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Music score
1 score (liii, 209 pages) ; 31 cm.
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(no call number) Unavailable In process
Music score
1 vocal score (viii, 98 pages) ; 31 cm.
  • Se di lauri il crine adorno : aria for tenor (second draft), no. 8 in Mitridate, re di Ponto, K. 87/74a
  • Lungi da te, mio bene : aria for soprano (first draft), no. 13 in Mitridate, re di Ponto, K. 87/74a
  • Nel grave tormento : aria for soprano (first draft), no. 14 in Mitridate, re di Ponto, K. 87/74a
  • Der Liebe himmlisches Gefühl : aria for soprano, K. 119/382h
  • In te spero, o sposo amato : aria for soprano, K. 440/383h
  • Müsst ich auch durch tausend Drachen : aria for tenor, K. 435/416b
  • Ah! spiegarti, oh Dio, vorrei : rejected insertion aria for soprano, K. 178/417e, written for Pasquale Anfossi's Il curioso indiscreto
  • Giunse il momento alfine-- Non tardar, amato bene : rejected act-4 scena for soprano, written for Le nozze di Figaro, K. 492
  • Schon lacht der holde Frühling : insertion aria for soprano, K. 580, written for Giovanni Paisiello's Der Barbier von Seviglia (Il barbiere di Siviglia).
  • Se di lauri il crine adorno : aria for tenor (second draft), no. 8 in Mitridate, re di Ponto, K. 87/74a
  • Lungi da te, mio bene : aria for soprano (first draft), no. 13 in Mitridate, re di Ponto, K. 87/74a
  • Nel grave tormento : aria for soprano (first draft), no. 14 in Mitridate, re di Ponto, K. 87/74a
  • Der Liebe himmlisches Gefühl : aria for soprano, K. 119/382h
  • In te spero, o sposo amato : aria for soprano, K. 440/383h
  • Müsst ich auch durch tausend Drachen : aria for tenor, K. 435/416b
  • Ah! spiegarti, oh Dio, vorrei : rejected insertion aria for soprano, K. 178/417e, written for Pasquale Anfossi's Il curioso indiscreto
  • Giunse il momento alfine-- Non tardar, amato bene : rejected act-4 scena for soprano, written for Le nozze di Figaro, K. 492
  • Schon lacht der holde Frühling : insertion aria for soprano, K. 580, written for Giovanni Paisiello's Der Barbier von Seviglia (Il barbiere di Siviglia).
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Stacks (Limited loan)
(no call number) Unavailable In process

3. Iolanta [2012]

Music recording
2 audio discs (68:25; 24:41) : digital CD audio : 4 3/4 in. Sound: digital; optical. Digital: audio file; CD audio.
Music Library
Status of items at Music Library
Music Library Status
Recordings
MCD 27295 Unknown
Book
191 p. : ill. (chiefly col.) ; 31 cm.
  • Avant-propos / Delphine Pinasa -- Éditorial / Jérôme Deschamps -- Introduction / Agnès Terrier -- Costume, répertoire et société à l'Opéra Comique -- Les spectacles de la Foire et l'Opéra-Comique, pionniers de la réforme du costume au premier XVIIIe siècle -- Les sabots de Justine Favart -- "Un habit d'homme pour une bête ?" -- 36 Le costume d'opéra-comique pendant la Révolution et le début du Consulat (1789-1801) -- L'atelier de costumes - sa politique et son organisation (1801-1832) -- Costume, répertoire et société à l'Opéra-Comique (1801-1848) -- "Une affaire de la plus haute importance", le costume et la pose chez la créatrice de -- Les costumes de l'Opéra Comique sous la direction d'Albert Carré (1898-194) -- Trésors, secrets et patrimoine -- La renaissance des ateliers de couture de l'Opéra Comique -- Cinq créateurs costumes à la Salle Favart.
