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Book
xxii, 328 pages, 8 unnumbered pages of plates : illustrations ; 25 cm
An exploration of the year in which "the Beatles played Shea Stadium and made their first major artistic statement with Rubber Soul, the Rolling Stones topped the American charts for the first time with the sexually aggressive (I Can't Get No) Satisfaction, ... the Who staked out their territory with the classic My Generation, Bob Dylan released his six-minute opus Like a Rolling Stone from Highway 61 Revisited and sent shock waves through the music community when he went electric at the Newport Folk Festival, Barry Maguire sang of the Eve of Destruction, and Simon and Garfunkel released their first number-one hit with The Sounds of Silence"--Amazon.com.
An exploration of the year in which "the Beatles played Shea Stadium and made their first major artistic statement with Rubber Soul, the Rolling Stones topped the American charts for the first time with the sexually aggressive (I Can't Get No) Satisfaction, ... the Who staked out their territory with the classic My Generation, Bob Dylan released his six-minute opus Like a Rolling Stone from Highway 61 Revisited and sent shock waves through the music community when he went electric at the Newport Folk Festival, Barry Maguire sang of the Eve of Destruction, and Simon and Garfunkel released their first number-one hit with The Sounds of Silence"--Amazon.com.
Music Library
Status of items at Music Library
Music Library Status
Stacks
ML3470 .J327 2015 Unavailable On order Request
Book
xxii, 289 pages : illustrations, music ; 25 cm
  • Experiments in learning. On the other side of the divide : making sense of student stories of creativities in music / Dawn Bennett, Anna Reid and Peter Petocz ; Creativities in popular songwriting curricula : teaching or learning? / Joe Bennett ; Killing the muse : listening creativities and the journey to creative mastery / Donna Weston and Tim Byron ; Permission to play : fostering enterprise creativities in music technology through extra-curricular interdisciplinary collaboration / Elizabeth Dobson
  • Experiments in teaching. Activating improvisational creativity in the performance of "world" and "popular" music / Sue Miller ; The inner voice : activating intuitive and improvisational creativities / Esmé Olthuis ; Activating empathic creativity in musicking through university-community partnerships / Susan Helfter and Beatriz Ilari ; Activating communal creativities for redesigning higher education curriculum, pedagogy and assessment : drawing on intercultural experience / Lindy Joubert and Violeta Schubert ; Being a composer in an age of uncertainties, risks and diffuse creativity : learning, career and creativities / Antonio Angelo Vasconcelos
  • Engaging technologies. Technology as a vehicle (tool and practice) for developing diverse creativities / Andrew King ; Activating digital creativities in higher music education / Leah Kardos ; Creative teaching with performing arts students : developing career creativities through the use of ePortFolios for career awareness and resilience / Jennifer Rowley, Dawn Bennett and Peter Dunbar-Hall.
  • Experiments in learning. On the other side of the divide : making sense of student stories of creativities in music / Dawn Bennett, Anna Reid and Peter Petocz ; Creativities in popular songwriting curricula : teaching or learning? / Joe Bennett ; Killing the muse : listening creativities and the journey to creative mastery / Donna Weston and Tim Byron ; Permission to play : fostering enterprise creativities in music technology through extra-curricular interdisciplinary collaboration / Elizabeth Dobson
  • Experiments in teaching. Activating improvisational creativity in the performance of "world" and "popular" music / Sue Miller ; The inner voice : activating intuitive and improvisational creativities / Esmé Olthuis ; Activating empathic creativity in musicking through university-community partnerships / Susan Helfter and Beatriz Ilari ; Activating communal creativities for redesigning higher education curriculum, pedagogy and assessment : drawing on intercultural experience / Lindy Joubert and Violeta Schubert ; Being a composer in an age of uncertainties, risks and diffuse creativity : learning, career and creativities / Antonio Angelo Vasconcelos
  • Engaging technologies. Technology as a vehicle (tool and practice) for developing diverse creativities / Andrew King ; Activating digital creativities in higher music education / Leah Kardos ; Creative teaching with performing arts students : developing career creativities through the use of ePortFolios for career awareness and resilience / Jennifer Rowley, Dawn Bennett and Peter Dunbar-Hall.
