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Book
x, 166 p. : ill. ; 24 cm
Music Library
Status of items at Music Library
Music Library Status
Stacks
MT580 .W522 2015 Unknown
Book
xxxix, 584 pages : illustrations, music ; 29 cm
Music Library
Status of items at Music Library
Music Library Status
Stacks
MT90 .K34 2015 Unknown
Book
vi, 267 pages : illustrations, maps ; 24 cm.
  • Introduction: Locating popular music heritage / Sara Cohen, Les Roberts, Robert Knifton, and Marion Leonard
  • Part 1. Problematizing popular music heritage
  • Popular music and the 'problem' of heritage / Andy Bennett
  • The heritage obsession: the history of rock and challenges of 'museum mummification'. A French perspective / Philippe Le Guern
  • Part 2. Mapping, music and memory
  • Mapping the politics of 'race', place and memory in Liverpool's popular music heritage / Brett Lashua
  • 'Still here?': a geospatial survey of Welsh-language popular music / Craig Owen Jones
  • Part 3. Archives and virtual sites of memory
  • 'Fillin' in any blanks I can': online archival practice and virtual sites of musical memory / Jez Collins and Paul Long
  • Locating the 'Bristol sound': archiving music as everyday life / Michelle Henning and Rehan Hyder
  • Saving 'rubbish': preserving popular music's material culture in amateur archives and museums / Sarah Baker and Alison Huber
  • Intangible cultural heritage and the Women's Liberation Music Archive / Deborah M. Withers
  • Part 4. Nostalgia and heritage practices
  • 'You had to be there': memories of the Glasgow Apollo audience / Kenny Forbes
  • Engaging nostalgia: popular music and memory in museums / Marion Leonard and Robert Knifton
  • The remembering: heritage-work at US progressive-rock festivals, 1993-2012 / Timothy J. Dowd
  • Part 5. Pilgrimage and sacred sites
  • Pilgrimage, place, and preservation: the real and imagined geography of the Grateful Dead in song, on tour, and in cyberspace / John V. Ward
  • Putting the psycho in psychogeography: Tom Vague's musical mapping of Notting Hill / Alex Lawrey
  • Unveiling memory: blue plaques as in/tangible markers of popular music heritage / Les Roberts and Sara Cohen
  • Why I didn't go down to the Delta: the cultural politics of blues tourism / Mark Duffett.
"This volume examines the location of memories and histories of popular music and its multiple pasts, exploring the different 'places' in which popular music can be situated, including the local physical site, the museum storeroom and exhibition space, and the digitized archive and display space made possible by the internet. Contributors from a broad range of disciplines such as archive studies, popular music studies, media and cultural studies, leisure and tourism, sociology, museum studies, communication studies, cultural geography, and social anthropology visit the specialized locus of popular music histories and heritage, offering diverse set of approaches. Popular music studies has increasingly engaged with popular music histories, exploring memory processes and considering identity, collective and cultural memory, and notions of popular culture's heritage values, yet few accounts have spatially located such trends to focus on the spaces and places where we encounter and engender our relationship with popular music's history and legacies. This book offers a timely re-evaluation of such sites, reinserting them into the narratives of popular music and offering new perspectives on their function and significance within the production of popular music heritage. Bringing together recent research based on extensive fieldwork from scholars of popular music studies, cultural sociology, and museum studies, alongside the new insights of practice-based considerations of current practitioners within the field of popular music heritage, this is the first collection to address the interdisciplinary interest in situating popular music histories, heritages, and pasts. The book will therefore appeal to a wide and growing academic readership focused on issues of heritage, cultural memory, and popular music, and provide a timely intervention in a field of study that is engaging scholars from across a broad spectrum of disciplinary backgrounds and theoretical perspectives"-- Provided by publisher.