"En 2015, l'Opéra Comique célèbre son tricentenaire au Centre national du costume de scène, dans la ville natale de l'un de ses premiers compositeurs, Antoine Dauvergne. Dernier né des plus anciennes institutions théâtrales de France, après l'Opéra de Paris et la Comédie-Française, l'Opéra Comique a toujours conjugué création et tradition à travers les métamorphoses de son genre éminemment populaire, l'opéra-comique. Son histoire mouvementée, son art du spectacle et les chefs-d'oeuvre de son répertoire, emblèmes de notre patrimoine musical, revivent à travers une centaine de costumes, des plus anciens du CNCS aux plus récemment produits par le Central Costumes du théâtre, dont les savoir-faire et les réalisations sous la direction de Jérôme Deschamps sont aussi à l'honneur dans cet ouvrage. Dès le XVIIIe siècle se dessinent les trois spécificités de cet art tricentenaire : la vérité, le caractère et la fantaisie."--P. [4] of cover.
  • Avant-propos / Delphine Pinasa -- Éditorial / Jérôme Deschamps -- Introduction / Agnès Terrier -- Costume, répertoire et société à l'Opéra Comique -- Les spectacles de la Foire et l'Opéra-Comique, pionniers de la réforme du costume au premier XVIIIe siècle -- Les sabots de Justine Favart -- "Un habit d'homme pour une bête ?" -- 36 Le costume d'opéra-comique pendant la Révolution et le début du Consulat (1789-1801) -- L'atelier de costumes - sa politique et son organisation (1801-1832) -- Costume, répertoire et société à l'Opéra-Comique (1801-1848) -- "Une affaire de la plus haute importance", le costume et la pose chez la créatrice de -- Les costumes de l'Opéra Comique sous la direction d'Albert Carré (1898-194) -- Trésors, secrets et patrimoine -- La renaissance des ateliers de couture de l'Opéra Comique -- Cinq créateurs costumes à la Salle Favart.
"En 2015, l'Opéra Comique célèbre son tricentenaire au Centre national du costume de scène, dans la ville natale de l'un de ses premiers compositeurs, Antoine Dauvergne. Dernier né des plus anciennes institutions théâtrales de France, après l'Opéra de Paris et la Comédie-Française, l'Opéra Comique a toujours conjugué création et tradition à travers les métamorphoses de son genre éminemment populaire, l'opéra-comique. Son histoire mouvementée, son art du spectacle et les chefs-d'oeuvre de son répertoire, emblèmes de notre patrimoine musical, revivent à travers une centaine de costumes, des plus anciens du CNCS aux plus récemment produits par le Central Costumes du théâtre, dont les savoir-faire et les réalisations sous la direction de Jérôme Deschamps sont aussi à l'honneur dans cet ouvrage. Dès le XVIIIe siècle se dessinent les trois spécificités de cet art tricentenaire : la vérité, le caractère et la fantaisie."--P. [4] of cover.
Music Library
Status of items at Music Library
Music Library Status
Stacks
ML1727.8 .P37 O587 2015 Unavailable On order Request
Book
159 pages : illustrations, portraits, music ; 25 cm.
Green Library
Status of items at Green Library
Green Library Status
Stacks Find it
MT100 .B778 M42 2015 Unavailable In process Request
Video
1 videodisc (96 min.) : DVD video, sound, color ; 4 3/4 in. Sound: PCM mono; DTS 5.1. Video: DVD video; NTSC. Digital: DVD; Region 0.
Music Library
Status of items at Music Library
Music Library Status
Recordings
MDVD 1770 Unavailable In process
Music recording
1 online resource (1 sound file)
  • Ariadne auf Naxos, op. 60, TrV 228a. Grossmächtige Prinzessin, wer verstunde nicht / Richard Strauss (Ilse Hollweg, soprano ; Dusseldorf Symphony Orchestra ; Arnold Quennet, conductor) (11:18)
  • Rigoletto. Pari siamo! (Anneliese Rothenberger, soprano ; Heinz Imdahl, bass-baritone ; Dusseldorf Symphony Orchestra ; Duisburger Philharmoniker ; Alberto Erede, conductor) (14:25) ; Macbeth. Den vollen Becher lasst froh uns heben (Astrid Varnay, soprano ; Heinz Imdahl, bass-baritone ; Dusseldorf Symphony Orchestra ; Alberto Erede, conductor) (8:18) / Giuseppe Verdi
  • Der Rosenkavalier, op. 59, TrV 227. Sei er doch gut, Quinquin ; Mein schöner Schatz / Richard Strauss (Hanna Ludwig, contralto ; Hilde Zadek, soprano ; Dusseldorf Symphony Orchestra ; Arnold Quennet, conductor) (9:16)
  • Aida. Als Sieger kehre heim! / Giuseppe Verdi (Ingrid Bjoner, soprano ; Duisburger Philharmoniker ; Arnold Quennet, conductor) (5:53)
  • Boris Godunov. Funeral bell and death of Boris / Modest Petrovich Mussorgsky (Brigitte Durrler, soprano ; Martti Talvela, bass ; Dusseldorf Symphony Orchestra ; Arnold Quennet, conductor) (9:18)
  • Tosca. Ah! Franchigia a Floria Tosca ; Com'e lunga l'attesa! / Giacomo Puccini (Hana Janku, soprano ; William Holley, Wolf Appel, tenors ; Karl Vullings, vocals ; Dusseldorf Symphony Orchestra ; Giuseppe Patane, conductor) (14:09).