Music Library
Status of items at Music Library
Music Library Status
Stacks
MT18 .A35 2015 Unavailable On order Request
Book
190 p. ; 19 cm.
  • Prélude à l'ivresse -- Vers le rêve (1872-1892 Des premières oeuvres à la Sonate n° 1) De l'art comme religion (Danses) -- Vers le charme (1892-1896 Sonates n° 1 et n° 2) De Chopin à lui-même (Études) -- Vers le souffle (1896-1902 Sonates n° 2 à 4) De l'aphorisme musical (Préludes) -- Vers l'extase (1902-1905 Sonates n° 4 à 5) De la surabondance (Poèmes) -- Vers la plénitude (1905-1909 Sonates n° 5 à 6) De l'ivresse théorique (Symphonies) -- Vers l'infini (1909-1913 Sonates n° 6à 10) Du mysticisme musical (Sonates) -- Vers railleurs (1913-1915 De la Sonate n° 10 aux oeuvres ultimes) De l'art total -- Au-delà de la flamme.
"L'oeuvre de Scriabine est l'une des plus originales de toute la musique ; totalement révolutionnaire, au même titre que celles de Schônberg, Bart6k, Prokofiev ou Stravinski, bousculant de manière irréversible la tonalité, inventant comme Chopin ses propres formes, développant une esthétique de la miniature en droite ligne des tentatives du dernier Liszt, exploitant des horizons harmoniques et des espaces sonores inédits dont Messiaen se souviendra, pour ne rien dire de Berg, Szymanowski ou de compositeurs plus proches de nous, tels Stockhausen ou Cage, Scriabine fait poser à la musique des questions qu'elle ne se posait pas avant lui. Créateur à la charnière du bousculement des mondes entre xix' et xx' siècles, partagé entre romantisme total et modernisme radical, mystique absolu et prophète d'un nouveau monde, Scriabine a fait de l'art une sorte de religion et d'initiation magique appelées à transformer la vie. Cent ans après sa mort, il est plus que jamais notre contemporain. Comme tous les volumes de la collection "Classica", ce Scriabine est enrichi d'un index, de repères bibliographiques et d'une discographie."--P. [4] of cover.
  • Prélude à l'ivresse -- Vers le rêve (1872-1892 Des premières oeuvres à la Sonate n° 1) De l'art comme religion (Danses) -- Vers le charme (1892-1896 Sonates n° 1 et n° 2) De Chopin à lui-même (Études) -- Vers le souffle (1896-1902 Sonates n° 2 à 4) De l'aphorisme musical (Préludes) -- Vers l'extase (1902-1905 Sonates n° 4 à 5) De la surabondance (Poèmes) -- Vers la plénitude (1905-1909 Sonates n° 5 à 6) De l'ivresse théorique (Symphonies) -- Vers l'infini (1909-1913 Sonates n° 6à 10) Du mysticisme musical (Sonates) -- Vers railleurs (1913-1915 De la Sonate n° 10 aux oeuvres ultimes) De l'art total -- Au-delà de la flamme.
"L'oeuvre de Scriabine est l'une des plus originales de toute la musique ; totalement révolutionnaire, au même titre que celles de Schônberg, Bart6k, Prokofiev ou Stravinski, bousculant de manière irréversible la tonalité, inventant comme Chopin ses propres formes, développant une esthétique de la miniature en droite ligne des tentatives du dernier Liszt, exploitant des horizons harmoniques et des espaces sonores inédits dont Messiaen se souviendra, pour ne rien dire de Berg, Szymanowski ou de compositeurs plus proches de nous, tels Stockhausen ou Cage, Scriabine fait poser à la musique des questions qu'elle ne se posait pas avant lui. Créateur à la charnière du bousculement des mondes entre xix' et xx' siècles, partagé entre romantisme total et modernisme radical, mystique absolu et prophète d'un nouveau monde, Scriabine a fait de l'art une sorte de religion et d'initiation magique appelées à transformer la vie. Cent ans après sa mort, il est plus que jamais notre contemporain. Comme tous les volumes de la collection "Classica", ce Scriabine est enrichi d'un index, de repères bibliographiques et d'une discographie."--P. [4] of cover.