  • Introduction: Locating popular music heritage / Sara Cohen, Les Roberts, Robert Knifton, and Marion Leonard
  • Part 1. Problematizing popular music heritage
  • Popular music and the 'problem' of heritage / Andy Bennett
  • The heritage obsession: the history of rock and challenges of 'museum mummification'. A French perspective / Philippe Le Guern
  • Part 2. Mapping, music and memory
  • Mapping the politics of 'race', place and memory in Liverpool's popular music heritage / Brett Lashua
  • 'Still here?': a geospatial survey of Welsh-language popular music / Craig Owen Jones
  • Part 3. Archives and virtual sites of memory
  • 'Fillin' in any blanks I can': online archival practice and virtual sites of musical memory / Jez Collins and Paul Long
  • Locating the 'Bristol sound': archiving music as everyday life / Michelle Henning and Rehan Hyder
  • Saving 'rubbish': preserving popular music's material culture in amateur archives and museums / Sarah Baker and Alison Huber
  • Intangible cultural heritage and the Women's Liberation Music Archive / Deborah M. Withers
  • Part 4. Nostalgia and heritage practices
  • 'You had to be there': memories of the Glasgow Apollo audience / Kenny Forbes
  • Engaging nostalgia: popular music and memory in museums / Marion Leonard and Robert Knifton
  • The remembering: heritage-work at US progressive-rock festivals, 1993-2012 / Timothy J. Dowd
  • Part 5. Pilgrimage and sacred sites
  • Pilgrimage, place, and preservation: the real and imagined geography of the Grateful Dead in song, on tour, and in cyberspace / John V. Ward
  • Putting the psycho in psychogeography: Tom Vague's musical mapping of Notting Hill / Alex Lawrey
  • Unveiling memory: blue plaques as in/tangible markers of popular music heritage / Les Roberts and Sara Cohen
  • Why I didn't go down to the Delta: the cultural politics of blues tourism / Mark Duffett.
"This volume examines the location of memories and histories of popular music and its multiple pasts, exploring the different 'places' in which popular music can be situated, including the local physical site, the museum storeroom and exhibition space, and the digitized archive and display space made possible by the internet. Contributors from a broad range of disciplines such as archive studies, popular music studies, media and cultural studies, leisure and tourism, sociology, museum studies, communication studies, cultural geography, and social anthropology visit the specialized locus of popular music histories and heritage, offering diverse set of approaches. Popular music studies has increasingly engaged with popular music histories, exploring memory processes and considering identity, collective and cultural memory, and notions of popular culture's heritage values, yet few accounts have spatially located such trends to focus on the spaces and places where we encounter and engender our relationship with popular music's history and legacies. This book offers a timely re-evaluation of such sites, reinserting them into the narratives of popular music and offering new perspectives on their function and significance within the production of popular music heritage. Bringing together recent research based on extensive fieldwork from scholars of popular music studies, cultural sociology, and museum studies, alongside the new insights of practice-based considerations of current practitioners within the field of popular music heritage, this is the first collection to address the interdisciplinary interest in situating popular music histories, heritages, and pasts. The book will therefore appeal to a wide and growing academic readership focused on issues of heritage, cultural memory, and popular music, and provide a timely intervention in a field of study that is engaging scholars from across a broad spectrum of disciplinary backgrounds and theoretical perspectives"-- Provided by publisher.
Music Library
Status of items at Music Library
Music Library Status
Stacks
ML3918 .P67 S58 2015 Unavailable On order Request
Book
xxi, 252 pages : illustrations ; 24 cm.