  • La cenerentola. Nacqui all'affano/ Non piu mesta / Gioachino Rossini (Julia Hamari, contralto ; Dusseldorf Symphony Orchestra ; Deutschen Oper am Rhein Chorus ; Alberto Erede, conductor) (6:42)
  • Rusalka, op. 114, B. 203. Mesicku na nebi hlubokem / Antonin Dvorak (Hildegard Behrens, soprano ; Dusseldorf Symphony Orchestra ; Peter Schneider, conducto) (5:32)
  • Pagliacci. Si puo? Si puo? / Ruggero Leoncavallo (Eugene Holmes, baritone ; Dusseldorf Symphony Orchestra ; Hector Urbon, conductor) (6:07)
  • La boheme. D'onde lieta usci/Dunque e proprio finita! / Giacomo Puccini (Lilian Sukis, Nassrin Azarmi, sopranos ; Georgi Tscholakoff, tenor ; Eugene Holmes, baritone ; Dusseldorf Symphony Orchestra ; Alberto Erede, conductor) (8:23)
  • Bluthochzeit. Dein Vater nahm mich mit / Wolfgang Fortner (Martha Modl, mezzo-soprano ; Udo Bodnik, vocals ; Dusseldorf Symphony Orchestra ; Hans Wallat, conductor) (2:20)
  • Tosca. Tre sbirri, una carrozza/Te Deum / Giacomo Puccini (Wilhelm Richter, tenor ; Zenon Kosnowski, bass ; Dusseldorf Symphony Orchestra ; Duisburger Philharmoniker ; Janos Kulka, conductor) (3:55)
  • Manon. Toi!-- vous!-- Oui, c'est moi! / Jules Massenet (Alexandra von der Weth, soprano ; Serghei Khomov, tenor ; Dusseldorf Symphony Orchestra ; Baldo Podic, conductor) (8:23)
  • Il ritorno d'Ulisse in patria. Io viddi per vendetta / Claudio Monteverdi (Mariselle Martinez, mezzo-soprano ; Tassis Christoyannis, baritone ; Dusseldorf Symphony Orchestra ; Andreas Stoehr, conductor) (6:02)
  • Pagliacci. Qual fiamma avea nel guardo/Stridono lassu / Ruggero Leoncavallo (Nataliya Kovalova, soprano ; Duisburger Philharmoniker ; John Fiore, conductor) (5:01)
  • Il tabarro. Nulla! Silenzio! / Giacomo Puccini (Therese Waldner, soprano ; Angelo Simos, tenor ; Gordon Hawkins, baritone ; Dusseldorf Symphony Orchestra ; John Fiore, conductor) (7:29)
  • Hamlet. A vos jeux, mes amis/Et maintenant ecoutez ma chanson! / Ambroise Thomas (Marlis Petersen, soprano ; Dusseldorf Symphony Orchestra ; Alexander Joel, conductor).
