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1. Arabische, türkische und persische Handschriften

Published:
2008
At the Library:
Green Library » Stacks » Z6621 .Z463 A73 2008 BD.4
Format:
Book

2. Katalog der türkischen Handschriften der Österreichischen Nationalbibliothek : Neuerwerbungen 1864-1994 : mit einem Anhang: Bosnische Aljamiado-Handschriften

Corporate Author:
Österreichische Nationalbibliothek. Handschriften- und Inkunabelsammlung.
Published:
2006
At the Library:
Green Library » Stacks » Z6605 .T8 B34 2006
Format:
Book

3. Menschenrechte im Vorderen Orient : eine Auswahlbibliographie = Human rights in the Near and Middle East : a selected bibliography

Author/Creator:
Otto, Ingeborg, 1939-
Published:
1991
At the Library:
SAL1&2 (on-campus shelving) » Temporary shelving » Z7164 .L6 O88 1991
Format:
Book

4. Die Türkei im Ersten Weltkrieg : Flugblätter und Flugschriften in arabischer, persischer und osmanisch-türkischer Sprache aus einer Sammlung der Universitätsbibliothek Heidelberg

Author/Creator:
Hagen, Gottfried.
Published:
1990
At the Library:
SAL3 (off-campus storage) » Stacks » DR588 .H15 1990 must be paged/requested
Format:
Book

5. Türkisch-arabisch-persisches Handwörterbuch

Author/Creator:
Zenker, Julius Theodor, 1811-1884
Published:
1967
At the Library:
Green Library » Stacks » PL190 .Z4 1967
Format:
Book

6. Die arabischen, persischen und türkischen Handschriften der Universitätsbibliothek zu Uppsala

Corporate Author:
Uppsala universitetsbibliotek.
Published:
1930
At the Library:
Green Library » Stacks » 064.81 .U69B ...
SAL3 (off-campus storage) » Stacks » 064.81 .U69B V.3 must be paged/requested
Format:
Book

7. Arabisch, Persisch und Türkisch in den Grundzügen der Laut- und Formenlehre [print/digital] : für das Privatstudium sowahl als für akademische Vorlesungen, in denen Wörter und Namen aus dem Kulturkreise der islamischen Welt zu erklären sind ohne Anwendung der arabischen Schrift

Author/Creator:
Stumme, Hans, 1864-1936.
Published:
1902
At the Library:
Medical Library (Lane) » Check Medical Library (Lane) catalog for status » P219 .S9 1902 status unknown
Online:
books.google.com
Format:
Book

8. Der Einfluss des Arabischen und Persischen auf das Türkische : eine philologische Studie

Author/Creator:
Bittner, Maximilian, 1869-1918.
Published:
1900
At the Library:
Green Library » Stacks » 063 .V662 V.142:NO.3
Format:
Book

9. [Collection of publications by Georg Jacob] [print/digital].

Author/Creator:
Jacob, Georg, 1862-
Published:
1898
At the Library:
Medical Library (Lane) » Check Medical Library (Lane) catalog for status » P311 .J16 status unknown
Online:
books.google.com + 1 more source
Format:
Other

10. J. Heyworth-Dunne papers, ca. 1860-1949

Author/Creator:
Heyworth-Dunne, J. (James)
Published:
1860
At the Library:
Hoover Archives » Stacks » 49005 must be paged/requested for in-library use only
Format:
Manuscript/Archive

11. al-Inthikhābāt al-bahiyah min al-kutub al-ʻarabiyah wa-al-fārisiyah wa-al-turkiyah fī mā yataʻallaq bi tawārīkh Ṭabaristān wa Kīlān wa jughrāfyā tilk al-nawāḥī al-marʻiyah = [print] Auszüge aus Muhammedanischen Schriftstellern : betreffend die Geschichte und Geographie der südlichen Küstenländer des kaspischen Meeres, nebst einer kurzen Geschichte der Chane von Scheki : arabische, persische und türkische Texte