Music Library
Status of items at Music Library
Music Library Status
Stacks
ML410 .S5988 C59 2015 Unavailable On order Request
Book
xiii, 353 pages : ill. ; 24 cm.
"Audio Effects: Theory, Implementation and Application explores digital audio effects relevant to audio signal processing and music informatics. It supplies fundamental background information on digital signal processing, focusing on audio-specific aspects that constitute the building block on which audio effects are developed. The text integrates theory and practice, relating technical implementation to musical implications. It can be used to gain an understanding of the operation of existing audio effects or to create new ones. In addition to delivering detailed coverage of common (and unusual) audio effects, the book discusses current digital audio standards, most notably VST and AudioUnit. Source code is provided in C/C++ and implemented as audio effect plug-ins with accompanying sound samples. Each section of the book includes study questions, anecdotes from the history of music technology, and examples that offer valuable real-world insight, making this an ideal resource for researchers and for students moving directly into industry"-- Provided by publisher.
"Audio Effects: Theory, Implementation and Application explores digital audio effects relevant to audio signal processing and music informatics. It supplies fundamental background information on digital signal processing, focusing on audio-specific aspects that constitute the building block on which audio effects are developed. The text integrates theory and practice, relating technical implementation to musical implications. It can be used to gain an understanding of the operation of existing audio effects or to create new ones. In addition to delivering detailed coverage of common (and unusual) audio effects, the book discusses current digital audio standards, most notably VST and AudioUnit. Source code is provided in C/C++ and implemented as audio effect plug-ins with accompanying sound samples. Each section of the book includes study questions, anecdotes from the history of music technology, and examples that offer valuable real-world insight, making this an ideal resource for researchers and for students moving directly into industry"-- Provided by publisher.
Music Library
Status of items at Music Library
Music Library Status
Stacks
TK7881.4 .R45 2015 Unavailable On order Request
Music score
1 score (18 p.) ; 30 cm.
Music Library
Status of items at Music Library
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Scores
(no call number) Unavailable On order Request
Music score
1 score (91 p.) ; 30 cm.
Music Library
Status of items at Music Library
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Scores
(no call number) Unavailable On order Request
Music score
1 score (liii, 209 pages) ; 31 cm.
Music Library
Status of items at Music Library
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Stacks (Limited loan)
(no call number) Unavailable In process
Book
310 pages, 16 unnumbered pages of plates : illustrations, portraits ; 24 cm
Music Library
Status of items at Music Library
Music Library Status
Stacks
ML3477 .Y34 2015 Unavailable On order Request
Book
xxxii, 171 pages ; 24 cm.
Music Library
Status of items at Music Library
Music Library Status
Stacks
ML3534.3 .P55 2015 Unknown
Book
x, 271 pages, 8 unnumbered pages of plates : color illustrations ; 24 cm
Music Library
Status of items at Music Library
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Stacks
ML420 .V615 A3 2015 Unavailable On order Request
Book
viii, 231 pages ; 24 cm.
  • Garageland, more or less
  • Sellout alert
  • Reinventing punk
  • In the shadow of The Jam
  • A paradoxical success
  • A sad finale
  • Rehabilitation.
"In The Clash: The Only Band That Matters, respected music critic Sean Egan examines The Clash's career and art through the prism of the uniquely interesting and fractious UK politics of the Seventies and Eighties, without which they simply would not have existed. Tackling subjects such as The Clash's self-conscious tussles with their record label, the accusations of sell-out that dogged their footsteps, their rivalry with the similarly leaning but less purist Jam, the paradoxical quality of their achieving multi-platinum success and even whether their denunciations of Thatcherism were proven wrong, Egan has come up with new insights into a much discussed group"--Provided by publisher.
  • Garageland, more or less
  • Sellout alert
  • Reinventing punk
  • In the shadow of The Jam
  • A paradoxical success
  • A sad finale
  • Rehabilitation.