  • Ariadne auf Naxos, op. 60, TrV 228a. Grossmächtige Prinzessin, wer verstunde nicht / Richard Strauss (Ilse Hollweg, soprano ; Dusseldorf Symphony Orchestra ; Arnold Quennet, conductor) (11:18)
  • Rigoletto. Pari siamo! (Anneliese Rothenberger, soprano ; Heinz Imdahl, bass-baritone ; Dusseldorf Symphony Orchestra ; Duisburger Philharmoniker ; Alberto Erede, conductor) (14:25) ; Macbeth. Den vollen Becher lasst froh uns heben (Astrid Varnay, soprano ; Heinz Imdahl, bass-baritone ; Dusseldorf Symphony Orchestra ; Alberto Erede, conductor) (8:18) / Giuseppe Verdi
  • Der Rosenkavalier, op. 59, TrV 227. Sei er doch gut, Quinquin ; Mein schöner Schatz / Richard Strauss (Hanna Ludwig, contralto ; Hilde Zadek, soprano ; Dusseldorf Symphony Orchestra ; Arnold Quennet, conductor) (9:16)
  • Aida. Als Sieger kehre heim! / Giuseppe Verdi (Ingrid Bjoner, soprano ; Duisburger Philharmoniker ; Arnold Quennet, conductor) (5:53)
  • Boris Godunov. Funeral bell and death of Boris / Modest Petrovich Mussorgsky (Brigitte Durrler, soprano ; Martti Talvela, bass ; Dusseldorf Symphony Orchestra ; Arnold Quennet, conductor) (9:18)
  • Tosca. Ah! Franchigia a Floria Tosca ; Com'e lunga l'attesa! / Giacomo Puccini (Hana Janku, soprano ; William Holley, Wolf Appel, tenors ; Karl Vullings, vocals ; Dusseldorf Symphony Orchestra ; Giuseppe Patane, conductor) (14:09).
  • La cenerentola. Nacqui all'affano/ Non piu mesta / Gioachino Rossini (Julia Hamari, contralto ; Dusseldorf Symphony Orchestra ; Deutschen Oper am Rhein Chorus ; Alberto Erede, conductor) (6:42)
  • Rusalka, op. 114, B. 203. Mesicku na nebi hlubokem / Antonin Dvorak (Hildegard Behrens, soprano ; Dusseldorf Symphony Orchestra ; Peter Schneider, conducto) (5:32)
  • Pagliacci. Si puo? Si puo? / Ruggero Leoncavallo (Eugene Holmes, baritone ; Dusseldorf Symphony Orchestra ; Hector Urbon, conductor) (6:07)
  • La boheme. D'onde lieta usci/Dunque e proprio finita! / Giacomo Puccini (Lilian Sukis, Nassrin Azarmi, sopranos ; Georgi Tscholakoff, tenor ; Eugene Holmes, baritone ; Dusseldorf Symphony Orchestra ; Alberto Erede, conductor) (8:23)
  • Bluthochzeit. Dein Vater nahm mich mit / Wolfgang Fortner (Martha Modl, mezzo-soprano ; Udo Bodnik, vocals ; Dusseldorf Symphony Orchestra ; Hans Wallat, conductor) (2:20)
  • Tosca. Tre sbirri, una carrozza/Te Deum / Giacomo Puccini (Wilhelm Richter, tenor ; Zenon Kosnowski, bass ; Dusseldorf Symphony Orchestra ; Duisburger Philharmoniker ; Janos Kulka, conductor) (3:55)
  • Manon. Toi!-- vous!-- Oui, c'est moi! / Jules Massenet (Alexandra von der Weth, soprano ; Serghei Khomov, tenor ; Dusseldorf Symphony Orchestra ; Baldo Podic, conductor) (8:23)
  • Il ritorno d'Ulisse in patria. Io viddi per vendetta / Claudio Monteverdi (Mariselle Martinez, mezzo-soprano ; Tassis Christoyannis, baritone ; Dusseldorf Symphony Orchestra ; Andreas Stoehr, conductor) (6:02)
  • Pagliacci. Qual fiamma avea nel guardo/Stridono lassu / Ruggero Leoncavallo (Nataliya Kovalova, soprano ; Duisburger Philharmoniker ; John Fiore, conductor) (5:01)
  • Il tabarro. Nulla! Silenzio! / Giacomo Puccini (Therese Waldner, soprano ; Angelo Simos, tenor ; Gordon Hawkins, baritone ; Dusseldorf Symphony Orchestra ; John Fiore, conductor) (7:29)
  • Hamlet. A vos jeux, mes amis/Et maintenant ecoutez ma chanson! / Ambroise Thomas (Marlis Petersen, soprano ; Dusseldorf Symphony Orchestra ; Alexander Joel, conductor).