  • What is social network analysis? / Nick Crossley, Siobhan McAndrew and Paul Widdop
  • Totally wired : the network of structure of post-punk worlds of Liverpool, Manchester and Sheffield, 1976-1980 / Nick Crossley
  • Symbolic versus commercial success among British female composers / Siobhan McAndrew and Martin Everett
  • Music consumption : networks and omnivorism / Paul Widdop - Between social worlds and local scenes : patterns of collaboration in francophone rap music / Karim Hamou
  • Embracing difference in feminist music worlds : a Ladyfest case study / Susan O'Shea
  • The enabling qualities of Manchester's open mic network / Tim Edensor, Paul Hepburn and Nigel Richards
  • Exploring music careers : music graduates and early career trajectories in UK / Robert Comunian, Alessandra Faggian and Sarah Jewell
  • Tastes, ties and social space : exploring Sheffield's folk singing world / Fay Hield and Nick Crossley-- The jazz world / Siobhan McAndrew, Paul Widdop and Rachel Stevenson.
"Social networks are critical for the creation and consumption of music. An edited collection, Social Networks and Music Worlds introduces students and scholars of music in society through the core concepts and tools of social network analysis. The collection showcases their use by sociologists, historians and musicologists examining, in turn, the punk, jazz, folk, classical music, Riot Grrrl, indie acoustic, R&B and calypso scenes. An overarching introduction is provided by leading network scholar and cultural sociologist Nick Crossley. The collection builds upon insights from canonic texts in the sociology of music, with the crucial innovation of examining musical network interaction via formal methods. With network analysis in the arts and humanities at an emergent stage, Social Networks and Music Worlds highlights its possibilities for non-scientists. Contributions hail from leading and emerging scholars who present social network graphs to represent different music worlds, locating individuals, resources and styles within them. The collection sits at the nexus of sociological, musicological and cultural studies traditions. Its range should ensure a large scholarly readership"--Provided by publisher.
  • What is social network analysis? / Nick Crossley, Siobhan McAndrew and Paul Widdop
  • Totally wired : the network of structure of post-punk worlds of Liverpool, Manchester and Sheffield, 1976-1980 / Nick Crossley
  • Symbolic versus commercial success among British female composers / Siobhan McAndrew and Martin Everett
  • Music consumption : networks and omnivorism / Paul Widdop - Between social worlds and local scenes : patterns of collaboration in francophone rap music / Karim Hamou
  • Embracing difference in feminist music worlds : a Ladyfest case study / Susan O'Shea
  • The enabling qualities of Manchester's open mic network / Tim Edensor, Paul Hepburn and Nigel Richards
  • Exploring music careers : music graduates and early career trajectories in UK / Robert Comunian, Alessandra Faggian and Sarah Jewell
  • Tastes, ties and social space : exploring Sheffield's folk singing world / Fay Hield and Nick Crossley-- The jazz world / Siobhan McAndrew, Paul Widdop and Rachel Stevenson.
"Social networks are critical for the creation and consumption of music. An edited collection, Social Networks and Music Worlds introduces students and scholars of music in society through the core concepts and tools of social network analysis. The collection showcases their use by sociologists, historians and musicologists examining, in turn, the punk, jazz, folk, classical music, Riot Grrrl, indie acoustic, R&B and calypso scenes. An overarching introduction is provided by leading network scholar and cultural sociologist Nick Crossley. The collection builds upon insights from canonic texts in the sociology of music, with the crucial innovation of examining musical network interaction via formal methods. With network analysis in the arts and humanities at an emergent stage, Social Networks and Music Worlds highlights its possibilities for non-scientists. Contributions hail from leading and emerging scholars who present social network graphs to represent different music worlds, locating individuals, resources and styles within them. The collection sits at the nexus of sociological, musicological and cultural studies traditions. Its range should ensure a large scholarly readership"--Provided by publisher.
Music Library
Status of items at Music Library
Music Library Status
Stacks
ML3916 .S655 2015 Unknown
Book
xxxii, 391 pages : illustrations ; 26 cm
  • Learning to Listen Actively
  • Medieval, Renaissance, and Baroque Music
  • Classical and Romantic Music
  • The Twentieth Century and Beyond : Modernism and Jazz
  • Form
  • Timbre : The Character of a Sound
  • Rhythm and Meter
  • Melody
  • Harmony and Texture
  • Music and Text
  • Music and Drama
  • Instrumental Music and Meaning.