"In The Clash: The Only Band That Matters, respected music critic Sean Egan examines The Clash's career and art through the prism of the uniquely interesting and fractious UK politics of the Seventies and Eighties, without which they simply would not have existed. Tackling subjects such as The Clash's self-conscious tussles with their record label, the accusations of sell-out that dogged their footsteps, their rivalry with the similarly leaning but less purist Jam, the paradoxical quality of their achieving multi-platinum success and even whether their denunciations of Thatcherism were proven wrong, Egan has come up with new insights into a much discussed group"--Provided by publisher.
Music Library
Status of items at Music Library
Music Library Status
Stacks
ML421 .C57 E43 2015 Unavailable In process Request
Music score
1 vocal score (viii, 98 pages) ; 31 cm.
  • Se di lauri il crine adorno : aria for tenor (second draft), no. 8 in Mitridate, re di Ponto, K. 87/74a
  • Lungi da te, mio bene : aria for soprano (first draft), no. 13 in Mitridate, re di Ponto, K. 87/74a
  • Nel grave tormento : aria for soprano (first draft), no. 14 in Mitridate, re di Ponto, K. 87/74a
  • Der Liebe himmlisches Gefühl : aria for soprano, K. 119/382h
  • In te spero, o sposo amato : aria for soprano, K. 440/383h
  • Müsst ich auch durch tausend Drachen : aria for tenor, K. 435/416b
  • Ah! spiegarti, oh Dio, vorrei : rejected insertion aria for soprano, K. 178/417e, written for Pasquale Anfossi's Il curioso indiscreto
  • Giunse il momento alfine-- Non tardar, amato bene : rejected act-4 scena for soprano, written for Le nozze di Figaro, K. 492
  • Schon lacht der holde Frühling : insertion aria for soprano, K. 580, written for Giovanni Paisiello's Der Barbier von Seviglia (Il barbiere di Siviglia).
  • Se di lauri il crine adorno : aria for tenor (second draft), no. 8 in Mitridate, re di Ponto, K. 87/74a
  • Lungi da te, mio bene : aria for soprano (first draft), no. 13 in Mitridate, re di Ponto, K. 87/74a
  • Nel grave tormento : aria for soprano (first draft), no. 14 in Mitridate, re di Ponto, K. 87/74a
  • Der Liebe himmlisches Gefühl : aria for soprano, K. 119/382h
  • In te spero, o sposo amato : aria for soprano, K. 440/383h
  • Müsst ich auch durch tausend Drachen : aria for tenor, K. 435/416b
  • Ah! spiegarti, oh Dio, vorrei : rejected insertion aria for soprano, K. 178/417e, written for Pasquale Anfossi's Il curioso indiscreto
  • Giunse il momento alfine-- Non tardar, amato bene : rejected act-4 scena for soprano, written for Le nozze di Figaro, K. 492
  • Schon lacht der holde Frühling : insertion aria for soprano, K. 580, written for Giovanni Paisiello's Der Barbier von Seviglia (Il barbiere di Siviglia).
Music Library
Status of items at Music Library
Music Library Status
Stacks (Limited loan)
(no call number) Unavailable In process
Music score
1 miniature score (94 p.) ; 31 cm.
Music Library
Status of items at Music Library
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Scores
(no call number) Unavailable In process Request
Book
xv, 214 pages : illustrations ; 24 cm.
  • Studio technologies : changing concepts and practices
  • Technology, collaboration and creativity
  • Emotional labour and musical performance
  • The studio sound-space
  • Recording studios in urban music scenes
  • Recording studios in project networks (1) : the networked studio
  • Recording studios in project networks (2) : a global urban geography of music production
  • MP3s and home recording : the problems of software
  • Changing employment relations and experiences of work
  • Networking, reputation building and getting work
  • Conclusion.
  • Studio technologies : changing concepts and practices
  • Technology, collaboration and creativity
  • Emotional labour and musical performance
  • The studio sound-space
  • Recording studios in urban music scenes
  • Recording studios in project networks (1) : the networked studio
  • Recording studios in project networks (2) : a global urban geography of music production
  • MP3s and home recording : the problems of software
  • Changing employment relations and experiences of work
  • Networking, reputation building and getting work
  • Conclusion.
