 19. Jahrhundert : Irrtümer und bleibende Erkenntnisse / Eva Reinkowski-Häfner
  • "color humanus" : das Inkarnat in den Quellenschriften des Mittelalters / Esther Wipfler
  • Der Rosenheimer Altaraufsatz : zu den kunsthistorischen Fragen um das älteste oberbayerische Retabel / Matthias Weniger
  • Die Inkarnate des Rosenheimer Altaraufsatzes / Carola Sauter und Kerstin Luber
  • Inkarnate des 12. und 13. Jahrhunderts in der Toskana und in Dalmatien / Cristina Thieme
  • Die Rekonstruktion eines Inkarnats um 1290 nach den Angaben in Cennino Cenninis "Libro dell'arte" / Elisa Magdalena Hartmann
  • L'officina di Giotto : il restauro della Croce di Ognissanti / Marco Ciatti
  • Die Aussagen Cennino Cenninis über die Anlage des Inkarnats : Synopse der Auszüge des "Libro dell'arte" mit ihren Übersetzungen ins Deutsche und Englische / Cristina Thieme und Esther Wipfler
  • Abstracts
  • Abbildungsnachweis.
  • Die Anfänge der Erforschung der Temperamalerei im 19. Jahrhundert : Irrtümer und bleibende Erkenntnisse / Eva Reinkowski-Häfner
  • "color humanus" : das Inkarnat in den Quellenschriften des Mittelalters / Esther Wipfler
  • Der Rosenheimer Altaraufsatz : zu den kunsthistorischen Fragen um das älteste oberbayerische Retabel / Matthias Weniger
  • Die Inkarnate des Rosenheimer Altaraufsatzes / Carola Sauter und Kerstin Luber
  • Inkarnate des 12. und 13. Jahrhunderts in der Toskana und in Dalmatien / Cristina Thieme
  • Die Rekonstruktion eines Inkarnats um 1290 nach den Angaben in Cennino Cenninis "Libro dell'arte" / Elisa Magdalena Hartmann
  • L'officina di Giotto : il restauro della Croce di Ognissanti / Marco Ciatti
  • Die Aussagen Cennino Cenninis über die Anlage des Inkarnats : Synopse der Auszüge des "Libro dell'arte" mit ihren Übersetzungen ins Deutsche und Englische / Cristina Thieme und Esther Wipfler
  • Abstracts
  • Abbildungsnachweis.
Art & Architecture Library
Status of items at Art & Architecture Library
Art & Architecture Library Status
Stacks
ND141 .K857 2012 Unknown
Book
144 p. : ill. (chiefly col.) ; 25 cm.
Art & Architecture Library
Status of items at Art & Architecture Library
Art & Architecture Library Status
Stacks
ND1471 .F56 2012 Unknown
Book
xxiii, 414 p. : ill. (chiefly col.) ; 28 cm.
Art & Architecture Library
Status of items at Art & Architecture Library
Art & Architecture Library Status
Stacks
ND2885 .C73 2012 Unknown
Book
xiii, 249 p. : col. ill. ; 24 cm.
Art & Architecture Library
Status of items at Art & Architecture Library
Art & Architecture Library Status
Stacks
ND1471 .M39 2011 Unknown
Book
111 p. : ill. (some col.) ; 22 x 26 cm.
Art & Architecture Library
Status of items at Art & Architecture Library
Art & Architecture Library Status
Request at circulation desk
NC750 .R75 2011 Unknown On Reserve 2-hour loan
ARTSTUDI-140-01/-02
Course
ARTSTUDI-140-01/-02 -- Drawing 1
Instructor(s)
Deas, Yvette Kimberly
Book
224 p. : ill. ; 24 cm. + 1 CD-ROM (4 3/4 in.)
Art & Architecture Library
Status of items at Art & Architecture Library
Art & Architecture Library Status
Stacks
N7420 .L23 V75 2011 Unknown
Book
x, 301 p. : ill. (some col.) ; 30 cm.
Art & Architecture Library
Status of items at Art & Architecture Library
Art & Architecture Library Status
Stacks
ND1630 .S85 2011 F Unknown
Book
96 p. : col. ill. ; 21 cm.
Art & Architecture Library
Status of items at Art & Architecture Library
Art & Architecture Library Status
Stacks
ND1471 .K57 2011 Unknown
Book
viii, 102 p. : ill. ; 24 cm.
Art & Architecture Library
Status of items at Art & Architecture Library
Art & Architecture Library Status
Stacks
N8189 .B9 K6713 2010 Unknown

17. Colour [2009]

Book
96 pages : ill. ; 21 cm.
  • Introduction
  • Colour and paint
  • Painters' treatises and colour theories
  • The painter's use of colour
  • Find out more.
  • Introduction
  • Colour and paint
  • Painters' treatises and colour theories
  • The painter's use of colour
  • Find out more.
Art & Architecture Library
Status of items at Art & Architecture Library
Art & Architecture Library Status
Stacks
ND1490 .B65 2009 Unknown
Book
x, 157 p : ill. (chiefly col.), col. maps ; 30 cm.
Art & Architecture Library
Status of items at Art & Architecture Library
Art & Architecture Library Status
Stacks
ND110 .K35 2009 F Unknown
Book
142 p. : ill. (chiefly col.) ; 23 cm.
Art & Architecture Library
Status of items at Art & Architecture Library
Art & Architecture Library Status
Stacks
ND1158 .O68 P35 2008 Unknown
Book
xvi, 340 p. : ill. (some col.) ; 27 cm.
Rembrandt's intriguing painting technique stirred the imaginations of art lovers during his lifetime and has done so ever since. In this book, now revised, updated, and with a new foreword by the author, Rembrandt's pictorial intentions and the variety of materials and techniques he applied to create his fascinating effects are unraveled in depth. At the same time, this 'archaeology' of Rembrandt's paintings yields information on many other levels and offers a view of Rembrandt's daily practice and artistic considerations while simultaneously providing a more dimensional image of the artist.
(source: Nielsen Book Data)
Rembrandt's intriguing painting technique stirred the imaginations of art lovers during his lifetime and has done so ever since. In this book, now revised, updated, and with a new foreword by the author, Rembrandt's pictorial intentions and the variety of materials and techniques he applied to create his fascinating effects are unraveled in depth. At the same time, this 'archaeology' of Rembrandt's paintings yields information on many other levels and offers a view of Rembrandt's daily practice and artistic considerations while simultaneously providing a more dimensional image of the artist.
(source: Nielsen Book Data)
Art & Architecture Library
Status of items at Art & Architecture Library
Art & Architecture Library Status
Stacks
ND653 .R4 W42 2009 Unknown

Looking for different results?

Modify your search: Remove limit(s) Search all fields

Search elsewhere: Search WorldCat Search library website