8. Abandoned [2014]

Music score
1 score (21 pages) + 3 parts ; 30 cm
Music Library
Status of items at Music Library
Music Library Status
Scores
M1500 .I36 A1 2014 Unavailable In transit Request

9. Adriana Lecouvreur [2014]

Music recording
2 audio discs (132:23) ; 4 3/4 in. Sound: digital; mono. Digital: audio file; CD audio.
Music Library
Status of items at Music Library
Music Library Status
Recordings
(no call number) Unavailable In process
Book
x, 315 pages : illustrations ; 25 cm
Music Library
Status of items at Music Library
Music Library Status
Stacks
ML1720 .B47 2014 Unknown
Book
402 p. : ill. (1 color), music ; 24 cm.
  • La costruzione del personaggio-Zandonai negli anni della formazione e delle prime realizzazioni artistiche / Diego Cescotti
  • "Qui dove gonfio l'Adige--" ; note su Zandonai e le tematiche politiche del Trentino nel primo '900 / Fabrizio Rasera
  • Scelte petiche e predilezioni letterarie del giovane Zandonai / Adriana Guarnieri Corazzol
  • Le liriche da camera di Riccardo Zandonai tra apprendistato e prima maturità / Federica Fortunato
  • L'incontro con Giovanni Pascoli libretista e poeta / Annarita Zazzaroni
  • Tradizione italiana, influssi francesi e tedeschi nelle opere del primo Zandonai / Guido Salvetti
  • Thoughts on diegetic music in the early operas of Zandonai / David Rosen
  • Conchita, une étape fondamentale dans le parcours creatif de Riccardo Zandonai / Emmanuelle Bousquet
  • Conchita : the brink of an abyss / Roger Parker
  • La via della finestra : antidoto all'Apocalisse o risposta ad un impegno morale? / Carlo Todeschi
  • Suono, luce e forma in tre opere strumentali di Riccardo Zandonai / Saverio Porry Pastorel
  • Giuseppe Palanti, scenografo per Zandonai : la messa in scena dell prima di Conchita / Maria Ida Biggi
  • Vie giuste, vie traverse e sensi unici nella librettistica italiana del primo Novecento / Jürgen Maehder
  • Un re gettò la coppa nell'abisso : il primo testo d'opera di Riccardo Zandonai e la tradizione librettistica italiana dell'Ottocento
  • La costruzione del personaggio-Zandonai negli anni della formazione e delle prime realizzazioni artistiche / Diego Cescotti
  • "Qui dove gonfio l'Adige--" ; note su Zandonai e le tematiche politiche del Trentino nel primo '900 / Fabrizio Rasera
  • Scelte petiche e predilezioni letterarie del giovane Zandonai / Adriana Guarnieri Corazzol
  • Le liriche da camera di Riccardo Zandonai tra apprendistato e prima maturità / Federica Fortunato
  • L'incontro con Giovanni Pascoli libretista e poeta / Annarita Zazzaroni
  • Tradizione italiana, influssi francesi e tedeschi nelle opere del primo Zandonai / Guido Salvetti
  • Thoughts on diegetic music in the early operas of Zandonai / David Rosen
  • Conchita, une étape fondamentale dans le parcours creatif de Riccardo Zandonai / Emmanuelle Bousquet
  • Conchita : the brink of an abyss / Roger Parker
  • La via della finestra : antidoto all'Apocalisse o risposta ad un impegno morale? / Carlo Todeschi
  • Suono, luce e forma in tre opere strumentali di Riccardo Zandonai / Saverio Porry Pastorel
  • Giuseppe Palanti, scenografo per Zandonai : la messa in scena dell prima di Conchita / Maria Ida Biggi
  • Vie giuste, vie traverse e sensi unici nella librettistica italiana del primo Novecento / Jürgen Maehder
  • Un re gettò la coppa nell'abisso : il primo testo d'opera di Riccardo Zandonai e la tradizione librettistica italiana dell'Ottocento
Music Library
Status of items at Music Library
Music Library Status
Stacks
ML410 .Z277 C65 2011 Unknown
Book
xvii, 365 pages : illustrations, music ; 23 cm
Music Library
Status of items at Music Library
Music Library Status
Stacks
ML410 .M765 A44 2014 Unknown
Book
404 p. : ill. ; 21 cm.