Music Library
Status of items at Music Library
Music Library Status
Stacks
ML3470 .W387 2015 Unknown
Book
xi, 143 pages : illustrations ; 29 cm.
"In A Dictionary for the Modern Clarinet, scholar and musician Jane Ellsworth offers lovers of the clarinet the premiere reference book for information about this remarkable instrument. Containing over 400 terms, Ellsworth covers the clarinet's history (including both modern and historical instruments, common and rare), acoustics, construction, fingering systems and mechanisms, and techniques, as well as its more important performers, makers, and scholars"--Provided by publisher.
"In A Dictionary for the Modern Clarinet, scholar and musician Jane Ellsworth offers lovers of the clarinet the premiere reference book for information about this remarkable instrument. Containing over 400 terms, Ellsworth covers the clarinet's history (including both modern and historical instruments, common and rare), acoustics, construction, fingering systems and mechanisms, and techniques, as well as its more important performers, makers, and scholars"--Provided by publisher.
Music Library
Status of items at Music Library
Music Library Status
Stacks
ML102 .C54 E45 2015 Unavailable In process Request
Music score
1 score (10 p.) + 1 part (6 p.) ; 30x23 cm.
Music Library
Status of items at Music Library
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Scores
(no call number) Unavailable In process Request
Book
xxxvi, 467 pages : illustrations ; 25 cm
Music Library
Status of items at Music Library
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Stacks
ML102 .P66 L47 2015 Unavailable In process Request
Book
x, 272 pages : illustrations ; 23 cm
  • A biblical story for the post-World War II generation? : Victor Young's music for DeMille's Samson and Delilah
  • Turning away from "concocted spectacle" : Alfred Newman's score for David and Bathsheba
  • Spectacle and authenticity in Miklós Rózsa's Quo vadis score
  • Novel and film, music and miracle : Alfred Newman's score to The robe
  • Spirit and empire : Elmer Bernstein's score to The Ten Commandments
  • The law of genre and the music for Ben-Hur
  • King of kings and the problem of repetition
  • Suoni nuovi, suoni antich i: the soundscapes of Barabbas
  • Universality, transcendence, and collapse : music and the greatest story ever told.
  • A biblical story for the post-World War II generation? : Victor Young's music for DeMille's Samson and Delilah
  • Turning away from "concocted spectacle" : Alfred Newman's score for David and Bathsheba
  • Spectacle and authenticity in Miklós Rózsa's Quo vadis score
  • Novel and film, music and miracle : Alfred Newman's score to The robe
  • Spirit and empire : Elmer Bernstein's score to The Ten Commandments
  • The law of genre and the music for Ben-Hur
  • King of kings and the problem of repetition
  • Suoni nuovi, suoni antich i: the soundscapes of Barabbas
  • Universality, transcendence, and collapse : music and the greatest story ever told.
Music Library
Status of items at Music Library
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Stacks
ML2075 .M48 2015 Unknown
Book
xxii, 197 pages ; 24 cm.
  • Father, son, and music
  • Celebrity
  • Age of anxiety
  • Trouble in Tahiti and Wonderful town
  • On the waterfront and Serenade after Plato's Symposium
  • Candide
  • West side story
  • Kaddish and Chichester Psalms
  • Mass and the Norton lectures
  • Last works and legacy.
  • Father, son, and music
  • Celebrity
  • Age of anxiety
  • Trouble in Tahiti and Wonderful town
  • On the waterfront and Serenade after Plato's Symposium
  • Candide
  • West side story
  • Kaddish and Chichester Psalms
  • Mass and the Norton lectures
  • Last works and legacy.
Music Library
Status of items at Music Library
Music Library Status
Stacks
ML410 .B566 L33 2015 Unknown
Book
xxiv, 170 pages ; 25 cm.
Music Library
Status of items at Music Library
Music Library Status
Stacks
ML421 .R87 B69 2015 Unknown