  • Learning to Listen Actively
  • Medieval, Renaissance, and Baroque Music
  • Classical and Romantic Music
  • The Twentieth Century and Beyond : Modernism and Jazz
  • Form
  • Timbre : The Character of a Sound
  • Rhythm and Meter
  • Melody
  • Harmony and Texture
  • Music and Text
  • Music and Drama
  • Instrumental Music and Meaning.
Music Library
Status of items at Music Library
Music Library Status
Stacks
MT6 .W1666 2015 Unknown
Music score
1 score (iv, 32 p.) ; 30 cm.
Music Library
Status of items at Music Library
Music Library Status
Scores
(no call number) Unavailable In process Request
Book
xviii, 299 pages ; 24 cm.
"Search the Internet for the 100 best songs or best albums. Dozens of lists will appear from aficionados to major music personalities. But what if you not only love listening to the blues or country music or jazz or rock, you love reading about it, too. How do you separate what matters from what doesn't among the hundreds--sometimes thousands--of books on the music you so love? In the Best Music Books series, readers finally have a quick-and-ready list of the most important works published on modern major music genres by leading experts. In 100 Books Every Blues Fan Should Own, Edward Komara, former Blues Archivist of the University of Mississippi, and his successor Greg Johnson select those histories, biographies, surveys, transcriptions and studies from the many hundreds of works that have been published about this vital American musical genre. Komara and Johnson provide a short description of the contents and the achievement of each title selected for their "Blues 100." Entries include full bibliographic citations, prices of copies in print, and even descriptions of specific editions for book collectors. 100 Books Every Blues Fan Should Own also includes suggested blues recordings to accompany each recommended work, as well as a concluding section on key reference titles--or as Komara and Johnson phrase it: "The Books behind the Blues 100." 100 Books Every Blues Fan Should Own serves as a guide for any blues fan looking for a road map through the history of--and even history of the scholarship on--the blues. Here Komara and Johnson answer the question of not only what is a "blues" book, but which ones are worth owning." -- Publisher's description.
"Search the Internet for the 100 best songs or best albums. Dozens of lists will appear from aficionados to major music personalities. But what if you not only love listening to the blues or country music or jazz or rock, you love reading about it, too. How do you separate what matters from what doesn't among the hundreds--sometimes thousands--of books on the music you so love? In the Best Music Books series, readers finally have a quick-and-ready list of the most important works published on modern major music genres by leading experts. In 100 Books Every Blues Fan Should Own, Edward Komara, former Blues Archivist of the University of Mississippi, and his successor Greg Johnson select those histories, biographies, surveys, transcriptions and studies from the many hundreds of works that have been published about this vital American musical genre. Komara and Johnson provide a short description of the contents and the achievement of each title selected for their "Blues 100." Entries include full bibliographic citations, prices of copies in print, and even descriptions of specific editions for book collectors. 100 Books Every Blues Fan Should Own also includes suggested blues recordings to accompany each recommended work, as well as a concluding section on key reference titles--or as Komara and Johnson phrase it: "The Books behind the Blues 100." 100 Books Every Blues Fan Should Own serves as a guide for any blues fan looking for a road map through the history of--and even history of the scholarship on--the blues. Here Komara and Johnson answer the question of not only what is a "blues" book, but which ones are worth owning." -- Publisher's description.
Music Library
Status of items at Music Library
Music Library Status
Reference (non-circulating)
ML128 .B49 K65 2014 In-library use
Book
xxiii, 185 pages ; 24 cm.
Music Library
Status of items at Music Library
Music Library Status
Reference (non-circulating)
ML128 .F74 W45 2014 In-library use
Music score
1 score (36 pages) + 5 parts ; 31 cm
  • Introduction to the dance party
  • Salsa pasada
  • MOR easy listening slow dance ballad
  • Dance party on the disco motorboat.