Published:
1858
At the Library:
Medical Library (Lane) » Check Medical Library (Lane) catalog for status » Z164 1858 status unknown
Format:
Book

12. Walters Manuscripts

Format:
Manuscript/Archive
Summary:
The Walters Art Museum holdings of 850 medieval illuminated manuscripts and 150 single leaves, ranging in date from the ninth to the 19th century, are one of the most significant medieval collections in North America.
View 265 items in this collection online
  • Walters Ms. W.769, English Brasses
    32 Images
    Collection:
    Walters Manuscripts
    Creator:
    John Woodcock
    Format:
    Manuscript/Archive
    Date:
    1949
    Summary:
    These are images of Walters Ms. W.769, English Brasses, on paper, written by John Woodcock, Dated 1949 CE. For full description, see http://www.thedigitalwalters.org/Data/WaltersManuscripts/html/W769/description.html [NOTE: Cataloging in process]
  • Walters Ms. W.784, Ethiopian prayer book
    180 Images
    Collection:
    Walters Manuscripts
    Creator:
    Täklä Maryam
    Format:
    Manuscript/Archive
    Date:
    20th century
    Summary:
    This twentieth-century Ethiopian prayerbook is dedicated to the Holy Trinity and its miracles, and contains readings for each day of the week. The text might have been composed by Täklä Maryam, whose name appears on fol. 13r. The author felt that the Trinity was not worshipped and celebrated as it should be, not even as much as the martyrs, the angels, and the desert fathers. The manuscript itself was owned by Gäbrä Mika’el (fols. 21v, 52v, and passim). It still retains its double leather satchel, complete with the remains of a carrying strap, which suggests that it may have been taken on pilgrimages. Small bits of colored thread have been attached to the corners of the first folios of the readings, an unusual solution to helping the reader navigate the text. Written in Gǝ'ǝz, Ethiopia's liturgical language, the manuscript appears to have been originally undecorated, with knot work added to the upper margins of the first two readings at a later date. For full description, see http://www.thedigitalwalters.org/Data/WaltersManuscripts/html/W784/description.html
  • Walters Ms. W.829, Anaphora of Mary (Mass book)
    88 Images
    Collection:
    Walters Manuscripts
    Creator:
    Wändǝmmu Gashaw (baptismal name Gäbrä Maryam)
    Format:
    Manuscript/Archive
    Date:
    20th century
    Summary:
    This mass book, containing one of about twenty anaphoras of the Church, was made for Wäldä Mädḫǝn between 1929 and 1942 (that is, when Yoḥannǝs or John was Patriarch of Alexandris, 1928-1942, and Qerǝlos or Cyril was the metropolitan of Ethiopia, 1929-1950). It was written by the scribe Wändǝmmu Gashaw (whose baptismal name was Gäbra Maryam) of Däbrä Libanos monastery, just north of Addis Ababba, Ethiopia. Written in Gǝ‛ǝz, the traditional liturgical language of the Ethiopian Orthodox Church, the manuscript contains the Anaphora of Mary ascribed to Cyriacus, bishop of the city of Bahnasa, in Upper Egypt. There is a richly colored image of the Virgin and Child on the blank folio before the text, and the manuscript ends with a depiction of St. Michael conquering the Devil. Both illuminations were painted on reused text pages, which were added much later to give value to the manuscript. The late date of this work is a testimony to the remarkable continuation of the medieval manuscript tradition into the modern era in Ethiopia. For full description, see http://www.thedigitalwalters.org/Data/WaltersManuscripts/html/W829/description.html
  • Walters Ms. W.842, Chapter 53 of the Book of Isaiah
    48 Images
    Collection:
    Walters Manuscripts
    Format:
    Manuscript/Archive
    Date:
    1899
    Summary:
    These are images of Walters Ms. W.842, Chapter 53 of the Book of Isaiah, on parchment, copied by Eleanor Taylor, James Slie, 19th century . For full description, see http://www.thedigitalwalters.org/Data/WaltersManuscripts/html/W842/description.html [NOTE: Cataloging in process]
  • Walters Ms. W.577, Koran
    625 Images
    Collection:
    Walters Manuscripts
    Creator:
    Muḥammad ibn Muṣṭafá Izmīrī
    Format:
    Manuscript/Archive
    Date:
    1865
    Summary:
    This small, illuminated single-volume copy of the Qurʾan was produced in Ottoman Turkey in 1282 AH / 1865-6 CE by Muḥammad ibn Muṣṭafá Izmīrī, a pupil of al-Rudūsī. The colophon in ijāzah script indicates that the present codex is the twenty-first copy executed by him (fol. 304b). The manuscript opens with an illuminated double-page incipit with the verses of chapters 1 (Sūrat al-fātiḥah) and 2 (Sūrat al-baqarah) (fols. 1b-2a). The text is written in naskh script in black ink with reading marks in red. Verses are separated by illuminated discs with colored dots and chapter headings are in riqāʿ script in white ink. Polychrome medallions in the margins indicate textual divisions and prostration. The binding of black leather is contemporary with the manuscript and decorated with a tooled and gold-painted geometric design enclosed by gold frames on the upper and lower boards. For full description, see http://www.thedigitalwalters.org/Data/WaltersManuscripts/html/W577/description.html
  • Walters Ms. W.661, Book on horses
    206 Images
    Collection:
    Walters Manuscripts
    Creator:
    Aḥmed ʿAṭā Ṭayyārzāde
    Format:
    Manuscript/Archive
    Date:
    1854
    Summary:
    This is an illustrated Ottoman copy of a Turkish work on the training and care of warhorses (Tuḥfat ül-fārisīn fī aḥvāl-i ḫuyūl il-mucāhidīn) by Aḥmed ʿAṭā Ṭayyārzāde (d. 1294 AH / 1877 CE). The text was written in ruq`ah script by Şaker Muhammed in 1271 AH / 1854-5 CE. The main text is preceded by a detailed table of contents (fols. 1b-3a), and on fol. 3b it states that the work was dedicated to Sultan Abdülmecid (reg. 1255 AH / 1839 CE -- 1277 AH / 1861 CE). There are thirty illustrations of horses at the end of the manuscript. For full description, see http://www.thedigitalwalters.org/Data/WaltersManuscripts/html/W661/description.html
  • Walters Ms. W.743, Koran
    624 Images
    Collection:
    Walters Manuscripts
    Creator:
    Muḥammad Ṣāliḥ ibn ʿUmar
    Format:
    Manuscript/Archive
    Date:
    1853
    Summary:
    This illuminated copy of the Qur'an was written in naskh script in Istanbul (al-Qusṭanṭinīyah) in 1269 AH / 1853 CE by Muḥammad Ṣāliḥ ibn ʿUmar, a pupil of Amīn al-Bahjat (Behcet). According to the colophon (fol. 257b), the manuscript was finished in Ramaḍān 1269 AH / 1853 CE. The scribe states that he was born in Kūmuljunah (Gümülcine, Komotini in northeastern Greece) and resided in the Madrasat Mulāzimlar, in the vicinity of Ḥammām Sulaymānīyah in al-Qusṭanṭinīyah. The manuscript opens with a double-page illuminated frontispiece of Sūrat al-fātiḥah and the beginning of Sūrat al-baqarah. There are two finispieces: a colophon (misbound at fol. 257b) and a final prayer (fol. 305a). Other illuminated elements include chapter headings and verse markers in the form of illuminated disks and rosettes. For full description, see http://www.thedigitalwalters.org/Data/WaltersManuscripts/html/W743/description.html
  • Walters Ms. W.599, The lights of Canopus
    398 Images
    Collection:
    Walters Manuscripts
    Creator:
    Kāshifī, Ḥusayn Vāʻiẓ, d. 1504 or 5
    Format:
    Manuscript/Archive
    Date:
    1847
    Summary:
    This is an illuminated and illustrated copy of Anvār-i Suhaylī (The lights of Canopus), dating to the thirteenth century AH / nineteenth CE. It is a Persian version of Kalīlah wa-Dimnah (The fables of Bīdpāy). It was completed on 26 Jumādá I 1264 AH / 1847 CE by Mīrzā Raḥīm. The text is written in nastaʿliq script in black and red ink, revealing the influence of shikastah script. There are 123 paintings illustrating the text. The Qajar binding is original to the manuscript. For full description, see http://www.thedigitalwalters.org/Data/WaltersManuscripts/html/W599/description.html
  • Walters Ms. W.567, Koran
    382 Images
    Collection:
    Walters Manuscripts
    Format:
    Manuscript/Archive
    Date:
    1814
    Summary:
    This manuscript is a small illuminated single-volume copy of the Qurʾan, likely produced in Iran. A date is inscribed on the final page, which is interpreted as 1230 AH / 1814-5 CE (fol. 186b). The manuscript opens with an illuminated double-page incipit with the verses of chapter 1 (Sūrat al-fātiḥah) and the initial verses of chapter 2 (Sūrat al-baqarah), decorated with interlinear illumination (fols. 1b-2a). The text is in vocalized naskh script in black ink with reading marks in red and text divisions, such as thirty verses (juzʾ) or sixty verses (ḥizb), in the margins. Illuminated discs with colored dots separate the verses. Chapter headings are in riqāʿ script in red ink on a gold ground. The nineteenth-century lacquer binding with a floral composition on a gold field on the upper and lower boards seems to be contemporary with the manuscript. The insides of both boards are painted with a lobed yellow central medallion and pendants on an orange field. For full description, see http://www.thedigitalwalters.org/Data/WaltersManuscripts/html/W567/description.html
  • Walters Ms. W.674, Ottoman diploma in calligraphy
    10 Images
    Collection:
    Walters Manuscripts
    Creator:
    Muḥammad Ḥilmi Afandī
    Format:
    Manuscript/Archive
    Date:
    1804
    Summary:
    This manuscript is a diploma/certificate (ijāzah) granted to the Ottoman calligrapher Muḥammad Ḥilmī Afandī (Mehmet Hilmi Efendi) in 1219 AH / 1804-5 CE by four master calligraphers: Yāzījī-zādah, Ismāʿīl al-Zuhdī Kātib al-Sarāy al-Sulṭānī, Muḥammad Ḥasīb, and ʿAlī al-Waṣfī. The main text, consisting of a quotation attributed to the Prophet Muhammad and extolling the virtue of elegantly writing the doxological formula (basmalah), "in the name of God, the Compassionate, the Merciful," is executed in thuluth and naskh scripts. For full description, see http://www.thedigitalwalters.org/Data/WaltersManuscripts/html/W674/description.html
  • Walters Ms. W.575, Koran
    378 Images
    Collection:
    Walters Manuscripts
    Format:
    Manuscript/Archive
    Date:
    19th century
    Summary:
    This small, illuminated single-volume copy of Qurʾan was produced in Iran in the thirteenth century AH / nineteenth CE. The manuscript opens with an illuminated double-page incipit with the verses of chapter 1 (Sūrat al-fātiḥah) and the initial verses of chapter 2 (Sūrat al-baqarah) decorated with interlinear illumination and framed by a polychrome border and headpieces of floral design on a blue ground (fols. 2b-3a). The text is written in a vocalized naskh script in black with reading marks in red and text divisions of sixty verses (ḥizb), thirty verses (juzʾ), and niṣf al-juzʾ inscribed in red in the margins. Illuminated discs with colored dots separate the verses. Chapter headings are in red or blue riqāʿ script on a gold background. The nineteenth-century lacquer binding with floral composition on a red field is contemporary with the manuscript. For full description, see http://www.thedigitalwalters.org/Data/WaltersManuscripts/html/W575/description.html
  • Walters Ms. W.597, Abridgment of the Book of kings (Shahnama)
    362 Images
    Collection:
    Walters Manuscripts
    Creator:
    Tavakkul Bīk (Beg) valad Tūlak Bīk (Beg) Ḥusaynī