Green Library
Status of items at Green Library
Green Library Status
Stacks Find it
PQ4835 .A3 Z96 2014 Unknown
Book
xxxv, 705 pages ; 24 cm
Stanford University Libraries
Status of items at Stanford University Libraries
Stanford University Libraries Status
On order
(no call number) Unavailable On order Request

15. Arabella [2014]

Video
2 videodiscs (178 min.) : DVD video, sound, color ; 4 3/4 in. Sound: digital; optical; PCM stereo; DTS 5.1. Video: DVD video; NTSC. Digital: video file; DVD video; region code 0.
"Arabella revolves around the true love between two very different couples - the love that unites two people forever "in joy and sorrow, hurt and forgiveness", as Arabella herself puts it at the end of the opera"--Container.
"Arabella revolves around the true love between two very different couples - the love that unites two people forever "in joy and sorrow, hurt and forgiveness", as Arabella herself puts it at the end of the opera"--Container.
Music Library
Status of items at Music Library
Music Library Status
Recordings
MDVD 1803 Unknown
Video
1 videodisc (ca. 121 min.) : digital ; 4 3/4 in.
Director Katharina Thoma sets Richard Strauss's comedy in a country house in the South Downs, immediately before and during the Second World War. The librettist Hugo von Hofmannsthals' conceit, that a hapless young composer has to accept the simultaneous performance of his new tragic opera with a burlesque from a commedia dell'arte troupe, is turned into a touching wartime drama of nurses, invalids, airmen and of painful delusions and soul-searching, before final happiness.
Director Katharina Thoma sets Richard Strauss's comedy in a country house in the South Downs, immediately before and during the Second World War. The librettist Hugo von Hofmannsthals' conceit, that a hapless young composer has to accept the simultaneous performance of his new tragic opera with a burlesque from a commedia dell'arte troupe, is turned into a touching wartime drama of nurses, invalids, airmen and of painful delusions and soul-searching, before final happiness.
Music Library
Status of items at Music Library
Music Library Status
Recordings
MDVD 1733 Unknown

17. Ariane à Naxos [2014]

Book
175 p. : ill. (some col.) ; 25 cm.
Green Library
Status of items at Green Library
Green Library Status
Stacks Find it
ML50 .S918 A7 2014 Unknown
Music score
1 score (xvii, 245 pages) ; 30 cm.
Music Library
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Music Library Status
Scores
AUTO Unavailable In process Request
Music score
1 vocal score (x, 88 pages) ; 31 cm
  • Emmeline. So you've found the library? (baritone) ; Like a wood in Ireland (baritone) ; The railboad boys have arrived (bass)
  • Fantastic Mr. Fox. Farmer Bean's aria (baritone) ; Ah, the smell of the night (baritone) ; What has become of me? (baritone) ; Farmer Boggis' aria (bass)
  • Thérèse Raquin. Painting aria (baritone) ; Roses remind me of Vernon (baritone) ; Once there was a servant girl (bass) ; The Seine moves like a melody (bass)
  • An American tragedy. Car aria (baritone) ; Clyde's soliloquy (baritone)
  • Dolores Claiborne. Daddy go up, Daddy go down (baritone) ; I can look up the sky's skirt (baritone).
  • Emmeline. So you've found the library? (baritone) ; Like a wood in Ireland (baritone) ; The railboad boys have arrived (bass)
  • Fantastic Mr. Fox. Farmer Bean's aria (baritone) ; Ah, the smell of the night (baritone) ; What has become of me? (baritone) ; Farmer Boggis' aria (bass)
  • Thérèse Raquin. Painting aria (baritone) ; Roses remind me of Vernon (baritone) ; Once there was a servant girl (bass) ; The Seine moves like a melody (bass)
  • An American tragedy. Car aria (baritone) ; Clyde's soliloquy (baritone)
  • Dolores Claiborne. Daddy go up, Daddy go down (baritone) ; I can look up the sky's skirt (baritone).
Music Library
Status of items at Music Library
Music Library Status
Scores
(no call number) Unavailable In process Request
Music score
1 vocal score (xi, 94 pages) ; 31 cm
Music Library
Status of items at Music Library
Music Library Status
Scores
(no call number) Unavailable In process Request