  • Introduction to the dance party
  • Salsa pasada
  • MOR easy listening slow dance ballad
  • Dance party on the disco motorboat.
Music Library
Status of items at Music Library
Music Library Status
Scores
M572 .K39 O5 2014 Unavailable At bindery Request
Music score
1 study score (101 p.) ; 32 cm.
Music Library
Status of items at Music Library
Music Library Status
Scores
(no call number) Unavailable In process Request
Music score
2 playing scores (35 p. each) ; 30 cm.
Music Library
Status of items at Music Library
Music Library Status
Scores
(no call number) Unavailable In process Request
Book
xxii, 308 pages : music, charts ; 29 cm.
Music Library
Status of items at Music Library
Music Library Status
Stacks
ML3082 .B17 O6 2014 Unknown
Music recording
2 audio discs : CD audio, digital ; 4 3/4 in. Digital: audio file; CD audio.
  • disc 1. Violin concerto, op. 14 / Barber (New York Philharmonic ; David Robertson, conductor) (23:11)
  • Violin concerto "To the memory of an angel" / Berg (Staatskapelle Dresden ; David Robertson, conductor) (27:29)
  • Concerto funebre : for solo violin and string orchestra / Hartmann (Sejong Soloists)
  • disc 2. Violin concerto in D major / Stravinsky (BBC Symphony Orchestra ; David Robertson, conductor) (21:39)
  • Violin concerto in D minor, op. 15 / Britten (Boston Symphony Orchestra ; Juanjo Mena, conductor) (32:44).
  • disc 1. Violin concerto, op. 14 / Barber (New York Philharmonic ; David Robertson, conductor) (23:11)
  • Violin concerto "To the memory of an angel" / Berg (Staatskapelle Dresden ; David Robertson, conductor) (27:29)
  • Concerto funebre : for solo violin and string orchestra / Hartmann (Sejong Soloists)
  • disc 2. Violin concerto in D major / Stravinsky (BBC Symphony Orchestra ; David Robertson, conductor) (21:39)
  • Violin concerto in D minor, op. 15 / Britten (Boston Symphony Orchestra ; Juanjo Mena, conductor) (32:44).
Music Library
Status of items at Music Library
Music Library Status
Recordings
MCD 26355 Unknown
Music score
4 parts ; 30 cm.
Music Library
Status of items at Music Library
Music Library Status
Scores
(no call number) Unavailable In process Request
Video
1 videodisc (96 min.) : DVD video, sound, color ; 4 3/4 in. Sound: PCM mono; DTS 5.1. Video: DVD video; NTSC. Digital: DVD; Region 0.
Music Library
Status of items at Music Library
Music Library Status
Recordings
MDVD 1770 Unavailable In process

16. 24 Preludes [2014]

Music score
viii, 117 pages of music : facsims. ; 31 cm.
  • Opus 3 Nr. 2
  • Opus 23 Nr. 1-10
  • Opus 32 Nr. 1-13.
  • Opus 3 Nr. 2
  • Opus 23 Nr. 1-10
  • Opus 32 Nr. 1-13.
Music Library
Status of items at Music Library
Music Library Status
Scores
M22 .R11 P9 2014 Unavailable In transit Request
Music score
1 score (147 p.) ; 31 cm
Music Library
Status of items at Music Library
Music Library Status
Scores
M1037.4 .G8 C349 2014 Unavailable At bindery Request
Music score
xv, 37 p. of music ; 31 cm.
Music Library
Status of items at Music Library
Music Library Status
Scores
(no call number) Unavailable In process Request
Music score
1 score (50 p.) + 3 parts ; 31 cm.
Music Library
Status of items at Music Library
Music Library Status
Scores
(no call number) Unavailable In process Request
Music score
1 score (xxiii, 67 p.) + 4 parts : 1 facsim. ; 31 cm.
Music Library
Status of items at Music Library
Music Library Status
Scores
AUTO Unavailable In process Request
AUTO Unavailable In process Request