    Format:
    Manuscript/Archive
    Date:
    19th century
    Summary:
    This is an illuminated and illustrated copy of an abridgment of Firdawsī's Shāhnāmah (Book of kings) entitled Tārīkh-i dilgushā-yi Shamshīrkhānī. It was composed in prose by Tavakkul Beg Ḥusaynī (fl. eleventh century AH / seventeenth CE) for Shamshīr Khān of Ghaznīn (Ghaznī or Ghaznah in present-day Afghanistan). Completed in the thirteenth century AH / nineteenth CE in India, possibly Lahore, the text is written in nastaʿlīq script and illustrated by thirty-three paintings. For full description, see http://www.thedigitalwalters.org/Data/WaltersManuscripts/html/W597/description.html
  • Walters Ms. W.637, Collection of poems (divan)
    388 Images
    Collection:
    Walters Manuscripts
    Creator:
    Ḥāfiẓ, 14th cent.
    Format:
    Manuscript/Archive
    Date:
    19th century
    Summary:
    This is an illustrated and illuminated copy of the collection of poems (dīvān) by Shams al-Dīn Muḥammad Ḥāfiz al-Shīrāzī (fl. eighth century AH / fourteenth CE), produced in India, possibly Kashmir, in the thirteenth century AH / nineteenth CE. It opens with an illuminated headpiece with the doxological formula (basmalah) (fol. 1b); there are twenty illustrations. The lacquer binding with central floral design is contemporary with the manuscript. For full description, see http://www.thedigitalwalters.org/Data/WaltersManuscripts/html/W637/description.html
  • Walters Ms. W.655, Anthology of Persian poetry
    274 Images
    Collection:
    Walters Manuscripts
    Format:
    Manuscript/Archive
    Date:
    19th century
    Summary:
    This is an illustrated collection of Persian poetry by such famous poets as Hāfiẓ, Saʿdī, Jāmī, and Ṣafā. It was executed in Qajar Iran in an oblong format in the thirteenth century AH / nineteenth CE. The text, which is incomplete at the beginning and at the end, is written in ploychrome shikastah script. Fifteen paintings illustrate the text. The goatskin binding is original to the manuscript. For full description, see http://www.thedigitalwalters.org/Data/WaltersManuscripts/html/W655/description.html
  • Walters Ms. W.705, Single leaf of a portrait of the emperor Jahangir
    2 Images
    Collection:
    Walters Manuscripts
    Format:
    Manuscript/Archive
    Date:
    19th century
    Summary:
    This painting depicts the Mughal ruler Jahangir (r. 1014-1037 AH / 1605-27 CE), standing in three-quarter profile, a pose that was common in official Mughal portraiture. It is attributable to the thirteenth century AH / nineteenth CE. During that time, portraits of earlier Mughal rulers were copied and disseminated. This work is executed in opaque watercolor and gold. For full description, see http://www.thedigitalwalters.org/Data/WaltersManuscripts/html/W705/description.html
  • Walters Ms. W.714, Single leaf of a Mughal emperor with a document
    2 Images
    Collection:
    Walters Manuscripts
    Format:
    Manuscript/Archive
    Date:
    19th century
    Summary:
    This painting depicts a Mughal emperor, yet to be identified, seated in an inlaid chair of European design, on the bank of a brook in a rocky landscape. He is reading an unrolled document which may have been presented to him by the figure standing to his left. The standing figure bears some physiognomic resemblance to portraits of the Mughal emperor Akbar (r. 963-1014 AH / 1556-1605 CE). On the ground between the two figures is a crown and garment. A figure on horseback makes the gesture of surprise in the background. The painting was executed in India during the twelfth or thirteenth century AH / eighteenth or nineteenth CE. The polychrome floral borders surrounding the image are not much later than the image itself. For full description, see http://www.thedigitalwalters.org/Data/WaltersManuscripts/html/W714/description.html
  • Walters Ms. W.715, Single leaf of elephant combat
    2 Images
    Collection:
    Walters Manuscripts
    Format:
    Manuscript/Archive
    Date:
    19th century
    Summary:
    This single-leaf painting of elephants in combat was executed in India during the thirteenth century AH / nineteenth CE in an archaizing style referencing Mughal traditions of the eleventh century AH / seventeenth CE. The image of the mounted mahout, a person who drives an elephant, reproduces a popular theme in court painting in South Asia. For full description, see http://www.thedigitalwalters.org/Data/WaltersManuscripts/html/W715/description.html
  • Walters Ms. W.768, Ethiopic Psalter with Canticles, Song of Songs, and two hymns in praise of Mary
    94 Images
    Collection:
    Walters Manuscripts
    Creator:
    St. Yared the Aksumite priest
    Format:
    Manuscript/Archive
    Date:
    19th century
    Summary:
    This beautifully copied and bound Ethiopian Psalter likely belonged to one of the princes of the Gonderite royal family, whose reign ended in 1769. The main text of this undecorated manuscript is written in the ecclesiastical language of Gǝ‛ǝz while the minor texts are in Amharic, added at a later time. While the colophon and the hand suggest that the original manuscript only contained the 151 Psalms of David, which is in an early eighteenth-century hand, the other texts such as the fifteen Canticles, Song of Songs, Weddase Maryam (Encomium of Mary) and the Anqasa Berhan (Porch of Light) were added in the nineteenth century to create a more complete Psalter. More unusual texts, unrelated to the Psalter, have also been added, for it begins with a homily admonishing the clergy to conduct themselves well spiritually, and ends with directions for undoing charms. The life of the manuscript can be traced not only in these cumulative texts, but also in added prayers for later owners, of which there are at least twelve appended to the ends of the Biblical texts. For full description, see http://www.thedigitalwalters.org/Data/WaltersManuscripts/html/W768/description.html
  • Walters Ms. W.812, Single leaf of an outdoor scene in the Safavid style
    2 Images
    Collection:
    Walters Manuscripts
    Format:
    Manuscript/Archive
    Date:
    19th century
    Summary:
    This painting was executed in the late thirteenth century AH / nineteenth CE in either India or Iran. It is based on a Safavid manuscript painting of the early eleventh century AH / seventeenth CE. For full description, see http://www.thedigitalwalters.org/Data/WaltersManuscripts/html/W812/description.html
  • Walters Ms. W.853.I, Koran, Volume 1, containing chapters 1-18, of a two-volume set
    962 Images
    Collection:
    Walters Manuscripts
    Format:
    Manuscript/Archive
    Date:
    19th century
    Summary:
    This square-format manuscript is volume 1, containing chapters 1-18 (Sūrat al-fātiḥah through Sūrat al-kahf), of an illuminated two-volume Qur'an produced in Sub-Saharan (West) Africa in the thirteenth century AH / nineteenth CE. The text is written in Sūdānī script in dark brown ink with vocalization in red on loose leaves. Chapter headings are in reddish-brown ink. Three yellow dots outlined in red arranged in a triangular form separate verses. Polychrome circular medallions as well as square and rectangular devices in a variety of patterns and colors mark textual divisions. The leaves of the text are organized between two decorated boards with geometric compositions. The pages and boards are housed in a leather pouch (satchel). For full description, see http://www.thedigitalwalters.org/Data/WaltersManuscripts/html/W853I/description.html
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